At some point during the first act of Robert Lorenz’s handsome but egregiously hackneyed “In the Land of Saints and Sinners,” which is maybe the 900th Liam Neeson movie about a weary hitman/rancher/fixer/truck driver/ex-cop/very tall person who decides to take matters into his own hands when some bad guys step over the line, the prolific Irish actor turns to one of his scene partners and sighs: “There’s more to me than this, and I’d like folks to see it.”
Needless to say, the first part of that sentence is much easier to believe than the second.
Cast here as a regretful assassin who tries to change his ways at the height of the Troubles (only to get mixed up with a trio of Ira terrorists who take cover in his quaint coastal village after a car bomb goes wrong), Neeson again reaffirms...
Needless to say, the first part of that sentence is much easier to believe than the second.
Cast here as a regretful assassin who tries to change his ways at the height of the Troubles (only to get mixed up with a trio of Ira terrorists who take cover in his quaint coastal village after a car bomb goes wrong), Neeson again reaffirms...
- 3/29/2024
- by David Ehrlich
- Indiewire
Plot: In 1974, an aging hitman (Liam Neeson) tries to leave his violent past behind and reinvent himself in a small, isolated town in Ireland. However, his good nature leads to him making a fateful decision that puts him in the crosshairs of an insane Ira assassin (Kerry Condon) and her cronies.
Review: I know what you’re thinking – another Liam Neeson action flick. Ho-hum. Normally, I’d be right there with you. While no one can deny he’s become the 21st century’s version of Charles Bronson, with him churning out a steady diet of B-level action flicks, not all of them are disposable in the way something like Blacklight, Honest Thief, Retribution and too many others are. Once in a while, he works with a really interesting director, such as on the beautifully photographed Marlowe by Neil Jordan. One of his better recent action flicks was definitely The Marksman,...
Review: I know what you’re thinking – another Liam Neeson action flick. Ho-hum. Normally, I’d be right there with you. While no one can deny he’s become the 21st century’s version of Charles Bronson, with him churning out a steady diet of B-level action flicks, not all of them are disposable in the way something like Blacklight, Honest Thief, Retribution and too many others are. Once in a while, he works with a really interesting director, such as on the beautifully photographed Marlowe by Neil Jordan. One of his better recent action flicks was definitely The Marksman,...
- 3/29/2024
- by Chris Bumbray
- JoBlo.com
It’s only been six months since the release of Liam Neeson’s last film, which means theaters are overdue for another thriller led by the prolific star. His latest vehicle, “In the Land of Saints and Sinners,” arrives with an unusual distinction: Directed by Robert Lorenz, the film premiered in Venice a month before another Neeson movie, the maligned bomb-threat thriller “Retribution,” hit U.S. screens. Being selected by such a festival lends ”Saints and Sinners” a whiff of prestige, which it decidedly earns. In fact, the film practically resembles a “one for me” endeavor for the star, with its windswept Irish landscapes and thoughtful reserve, putting the actor among an ensemble of his fellow countrymen and providing the performances room to find poignancy.
The story opens with its most suspenseful action: a bombing by an Ira platoon in Belfast that accidentally kills a group of young children, setting...
The story opens with its most suspenseful action: a bombing by an Ira platoon in Belfast that accidentally kills a group of young children, setting...
- 3/28/2024
- by J. Kim Murphy
- Variety Film + TV
Exclusive: Three-time Best Picture nominated producer Robert Lorenz (American Sniper) is set to direct airplane thriller Papa Alpha 333 for Meridian’s Eric Paquette, producer Aaron Barnett and Brian O’Shea’s The Exchange.
The movie will follow the story of a female airline pilot who wrests control of a 747 from a male captain caught in a severe thunderstorm, leaving the plane incommunicado. Her efforts to save 300 passengers are further complicated by suspicions of terrorism and a potential collision course with Chicago’s tallest skyscraper.
Currently casting, the partners are targeting a Q3, 2024, start date. The original screenplay is by Michael Walker, whose books include Laurel Canyon: The Inside Story Of Rock And Roll’s Legendary Neighborhood.
Lorenz most recently directed Venice Film Festival title In The Land Of Saints And Sinners and The Marksman, both of which starred Liam Neeson. He has previously been a producer on movies including Mystic River,...
The movie will follow the story of a female airline pilot who wrests control of a 747 from a male captain caught in a severe thunderstorm, leaving the plane incommunicado. Her efforts to save 300 passengers are further complicated by suspicions of terrorism and a potential collision course with Chicago’s tallest skyscraper.
Currently casting, the partners are targeting a Q3, 2024, start date. The original screenplay is by Michael Walker, whose books include Laurel Canyon: The Inside Story Of Rock And Roll’s Legendary Neighborhood.
Lorenz most recently directed Venice Film Festival title In The Land Of Saints And Sinners and The Marksman, both of which starred Liam Neeson. He has previously been a producer on movies including Mystic River,...
- 1/25/2024
- by Andreas Wiseman
- Deadline Film + TV
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