No group had it locked like Public Enemy the year Mandela was finally let out of prison. In 1990, when their momentum-grabbing third album dropped, its songs and the band’s logo — a defiant, beret-adorned B-boy in the crosshairs of a gun — were as ubiquitous as the African medallions worn by Black folks in virtually every North American city. If 1988’s It Takes a Nation of Millions to Hold Us Back is Public Enemy’s brilliant bedrock, Fear of a Black Planet represents their all-encompassing apex. This Black History Month is...
- 2/4/2022
- by Will Dukes
- Rollingstone.com
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