Daniel Lapaine as Lord “Lofty” Lofthouse.
When UK-based actor Daniel Lapaine was asked by his mate Tim Minchin to play his aggrieved brother in Lingo Pictures/Foxtel’s Upright, he was both surprised and delighted.
Surprised because it was his first role in an Australian production since he moved to the UK 20 years ago.
While he was filming Upright, director Tony Tilse and producer Fiona Eagger offered him the part of Lord “Lofty” Lofthouse in Miss Fisher and the Crypt of Tears, which opens on Thursday.
This week he began filming the second season of Hoodlum Entertainment/Network 10’s Five Bedrooms, directed by Peter Templeman, Fadia Abboud and Shirley Barrett.
“It was the longest comeback in Australian screen history,” Lapaine tells If. “I had been working mostly in theatre in London but also had the chance to appear in series like Catastrophe with Sharon Horgan and The Durrells. It...
When UK-based actor Daniel Lapaine was asked by his mate Tim Minchin to play his aggrieved brother in Lingo Pictures/Foxtel’s Upright, he was both surprised and delighted.
Surprised because it was his first role in an Australian production since he moved to the UK 20 years ago.
While he was filming Upright, director Tony Tilse and producer Fiona Eagger offered him the part of Lord “Lofty” Lofthouse in Miss Fisher and the Crypt of Tears, which opens on Thursday.
This week he began filming the second season of Hoodlum Entertainment/Network 10’s Five Bedrooms, directed by Peter Templeman, Fadia Abboud and Shirley Barrett.
“It was the longest comeback in Australian screen history,” Lapaine tells If. “I had been working mostly in theatre in London but also had the chance to appear in series like Catastrophe with Sharon Horgan and The Durrells. It...
- 2/26/2020
- by The IF Team
- IF.com.au
Brian Walsh.
For Brian Walsh, 2020 shapes as the most competitive year for the broadcast and streaming sector since the inception of television in Australia in 1956.
There will be casualties among the new entrants but ultimately the viewers will be the winners, predicts Walsh, Foxtel’s executive director of TV, one of the few who were there when the pay TV company launched in 1995.
“The landscape will be the most competitive since the start of television as we see the new players consolidate their positions for consumers in Australia,” he says. “Like all competition, it will bring out the best in everyone. When you have robust competition the winner will be the customer.”
While he expects Disney+ to draw a sizable audience here, particularly among young families, he predicts: “There won’t be an endless array of Ott services that will have the same success as Netflix, Disney and Amazon. There...
For Brian Walsh, 2020 shapes as the most competitive year for the broadcast and streaming sector since the inception of television in Australia in 1956.
There will be casualties among the new entrants but ultimately the viewers will be the winners, predicts Walsh, Foxtel’s executive director of TV, one of the few who were there when the pay TV company launched in 1995.
“The landscape will be the most competitive since the start of television as we see the new players consolidate their positions for consumers in Australia,” he says. “Like all competition, it will bring out the best in everyone. When you have robust competition the winner will be the customer.”
While he expects Disney+ to draw a sizable audience here, particularly among young families, he predicts: “There won’t be an endless array of Ott services that will have the same success as Netflix, Disney and Amazon. There...
- 1/6/2020
- by The IF Team
- IF.com.au
‘Lambs of God’.
Lingo Pictures’ four-part TV drama Lambs of God has collected an unprecedented 18 Aacta Award nominations, while Jennifer Kent’s The Nightingale leads in film with 15 nods.
The Australian Academy revealed the full list of nominees for the annual awards today, with almost 60 to be presented across two events in Sydney in six weeks time.
Some 15 films are up for awards, though four dominate almost every category: Kent’s revenge tale, Anthony Maras’ debut feature Hotel Mumbai and David Michôd’s Netflix-backed The King, which each received 13 nominations, and Mirrah Foulkes’ dark comedy Judy & Punch, which earned nine. Each is nominated for Best Film alongside Rachel Griffiths’ Ride Like A Girl and Wayne Blair’s Top End Wedding.
