- (1987) He was the lighting designer for Bertolt Brecht's play, "Galileo", at the Goodman Theatre in Chicago, Illinois. Cast included Brian Dennehy and Frank Galati.
- (1991) He was the lighting designer for Eugene O'Neill's play, "The Iceman Cometh", at the Goodman Theatre in Chicago, Illinois with Jerome Kilty in the cast. The crew included John Conklin (scenic designer) and Robert Falls (director).
- (1991) He was the lighting designer for Friedrich Dürrenmatt's play, "The Visit", at the Goodman Theatre in Chicago, Illiois with Rob Milburn (sound designer) and Paul Steinberg (scenic designer) also in the crew.
- (1992) He was the lighting designer for Bertolt Brecht's play, "The Good Person of Setzuan", at the Goodman Theatre in Chicago, Illinois. The crew also included Frank Galati (director), Loy Arcenas (scenic designer) and Claudia Schmidt (original incidental music). Cherry Jones was in the cast.
- (1993) He was the lighting designer for Keith Reddin's play, "Black Snow," at the Goodman Theatre in Chicago, Illinois. The crew also included Rob Milburn, Miriam Sturm, and Michael Bodeen (original incidental music); Martin Pakledinaz (costume designer); Linda Buchanan (scenic designer); and Michael Maggio (director). Cast included Barbara Robertson and Bruce Norris.
- (1994) He was the lighting designer for Tennessee Williams' play, "The Night of the Iguana," at the Goodman Theatre in Chicago, Illinois with Cherry Jones and Will Petersen in the cast. The crew included Loy Arcenas (scenic designer), and Richard Woodbury (sound designer).
- (1994) He was the lighting designer for William Shakespeare's play, "Richard II", at the Goodman Theatre in Chicago, Illinois with Miriam Sturm and Rob Milburn (original incidental music) and Russell Metheny (scenic designer) in the crew.
- (1995) He was the lighting designer for Frank Galati's stage adaptation of William Faulkner's novel, "As I Lay Dying", at the Steppenwolf Theatre Company in Chicago, Illinois. Crew also included Rob Milburn (sound designer).
- (1995) He was the lighting designer for Anton Chekhov's play, "Three Sisters", at the Goodman Theatre in Chicago, Illinois, with Santo Loquasto (scenic designer) also in the crew.
- (1996) He was the lighting designer for Michel Schonberg and Alain Boubil's musical, "The House of Martin Guerre," at the Goodman Theatre in Chicago, Illinois with Anthony Crivello, Hollis Resnik, and Kevin Gudahl in the cast. The crew included David Petrarca (musical director), Susan Hifferty (costume designer), and Jeffrey Klitz (musical direction).
- (2008 - 2009) He was lighting designer for Frank Galati's stage adaptation of Haruki Murakami's novel, "Kafka on the Shore", at the Steppenwolf Theatre Company in Chicago, Illinois.
- (2011-2012 Season) He was the lighting designer for Tennessee Williams' play, "Camino Real," at the Goodman Theatre in Chicago, Illinois. Calixto Bielto and Marc Rosich were the stage adapters.
- (February 24 to April 21, 1991) He was lighting designer for the musical, "Jelly's Last Jam," in a world premiere at the Mark Taper Forum Theatre in Los Angeles, California with Obba Babatunde and Keith David in the cast. George C. Wolfe wrote the book. Jelly Roll Morton was composer. Luther Henderson was musical adapter and additional composer. Susan Birkenhead was lyricist. George C. Wolfe was also director. Linda Twine was musical director. Hope Clark was choreographer. George Tsypin was scenic designer. Toni-Leslie James was costume designer. Jon Gottlieb was sound designer.
- (June 12 to September 27, 1998) He was lighting designer for Peter Parnell's adaptation of John Irving's novel, "The Cider House Rules," (a new play in two parts) at the Mark Taper Forum Theatre in Los Angeles, California with Tom Beyer, Jillian Armenante, Jane Carr, Josh Hamilton, Kevin Jackson, Brenda Wehle and Michael Winters in the cast. Tom Hulce and Jane Jones were developers and directors. John Arnone was scenic designer. David Zinn was costume designer.
- (1998-1999 season) He was lighting designer for Chay Yew's play, "Red," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut before transferred to New York City. David Petrarca was director. Michael Yeargan was set designer. Anita Yavich was costume designer. Jeffrey Carlson and Rob Milburn were sound designers.
- (1999-2000 season) He was lighting designer for William Shakespeare's play, "Much Ado About Nothing," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Derek Anson Jones was director. Neil Patel was set designer. Paul Tazewell was costume designer. Matthew Mezick was sound designer.
