Cult Epics will be producing a photography book of legendary punk-rock photographer Edward Colver photographs of Christian Death from 1981-1982 during the incarnation of the album Only Theatre of Pain. Cult singer, poet, artist Rozz Williams hanged himself after the edit of Pig, the film I shot with him in 1989, we would like to …
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- 10/2/2020
- by Adrian Halen
- Horror News
Quirky, catchy melodies have always been Pixies’ calling card and on Beneath the Eyrie, their third post-reunion album, the alt-rock icons indulge everything from jaunty, old-timey Kurt Weill oom-pah rhythms to 10-foot waves of surf guitar. Frontman and chief songwriter Black Francis has said that the group embraced their most “gothic” urges with the record’s music (though he never comes off sounding like Rozz Williams) and the album is a bit darker and a little more muted than their other recent offerings.
That’s probably because two of the...
That’s probably because two of the...
- 9/13/2019
- by Kory Grow
- Rollingstone.com
Fans of early '90s-era gothic & industrial music will no doubt know the name of Athan Maroulis, co-founder of legendary dark electronic project Spahn Ranch. Relocating from Hollywood to his home turf of New York after Spahn disbanded in 2000, Maroulis has drawn creative inspiration from New York City for many projects – from the production of vintage jazz and blues recordings to a variety of gothic, synth-pop and electro-industrial acts including Razed in Black and Black Tape for a Blue Girl (of which he is an official member as of 2009). For his latest solo project Noir, Athan casts his creative light on the Big Apple once again, now filtered through a hauntingly romantic perspective that is equal parts '40s detective drama, vintage sci-fi and The Twilight Zone (he cites that show's creator Rod Serling as one of his inspirations), merged in a style he describes as “a dreamy death trip of sensuality.
- 11/27/2013
- by Gregory Burkart
- FEARnet
To market themselves, all actors need to know their type: blue-collar or white-collar, sexy teacher, nerdy bus driver, or sweet little old lady. When Bill Oberst Jr. left the New York stage to make his way in Hollywood, he was surprised to discover that the camera saw him in a whole new way."I'm terrifying," Oberst says, laughing. "I had no idea I was terrifying before I came out here, but I am. It's really weird. The camera sees faces differently than the eye does. I've had people say, 'Oh, you don't look creepy to me,' but then when I get on camera, boom, there it is. So once I narrowed it down to that sort of niche and found out that I was Mr. Creepy, I work a lot. I've had to develop camera techniques to go with my face."Happily, Oberst enjoys doing horror films. "I did a movie called 'Dismal,...
- 11/5/2010
- backstage.com
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