Up in the Best Indie Film category (budgeted under $2 million) are Thomas M. Wright’s Acute Misfortune, Heath Davis’ Book Week, Rodd Rathjen’s Buoyancy, Imogen Thomas’ Emu...
Lingo Pictures’ four-part TV drama Lambs of God has collected an unprecedented 18 Aacta Award nominations, while Jennifer Kent’s The Nightingale leads in film with 15 nods.
The Australian Academy revealed the full list of nominees for the annual awards today, with almost 60 to be presented across two events in Sydney in six weeks time.
Some 15 films are up for awards, though four dominate almost every category: Kent’s revenge tale, Anthony Maras’ debut feature Hotel Mumbai and David Michôd’s Netflix-backed The King, which each received 13 nominations, and Mirrah Foulkes’ dark comedy Judy & Punch, which earned nine. Each is nominated for Best Film alongside Rachel Griffiths’ Ride Like A Girl and Wayne Blair’s Top End Wedding.
Up in the Best Indie Film category (budgeted under $2 million) are Thomas M. Wright’s Acute Misfortune, Heath Davis’ Book Week, Rodd Rathjen’s Buoyancy, Imogen Thomas’ Emu...
- 10/22/2019
- by jkeast
- IF.com.au
Baykali Ganambarr as “Billy” and Aisling Franciosi as “Clare” in Jennifer Kent’s The Nightingale. Courtesy of IFC Films. An IFC Films release. Photo by Matt Nettheim
The writer/director of The Babadook, Jennifer Kent, follows up the chilling horror film with a gripping drama set in 1825 Australia, a tale of violence and revenge that is almost Shakespearean. The Nightingale is a tale of vengeance but it is also a story of self-discovery, and of finding a common human bond with someone who appears at first quite different.
“Nightingale” is the nickname given to a beautiful Irish convict, Clare (Aisling Franciosi), for her golden singing voice, by the British troops at the remote Tasmanian outpost where she has served out her sentence. Clare is in the custody of British officer Lieutenant Hawkins (Sam Claflin), but she has served her sentence, and with both a husband and baby now, she wants to be released.
The writer/director of The Babadook, Jennifer Kent, follows up the chilling horror film with a gripping drama set in 1825 Australia, a tale of violence and revenge that is almost Shakespearean. The Nightingale is a tale of vengeance but it is also a story of self-discovery, and of finding a common human bond with someone who appears at first quite different.
“Nightingale” is the nickname given to a beautiful Irish convict, Clare (Aisling Franciosi), for her golden singing voice, by the British troops at the remote Tasmanian outpost where she has served out her sentence. Clare is in the custody of British officer Lieutenant Hawkins (Sam Claflin), but she has served her sentence, and with both a husband and baby now, she wants to be released.
- 8/16/2019
- by Cate Marquis
- WeAreMovieGeeks.com
Damon Herriman in ‘Perpetual Grace, Ltd.’
After portraying a succession of killers, psychotics and all-round bad dudes for the best part of 10 years, Damon Herriman is striving to play more upstanding characters.
With mixed success, it must be said. The actor cheerfully acknowledges his career has been in a purple patch for the last few years but says: “I have been in this business long enough to know it may not last. I had a 10-year run playing bad guys so now I am trying to steer clear of playing psychopaths and violent pigs.”
Not that he would turn down a juicy role as a villain.
Recently he wrapped shooting the second season of FX/Foxtel’s Mr Inbetween, which stars the creator Scott Ryan as professional hitman Ray Shoesmith. Nash Edgerton continues as the director of the comedy/action drama produced by Michele Bennett for Jungle Entertainment and Blue-Tongue Films.
After portraying a succession of killers, psychotics and all-round bad dudes for the best part of 10 years, Damon Herriman is striving to play more upstanding characters.
