Stuart Ford’s AGC Television has boarded the series adaptation of F.G. Haghenbeck’s novel, ‘Primavera del Mal’ (‘The Spring of Evil’) alongside Mexican-American filmmaker Fernando Lebrija of Cielo Content and Irreversible Pictures.
To be retitled “Amapola,” the upcoming historical drama series is set in the early 20th century when the Chinese held sway over the drug trade along the Mexican-u.S. border.
In the world of illicit trade, adopted siblings Raul Duval and Miguel Ying have successfully grown their family’s opium enterprise. Their ambitions now extend beyond mere cultivation as they seek to broaden their reach and increase their political influence. However, their aspirations take an unexpected turn when American mobster Bugsy Siegel arrives in Mexico City, offering them a golden opportunity.
Situated strategically between Nogales, Mexico, and Tucson, Arizona, the Ying family steers their course through the treacherous waters of the drug trade bridging Mexico and the U.
To be retitled “Amapola,” the upcoming historical drama series is set in the early 20th century when the Chinese held sway over the drug trade along the Mexican-u.S. border.
In the world of illicit trade, adopted siblings Raul Duval and Miguel Ying have successfully grown their family’s opium enterprise. Their ambitions now extend beyond mere cultivation as they seek to broaden their reach and increase their political influence. However, their aspirations take an unexpected turn when American mobster Bugsy Siegel arrives in Mexico City, offering them a golden opportunity.
Situated strategically between Nogales, Mexico, and Tucson, Arizona, the Ying family steers their course through the treacherous waters of the drug trade bridging Mexico and the U.
- 10/17/2023
- by Anna Marie de la Fuente
- Variety Film + TV
Qualifying projects needed to have 30% of financing in place.
Ten feature projects were pitched at Iberseries & Platino Industria’s first features co-production forum in Madrid supported by Secuoya Foundation, Spain’s producers’ rights collection society Egeda, Ibero American producers’ federation Fipca, and the city government.
The event wrapped on Friday (October 6) and the pitch selection comprised eight narrative features, a documentary, and an animated feature. Qualifying projects needed to have 30% of financing in place.
Save Me From Myself (Sálvame De Mí) is a dramedy directed by Uruguay-born Max Zunino, a best fiction winner at Guadalajara Film Festival with Open Cage,...
Ten feature projects were pitched at Iberseries & Platino Industria’s first features co-production forum in Madrid supported by Secuoya Foundation, Spain’s producers’ rights collection society Egeda, Ibero American producers’ federation Fipca, and the city government.
The event wrapped on Friday (October 6) and the pitch selection comprised eight narrative features, a documentary, and an animated feature. Qualifying projects needed to have 30% of financing in place.
Save Me From Myself (Sálvame De Mí) is a dramedy directed by Uruguay-born Max Zunino, a best fiction winner at Guadalajara Film Festival with Open Cage,...
- 10/7/2023
- by Emilio Mayorga
- ScreenDaily
Qualifying projects needed to have 30% of financing in place.
Ten feature projects were pitched at Iberseries & Platino Industria’s first features co-production forum in Madrid supported by Secuoya Foundation, Spain’s producers’ rights collection society Egeda, Ibero American producers’ federation Fipca, and the city government.
The event wrapped on Friday (October 6) and the pitch selection comprised eight narrative features, a documentary, and an animated feature. Qualifying projects needed to have 30% of financing in place.
Save Me From Myself (Sálvame De Mí) is a dramedy directed by Uruguay-born Max Zunino, a best fiction winner at Guadalajara Film Festival with Open Cage,...
Ten feature projects were pitched at Iberseries & Platino Industria’s first features co-production forum in Madrid supported by Secuoya Foundation, Spain’s producers’ rights collection society Egeda, Ibero American producers’ federation Fipca, and the city government.
The event wrapped on Friday (October 6) and the pitch selection comprised eight narrative features, a documentary, and an animated feature. Qualifying projects needed to have 30% of financing in place.
Save Me From Myself (Sálvame De Mí) is a dramedy directed by Uruguay-born Max Zunino, a best fiction winner at Guadalajara Film Festival with Open Cage,...
- 10/7/2023
- by Emilio Mayorga
- ScreenDaily
‘Heli’s’ Armando Espitia Set for ‘Six Months,’ from Chicago Fest Winner Bruno Santamaría (Exclusive)
Armando Espitia, who broke out as the hapless young factory worker in Amat Escalante’s Cannes winner “Heli,” is attached to star in “Six Months in the Pink and Blue Building,” a feature project being brought to San Sebastian’s Europe-Latin America Co-Production Forum by Mexico’s Bruno Santamaría Raso.
Also on board is actor – and writer-producer – Sofia Espinosa, who fulfilled all three roles in Max Zunino’s “Los Bañistas” and “Bruma” and won a Mexican Academy Ariel for her tearaway performance as Gloria Trevi in “Gloria.”
Written and to be directed by Santamaría, “Six Months in the Pink and Blue Building,” marks his first fiction feature. He caught attention and won a Chicago Golden Hugo Golden Hugo and Golde Q Hugo for best documentary for “Things We Dare Not Do,” a movie straddling fiction in its finish, production values and narrative structures as it depicts Toño, the eldest son...
Also on board is actor – and writer-producer – Sofia Espinosa, who fulfilled all three roles in Max Zunino’s “Los Bañistas” and “Bruma” and won a Mexican Academy Ariel for her tearaway performance as Gloria Trevi in “Gloria.”
Written and to be directed by Santamaría, “Six Months in the Pink and Blue Building,” marks his first fiction feature. He caught attention and won a Chicago Golden Hugo Golden Hugo and Golde Q Hugo for best documentary for “Things We Dare Not Do,” a movie straddling fiction in its finish, production values and narrative structures as it depicts Toño, the eldest son...
- 9/19/2022
- by John Hopewell
- Variety Film + TV
Exclusive: Gaumont, the production company behind Netflix’s hit drama Narcos, is lining up its next trip south of the border.
The company, which also produces Amazon original El Presidente, is developing Spanish-language drama series Los Últimos Análogos (w/t). The series comes from Max Zunino and Hari Sama, who were behind Sundance Film Festival feature This Is Not Berlin.
The show, which the pair will co-write chronicles the peak of the Rock en Español movement during the mid 1990s in Mexico City. Sama is attached to direct the series, to be filmed on location in Mexico City.
Los Últimos Análogos follows a foreign record label executive, who arrives in Mexico City to spearhead the A&r Rock division at a record label. What begins as an escape from her past becomes an opportunity to rebuild her life and capitalize on a new musical movement that’s simmering in Mexico City’s underground scene.
