The Emmy and Peabody Award-winning Artificial is coming back for a third season on Twitch. The new season of the sci-fi series will be dubbed Artificial: Remote Intelligence which, like the title suggests, is a remote production, fitting in with the current global landscape. The new season will include 12 two-hour episodes that will premiere May 21 at 6pm Pt/9pm Et on the video streaming platform.
From writer/producer Bernie Su and author Evan Mandery, the third season of Artificial will continue to push the creative envelope, adding the challenge of remote production to new capabilities for live audience interaction. Artificial: Remote Intelligence will follow a brand new artificial intelligence being guided by an idealistic young scientist named Elle on a live-streamed journey to become human. World-building episodes will be interspersed into the unfolding drama to involve the community in production as well as storytelling decisions.
“Artificial delivers an immersive, interactive...
From writer/producer Bernie Su and author Evan Mandery, the third season of Artificial will continue to push the creative envelope, adding the challenge of remote production to new capabilities for live audience interaction. Artificial: Remote Intelligence will follow a brand new artificial intelligence being guided by an idealistic young scientist named Elle on a live-streamed journey to become human. World-building episodes will be interspersed into the unfolding drama to involve the community in production as well as storytelling decisions.
“Artificial delivers an immersive, interactive...
- 5/7/2020
- by Dino-Ray Ramos
- Deadline Film + TV
I know that the Sundance Film Festival ended over a week ago, but in the six days I was at Sundance (and on screeners in the days before), I saw 25 movies. I wrote full reviews for 13 of them. My Full Sundance reviews: 'The Internet's Own Boy: The Story of Aaron Swartz' "The Overnighters" "Rudderless" "Fed Up" "Marmato" "Love Child" "Land Ho!" "The Voices" "Happy Valley" "My Prairie Home" "Life Itself" "Mitt" "Web Junkie" But that left 12 movies that I just didn't have the time to write my usual 1000-to-1750 words on. Since getting back from Park City, I've been slowly working my way through capsule reviews for those 12 movies. These are roughly the length of my Take Me To The Pilots entries, which means that in this format, people are going to complain about all of the text and the lack of paragraphs. Sorry. Because I'm just one part of HitFix's awesome Sundance team,...
- 2/5/2014
- by Daniel Fienberg
- Hitfix
The clarion call of a grander moral calling anchors the documentary We Are the Giant, and in large part saves it from its own overstuffed passion. Profiling a handful of activists involved in Arab Spring uprisings in Libya, Syria and Bahrain, the film mixes unsettling firsthand protest footage with involving stories of self-sacrifice. Director Greg Barker (the Emmy-winning Manhunt) overdoes things a bit with composer Philip Sheppard’s brawny score and a slick technical package that, paradoxically, provides little in the way of relevant current sociopolitical grounding but lots of distracting quotations from historical figures and other textual interludes. Still, the...
- 2/4/2014
- Pastemagazine.com
With part three of our Sundance Twitterverse series, we see the biggest names in non-fiction commenting outside the realms of their films. For the many subjects of We Are The Giant (@WeAreTheGiant_), Twitter has served as much more than just a place to find breaking news, but as a weapon wielded in the name of freedom. Many of these brave souls are represented below.
Documentary Premieres
The Battered Bastards of Baseball – @MavsDoc
Finding Fela
Director/Producer Alex Gibney – @alexgibneyfilm
Editor Lindy Jankura – @lindyjank
Composer Fela Anikulapo-Kuti – @felakuti
Freedom Summer – @FreedomSummer64
Writer/Director Stanley Nelson – @StanleyNelson1
Happy Valley
Director Amir Bar-Lev – @amirbarlev
Producer John Battsek – @DiegoisGod
Lambert & Stamp
Music: The Who – @TheWho
Last Days in Vietnam – @LDVFilm
Screenwriter Keven McAlester – @KevenMcAlester
Life Itself – @EbertMovie
Subject Roger Ebert – @ebertchicago
Producer Zak Piper – @ZakPiper
Mitt
Director/Producer/Cinematographer/Editor Greg Whiteley – @greggor10
This May Be the Last Time
Director/Producer Sterlin Harjo – @SterlinHarjo...