With mixed success, it must be said. The actor cheerfully acknowledges his career has been in a purple patch for the last few years but says: “I have been in this business long enough to know it may not last. I had a 10-year run playing bad guys so now I am trying to steer clear of playing psychopaths and violent pigs.”
Not that he would turn down a juicy role as a villain.
Recently he wrapped shooting the second season of FX/Foxtel’s Mr Inbetween, which stars the creator Scott Ryan as professional hitman Ray Shoesmith. Nash Edgerton continues as the director of the comedy/action drama produced by Michele Bennett for Jungle Entertainment and Blue-Tongue Films.
- 6/10/2019
- by The IF Team
- IF.com.au
‘Storm Boy’ (Photo: Matt Nettheim).
Shawn Seet’s Coorong-set re-imagining of Henri Safran’s 1976 classic Storm Boy drew families and older folks last weekend, resonating particularly strongly in South Australia, as takings overall were flattened by the heatwave.
M. Night Shyamalan’s horror movie Glass was the top title, albeit opening below its Us trajectory. Josie O’Rourke’s period drama Mary, Queen of Scots had a respectable debut while Joe Cornish’s action-fantasy The Kid Who Would be King tanked.
Paolo Sorrentino’s Loro, a biopic on Italy’s scandal-plagued former Prime Minister Silvio Berlusconi, fared Ok on limited release after earning tidy sums at festivals.
The top 20 titles collectively harvested $19 million, down 7 per cent on the previous weekend according to Numero.
The sequel to Split and follow-up to 2000’s Unbreakable, Glass yielded $3.3 million on 421 screens for Disney. Pro-rata, that trailed the estimated $40.5 million Us debut for the film...
Shawn Seet’s Coorong-set re-imagining of Henri Safran’s 1976 classic Storm Boy drew families and older folks last weekend, resonating particularly strongly in South Australia, as takings overall were flattened by the heatwave.
M. Night Shyamalan’s horror movie Glass was the top title, albeit opening below its Us trajectory. Josie O’Rourke’s period drama Mary, Queen of Scots had a respectable debut while Joe Cornish’s action-fantasy The Kid Who Would be King tanked.
Paolo Sorrentino’s Loro, a biopic on Italy’s scandal-plagued former Prime Minister Silvio Berlusconi, fared Ok on limited release after earning tidy sums at festivals.
The top 20 titles collectively harvested $19 million, down 7 per cent on the previous weekend according to Numero.
The sequel to Split and follow-up to 2000’s Unbreakable, Glass yielded $3.3 million on 421 screens for Disney. Pro-rata, that trailed the estimated $40.5 million Us debut for the film...
- 1/21/2019
- by The IF Team
- IF.com.au
‘Storm Boy’ (Photo: Matt Nettheim).
Given the record number of titles flooding into cinemas this year, Australian feature films and documentaries overall have performed respectably, most as limited releases with minimal marketing.
Some 59 Oz titles have launched this year and the Motion Picture Distributors Association of Australia (Mpdaa) expects the final tally will be 61 – six more than in 2017.
The Mpdaa estimates 722 films will have gone out theatrically by the end of the year – up from 697 last year. Collectively Oz films and feature docs including holdovers have racked up $55.2 million, beating last year’s $49.4 million, which was a market share of 4.1 per cent.
(Source: Mpdaa)
That was also ahead of the 2009 total of $54.8 million. The stand-out of the past 10 years was 2015’s $88.1 million, the year of Mad Max: Fury Road, The Dressmaker and Oddball.
The Mpdaa’s stats do not include Joel Edgerton’s Boy Erased, which has qualified for the...
Given the record number of titles flooding into cinemas this year, Australian feature films and documentaries overall have performed respectably, most as limited releases with minimal marketing.
Some 59 Oz titles have launched this year and the Motion Picture Distributors Association of Australia (Mpdaa) expects the final tally will be 61 – six more than in 2017.