The company, which also produces Amazon original El Presidente, is developing Spanish-language drama series Los Últimos Análogos (w/t). The series comes from Max Zunino and Hari Sama, who were behind Sundance Film Festival feature This Is Not Berlin.
The show, which the pair will co-write chronicles the peak of the Rock en Español movement during the mid 1990s in Mexico City. Sama is attached to direct the series, to be filmed on location in Mexico City.
Los Últimos Análogos follows a foreign record label executive, who arrives in Mexico City to spearhead the A&r Rock division at a record label. What begins as an escape from her past becomes an opportunity to rebuild her life and capitalize on a new musical movement that’s simmering in Mexico City’s underground scene.
- 9/24/2020
- by Peter White
- Deadline Film + TV
Announced at the Cannes Film Market, L.A.’s Samuel Goldwyn Films acquired the North America rights to Hari Sama’s semi-autobiographical “This is Not Berlin.”
The deal was negotiated between Samuel Goldwyn Films’ Meg Longo, and Jason Ishikawa and Shane Riley from Cinetic Media on behalf of Madrid’s Latido films, which handles international sales.
Sama co-wrote the film with Rodrigo Ordóñez and Max Zunino, and co-produced with Ale García, Antonio Urdapilleta and Verónica Valadez P.
Having participated at a number of Latin American works in progress events, the film premiered to critical praise in Sundance, where Variety’s Dennis Harvey acknowledged it as “something special.”
Set in the politically contentious Mexico City of 1986, the film follows 17-year-old Carlos through a year of turmoil as he distances himself from his mother and childhood friends whose interests no longer align with his own.
Using his punk front-woman sister and acumen for fixing electronic equipment,...
The deal was negotiated between Samuel Goldwyn Films’ Meg Longo, and Jason Ishikawa and Shane Riley from Cinetic Media on behalf of Madrid’s Latido films, which handles international sales.
Sama co-wrote the film with Rodrigo Ordóñez and Max Zunino, and co-produced with Ale García, Antonio Urdapilleta and Verónica Valadez P.
Having participated at a number of Latin American works in progress events, the film premiered to critical praise in Sundance, where Variety’s Dennis Harvey acknowledged it as “something special.”
Set in the politically contentious Mexico City of 1986, the film follows 17-year-old Carlos through a year of turmoil as he distances himself from his mother and childhood friends whose interests no longer align with his own.
Using his punk front-woman sister and acumen for fixing electronic equipment,...
- 5/18/2019
- by Jamie Lang
- Variety Film + TV
It opens in slow motion with teenage bodies wrestling and punching inside chaotic dust swirls, one boy (Xabiani Ponce de León’s Carlos) caught isolated in the middle of the frame. He’s not looking to hit any of the others. In fact he’s barely dodging out of the way when they come too close. It’s almost as though Carlos isn’t even there, his mind and body separated as two halves of the same conflicted whole. He knows he should be present with his friends to show his machismo and do Mexico proud like the soccer team soon to hit the 1986 World Cup pitch, but something is calling him in the distance that he can’t quite see. It’s punk metal versus new wave blues, hetero-normative conformity versus queer counter-culture.
Director Hari Sama’s opening scene to This Is Not Berlin is the perfect prologue for its rebellious themes.
Director Hari Sama’s opening scene to This Is Not Berlin is the perfect prologue for its rebellious themes.
- 1/30/2019
- by Jared Mobarak
- The Film Stage
More than 60 films were submitted to form part of the 4th Impulso Morelia, the works in progress section of the Morelia Film Festival taking place this week in the pre-Colombian Mexican city.
This year’s crop of projects, as much if not more than ever before, demonstrates the reflective capabilities of Mexican filmmakers in regards to their country. Most of the films take a long and critical look at the Mexican government, the country’s culture and its people in a time when that’s not always the safest thing to do. In March of last year three film students in Guadalajara were kidnapped, killed and their bodies dissolved in acid only days after the Guadalajara Film Festival. Their only crime: Filming in a house they didn’t know belonged to a drug cartel.
“One thing that always strikes me in Mexico is the ability of its cinema to have...
This year’s crop of projects, as much if not more than ever before, demonstrates the reflective capabilities of Mexican filmmakers in regards to their country. Most of the films take a long and critical look at the Mexican government, the country’s culture and its people in a time when that’s not always the safest thing to do. In March of last year three film students in Guadalajara were kidnapped, killed and their bodies dissolved in acid only days after the Guadalajara Film Festival. Their only crime: Filming in a house they didn’t know belonged to a drug cartel.
“One thing that always strikes me in Mexico is the ability of its cinema to have...
- 10/19/2018
- by Jamie Lang
- Variety Film + TV
Miguel Gomes’ Arabian Nights wins Fipresci Jury prize at New Horizons festival.
Belgian director Gust Van den Berghe’s third feature Lucifer has won the $22,000 (€20,000) Grand Prix in the International Competition at the 15th T-Mobile New Horizons International Film Festival (July 23 - Aug 2) in Poland’s Wroclaw.
Set in a Mexican village at the base of a volcano, Lucifer is the third instalment in Van den Berghe’s triptych about the emergence of human consciousness after Little Baby Jesus of Flandr and Blue Bird, previously shown in Wroclaw in 2012.
Lucifer received its world premiere at the Rome Film Festival last October and won the Grand Prix at the Black Nights Film Festival in Estonia’s Tallinn in November.
The International Competition Jury, which included filmmakers Anna Sosnal, Reha Erdem, and Noaz Deshe and festival programmer Diane Henderson, also gave a special mention to Carlos M. Quintela’s Rotterdam winner The Project Of The Century.
Other awards...
Belgian director Gust Van den Berghe’s third feature Lucifer has won the $22,000 (€20,000) Grand Prix in the International Competition at the 15th T-Mobile New Horizons International Film Festival (July 23 - Aug 2) in Poland’s Wroclaw.
Set in a Mexican village at the base of a volcano, Lucifer is the third instalment in Van den Berghe’s triptych about the emergence of human consciousness after Little Baby Jesus of Flandr and Blue Bird, previously shown in Wroclaw in 2012.
Lucifer received its world premiere at the Rome Film Festival last October and won the Grand Prix at the Black Nights Film Festival in Estonia’s Tallinn in November.
The International Competition Jury, which included filmmakers Anna Sosnal, Reha Erdem, and Noaz Deshe and festival programmer Diane Henderson, also gave a special mention to Carlos M. Quintela’s Rotterdam winner The Project Of The Century.
Other awards...
- 8/3/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Los Cabos International Film Festival took place this month of November. It was a brave move to keep it going after Cabo had been so hard hit by Hurricane Odile with winds of 125mph less than a month earlier. The vast destruction in our part of town was quickly being repaired though traces remained visible and repairs still to be done necessitated cutting the normal invitation list by half and doubling up hotel rooms for a few unlucky journalists. That being said, there were 15,000 attending the festival. Volunteers wore the worthy words on their t-shirts: #Unstoppable, and they were that.
