Sundance Institute has announced the 2024 Directors, Screenwriters, and Native Labs fellows.
The Native Lab takes place in person in Santa Fe, New Mexico, from April 29–May 4 and will support four fellows and two artists in residence. The Lab focuses on centring Indigeneity in the storytelling of participants from Native and Indigenous backgrounds and will work on feature film and episodic scripts through one-on-one feedback sections and roundtable discussions with advisors.
The fellows are: Don Josephus Raphael Eblahan (writer-director) with Hum (Phil-usa); Ryland Walker Knight (writer-director) with The Lip Of The World (USA); Charine Pilar Gonzales (writer-director) with Ndn Time (USA...
The Native Lab takes place in person in Santa Fe, New Mexico, from April 29–May 4 and will support four fellows and two artists in residence. The Lab focuses on centring Indigeneity in the storytelling of participants from Native and Indigenous backgrounds and will work on feature film and episodic scripts through one-on-one feedback sections and roundtable discussions with advisors.
The fellows are: Don Josephus Raphael Eblahan (writer-director) with Hum (Phil-usa); Ryland Walker Knight (writer-director) with The Lip Of The World (USA); Charine Pilar Gonzales (writer-director) with Ndn Time (USA...
- 4/29/2024
- ScreenDaily
Sundance Institute announced today the fellows selected for the 2024 Directors, Screenwriters, and Native Labs. The Native Lab in New Mexico will support four fellows and two artists in residence, and the Directors Lab in Colorado will support the development of eight projects with nine fellows, with an additional three fellows also joining for the online Screenwriters Lab held immediately after.
For over four decades, Sundance Institute’s signature labs have provided filmmakers a nurturing, immersive environment to develop their projects and refine their artistic voice under the guidance of accomplished creative advisors.
The 2024 Native Lab, taking place in person in Santa Fe, New Mexico, from April 29–May 4, is designed for participants of Native and Indigenous backgrounds and focuses on centering Indigeneity in their storytelling. Fellows will build community and refine their feature film and episodic scripts through one-on-one feedback sections and roundtable discussions with advisors. Four fellows were selected: three who are U.
For over four decades, Sundance Institute’s signature labs have provided filmmakers a nurturing, immersive environment to develop their projects and refine their artistic voice under the guidance of accomplished creative advisors.
The 2024 Native Lab, taking place in person in Santa Fe, New Mexico, from April 29–May 4, is designed for participants of Native and Indigenous backgrounds and focuses on centering Indigeneity in their storytelling. Fellows will build community and refine their feature film and episodic scripts through one-on-one feedback sections and roundtable discussions with advisors. Four fellows were selected: three who are U.
- 4/29/2024
- by Valerie Complex
- Deadline Film + TV
Sixteen fellows with a dozen projects will be headed to the mythic bunk beds and cabin life of Utah just prior to the upcoming Sundance Film Festival. Here their words on paper will be tested, tried and nurtured with valuable input from the likes of Michelle Satter, Ilyse McKimmie, Jessie Nelson and creative advisors Ritesh Batra, Linda Yvette Chávez, Scott Frank, Phil Hay, Marielle Heller, Walter Mosley, Nicole Perlman, Kemp Powers, Dee Rees, Howard Rodman, Dana Stevens, Joan Tewkesbury, Bill Wheeler, Tyger Williams, Virgil Williams, and Doug Wright. This year’s Sundance Institute Screenwriters Lab folks include: Nikesh Shukla & Himesh Patel (Brown Baby), Kaitlin Fontana & Franchesca Ramsey (Cover Girl), Sylvia Khoury (Heather), Jane Casey Modderno (Here for the Weekend), Kawennáhere Devery Jacobs (High Steel), Kristine Gerolaga (Lamok), Francesca Canepa & Miguel Ángel Papalini (La Otra Orilla), Diana Peralta (No Love Lost), Christian Moldes (Quince Kings), Hanna Gray Organschi (Rubber Hut), Sara Crow...