The Mpdaa estimates 722 films will have gone out theatrically by the end of the year – up from 697 last year. Collectively Oz films and feature docs including holdovers have racked up $55.2 million, beating last year’s $49.4 million, which was a market share of 4.1 per cent.
(Source: Mpdaa)
That was also ahead of the 2009 total of $54.8 million. The stand-out of the past 10 years was 2015’s $88.1 million, the year of Mad Max: Fury Road, The Dressmaker and Oddball.
The Mpdaa’s stats do not include Joel Edgerton’s Boy Erased, which has qualified for the...
- 11/30/2018
- by The IF Team
- IF.com.au
David Gulpilil in Another Country.
.
Another Country, which has just been selected to screen at Cannes Film Festival, came about in part from a visit the film.s producer Rolf de heer made to David Gulpilil while he was in prison.
De heer arrived at 9am at the Berrimah low-security unit and Gulpilil, weighing just 39kgs at the time, was wearing khaki shorts, thongs and an olive green t-shirt.
A long-time friend of Gulpilil, de heer wanted to help.
..He (de heer) went to visit David and had a conversation about what David was going to do post-prison and David said .I don.t know, I think I want to make a film, I think I want to make a film with you Rolf,.. Another Country director Molly Reynolds tells If.
The next morning, in stifling heat, de heer pitched a rough idea for a film which would become Charlie...
.
Another Country, which has just been selected to screen at Cannes Film Festival, came about in part from a visit the film.s producer Rolf de heer made to David Gulpilil while he was in prison.
De heer arrived at 9am at the Berrimah low-security unit and Gulpilil, weighing just 39kgs at the time, was wearing khaki shorts, thongs and an olive green t-shirt.
A long-time friend of Gulpilil, de heer wanted to help.
..He (de heer) went to visit David and had a conversation about what David was going to do post-prison and David said .I don.t know, I think I want to make a film, I think I want to make a film with you Rolf,.. Another Country director Molly Reynolds tells If.
The next morning, in stifling heat, de heer pitched a rough idea for a film which would become Charlie...
- 5/5/2016
- by Brian Karlovsky
- IF.com.au
Pattinson fights Pearce in violent The Rover image In the last few years, British actor Robert Pattinson has courageously made a point of distancing himself (and his film career) from Edward Cullen, the Twilight movies' lovestruck, sparkling vampire that made the actor famous worldwide as one of the "angles" in the insufferable love triangle also featuring vampire-to-be Kristen Stewart and werewolf Taylor Lautner. Writer-director David Michôd's upcoming thriller The Rover, co-starring Guy Pearce, is Pattinson's latest tentative to create a character vastly different than the vampire Cullen. (Pictured above: Pattinson vs. Pearce in a bloody The Rover battle.) Currently filming in Australia, Michod's film is set in the near future, in the aftermath of a global financial catastrophe (at this stage, it remains unclear whether or not said catastrophe was the result of the recent highly controversial Cyprus bail-out). Pattinson plays a good-hearted Australian Outback gang member, while Pearce,...
- 3/20/2013
- by Andre Soares
- Alt Film Guide
Looking good, Rob! A new still from the ‘Twilight’ star’s futuristic Western hit the internet on Mar. 15, and proved that he wasn’t afraid to get a little dirty. Is it just us, or does he look pretty good all bloodied up?!
The Rover is a far cry from Twilight – Robert Pattinson is making sure of that. The new picture from the set of the movie shows Rob getting rough and tumble… and we like what we see!
Robert Pattinson: Down & Dirty In ‘The Rover’
The new still, taken and posted by still photographer Matt Nettheim, is of the The Rover’s two main characters, Rob and Guy Pearce, in a bit of a scuffle. A scuffle that Rob appears to have lost, judging by the gun in his face.
Even though he got his butt kicked, we’re liking this side of R-Patz. He’s like a...