For all the infrastructure problems of the city in the midst of rebuilding itself, the festival seemed to thrive with all sorts of invitees showing up from all over the world. It seemed like gala events, panels, master classes, coproduction meetings, works in progress, screenings and interviews were constantly taking place. It was a great team and we all felt part of it.
The festival is overseen by the executive board members Eduardo Sánchez Navarro, Alfonso Pascal Barcenas, Scott Cross and Sean Cross (who also founded Vail Film Festival) and is organized by the festival team of Alonso Aguilar (General Director), Alejandra Paulin (General Coordinator) - who was a great market director in Guadajalara before coming here, Maru Garzon (Head of Programming), Ana Molinar Trujillo (Communication Manager), and Monica Herrera (Film Programmer). My friend from Guadalajara, normally an English teacher, Fabian Cruz was also there working for the festival.
When Eduardo Sánchez Navarro Redo remembers how he first came to Los Cabos, there is no doubt in his mind that destiny and luck played an important part. When he married his wife 30 years ago, he decided to travel along the entire Pacific Coast, from Acapulco to Mazatlan, where he crossed over to La Paz eventually driving to Los Cabos. The beauty of the area impressed him and it was during this trip that he and his wife decided to buy a vacation home in Los Cabos, thus beginning a distinguished career as a principal player and developer of what is Los Cabos today. Over the course of more than 20 years, his company, Grupo Questro, has emerged as one of the most highly respected developers in all of Mexico. He, together with Juan Gallardo Thurlow, Scott Cross, and Sean Cross, founded the festival in 2012.
My job as a journalist was to explore and write, hard to do when you are having such fun 24/7. We journalists were all in one hotel where we were given space and time to bond. Travel writers mixed with trade writers: from Film Journal David Noh, whose article is worth sharing here, my colleagues Peter Rainer from NPR and Christian Science Monitor, Anne Thompson from Thompson on Hollywood on Indiewire, Godfrey Cheshire of RogerEbert.com and many others met and mixed. Also Ira Deutchman of Colombia University Film School and Emerging Pictures and Robin Brock of Creative Coalition were there with time to share dinners.
The filmmakers, in another hotel, mixed by day and at the communal lunches and parties. I will write more on them in an upcoming blog! After all, filmmakers are the backbone of our industry. Without them, we have nothing!
The agents, mostly from CAA, were placed in another hotel, luxurious and far away. As someone said, Cabos is like Cannes, only in November. If so, perhaps they were at the Eden Roc in Cap d’Antibes. (Actually they were at Hacienda Beach Club & Residences) CAA has always been an honored part of this festival. I have heard that that is because someone with lots of money from Mexico invests it in cinema through CAA and even started the festival. That is, however, pure conjecture. Under the guidance of CAA agent, Micah Green, people can be assured that the directions he sees and the decisions he makes about investing private individuals' capital into filmed entertainment is priceless. I could think of no one I would trust more --in this untrustworthy business we are in-- than Micah.
At least two other agents – Bec Smith and Rena Ronson from UTA -- were also there. Rena and Micah were on the Film Financing Panel moderated by Variety’s expert in all things Iberoamerican and my idol, John Hopewell. Other participants on the Film Finance Panel were Jonathan King, Evp of Production at Jeff Skoll’s Participant Media whose partnership with Canana formed Participant PanAmerican production fund. “No” by Pablo Lorrain was their first investment. Pp also financed "El Ardor" which played in Cannes and “Cesar Chavez”, directed by Diego Luna. Also on the panel were Mark Musselman of Canada’s 10X2yinc, the exec producer of “Eastern Promises” and most recently of “Remember” by Atom Egoyan which was also produced by Robert Lantos and son, also in Los Cabos. It went into production in 2014 and is tipped for Cannes. Other panelists included Raul Del Alto of Mexico’s Ag Studios (Itaca Films Mexico, Itaca Films USA, Itaca Films Colombia and Itaca Filkms Brazil, and Rena Ronson of UTA who, like Micah Green of CAA focuses on global film finance, distribution and marketing strategies for Independents and co-financed features and is fluent in Spanish because of her long time experience with Latin America.
At one point I looked up and found the European fund chiefs there as well, Laufey Gudjonsdottir from Iceland (where Interstellar was filmed), Katriel Schory from Israel Film Fund and Edith Sepp-Dallas from the Estonian Film Institute. They were there for Bpx. Best Practice Exchange is an initiative that brings together the leaders of film funding agencies from across the world to take part in high-level-workshops – one or two each year – designed to promote new standards of excellence in the provision of public funding for the support of film production, development and distribution. The aim of Bpx is to ensure that policies and procedures adopted by film funding agencies will act together, positively and proactively, to stimulate and sustain practices of international coproduction and cofinancing worldwide.
Triggered by the situation in which filmmaking outside the main production centers of Hollywood and Bollywood now finds itself, Bpx was created by Simon Perry, president of Ace (Ateliers du Cinéma Européen), in collaboration with Katriel Schory, executive director of the Israel Film Fund. It held its first workshop in February 2013 in Israel, and two further workshops in Toronto (September 2013) and Berlin (February 2014) and this was the third! Bravo!
Among the Mexican, Canadian and U.S. films that showed, the winners were as follow:
Mexico First
Mexico First winning film was ¨Llevate mis amores” ("All of Me") by Arturo Gonzalez. The film narrates the story of the generosity of the women of Las Patronas who feed the immigrants who ride La Bestia. The director was awarded a cash Prize of Usd $15,000. This film made me cry. I thought of it again when reading the L.A. Times article about the murder of Adrian Rodriguez and his assistant, Mexican good Samaritans who dedicated their scarce resources to feeding Central American migrants passing by on La Bestia, which is what the women in this movie do. And one of the women was at the festival too.
Los Cabos Competition
The Los Cabos Competition winner was “Güeros” by Alonso Ruizpalacios, also a winner at the Berlinale, Jerusalem Film Festival, Tribeca, Toronto and San Sebastian. Being sold internationally by Mundial, the joint venture of Canana (again!) and Im Global, the film has sold to Kino Lorber for U.S., Cannibal for Mexico, Dreams Hill for Italy, Noori for So. Korea and Maison Motion for Taiwan … "Güeros" is the undeniable triumph of a nouveau director who dares to pay homage the French New Wave on a wild detective hunt through Mexico City. In light of the 43 murdered students, this film, about students on strike, strikes a chord within the watcher. The film´s producer won a Usd $15,000 cash prize.
