IndieWire reached out to the cinematographers behind the scripted narrative features premiering this week at the 2021 Sundance Film Festival to find out which cameras, lenses, and formats they used, and why they chose them to create the looks and meet the production demands of their films. Here are their responses.
Films appear in alphabetical order by title.
“Censor”
Section: Midnight
Dir: Prano Bailey-Bond, DoP: Annika Summerson
Format: 35mm Kodak 5219 and 5207, Sony 4K X-ocn
Camera: Arricam Lt& St, Sony Venice
Lens: Canon K-35
Summerson: I shot a short film with “Censor” director Prano Bailey-Bond called “Nasty” on s16mm years ago which was the calling card for this feature so we already had it in our minds to shoot on film, 35mm if possible. Both because we love the organic look and the texture of film, and also because it’s set in the 1980’s and pays homage to the video nasties of the time.
Films appear in alphabetical order by title.
“Censor”
Section: Midnight
Dir: Prano Bailey-Bond, DoP: Annika Summerson
Format: 35mm Kodak 5219 and 5207, Sony 4K X-ocn
Camera: Arricam Lt& St, Sony Venice
Lens: Canon K-35
Summerson: I shot a short film with “Censor” director Prano Bailey-Bond called “Nasty” on s16mm years ago which was the calling card for this feature so we already had it in our minds to shoot on film, 35mm if possible. Both because we love the organic look and the texture of film, and also because it’s set in the 1980’s and pays homage to the video nasties of the time.
- 1/29/2021
- by Chris O'Falt
- Indiewire
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