The Rover is a far cry from Twilight – Robert Pattinson is making sure of that. The new picture from the set of the movie shows Rob getting rough and tumble… and we like what we see!
Robert Pattinson: Down & Dirty In ‘The Rover’
The new still, taken and posted by still photographer Matt Nettheim, is of the The Rover’s two main characters, Rob and Guy Pearce, in a bit of a scuffle. A scuffle that Rob appears to have lost, judging by the gun in his face.
Even though he got his butt kicked, we’re liking this side of R-Patz. He’s like a...
- 3/15/2013
- by Andrew Gruttadaro
- HollywoodLife
Chicago – Here’s a directorial debut made with such an assured sense of style and craft that one wishes it were more fun. All the ingredients are here for a splendid cult classic: deadpan gags, live-action aliens, a fresh-faced ensemble and R-rated violence all wrapped in the blessings of Edgar Wright and Nick Frost. Yet “Attack the Block” sounds a lot more fun on paper that it is in execution.
For all of its considerable charms, the picture is irrevocably marred by the least likable protagonists in recent memory. The blame cannot be placed on the young actors, who are all game and energetic. It’s the script by first-time feature director Joe Cornish that lets them down. As a cinematic rule of thumb, it’s generally a bad sign when viewers start growing impatient over waiting for the so-called heroes to get killed off.
Blu-Ray Rating: 2.5/5.0
The film’s...
For all of its considerable charms, the picture is irrevocably marred by the least likable protagonists in recent memory. The blame cannot be placed on the young actors, who are all game and energetic. It’s the script by first-time feature director Joe Cornish that lets them down. As a cinematic rule of thumb, it’s generally a bad sign when viewers start growing impatient over waiting for the so-called heroes to get killed off.
Blu-Ray Rating: 2.5/5.0
The film’s...
- 10/28/2011
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Reviewed by Rick Klaw
(February 2011)
Directed by: Kevin Macdonald
Written by: Jeremy Brock
Starring: Channing Tatum, Jamie Bell, Donald Sutherland, Mark Strong and Tahar Rahim
Outside of the exceptional first season of HBO’s “Rome,” 21st-century filmmakers have displayed the Roman Empire poorly, from the overhyped “Gladiator” through the pointless Starz series “Spartacus: Blood and Sand.” All promised big drama, extreme violence and questionable history, wrapped in an abundance of stereotypical storytelling and inferior writing. The third film incarnation of Rosemary Sutcliff’s historical novel “The Eagle of the Ninth” (the previous two were British TV endeavors), “The Eagle,” directed by Kevin Macdonald (“State of Play”) and starring Channing Tatum and Jamie Bell, continues this dismal trend.
In 140, 20 years after the unexplained disappearance of the entire Ninth Legion while under his father’s command, Roman centurion Marcus Aquila (Tatum) assumes leadership of an outpost just north of Hadrian’s Wall.
(February 2011)
Directed by: Kevin Macdonald
Written by: Jeremy Brock
Starring: Channing Tatum, Jamie Bell, Donald Sutherland, Mark Strong and Tahar Rahim
Outside of the exceptional first season of HBO’s “Rome,” 21st-century filmmakers have displayed the Roman Empire poorly, from the overhyped “Gladiator” through the pointless Starz series “Spartacus: Blood and Sand.” All promised big drama, extreme violence and questionable history, wrapped in an abundance of stereotypical storytelling and inferior writing. The third film incarnation of Rosemary Sutcliff’s historical novel “The Eagle of the Ninth” (the previous two were British TV endeavors), “The Eagle,” directed by Kevin Macdonald (“State of Play”) and starring Channing Tatum and Jamie Bell, continues this dismal trend.
In 140, 20 years after the unexplained disappearance of the entire Ninth Legion while under his father’s command, Roman centurion Marcus Aquila (Tatum) assumes leadership of an outpost just north of Hadrian’s Wall.