Work In Progress Mexico
The second Work in Progress Mexico prize was awarded to "Los Herederos," by Jorge Hernandez, a film that describes adolescent effervescence and idleness through a group of friends who spend their vacations adrenaline-seeking through parties, sex and alcohol. The winner received a Usd $10,000 cash prize.
Mexico-usa-canada Co-production Forum
The winner of the first Mexico- USA- Canada Co-production Forum was also announced: "Afronauts" by Frances Bodomo, based on the real life story of the Academia Nacional de Ciencias, Investigación Espacial e Investigación Astronómica of Zambia. Writer- Director Frances Bodomo received a Usd $8,000 cash prize. It also received funding from the Alfred P. Sloan Foundation.
Mexico First: Fox +
In its second year running the México Primero: Fox+ chose one of the films that participated to have its distribution rights pre-bought for the Latin American and Caribbean (Except Brazil) markets. The México Primero: Fox+ prize consists of Usd $40,000 and was awarded to Isaac Ezban´s "El Incidente" ("The Incident"), two M.C. Escher-maze-like parallel stories about characters trapped in illogical endless spaces: two brothers and a detective locked on an infinite staircase, and a family locked on an infinite road… for a very long time. The international sales agent, Shoreline, will be showing the film at Ventana Sur December 3rd at 17:00 at Cinemark 3.
Work In Progress Mexico Fox +
In its second year running as well, Work in Progress México Fox+ selected a participating film to have its distribution rights pre-bought for the Latin American and Caribbean (Except Brazil) markets. The Usd $30,000 prize was awarded to Katina Medina Mora’s "Sabras que hacer conmigo" aka "En Contraluz", produced by Gerardo Gatica and Alberto Muffelmann.
Work In Progress Mexico Chemistry
This Third edition of the Festival also witnessed the first Work In Progress México –Chemistry award. Chemistry post-production studios granted the winner, Jorge Hernandez’s "Los Herederos", $45,000 Usd in color correction services.
Mexico – USA – Canada Splendor Omnia Mantarraya Co-production Forum
On its first year running, the Coproduction Forum Mexico- USA- Canada Splendor Omnia – MANTArraya will be granting a $30,000 Usd equivalent prize worth 40 hours of color correction, 40 hours of sound mixing, as well as a paid stay in Tepoztlan Morelos, site of their studios, to the winner "Afronauts" by Francez Bodomo (U.S.).
The key phrase to understanding Cabo is "Seeing what the neighbors do" as the festival and market connects Canada, U,S, and Mexico in showing of films and exploring coproduction. And the mixing of filmmakers and journalists from all three Americas was exciting in the possibilities it offered to everyone.
As for the hard-core business done there:
Mark Kassen will be directing "Criminal Empire for Dummies" written by Cliff Dorman. Kassen will also be producing the film along with James Gibb of Cutting Edge Group and Greg Hajdarowicz of Gremi Films. The deal took place at the exclusive resort Hacienda Beach Club & Residences and was reported by Variety.
Actor and producer Luis Gerardo Mendez ("Nosotros Los Nobles") signed a representation agreement with Paradigm. Reported by Variety. So I guess Paradigm also sent agents to Los Cabos.
Pat Saperstein of Variety also attended Los Cabos and scooped a story, that “Wolverine Hotel” from director Patricia Chica who was participating in the Coproduction Forum, is closing in on production with a "recent financing commitment from Jean-Guy Després, who will serve as exec producer. The edgy crime thriller is produced by Canada-based Byron Martin. Looking to cast a Latino actor as co-star, Chica met with rising Mexican thesp Luis Gerardo Mendez ('We Are the Nobles') during Afm though he has not yet been attached. 'A Latino star opens up a market', said Martin."
Celebrated producer Monica Lozano announced the launch of Alebrije Distribución. She has had her hand in 23 productions since her first film, "Amores Perros". "Instructions Not Included" the Us$ 5.5 million film that grossed Us$ 100 million worldwide was also her production. With this Pan-American initiative, the company will acquire distribution rights for the Latin and North American markets. Reported by Variety again!! You would think John was the only real reporter there. Pinske should be proud of him! Most of us got no scoops, but then, I guess we have to prove ourselves worthy - which I am not because at heart, I am not a reporter hunting for news, but rather a gatherer of information and a writer.
Speaking of Monica Lozano, the Germany-based international sales agent, Media Luna, acquired world rights to Internet Junkie, directed by Alexander Katzowicz and produced by Monica Lozano. Variety reports on this again!
"Yamaha 300", a participating project of the 1st Mexico – USA- Canada Coproduction Forum, produced by Valerium Arts (Mayra Espinosa y Jorge Michel Grau, producer and writer-director of the horror hit "Somos lo que hay" respectively, and Grau, the writer of the remake "We Are What We Are") and Uncorked Productions (Andrew Corkin, the producer of the horror film "What We Were"), will be one of the first projects to receive the development stage and postproduction support offered by The Good Film Fund, an initiative of Media Darling (Amy Darling) and The Chatanooga Film Festival. See Variety.
New York producer Dodgeville Films ("To Be Takei") will be joining Varios Lobos in Mexico to produce "Ya no estoy aquí", Fernando Frias’s second film, which was also a winner during Gabriel Figueroa Film Fund second edition. This film in the Coproduction Forum was reported on in Variety.
"Siete Horas" ("Seven Hours"), one of the winning projects of the second Gabriel Figueroa Film Fund edition, which will be directed by Chema Rodriguez and produced by Francisco Vargas, the renowned director of the film "El violin", made an alliance with the Spanish production companies Sin un Duro and Noodles Prods to co-produce the project. (Variety)
CineTren closed deals to handle Latin American distribution for Spring, a Justin Benson and Aaron Moorhead film, whose Latin American Premiere was held at Los Cabos International Film Festival. Negotiations between Nate Bolotin and Marie Katz fromLos Angeles-based Xyz and Manuel Garcia from CineTren, took place at the Hotel Grand Solmar. Next time, I'll have to visit all the hotels!! See Variety article.
BH5 Group, which participates in the executive production of "Remember" by Atom Egoyan, will be working with Alonso Ruizpalacios, director of Güeros, in his second movie: Museo, a project that participated in the Ist Mexico- USA- Canada Co-production Forum. Even though Variety wrote about this, my blog on the three year old conglomerate of companies, BH5, was more complete:
BH5 Group Makes a Splash with Three Impressive Films at Los Cabos Int'l Film Fest
BH5, a conglomerate of five formerly independent production companies all run by various friends from the same film school, will be working the international markets much more. Besides the Toronto hit, Jodorowsky's "Dance of Reality", they are working with larger companies like Pathe now. Their work in progress, "You Will Know What To Do With Me" ("Sabras que hacer conmigo" aka "En Contraluz") which just won the The Usd $30,000 prize of Fox+, is seeking an international sales agent.
