Italy’s TorinoFilmLab, the international film and TV series incubator linked to the Torino Film Festival, has unveiled the nine projects selected for its 2024 SeriesLab workshop dedicated to fostering production of innovative TV shows from around the world.
The projects, which are in the early development stage, hail from 13 different countries: Australia, Belgium, Croatia, Egypt, Finland, Hungary, Ireland, Mexico, The Netherlands, Spain, Sweden, United Kingdom and the United States.
For the second year in a row, SeriesLab is being led by Hungarian screenwriter and former HBO Hungary development executive Eszter Angyalosy.
“This year, once again, we selected nine original TV series ideas from passionate creatives with unique points of view,” Angyalosy said in a statement. She added that the projects aim to challenge preconceived notions pertaining to “genre, storytelling tradition and the mindset of their future audiences.”
Angyalosy will be working with tutors Filip Kasperaszek (Poland), Kirsten Ittershagen (Germany), Cyril Tysz...
The projects, which are in the early development stage, hail from 13 different countries: Australia, Belgium, Croatia, Egypt, Finland, Hungary, Ireland, Mexico, The Netherlands, Spain, Sweden, United Kingdom and the United States.
For the second year in a row, SeriesLab is being led by Hungarian screenwriter and former HBO Hungary development executive Eszter Angyalosy.
“This year, once again, we selected nine original TV series ideas from passionate creatives with unique points of view,” Angyalosy said in a statement. She added that the projects aim to challenge preconceived notions pertaining to “genre, storytelling tradition and the mindset of their future audiences.”
Angyalosy will be working with tutors Filip Kasperaszek (Poland), Kirsten Ittershagen (Germany), Cyril Tysz...
- 5/29/2024
- by Nick Vivarelli
- Variety Film + TV
Ryan Coogler’s original “Black Panther: Wakanda Forever” script still contained grief. But instead of the grief of losing King T’Challah entirely with the too-early death of actor Chadwick Boseman, it centered on T’Challah’s loss of time in the five-year blip.
“The tonal shift, I will say, was less of a shift than in [casting],” Coogler said in an interview with Inverse.
T’Challah vanished during “The Blip” brought upon half the world’s population by Thanos, and had Bosman been alive to reprise his role as the Black Panther, Coogler envisioned the King of Wakanda grasping to return to normal after his absence during “The Blip.”
Also Read:
‘Black Panther: Wakanda Forever’ First Reactions: ‘All Hail the Mighty Coogler’
“The tone was going to be similar,” Coogler said. “The character was going to be grieving the loss of time, you know, coming back after being gone for five years.
“The tonal shift, I will say, was less of a shift than in [casting],” Coogler said in an interview with Inverse.
T’Challah vanished during “The Blip” brought upon half the world’s population by Thanos, and had Bosman been alive to reprise his role as the Black Panther, Coogler envisioned the King of Wakanda grasping to return to normal after his absence during “The Blip.”
Also Read:
‘Black Panther: Wakanda Forever’ First Reactions: ‘All Hail the Mighty Coogler’
“The tone was going to be similar,” Coogler said. “The character was going to be grieving the loss of time, you know, coming back after being gone for five years.
- 11/3/2022
- by Dessi Gomez
- The Wrap
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