For a documentary about tension and fear, it’s ironic that Dario Argento Panico is anxious about how to best pay homage to the Italian auteur. Director Simone Scafidi initially presents the film as something of a remixed take on the filmography-appraisal documentary, especially as Argento makes his way to a hotel where he plans to hole up and write his next film. In this moment, it seems as if we’re about to spend the majority of Panico with Argento playing a version of himself in a mockumentary of sorts. But this, alas, is mostly a tease, as Panico eventually settles into a steady collage of talking-head interviews, albeit mostly engaging ones, rattling off recollections and appreciations of Argento’s work.
Panico neither caters to newcomers to Argento’s work nor preaches to the converted. Instead, Scafidi positions Argento as subject, prompting the auteur to reflect on aspects of...
Panico neither caters to newcomers to Argento’s work nor preaches to the converted. Instead, Scafidi positions Argento as subject, prompting the auteur to reflect on aspects of...
- 1/28/2024
- by Clayton Dillard
- Slant Magazine
When asked to summarize his thoughts on streaming in 2024 with just one word, Joe Cady—executive vice president of advanced advertising & partnerships at NBCUniversal—used “democratization.”
“The application of data for targeting and measurement, together with automation, lets us make our premium content available to so many more marketers than we could otherwise work with,” he said. “As we go forward into 2024 and beyond, that will be so much more of an opportunity to expand the scope of marketers who can participate in premium TV.”
Cady was joined by Rebecca Panico, vice president and global head of media at Hilton and Jed Dederick, chief client officer at The Trade Desk, at a panel moderated by Andrew Wallenstein, president and chief media analyst at Variety Intelligence Platform, as a part of Variety’s CES Entertainment Summit held on January 10 in Las Vegas.
The panel aimed to talk about the state of...
“The application of data for targeting and measurement, together with automation, lets us make our premium content available to so many more marketers than we could otherwise work with,” he said. “As we go forward into 2024 and beyond, that will be so much more of an opportunity to expand the scope of marketers who can participate in premium TV.”
Cady was joined by Rebecca Panico, vice president and global head of media at Hilton and Jed Dederick, chief client officer at The Trade Desk, at a panel moderated by Andrew Wallenstein, president and chief media analyst at Variety Intelligence Platform, as a part of Variety’s CES Entertainment Summit held on January 10 in Las Vegas.
The panel aimed to talk about the state of...
- 1/11/2024
- by Diego Ramos Bechara
- Variety Film + TV
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