"Entrevero" by Max Zunino, also winner of the Gabriel Figueroa Film Fund second edition, was selected in the development project category by Ibermedia. See Variety.
And though Colombian Ciro Guerra, whose "The Wind Journeys" was produced by our German friends Roman Paul and Gerhard Meixner at Razor Film Production and by Burning Blue's prolific Diana Bustamente -- who is now also heading the Carthagena Film Festival -- showed in 2009 Cannes Un Certain Regard and was sold by Paris’ Elle Driver to 19 countries including Film Movement for U.S., announced to Variety's John Hopewell that his next film, "Embrace of the Serpent" will star U.S. actor Brionne Davis (“Savaged”) and Belgium’s Jan Bijvoet, the lead in Cannes Competition entry “Borgman” a really creepy dark comedy, he did not discuss his next project "Taganga" in the Coproduction Forum. "Taganga" is about a fisherman from a small village by the Colombian coast where many foreign-owned scuba diving centers have been established. A new law requiring local fisherman to change the motors of their boats forces him to earn quick money, so he chooses to dynamite to fish. The owner of the largest scuba diving center opposes this use of explosives. When the fisherman receives a death threat if he continues the dynamiting of fish, he assumes the center's owner is behind the threat. In order to prove it, he begins a series of fateful actions.
Finally, while it seems like Variety wrote all the news, I have one item which no one has reported on. Reese Witherspoon stated at her press conference in Los Cabos, where her film "Wild" premiered in a red carpet gala, that she is talking to Eugenio Derbez ("Instructions Not Included") to make a movie with him. I heard her say it and later spoke of this to Ben Odell (my next blog on Los Cabos features him). Ben (now partners with Eugenio at 3Pas Studios) said, Actually that would be a great idea but they had not spoken about it. However, they are both represented by CAA, so it would seem like a natural and really exciting pairing. After all, aren't "Legally Blond" and "Beverly Hills Chihuahua" the same film? She is certainly on a role as a producer with "Wild" and David Fincher's "Gone Girl" as he is with his U.S. career. The studios are all courting her now, she said. More to come on this...
For all the infrastructure problems of the city in the midst of rebuilding itself, the festival seemed to thrive with all sorts of invitees showing up from all over the world. It seemed like gala events, panels, master classes, coproduction meetings, works in progress, screenings and interviews were constantly taking place. It was a great team and we all felt part of it.
The festival is overseen by the executive board members Eduardo Sánchez Navarro, Alfonso Pascal Barcenas, Scott Cross and Sean Cross (who also founded Vail Film Festival) and is organized by the festival team of Alonso Aguilar (General Director), Alejandra Paulin (General Coordinator) - who was a great market director in Guadajalara before coming here, Maru Garzon (Head of Programming), Ana Molinar Trujillo (Communication Manager), and Monica Herrera (Film Programmer). My friend from Guadalajara, normally an English teacher, Fabian Cruz was also there working for the festival.
When Eduardo Sánchez Navarro Redo remembers how he first came to Los Cabos, there is no doubt in his mind that destiny and luck played an important part. When he married his wife 30 years ago, he decided to travel along the entire Pacific Coast, from Acapulco to Mazatlan, where he crossed over to La Paz eventually driving to Los Cabos. The beauty of the area impressed him and it was during this trip that he and his wife decided to buy a vacation home in Los Cabos, thus beginning a distinguished career as a principal player and developer of what is Los Cabos today. Over the course of more than 20 years, his company, Grupo Questro, has emerged as one of the most highly respected developers in all of Mexico. He, together with Juan Gallardo Thurlow, Scott Cross, and Sean Cross, founded the festival in 2012.
My job as a journalist was to explore and write, hard to do when you are having such fun 24/7. We journalists were all in one hotel where we were given space and time to bond. Travel writers mixed with trade writers: from Film Journal David Noh, whose article is worth sharing here, my colleagues Peter Rainer from NPR and Christian Science Monitor, Anne Thompson from Thompson on Hollywood on Indiewire, Godfrey Cheshire of RogerEbert.com and many others met and mixed. Also Ira Deutchman of Colombia University Film School and Emerging Pictures and Robin Brock of Creative Coalition were there with time to share dinners.
The filmmakers, in another hotel, mixed by day and at the communal lunches and parties. I will write more on them in an upcoming blog! After all, filmmakers are the backbone of our industry. Without them, we have nothing!
The agents, mostly from CAA, were placed in another hotel, luxurious and far away. As someone said, Cabos is like Cannes, only in November. If so, perhaps they were at the Eden Roc in Cap d’Antibes. (Actually they were at Hacienda Beach Club & Residences) CAA has always been an honored part of this festival. I have heard that that is because someone with lots of money from Mexico invests it in cinema through CAA and even started the festival. That is, however, pure conjecture. Under the guidance of CAA agent, Micah Green, people can be assured that the directions he sees and the decisions he makes about investing private individuals' capital into filmed entertainment is priceless. I could think of no one I would trust more --in this untrustworthy business we are in-- than Micah.
At least two other agents – Bec Smith and Rena Ronson from UTA -- were also there. Rena and Micah were on the Film Financing Panel moderated by Variety’s expert in all things Iberoamerican and my idol, John Hopewell. Other participants on the Film Finance Panel were Jonathan King, Evp of Production at Jeff Skoll’s Participant Media whose partnership with Canana formed Participant PanAmerican production fund. “No” by Pablo Lorrain was their first investment. Pp also financed "El Ardor" which played in Cannes and “Cesar Chavez”, directed by Diego Luna. Also on the panel were Mark Musselman of Canada’s 10X2yinc, the exec producer of “Eastern Promises” and most recently of “Remember” by Atom Egoyan which was also produced by Robert Lantos and son, also in Los Cabos. It went into production in 2014 and is tipped for Cannes. Other panelists included Raul Del Alto of Mexico’s Ag Studios (Itaca Films Mexico, Itaca Films USA, Itaca Films Colombia and Itaca Filkms Brazil, and Rena Ronson of UTA who, like Micah Green of CAA focuses on global film finance, distribution and marketing strategies for Independents and co-financed features and is fluent in Spanish because of her long time experience with Latin America.
At one point I looked up and found the European fund chiefs there as well, Laufey Gudjonsdottir from Iceland (where Interstellar was filmed), Katriel Schory from Israel Film Fund and Edith Sepp-Dallas from the Estonian Film Institute. They were there for Bpx. Best Practice Exchange is an initiative that brings together the leaders of film funding agencies from across the world to take part in high-level-workshops – one or two each year – designed to promote new standards of excellence in the provision of public funding for the support of film production, development and distribution. The aim of Bpx is to ensure that policies and procedures adopted by film funding agencies will act together, positively and proactively, to stimulate and sustain practices of international coproduction and cofinancing worldwide.
