"Why is Rachel always here? I want her to leave." Music Box Films has finally revealed the full US trailer for an acclaimed French film titled Other People's Children, which most recently stopped by the 2023 Sundance Film Festival a few months ago. It first premiered at the 2022 Venice Film Festival last fall, and also played at TIFF before opening in France last September. Rachel is a happy, 40-ish-year-old teacher who loves her life, her friends, her job, and even her exes. She is exploring the idea of having a child but is not desperate to have one. Intrigued, ambivalent about it at times — an authentic example of the conundrum many women around her age face. Everything changes when she meets a new man with a wonderful 4-year-old daughter. Virginie Efira stars as Rachel, along with Roschdy Zem, Chiara Mastroianni, Callie Ferreira-Goncalves, Yamée Couture, Henri-Noël Tabary, Victor Lefebvre, as well as Sébastien Pouderoux.
- 3/21/2023
- by Alex Billington
- firstshowing.net
A coming-of-age character study about a woman already of a certain age, Rebecca Zlotowski’s “Other People’s Children” feels, to put it bluntly, delightfully French. And that goes beyond the outer trappings, the Paris setting, the opening shot of the Eiffel Tower glittering in the night sky, or the countless dimly lit, book-lined apartments where the film’s characters enjoy wine and cigarettes, toasting to the pleasures of sophisticated adulthood.
Let those elements aside and consider this story of sentimental education in function and form: For one thing, . For another, consider this particular drama’s focus on complex emotional scales — finding story beats given Hollywood polish in “Jerry Maguire” and “Stepmom” and exploring them with a focus on the characters’ inner lives — flowing naturally from the French literary tradition. “Other People’s Children” leaves no doubt about its parentage.
Holding the screen for all 104 minutes, and using each one to display her apparently limitless range,...
Let those elements aside and consider this story of sentimental education in function and form: For one thing, . For another, consider this particular drama’s focus on complex emotional scales — finding story beats given Hollywood polish in “Jerry Maguire” and “Stepmom” and exploring them with a focus on the characters’ inner lives — flowing naturally from the French literary tradition. “Other People’s Children” leaves no doubt about its parentage.
Holding the screen for all 104 minutes, and using each one to display her apparently limitless range,...
- 9/4/2022
- by Ben Croll
- Indiewire
While waiting to pick up five-year-old Leila from judo practice, personable 40-ish schoolteacher Rachel introduces herself to another parent as Leila’s stepmom, before backtracking to awkwardly correct herself. Later, when a kindly stranger on a train remarks on the resemblance between the two, Rachel doesn’t bother clarifying, merely accepting the benign compliment. Her relationship to Leila is both unremarkably simple and complicated by an absence of clear language for it: She’s dating the girl’s father, and the attachment between woman and child has grown perhaps stronger than the relationship on which it depends. It’s the kind of delicate everyday situation that rarely occupies the centre of a film, and in the superb “Other People’s Children,” writer-director Rebecca Zlotowski negotiates it with warm intelligence and compassion.
Continuing in the relaxed, character-centered vein of 2019’s lovely “An Easy Girl” — the right direction to take after the starry...
Continuing in the relaxed, character-centered vein of 2019’s lovely “An Easy Girl” — the right direction to take after the starry...
- 9/4/2022
- by Guy Lodge
- Variety Film + TV
Click here to read the full article.
Released on Netflix in 2020 after premiering at Cannes the year before, An Easy Girl was an under-the-radar treat — a South-of-France-set coming-of-age film so lusciously tactile and perceptive it felt like a classic as soon as the closing credits began to roll. The writer-director, Rebecca Zlotowski, is back with a more conventional but equally winning work in Venice competition entry Other People’s Children (Les enfants des autres), confirming her gift for investing familiar formulas with freshness and charm, smarts and sexiness.
Anchored by a superb Virginie Efira (Benedetta) as a 40ish high-school teacher whose bond with her boyfriend’s daughter awakens a complicated mix of maternal yearning and midlife frustration, the movie has the typical contours of contemporary Parisian romantic dramedy: Good-looking people embrace, talk, smoke, sip wine, attend casually chic soirees, and embrace some more against the backdrop of a glittering Eiffel Tower...
Released on Netflix in 2020 after premiering at Cannes the year before, An Easy Girl was an under-the-radar treat — a South-of-France-set coming-of-age film so lusciously tactile and perceptive it felt like a classic as soon as the closing credits began to roll. The writer-director, Rebecca Zlotowski, is back with a more conventional but equally winning work in Venice competition entry Other People’s Children (Les enfants des autres), confirming her gift for investing familiar formulas with freshness and charm, smarts and sexiness.
Anchored by a superb Virginie Efira (Benedetta) as a 40ish high-school teacher whose bond with her boyfriend’s daughter awakens a complicated mix of maternal yearning and midlife frustration, the movie has the typical contours of contemporary Parisian romantic dramedy: Good-looking people embrace, talk, smoke, sip wine, attend casually chic soirees, and embrace some more against the backdrop of a glittering Eiffel Tower...
- 9/4/2022
- by Jon Frosch
- The Hollywood Reporter - Movie News
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