- 2/11/2011
- by admin
- Moving Pictures Magazine
Reviewed by Rick Klaw
(February 2011)
Directed by: Kevin Macdonald
Written by: Jeremy Brock
Starring: Channing Tatum, Jamie Bell, Donald Sutherland, Mark Strong and Tahar Rahim
Outside of the exceptional first season of HBO’s “Rome,” 21st-century filmmakers have displayed the Roman Empire poorly, from the overhyped “Gladiator” through the pointless Starz series “Spartacus: Blood and Sand.” All promised big drama, extreme violence and questionable history, wrapped in an abundance of stereotypical storytelling and inferior writing. The third film incarnation of Rosemary Sutcliff’s historical novel “The Eagle of the Ninth” (the previous two were British TV endeavors), “The Eagle,” directed by Kevin Macdonald (“State of Play”) and starring Channing Tatum and Jamie Bell, continues this dismal trend.
In 140, 20 years after the unexplained disappearance of the entire Ninth Legion while under his father’s command, Roman centurion Marcus Aquila (Tatum) assumes leadership of an outpost just north of Hadrian’s Wall.
(February 2011)
Directed by: Kevin Macdonald
Written by: Jeremy Brock
Starring: Channing Tatum, Jamie Bell, Donald Sutherland, Mark Strong and Tahar Rahim
Outside of the exceptional first season of HBO’s “Rome,” 21st-century filmmakers have displayed the Roman Empire poorly, from the overhyped “Gladiator” through the pointless Starz series “Spartacus: Blood and Sand.” All promised big drama, extreme violence and questionable history, wrapped in an abundance of stereotypical storytelling and inferior writing. The third film incarnation of Rosemary Sutcliff’s historical novel “The Eagle of the Ninth” (the previous two were British TV endeavors), “The Eagle,” directed by Kevin Macdonald (“State of Play”) and starring Channing Tatum and Jamie Bell, continues this dismal trend.
In 140, 20 years after the unexplained disappearance of the entire Ninth Legion while under his father’s command, Roman centurion Marcus Aquila (Tatum) assumes leadership of an outpost just north of Hadrian’s Wall.
- 2/11/2011
- by admin
- Moving Pictures Network
Chicago – Clive Owen is an immensely charismatic actor, though he seems to fare better in a world without children. His best roles either place him an ensemble of fellow adults (as in “Gosford Park” and “Sin City”) or require him to protect a baby too young to be much of a conversationalist (as in “Children of Men” or “Shoot ‘Em Up”).
In the failed Oscar bait drama “The Boys Are Back,” Owen plays Simon Carr, a recently widowed father who’s forced to care for his two sons, moody teen Harry (George MacKay, looking like Rupert Grint’s stand-in) and pint-sized brat Artie (insufferable Nicholas McAnulty). The film basically amounts to a Robin Williams heart-warmer minus the shtick, with Owen as the anti-conformist goofball who raises his children exactly as he pleases, much to the chagrin of every uptight female he encounters along the way.
DVD Rating: 2.0/5.0
The opening scene...
In the failed Oscar bait drama “The Boys Are Back,” Owen plays Simon Carr, a recently widowed father who’s forced to care for his two sons, moody teen Harry (George MacKay, looking like Rupert Grint’s stand-in) and pint-sized brat Artie (insufferable Nicholas McAnulty). The film basically amounts to a Robin Williams heart-warmer minus the shtick, with Owen as the anti-conformist goofball who raises his children exactly as he pleases, much to the chagrin of every uptight female he encounters along the way.
DVD Rating: 2.0/5.0
The opening scene...
- 1/27/2010
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Interview: ‘Where the Wild Things Are’ Director Spike Jonze With Stars Max Records, Catherine Keener
Chicago – From the looks of things, you’d think “Where the Wild Things Are” director Spike Jonze is more than just Max Records’ director. You’d think Jonze was his 12-year-old star’s father, too.