Documentary Premieres
The Battered Bastards of Baseball – @MavsDoc
Finding Fela
Director/Producer Alex Gibney – @alexgibneyfilm
Editor Lindy Jankura – @lindyjank
Composer Fela Anikulapo-Kuti – @felakuti
Freedom Summer – @FreedomSummer64
Writer/Director Stanley Nelson – @StanleyNelson1
Happy Valley
Director Amir Bar-Lev – @amirbarlev
Producer John Battsek – @DiegoisGod
Lambert & Stamp
Music: The Who – @TheWho
Last Days in Vietnam – @LDVFilm
Screenwriter Keven McAlester – @KevenMcAlester
Life Itself – @EbertMovie
Subject Roger Ebert – @ebertchicago
Producer Zak Piper – @ZakPiper
Mitt
Director/Producer/Cinematographer/Editor Greg Whiteley – @greggor10
This May Be the Last Time
Director/Producer Sterlin Harjo – @SterlinHarjo...
- 1/16/2014
- by Jordan M. Smith
- IONCINEMA.com
Here Christopher Riley describes the making of First Orbit, which uses footage shot from the International Space Station and original mission audio to recreate Yuri Gagarin's historic first space flight
• Read an interview with Yuri Gagarin's daughter
• Watch First Orbit
There comes a time in the history of a planet when any technologically advanced life forms that have evolved on its surface decide to send one of their species into space. Planet Earth had to wait over 4.6bn years for this moment, and when it came 50 years ago there were no cameras on board the spacecraft to capture for posterity the first spaceman's view of his home.
Rather than being an oversight, this probably had more to do with the fact that filming technology had been left behind by our sudden leap into the Space Age, and there simply wasn't enought room inside the cramped Vostok 1 capsule for Yuri Gagarin to wield a primitive,...
• Read an interview with Yuri Gagarin's daughter
• Watch First Orbit
There comes a time in the history of a planet when any technologically advanced life forms that have evolved on its surface decide to send one of their species into space. Planet Earth had to wait over 4.6bn years for this moment, and when it came 50 years ago there were no cameras on board the spacecraft to capture for posterity the first spaceman's view of his home.
Rather than being an oversight, this probably had more to do with the fact that filming technology had been left behind by our sudden leap into the Space Age, and there simply wasn't enought room inside the cramped Vostok 1 capsule for Yuri Gagarin to wield a primitive,...
- 4/12/2011
- The Guardian - Film News
[Premiere Screening: Friday, Jan. 21, 9:45 pm -- Broadway Centre Cinemas V, Salt Lake City]
If I am completely honest, I would say that the biggest surprise was getting into competition at Sundance! I took on The Flaw because it seemed like a really difficult project to pull off. The brief was to make a film about the fundamental underlying cause of the present economic crisis. The first problem was therefore to identify what that was, to get beyond the stories of Wall Street shenanigans (which were obviously a big part of what went wrong, but equally clearly not the whole story, since greed and stupidity are not 21st-century inventions) to the deeper forces (mis)shaping American capitalism.
In fact, I was not too worried about the content because I have discovered from experience that the process of making a documentary film — the months of research and thought, the privileged access (in this case to everyone from distressed homeowners to Wall Street insiders to the...
If I am completely honest, I would say that the biggest surprise was getting into competition at Sundance! I took on The Flaw because it seemed like a really difficult project to pull off. The brief was to make a film about the fundamental underlying cause of the present economic crisis. The first problem was therefore to identify what that was, to get beyond the stories of Wall Street shenanigans (which were obviously a big part of what went wrong, but equally clearly not the whole story, since greed and stupidity are not 21st-century inventions) to the deeper forces (mis)shaping American capitalism.
In fact, I was not too worried about the content because I have discovered from experience that the process of making a documentary film — the months of research and thought, the privileged access (in this case to everyone from distressed homeowners to Wall Street insiders to the...
- 1/19/2011
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Philip Sheppard's score to the summer documentary about the controversial death of U.S. Army corporal Pat Tillman is a movie piece of work; one which successfully incorporates the difficult themes of mourning into its traditional orchestral framework.Sheppard has done a great job navigating the difficult task of scoring this film, particularly considering the emotional impact with which the case still resounds.The passing of Corporal Tillman-who also played football for Arizona state college-was marred by a government cover-up over the fact that the actual cause of death was friendly...
- 10/18/2010
- by George Pacheco, Cape Cod Movie Examiner
- Examiner Movies Channel
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