- (February 24 to March 19, 2006) He was lighting designer for Haruki Murakami's play, "After the Quake," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Frank Galati was director and adapter. James Schuette was scenic designer. Mara Blumenfeld was costume designer. Andrew Pluess and Ben Sussman were composers and sound designers.
- (October 8 to November 2014) He was lighting designer for Thornton Wilder's play, "Our Town," at the Long Wharf Theatre (Claire Tow Stage in the C. Newton Schenck III Theatre) in New Haven, Connecticut. Gordon Edelstein was director. Eugene Lee was set designer. Emily Rebhotz was costume designer. John Gromada was sound designer and composer. Hope Rose Kelly was production stage manager. Amy Patricia Stern was production stage manager. Michelle Lauren Tutte was assistant stage manager. James Calleri was casting director.
- (February 13 to March 10, 2013) He was lighting designer for Sam Shepard's play, "Curse of the Starving Glass," in the Long Wharf Theatre on Claire Tow Stage in the C. Newton Schenck III Theatre in New Haven, Connecticut. Gordon Edelstein was director. Michael Yeargan was set designer. Clint Ramos was costume designer. Fitz Patton was sound designer. Doug Wieselman was composer. William Berloni was animal trainer. Bryce MacDonald was stage manager. Amy Patricia Stern and Sara Cox Bradley were assistant stage managers. James Calleri was casting director.
- (1992 to 1993 season) He was lighting designer for Tom Donaghy's play, "Northeast Local," in a world premiere production at the Trinity Repertory Company Theatre in Providence, Rhode Island with Rengin Altay, Ed Shea, Jane MacIver and Allen Oliver in the cast. David Petrarca was director. Linda Buchanan was set designer. William Lane was costume designer. Rob Milburn was music and sound designer.
- (1986 to 1987 season) He was lighting designer for Pierre Marivaux's play, "Infidelities," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota. William Gaskill was translator and director. John Conklin was set and costume designer. David Bishop was composer.
- (1987 to 1988 season) He was lighting designer for Frederico Garcia Lorca's play,"The House of Bernardo Alba" at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota. Timberlake Wertenbaker was translator. Les Waters was director. Annie Smart was set designer. Martin Pakledinaz was costume designer. Peg Guilfoyle was production manager.
- (1987 to 1988 season) He was lighting designer for William Shakespeare's play "Richard III," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota with Nathaniel Fuller and Byron Jennings in the cast. Garland Wright was director and artistic director. Douglas Stein was set designer. Ann Hould-Ward was costume designer.
- (Summer 1988) He was lighting designer for William Shakespeare's play, "Hamlet," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota with Zelko Ivanek (Hamlet); Julianne Moore (Ophelia); Richard Hicks (Guildenstern) and Tom Fervoy (Rosencrantz) in the cast. Garland Wright was director and artistic director. Douglas Stein was set designer. Ann Hould-Ward was costume designer.
- (1988 to 1989 season) He was lighting designer for David Hare and Howard Brenton's play, "Pravda," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota. Robert Falls was director. John Amone was set designer. Jane Greenwood was costume designer. Rob Milburn was composer.
- (1994 to 1995 season) He was lighting designer for David Storey's play, "Home," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota. Garland Wright was director and artistic director. Douglas Stein was set designer. Susan Hilferty was costume designer.
- (May 7, 1981) He was lighting designer for the opera, The Marriage of Figaro," in an American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Pierre-Augustin Caron De Beaumarchais was composer. Mark Loeb was translator and adapter. Alvin Epstein was director. Kate Edmunds was set designer. Rita Ryack was costume designer. Stephen Drury was composer and director. Robert Brustein was artistic director.
- (January 22, 1981) He was lighting designer for Charles Wood's play, "Has 'Washington' Legs?," in an American Repertory Theatre and American premiere production at the Loeb Stage in Cambridge, Massachusetts. Michael Kustow was director. Nancy Thun was costume designer. Tim Mukherjee composed the sound. Midge McKenzie directed "Washington" sequence. Robert Brustein was artistic director.
- (May 24, 1981) He was lighting designer for Jules Feiffer's play, "Grownups," in a world premiere American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. John Madden was director. Andrew Jackness was set designer. Dunya Ramicova was costume designer. Robert Brustein was artistic director.
- (November 23, 1980) He was lighting designer for Bertolt Brecht's play, "The Berlin Requiem," and "The Seven Deadly Sins," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Kurt Weill was composer. Travis Preston directed the "The Berlin Requiem." Alvin Epstein directed "The Seven Deadly Sins." Carmen De Lavallade was Choreographic Associate. Michael Feingold was translator. Michael H. Yeargan was set designer. Dunya Ramicova was costume designer. Gary Fagin was music director. Robert Brustein was artistic director.
