Metrograph programmer Lydia Ogwang loves the balcony seats in the larger of the theater’s two screens. There’s something about having a visceral sense of the scale of the theater by being perched above the main floor. It’s easy to feel connected to the screening experience — even easier when you’re close enough to the booth that you can peek in and see the projectionist changing reels of the celluloid prints shown at the New York independent movie theater. But now, as part of Metrograph’s latest “Beach Bodied” series combining two great tastes that go great together — the beach and crime dramas — moviegoers now have the chance to see a brand-new 4K restoration of Kathryn Bigelow’s 1991 classic “Point Break” up on a big screen, no reel changes needed.
Breaking down the merits of film vs. digital in a single paragraph, or single article, would be like...
Breaking down the merits of film vs. digital in a single paragraph, or single article, would be like...
- 2/9/2024
- by Sarah Shachat
- Indiewire
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