If you love “Junebug,” the 2005 indie that launched Amy Adams’ career, then you probably felt at the time as film critic Jan Stuart did. He’s quoted on the poster as saying, “It is only a matter of time before [director] Phil Morrison achieves the status of Jim Jarmusch, Gus Van Sant, and Woody Allen.” Well, that prediction never really came to pass. Morrison made one more feature, then turned his attention to commercials. Meanwhile, the film’s screenwriter, Angus MacLachlan, has slowly but surely emerged as an auteur of authentic stories representing the American South.
MacLachlan’s third film as director (and the first to be selected for Sundance featuring him in that role), “A Little Prayer” shares much of the sensibility — and sensitivity — that made “Junebug” so special. Once again, he’s written a modestly scaled but deep-reaching relationship drama about a white middle-class North Carolina family that believes in God,...
MacLachlan’s third film as director (and the first to be selected for Sundance featuring him in that role), “A Little Prayer” shares much of the sensibility — and sensitivity — that made “Junebug” so special. Once again, he’s written a modestly scaled but deep-reaching relationship drama about a white middle-class North Carolina family that believes in God,...
- 1/26/2023
- by Peter Debruge
- Variety Film + TV
As A Little Prayer begins, the voice of an unseen singer floats into the still morning air of a strikingly leafy neighborhood. The spirituals she belts, heard a few times during this quiet drama, take on the role of a disembodied character, sparking responses from the other characters that help to define who they are. Some hear only noise, an intrusion, something to complain about. But for Bill and his daughter-in-law, Tammy, searching souls beautifully played by David Strathairn and Jane Levy, the songs are enchanting, a mystery to savor.
Bill and Tammy are, as she puts it, kindred spirits, but that’s not to say they’re fully in sync. Their bond is the heart of writer-director Angus MacLachlan’s understated film, yet so too is the gap between what Bill wants to believe and the way things are. At the helm of his third feature, after Goodbye to All That...
Bill and Tammy are, as she puts it, kindred spirits, but that’s not to say they’re fully in sync. Their bond is the heart of writer-director Angus MacLachlan’s understated film, yet so too is the gap between what Bill wants to believe and the way things are. At the helm of his third feature, after Goodbye to All That...
- 1/24/2023
- by Sheri Linden
- The Hollywood Reporter - Movie News
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