Former TV critic Andy Greenwald had seen the demands of being a showrunner firsthand. When he finally got the chance to call the shots on the USA Network series “Briarpatch,” that opportunity brought everything that comes with overseeing the production of 10 hourlong episodes of TV.
“There was a day in the airport when I was flying back to Albuquerque because we had to crash [Episode] 2 through post to get it to Toronto,” Greenwald told IndieWire. “I think we’re filming 5 and 6, and we were prepping 7 and I was writing or rewriting 8, 9, and 10 and I was at Lax at 6 in the morning and I was like, ‘This…This is awful.’ And then I thought, ‘The only thing worse than this would be not doing it.'”
Despite that occasional solitary heavy workload at an airport boarding gate, Greenwald was far from alone in this process. After he wrote the pilot — the making...
“There was a day in the airport when I was flying back to Albuquerque because we had to crash [Episode] 2 through post to get it to Toronto,” Greenwald told IndieWire. “I think we’re filming 5 and 6, and we were prepping 7 and I was writing or rewriting 8, 9, and 10 and I was at Lax at 6 in the morning and I was like, ‘This…This is awful.’ And then I thought, ‘The only thing worse than this would be not doing it.'”
Despite that occasional solitary heavy workload at an airport boarding gate, Greenwald was far from alone in this process. After he wrote the pilot — the making...
- 2/13/2020
- by Steve Greene
- Indiewire
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