- (December 8, 1981) He was lighting designer for the musical, "Orlando," in an American Repertory Theatre and American Stage premiere production at the Loeb Stage in Cambridge, Massachusetts. George Frederic Handel was composer. Gratio Braccioli wrote the libretto after the Orlando Furioso by Ariosto. Peter Sellars was director. Craig Smith was music director. Elaine Spatz-Rabinowitz was set designer. Rita Ryack was costume designer. Robert Brustein was artistic director.
- (January 22, 1982) He was lighting designer for Ronald Ribman's play, "The Journey of the Fifth Horse," in an American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Adrian Hall was director. Kevin Rupnik was set designer. Rita Ryack was costume designer. Based in part on the story of "Diary of A Superflous Man," by Ivan Turgenev. Robert Brustein was artistic director.
- (December 1, 1981) He was lighting designer for Moliere's plays,"Signorelle: An Evening of His Farces (The Flying Doctor; The Forced Marriage; Sganarelle and A Dumb Show)," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts with Eilzabeth Swados; Cherry Jones; Tony Shalhoub; Karen MacDonald; John Bottom and Thomas Derrah in the cast. Andrei Serban was director. Albert Bermel was translator. Michael H. Yeargan was set designer. Dunya Ramicova was costume designer. Stephen Drury was music arranger and director. Sandra Boynton adapted and translated "A Dumb Show." Robert Brustein was artistic director.
- (April 13, 1982) He was lighting designer for Robert Auleta's play, "Rundown," in the American Repertory Theatre, New Stages Series and world premiere production at the Loeb Stage in Cambridge, Massachusetts. William Foeller was director. Kate Edmunds was set designer. Nancy Thun was costume designer. Stephen Drury was sound designer. Robert Brustein was artistic director.
- (April 7, 1982) He was lighting designer for Sam Shepard's play, "True West," in the American Repertory Theatre and New Stages Series production at the Loeb Stage in Cambridge, Massachusetts. David Wheeler was director. Kate Edmunds was set designer. Nancy Thun was costume designer. Robert Brustein was artistic director.
- (May to June 1982) He was lighting designer for Moliere's play,"Sganarelle," in the American Repertory Theatre production at the Goodman Theatre in Chicago, Illinois with Elizabeth Swados; Cherry Jones; Tony Shalhoub; Karen MacDonald; Thomas Derrah and John Bottom in the cast. Andrei Serban was director. Albert Bermel was translator. Michael H. Yeargan was set designer. Dunya Ramicova was costume designer. Stephen Drury was music arranger and director. Robert Brustein was artistic director. Kris Kinet was production manager.
- (June 4, 1982) He was lighting designer for Carlos Fuentes' play, "Orchids in the Moonlight," in an American Repertory Theatre and world premiere production at the Loeb Stage in Cambridge, Massachusetts. Joanne Green was director. Elaine Spatz-Rabinowitz was set designer. Nan Cibula was costume designer. Robert Brustein was artistic director.
- (Fall 1981) He was lighting designer for Moliere's plays,"Signorelle: An Evening of His Farces (The Flying Doctor; The Forced Marriage; Sganarelle and A Dumb Show)," in the American Repertory Theatre production in the first tour of the Northeastern States including Maine, New Hampshire, Vermont, Massachusetts, Connecticut, Rhode Island and New York with Elizabeth Swados; Thomas Derrah; Cherry Jones; Tony Shalhoub; Karen MacDonald and John Bottom in the cast. Andrei Serban was director. Albert Bermel was translator. Michael H. Yeargan was set designer. Dunya Ramicova was costume designer. Stephen Drury was music arranger and director. Sandra Boynton adapted and translated "A Dumb Show." Robert Brustein was artistic director. Kris Kinet was production manager.
- (May 14, 1982) He was lighting designer for Henrik Ibsen's play, "Ghosts," in an American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Robert Brustein was adapter, director and artistic director. Tony Straiges was set designer. Rita Ruyack was costume designer.
- (February 18, 1983) He was lighting designer for the musical, "Boys from Syracuse," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Richard Rodgers was composer. Lorenz Hart was lyricist. George Abbott wrote the book. The musical was based on William Shakespeare's play, "The Comedy of Errors." Alvin Epstein was director. Paul Schierhorn was music arranger and director. Tom Gilligan was conductor. Kathrny Posin was choreographer. Tom Lynch was set designer. Nancy Thun was costume designer. Robert Brustein was artistic director.