Triggered by the situation in which filmmaking outside the main production centers of Hollywood and Bollywood now finds itself, Bpx was created by Simon Perry, president of Ace (Ateliers du Cinéma Européen), in collaboration with Katriel Schory, executive director of the Israel Film Fund. It held its first workshop in February 2013 in Israel, and two further workshops in Toronto (September 2013) and Berlin (February 2014) and this was the third! Bravo!
Among the Mexican, Canadian and U.S. films that showed, the winners were as follow:
Mexico First
Mexico First winning film was ¨Llevate mis amores” ("All of Me") by Arturo Gonzalez. The film narrates the story of the generosity of the women of Las Patronas who feed the immigrants who ride La Bestia. The director was awarded a cash Prize of Usd $15,000. This film made me cry. I thought of it again when reading the L.A. Times article about the murder of Adrian Rodriguez and his assistant, Mexican good Samaritans who dedicated their scarce resources to feeding Central American migrants passing by on La Bestia, which is what the women in this movie do. And one of the women was at the festival too.
Los Cabos Competition
The Los Cabos Competition winner was “Güeros” by Alonso Ruizpalacios, also a winner at the Berlinale, Jerusalem Film Festival, Tribeca, Toronto and San Sebastian. Being sold internationally by Mundial, the joint venture of Canana (again!) and Im Global, the film has sold to Kino Lorber for U.S., Cannibal for Mexico, Dreams Hill for Italy, Noori for So. Korea and Maison Motion for Taiwan … "Güeros" is the undeniable triumph of a nouveau director who dares to pay homage the French New Wave on a wild detective hunt through Mexico City. In light of the 43 murdered students, this film, about students on strike, strikes a chord within the watcher. The film´s producer won a Usd $15,000 cash prize.
Work In Progress Mexico
The second Work in Progress Mexico prize was awarded to "Los Herederos," by Jorge Hernandez, a film that describes adolescent effervescence and idleness through a group of friends who spend their vacations adrenaline-seeking through parties, sex and alcohol. The winner received a Usd $10,000 cash prize.
Mexico-usa-canada Co-production Forum
The winner of the first Mexico- USA- Canada Co-production Forum was also announced: "Afronauts" by Frances Bodomo, based on the real life story of the Academia Nacional de Ciencias, Investigación Espacial e Investigación Astronómica of Zambia. Writer- Director Frances Bodomo received a Usd $8,000 cash prize. It also received funding from the Alfred P. Sloan Foundation.
Mexico First: Fox +
In its second year running the México Primero: Fox+ chose one of the films that participated to have its distribution rights pre-bought for the Latin American and Caribbean (Except Brazil) markets. The México Primero: Fox+ prize consists of Usd $40,000 and was awarded to Isaac Ezban´s "El Incidente" ("The Incident"), two M.C. Escher-maze-like parallel stories about characters trapped in illogical endless spaces: two brothers and a detective locked on an infinite staircase, and a family locked on an infinite road… for a very long time. The international sales agent, Shoreline, will be showing the film at Ventana Sur December 3rd at 17:00 at Cinemark 3.
Work In Progress Mexico Fox +
In its second year running as well, Work in Progress México Fox+ selected a participating film to have its distribution rights pre-bought for the Latin American and Caribbean (Except Brazil) markets. The Usd $30,000 prize was awarded to Katina Medina Mora’s "Sabras que hacer conmigo" aka "En Contraluz", produced by Gerardo Gatica and Alberto Muffelmann.
Work In Progress Mexico Chemistry
This Third edition of the Festival also witnessed the first Work In Progress México –Chemistry award. Chemistry post-production studios granted the winner, Jorge Hernandez’s "Los Herederos", $45,000 Usd in color correction services.
Mexico – USA – Canada Splendor Omnia Mantarraya Co-production Forum
On its first year running, the Coproduction Forum Mexico- USA- Canada Splendor Omnia – MANTArraya will be granting a $30,000 Usd equivalent prize worth 40 hours of color correction, 40 hours of sound mixing, as well as a paid stay in Tepoztlan Morelos, site of their studios, to the winner "Afronauts" by Francez Bodomo (U.S.).
The key phrase to understanding Cabo is "Seeing what the neighbors do" as the festival and market connects Canada, U,S, and Mexico in showing of films and exploring coproduction. And the mixing of filmmakers and journalists from all three Americas was exciting in the possibilities it offered to everyone.
As for the hard-core business done there:
Mark Kassen will be directing "Criminal Empire for Dummies" written by Cliff Dorman. Kassen will also be producing the film along with James Gibb of Cutting Edge Group and Greg Hajdarowicz of Gremi Films. The deal took place at the exclusive resort Hacienda Beach Club & Residences and was reported by Variety.
Actor and producer Luis Gerardo Mendez ("Nosotros Los Nobles") signed a representation agreement with Paradigm. Reported by Variety. So I guess Paradigm also sent agents to Los Cabos.
Pat Saperstein of Variety also attended Los Cabos and scooped a story, that “Wolverine Hotel” from director Patricia Chica who was participating in the Coproduction Forum, is closing in on production with a "recent financing commitment from Jean-Guy Després, who will serve as exec producer. The edgy crime thriller is produced by Canada-based Byron Martin. Looking to cast a Latino actor as co-star, Chica met with rising Mexican thesp Luis Gerardo Mendez ('We Are the Nobles') during Afm though he has not yet been attached. 'A Latino star opens up a market', said Martin."
Celebrated producer Monica Lozano announced the launch of Alebrije Distribución. She has had her hand in 23 productions since her first film, "Amores Perros". "Instructions Not Included" the Us$ 5.5 million film that grossed Us$ 100 million worldwide was also her production. With this Pan-American initiative, the company will acquire distribution rights for the Latin and North American markets. Reported by Variety again!! You would think John was the only real reporter there. Pinske should be proud of him! Most of us got no scoops, but then, I guess we have to prove ourselves worthy - which I am not because at heart, I am not a reporter hunting for news, but rather a gatherer of information and a writer.
Speaking of Monica Lozano, the Germany-based international sales agent, Media Luna, acquired world rights to Internet Junkie, directed by Alexander Katzowicz and produced by Monica Lozano. Variety reports on this again!
"Yamaha 300", a participating project of the 1st Mexico – USA- Canada Coproduction Forum, produced by Valerium Arts (Mayra Espinosa y Jorge Michel Grau, producer and writer-director of the horror hit "Somos lo que hay" respectively, and Grau, the writer of the remake "We Are What We Are") and Uncorked Productions (Andrew Corkin, the producer of the horror film "What We Were"), will be one of the first projects to receive the development stage and postproduction support offered by The Good Film Fund, an initiative of Media Darling (Amy Darling) and The Chatanooga Film Festival. See Variety.