Max Records, who briefly appeared in 2008’s “The Brothers Bloom” with Rachel Weisz, Adrien Brody and Mark Ruffalo, sat cuddled up beside Jonze in our interview. Chock full of pride, Jonze kissed Records on his cheek as the boy spoke surprisingly intelligently about his breakout role.
Director Spike Zonze (front) and Max Records on the set of “Where the Wild Things Are”.
Image credit: Sonny Geras
Rating: 4.0/5.0
In the HollywoodChicago.com interview with Jonze (“Adaptation,” “Being John Malkovich”), Records and star Catherine Keener, we discussed the film’s deft ability as one of the best films for how imagination can be used for more than escape. While fantasy films often have kids bouncing off walls and escaping reality,...
Max Records, who briefly appeared in 2008’s “The Brothers Bloom” with Rachel Weisz, Adrien Brody and Mark Ruffalo, sat cuddled up beside Jonze in our interview. Chock full of pride, Jonze kissed Records on his cheek as the boy spoke surprisingly intelligently about his breakout role.
Director Spike Zonze (front) and Max Records on the set of “Where the Wild Things Are”.
Image credit: Sonny Geras
Rating: 4.0/5.0
In the HollywoodChicago.com interview with Jonze (“Adaptation,” “Being John Malkovich”), Records and star Catherine Keener, we discussed the film’s deft ability as one of the best films for how imagination can be used for more than escape. While fantasy films often have kids bouncing off walls and escaping reality,...
- 10/16/2009
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Ever since I saw Croupier while visiting London with my folks years ago, Clive Owen has been one of my very favorite actors. No one does that British brooding thing quite like he does (see: Gosford Park, Closer, Inside Man), and when he's bad-ass (i.e. King Arthur, Children of Men, Shoot 'Em Up), he's thrilling. But in his latest movie The Boys Are Back (directed by Shine's Scott Hicks), Owen sheds that stoic persona to play Joe Warr, a father of two sons who, following the death of his second wife, is faced with raising both of them on his own.
- 9/26/2009
- by Missy Schwartz
- EW.com - PopWatch
Chicago – Warner Brothers has released a slate of images from their entire 2009 schedule of films, the first half of which are were highlighted in a 25-image slideshow last week with the second half of the exciting 2009 Warner Brothers slate featured below.
This 26-image slideshow contains official press images and schedule information for the recently announced slate of films to be released by Warner Brothers Pictures in the second half of 2009 including new movies starring Cameron Diaz, Robert Downey Jr., Daniel Radcliffe, Matt Damon, Kate Beckinsale, Jude Law, Vera Farmiga, and James Marsden.
These 2009 Warner Brothers Pictures include “The Hangover,” “My Sister’s Keeper,” “Harry Potter and the Half-Blood Prince,” “The Orphan,” “Shorts,” “Final Destination: Death Trip 3D,” “Whiteout,” “The Informant,” “Where the Wild Things Are,” “The Box,” and “Sherlock Holmes”. All films have images in the slideshow below.
The release dates, cast lists, and filmmaker information for these Warner Brothers...
This 26-image slideshow contains official press images and schedule information for the recently announced slate of films to be released by Warner Brothers Pictures in the second half of 2009 including new movies starring Cameron Diaz, Robert Downey Jr., Daniel Radcliffe, Matt Damon, Kate Beckinsale, Jude Law, Vera Farmiga, and James Marsden.
These 2009 Warner Brothers Pictures include “The Hangover,” “My Sister’s Keeper,” “Harry Potter and the Half-Blood Prince,” “The Orphan,” “Shorts,” “Final Destination: Death Trip 3D,” “Whiteout,” “The Informant,” “Where the Wild Things Are,” “The Box,” and “Sherlock Holmes”. All films have images in the slideshow below.
The release dates, cast lists, and filmmaker information for these Warner Brothers...
- 1/20/2009
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
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