From its angrily ornate title cards to its icily appointed doom house of crowns, the art and design elements of “Beef” — Netflix’s 10-episode series from creator Lee Sung Jin — provide the bleak road rage dramedy with a subtle brand of ardent aggression to match its one-upmanship revenge fantasy. The tactile, class-conscious aesthetic of haves (Ali Wong’s Amy) and have-nots (Steven Yeun’s Danny), created by production designer Grace Yun and art director Michael Hersey, pursue a metaphorical vision.
Here, curated paintings, sculptures and furnishings — in gallery and home settings — are equitable to the mood swings of its principal characters.
“The characters are real and complex. The rage coming from Amy and Danny was so well-written, and before I even read the first episode Sonny [Lee Sung Jin’s nickname] sent me an idea for the character art,” Yun told Variety. “I knew where I wanted its look to go.”
Matching the hyperactive road...
Here, curated paintings, sculptures and furnishings — in gallery and home settings — are equitable to the mood swings of its principal characters.
“The characters are real and complex. The rage coming from Amy and Danny was so well-written, and before I even read the first episode Sonny [Lee Sung Jin’s nickname] sent me an idea for the character art,” Yun told Variety. “I knew where I wanted its look to go.”
Matching the hyperactive road...
- 5/31/2023
- by A.D. Amorosi
- Variety Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.