New York producer Dodgeville Films ("To Be Takei") will be joining Varios Lobos in Mexico to produce "Ya no estoy aquí", Fernando Frias’s second film, which was also a winner during Gabriel Figueroa Film Fund second edition. This film in the Coproduction Forum was reported on in Variety.
"Siete Horas" ("Seven Hours"), one of the winning projects of the second Gabriel Figueroa Film Fund edition, which will be directed by Chema Rodriguez and produced by Francisco Vargas, the renowned director of the film "El violin", made an alliance with the Spanish production companies Sin un Duro and Noodles Prods to co-produce the project. (Variety)
CineTren closed deals to handle Latin American distribution for Spring, a Justin Benson and Aaron Moorhead film, whose Latin American Premiere was held at Los Cabos International Film Festival. Negotiations between Nate Bolotin and Marie Katz fromLos Angeles-based Xyz and Manuel Garcia from CineTren, took place at the Hotel Grand Solmar. Next time, I'll have to visit all the hotels!! See Variety article.
BH5 Group, which participates in the executive production of "Remember" by Atom Egoyan, will be working with Alonso Ruizpalacios, director of Güeros, in his second movie: Museo, a project that participated in the Ist Mexico- USA- Canada Co-production Forum. Even though Variety wrote about this, my blog on the three year old conglomerate of companies, BH5, was more complete:
BH5 Group Makes a Splash with Three Impressive Films at Los Cabos Int'l Film Fest
BH5, a conglomerate of five formerly independent production companies all run by various friends from the same film school, will be working the international markets much more. Besides the Toronto hit, Jodorowsky's "Dance of Reality", they are working with larger companies like Pathe now. Their work in progress, "You Will Know What To Do With Me" ("Sabras que hacer conmigo" aka "En Contraluz") which just won the The Usd $30,000 prize of Fox+, is seeking an international sales agent.
"Entrevero" by Max Zunino, also winner of the Gabriel Figueroa Film Fund second edition, was selected in the development project category by Ibermedia. See Variety.
And though Colombian Ciro Guerra, whose "The Wind Journeys" was produced by our German friends Roman Paul and Gerhard Meixner at Razor Film Production and by Burning Blue's prolific Diana Bustamente -- who is now also heading the Carthagena Film Festival -- showed in 2009 Cannes Un Certain Regard and was sold by Paris’ Elle Driver to 19 countries including Film Movement for U.S., announced to Variety's John Hopewell that his next film, "Embrace of the Serpent" will star U.S. actor Brionne Davis (“Savaged”) and Belgium’s Jan Bijvoet, the lead in Cannes Competition entry “Borgman” a really creepy dark comedy, he did not discuss his next project "Taganga" in the Coproduction Forum. "Taganga" is about a fisherman from a small village by the Colombian coast where many foreign-owned scuba diving centers have been established. A new law requiring local fisherman to change the motors of their boats forces him to earn quick money, so he chooses to dynamite to fish. The owner of the largest scuba diving center opposes this use of explosives. When the fisherman receives a death threat if he continues the dynamiting of fish, he assumes the center's owner is behind the threat. In order to prove it, he begins a series of fateful actions.
Finally, while it seems like Variety wrote all the news, I have one item which no one has reported on. Reese Witherspoon stated at her press conference in Los Cabos, where her film "Wild" premiered in a red carpet gala, that she is talking to Eugenio Derbez ("Instructions Not Included") to make a movie with him. I heard her say it and later spoke of this to Ben Odell (my next blog on Los Cabos features him). Ben (now partners with Eugenio at 3Pas Studios) said, Actually that would be a great idea but they had not spoken about it. However, they are both represented by CAA, so it would seem like a natural and really exciting pairing. After all, aren't "Legally Blond" and "Beverly Hills Chihuahua" the same film? She is certainly on a role as a producer with "Wild" and David Fincher's "Gone Girl" as he is with his U.S. career. The studios are all courting her now, she said. More to come on this...
- 12/1/2014
- by Sydney Levine
- Sydney's Buzz
The winners have been announced in the second edition of the fund to support projects in development and post-production through collaboration with Labodigita.
The seven projects in development stage that will receive $5,000 each are:
Shadow Collector (Coleccionistas De Sombras) by director and producer Viviana García Besné;
Tribeca Film Institute project Our Darkest Days (Los Días Más Oscuros De Nosotras) by director Astrid Rondero and producer Fernanda Valadez;
Confusion (Entrevero) by director Max Zunino and producer Laura Imperiale;
Man For Man (Hombre Por Hombre) by director Marcelo Tobar and producer Elsa Reyes;
Sea And Earth Eyes (Ojos De Mar Y Tierra) by director José Álvarez and producer Julio Chavezmontes;
Seven Hours (Siete Horas) by director Chema Rodríguez and producers Francisco Vargas and Chema Rodríguez; and I’m No Longer Here (Ya No Estoy Aquí) by director Fernando Frías and producers Gerry Kim and Mayuran Tiruchelvam.
The jury comprised Rise And Shine World Sales acquisitions manager Diana Karklin, Tribeca...
The seven projects in development stage that will receive $5,000 each are:
Shadow Collector (Coleccionistas De Sombras) by director and producer Viviana García Besné;
Tribeca Film Institute project Our Darkest Days (Los Días Más Oscuros De Nosotras) by director Astrid Rondero and producer Fernanda Valadez;
Confusion (Entrevero) by director Max Zunino and producer Laura Imperiale;
Man For Man (Hombre Por Hombre) by director Marcelo Tobar and producer Elsa Reyes;
Sea And Earth Eyes (Ojos De Mar Y Tierra) by director José Álvarez and producer Julio Chavezmontes;
Seven Hours (Siete Horas) by director Chema Rodríguez and producers Francisco Vargas and Chema Rodríguez; and I’m No Longer Here (Ya No Estoy Aquí) by director Fernando Frías and producers Gerry Kim and Mayuran Tiruchelvam.
The jury comprised Rise And Shine World Sales acquisitions manager Diana Karklin, Tribeca...
- 11/13/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The winners have been announced in the second edition of the fund to support projects in development and post-production through collaboration with Labodigita.
The seven projects in development stage that will receive $5,000 each are:
Shadow Collector (Coleccionistas De Sombras) by director and producer Viviana García Besné;
Tribeca Film Institute project Our Darkest Days (Los Días Más Oscuros De Nosotras) by director Astrid Rondero and producer Fernanda Valádez;
Confusion (Entrevero) by director Max Zunino and producer Laura Imperiale;
Man For Man (Hombre Por Hombre) by director Marcelo Tobar and producer Elsa Reyes;
Sea And Earth Eyes (Ojos De Mar Y Tierra) by director José Álvarez and producer Julio Chavezmontes;
Seven Hours (Siete Horas) by director Chema Rodríguez and producers Francisco Vargas and Chema Rodríguez; and
I’m No Longer Here (Ya No Estoy Aquí) by director Fernando Frías and producers Gerry Kim and Mayuran Tiruchelvam.