- (July to September 1982) He was lighting designer for Moliere's plays,"Sganarelle;" Frank Wedekind's play, "Lulu;" Robert Auletta's play, "Rundown" and Sam Shepard's play, "True West," in the American Repertory Theatre production in the first tour of Europe and the Middle East with Eilzabeth Swados; Cherry Jones; Tony Shalhoub; Karen MacDonald and John Bottom in the cast. Andrei Serban was director. Albert Bermel was translator. Michael H. Yeargan was set designer. Dunya Ramicova was costume designer. Stephen Drury was music arranger and director. Sandra Boynton adapted and translated "A Dumb Show." They performed at the major festivals in Asti; Avignon, France; Rotterdam and Amsterdam, Netherlands; Edinburgh, Scotland; Tel-Aviv, Haifa and Jerusalem, Israel; BITEG (Belgrade and Ljubana) and London, England. Robert Brustein was artistic director. Kris Kinet was production manager.
- (January 14, 1983) He was lighting designer for Samuel Beckett's play, "Waiting for Godot," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts with John Bottoms (Estragon); Tony Shalhoub and Mark Linn-Baker (Vladimir) in the cast. Andrei Belgrader was director. Tony Straiges was set designer. Kevin Rupnik was costume designer. Robert Brustein was artistic director.
- (December 10, 1982) He was lighting designer for Marsha Norman's play, "Night, Mother," in an American Reperory Theatre and world premiere production at the Loeb Stage in Cambridge, Massachusetts with Kathy Bates (Jessie) and Anne Pitoniak (Thelma) in the cast. Ton Moore was director. Heidi Landesman was set and costume designer. The playwright was awarded the Pulitzer Prize for Drama for this production (the first to win a prize outside NYC). Robert Brustein was artistic director.
- (February 3, 1984) He was lighting designer for Marsha Norman's play, "Traveler in the Dark," in the world premiere Fall Festival, Philippe Genty Company and American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Tom Moore was director. Heidi Landesman was set designer. Robert Blackman was costume designer. James F. Ingalls was lighting designer. Robert Brustein was artistic director.
- (February 17, 1984) He was lighting designer for the musical, "Big River: The Adventures of Huckleberry Finn," in a world premiere, Fall Festival, Philippe Genty Company and American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Roger Miller was composer and lyricist. William Hauptman wrote the book. Des McAnuff was director. Heidi Landesman was set designer. Patricia McGourty was costume designer. Randolph Head was sound designer. Michael S. Roth was orchestra arranger, vocal arranger and musical director. Robert Brustein was artistic director.
- (February 3, 1989) He was lighting designer for Larry Gelbart's play, "Mastergate," in a world premiere American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Michael Engler was director. Philipp Jung was set designer. Candice Donnelly was costume designer. Robert Brustein was artistic director.
- (January 26, 1990) He was lighting designer for George Bernard Shaw's play, "Major Barbara," in an American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Michael Engler was director. Philipp Jung was set designer. Catherine Zuber was costume designer. Maribeth Back was sound designer. Robert Brustein was artistic director.
- (December 7, 1990) He was lighting designer for George S. Kaufman and Moss Hart's play, "Once in a Lifetime," in an American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Anne Bogart was director. Loy Arcenas was set designer. Catherine Zuber was costume designer. Maribeth Back was sound designer. Robert Brustein was artistic director.
- (February 14, 1992) He was lighting designer for Anton Chekhov's play, "The Seagull," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts with Christina Estabrook (Arkadina); Jeremy Geidt (Sorin) and Stephanie Roth (Nina) in the cast. Ron Daniels was director. Robert Brustein was adapter and artistic director. George Calderon was translator. Antony MacDonald was set designer. Catherine Zuber was costume designer. Claire Von Kampen was composer. Maribeth Back was sound designer.
- (July 20 to 31; August 10 to 14, 1982) He was lighting designer for John Murray and Allen Boretz's play, "Room Service," in a Williamstown Theatre Festival production at the Main Stage in Williamstown, Massachusetts with Emery Battis (Dr. Glass); Tom Brennan (Senator Blake); Robert Brolli (Simon Jenkins); Dick Cavett (Leo Davis); Christian Clemenson (Joseph Gribble); Jerome Dempsey (Gregory Wagner); Michael French (House Detective); Joe Grifasi (Harry Binion); Frank Hankey (Timothy Hogarth, house detective); Edward Herrmann (Gordon Miller); Daniel Hugh-Kelly (Faker Englund); Laurie Kennedy (Christine Marlowe); Dinah Manoff (Hilda Manney); Allen McCullough (house detective); Sam Ostroff (bellhop); Howard Samuelsohn (Bank Messenger); Dwight Schultz (Sasha Smirnoff) and Kevin Smith (bell hop) in the cast. Joe Grifasi and Jerry Dempsey were backstage. Nikos Psacharapoulos was artistic director. Kenneth Frankel was director. John Kasarda was setting designer. Rita Ryack was costume designer. Mark Healy was stage manager. Scott LaFeber was assistant stage manager.
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