The jury comprised Rise And Shine World Sales acquisitions manager Diana Karklin, Tribeca...
The seven projects in development stage that will receive $5,000 each are:
Shadow Collector (Coleccionistas De Sombras) by director and producer Viviana García Besné;
Tribeca Film Institute project Our Darkest Days (Los Días Más Oscuros De Nosotras) by director Astrid Rondero and producer Fernanda Valádez;
Confusion (Entrevero) by director Max Zunino and producer Laura Imperiale;
Man For Man (Hombre Por Hombre) by director Marcelo Tobar and producer Elsa Reyes;
Sea And Earth Eyes (Ojos De Mar Y Tierra) by director José Álvarez and producer Julio Chavezmontes;
Seven Hours (Siete Horas) by director Chema Rodríguez and producers Francisco Vargas and Chema Rodríguez; and
I’m No Longer Here (Ya No Estoy Aquí) by director Fernando Frías and producers Gerry Kim and Mayuran Tiruchelvam.
The jury comprised Rise And Shine World Sales acquisitions manager Diana Karklin, Tribeca...
- 11/13/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Argentina’s Natural Sciences (Ciencias Naturales), directed by Matías Lucchesi, on Friday (December 6) won Ventana Sur’s main Primer Corte Award, the competitive section of films still in post-production.
The story of the journey of a girl in search of her father was honoured by the European sponsors of the fifth edition of the Latin American film market held in Buenos Aires. Cine + Club, Titratvs and Eye On Films supported the most senior prizes in Primer Corte this year through post production services and support for distribution in Europe.
Natural Sciences received an award for distribution, which represents €15,000 for the French company that acquires the title. The film will also benefit from post-production services at Titratvs of France (including €4,000 in digital copies and a bonus of €2,000 for colour grading if the film does its post at Titratvs.) There is also a €2,000 prize offered by Eye On Film to the French distributor of the film.
Max Zunino’s Open...
The story of the journey of a girl in search of her father was honoured by the European sponsors of the fifth edition of the Latin American film market held in Buenos Aires. Cine + Club, Titratvs and Eye On Films supported the most senior prizes in Primer Corte this year through post production services and support for distribution in Europe.
Natural Sciences received an award for distribution, which represents €15,000 for the French company that acquires the title. The film will also benefit from post-production services at Titratvs of France (including €4,000 in digital copies and a bonus of €2,000 for colour grading if the film does its post at Titratvs.) There is also a €2,000 prize offered by Eye On Film to the French distributor of the film.
Max Zunino’s Open...
- 12/7/2013
- by elaineguerini@terra.com.br (Elaine Guerini)
- ScreenDaily
The presence of Latin America films in Cannes has grown by 40% since 2009, when Ventana Sur was created by Incaa (Argentina’s film institute) and Marché du Film/Festival de Cannes.
This is one of the achievements of the film market that, now in its 5th edition (Dec 3-6) in Buenos Aires, has become the biggest gathering of its kind for Latin America’s titles.
“Ventana Sur has been instrumental in growing the Latin American presence in Cannes,” said Jérome Paillard, who shares the executive direction of Ventana Sur with Bernardo Bergeret.
“Pablo Giorgelli’s Las Acacias and Michael Rowe’s Año Bisiesto, which started their careers in Buenos Aires, won the Cannes Camera d’Or in 2011 and 2010, respectively.”
Bergeret added: “Other examples of films that had international recognition and started here are Paraisos Artificiales (Mexico), El Tunel de los Huesos (Argentina), Jardín de Amapolas (Colombia), De Martes a Martes (Argentina), Solo (Uruguay), Ausente (Argentina), Los insolitos peces gato...
This is one of the achievements of the film market that, now in its 5th edition (Dec 3-6) in Buenos Aires, has become the biggest gathering of its kind for Latin America’s titles.
“Ventana Sur has been instrumental in growing the Latin American presence in Cannes,” said Jérome Paillard, who shares the executive direction of Ventana Sur with Bernardo Bergeret.
“Pablo Giorgelli’s Las Acacias and Michael Rowe’s Año Bisiesto, which started their careers in Buenos Aires, won the Cannes Camera d’Or in 2011 and 2010, respectively.”
Bergeret added: “Other examples of films that had international recognition and started here are Paraisos Artificiales (Mexico), El Tunel de los Huesos (Argentina), Jardín de Amapolas (Colombia), De Martes a Martes (Argentina), Solo (Uruguay), Ausente (Argentina), Los insolitos peces gato...
- 12/3/2013
- by elaineguerini@terra.com.br (Elaine Guerini)
- ScreenDaily
Chloé Robichaud’s Sarah Prefers To Run prevailed in the $15,000 Los Cabos Competition section as the second Baja International Film Festival came to a conclusion in Los Cabos, Mexico.
Over the course of four days the festival presented 35 films, of which six were world premieres, 14 were Mexican premieres and one was a Latin American premiere.
The municipality of Los Cabos hosted more than 80 producers and representatives from Mexico, the Us and Canada, as well as the UK, Chile, Colombia, Spain, France, Germany, Mexico, Switzerland, Argentina and Brazil.
Mexican star Gael Garcia Bernal was the subject of a career tribute and Carlos Reygadas, Amat Escalante, Jaime Romandia and Peter Greenaway attended a celebration marking the 15th anniversary of production company Mantarraya Producciones.
The festival ran from November 13-16 and closed with a screening of Oscar contender Dallas Buyers Club and the awards ceremony.
Sarah Prefers To Run (pictured) won the Los Cabos Competition section and a $15,000 prize. [link...
Over the course of four days the festival presented 35 films, of which six were world premieres, 14 were Mexican premieres and one was a Latin American premiere.
The municipality of Los Cabos hosted more than 80 producers and representatives from Mexico, the Us and Canada, as well as the UK, Chile, Colombia, Spain, France, Germany, Mexico, Switzerland, Argentina and Brazil.
Mexican star Gael Garcia Bernal was the subject of a career tribute and Carlos Reygadas, Amat Escalante, Jaime Romandia and Peter Greenaway attended a celebration marking the 15th anniversary of production company Mantarraya Producciones.
The festival ran from November 13-16 and closed with a screening of Oscar contender Dallas Buyers Club and the awards ceremony.
Sarah Prefers To Run (pictured) won the Los Cabos Competition section and a $15,000 prize. [link...
- 11/19/2013
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
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