- 1/12/2024
- by Eric Lavallée
- IONCINEMA.com
The Sundance Institute has announced the participants in their famed screenwriters, directors and Native labs.
The directors and screenwriters labs will support 12 fellows, with five fellows selected for the Native lab. Lab participants will develop their original works under the mentorship of notable advisors. Paul Thomas Anderson, Ryan Coogler, David Gordon Green, Sterlin Harjo, Taika Waititi, Lulu Wang and Chloé Zhao are among previous Sundance lab participants.
The directors lab advisor cohort includes Miguel Arteta, Joan Darling, Rick Famuyiwa, Stephen Goldblatt, Keith Gordon, Randa Haines, Ed Harris, Gina Prince-Bythewood, Polly Morgan, Ira Sachs, Michelle Tesoro and Joan Tewkesbury. The screenwriters lab advisor cohort, led by artistic director Howard Rodman, includes Justin Chon, Sebastian Cordero, Cherien Dabis, D.V. Devincentis, Scott Frank, John Gatins, Nicole Kassell, Kasi Lemmons, Tarell Alvin McCraney, Elena Soarez and Robin Swicord. The Native Lab creative advisors include Andrew Ahn, Alex Lazarowich (Cree), Dana Ladoux Miller (Sāmoan) and Jennifer Reeder.
The directors and screenwriters labs will support 12 fellows, with five fellows selected for the Native lab. Lab participants will develop their original works under the mentorship of notable advisors. Paul Thomas Anderson, Ryan Coogler, David Gordon Green, Sterlin Harjo, Taika Waititi, Lulu Wang and Chloé Zhao are among previous Sundance lab participants.
The directors lab advisor cohort includes Miguel Arteta, Joan Darling, Rick Famuyiwa, Stephen Goldblatt, Keith Gordon, Randa Haines, Ed Harris, Gina Prince-Bythewood, Polly Morgan, Ira Sachs, Michelle Tesoro and Joan Tewkesbury. The screenwriters lab advisor cohort, led by artistic director Howard Rodman, includes Justin Chon, Sebastian Cordero, Cherien Dabis, D.V. Devincentis, Scott Frank, John Gatins, Nicole Kassell, Kasi Lemmons, Tarell Alvin McCraney, Elena Soarez and Robin Swicord. The Native Lab creative advisors include Andrew Ahn, Alex Lazarowich (Cree), Dana Ladoux Miller (Sāmoan) and Jennifer Reeder.
- 4/27/2023
- by Mia Galuppo
- The Hollywood Reporter - Movie News
The Sundance Institute on Thursday announced the fellows set for the 2023 edition of their Directors, Screenwriters and Native Labs.
Native Lab participants will include Eva Grant (Degrees of Separation), Quinne Larsen (Trouble), Anpa’o Locke (Growing Pains), Jana Schmieding (Auntie Chuck) and Cian Elyse White (Te Puhi’).
Those taking part in the Directors Lab and/or the Screenwriters Lab include Hadas Ayalon (In a Minute You’ll Be Gone), Dania Bdeir & Bane Fakih (Pigeon Wars), Rashad Frett & Lin Que Ayoung (Ricky), Masami Kawai (Valley of the Tall Grass), Gabriela Ortega (Huella), Audrey Rosenberg (Wild Animals), Abinash Bikram Shah (Elephants in the Fog), Walter Thompson-Hernández (If I Go Will They Miss Me), Sean Wang (DìDi (弟弟)) and Farida Zahran (The Leftover Ladies).
A significant part of supporting Indigenous filmmakers for nearly two decades, the Native Lab will kick off online this year from May 1–5 before continuing in person in Santa Fe,...
Native Lab participants will include Eva Grant (Degrees of Separation), Quinne Larsen (Trouble), Anpa’o Locke (Growing Pains), Jana Schmieding (Auntie Chuck) and Cian Elyse White (Te Puhi’).
Those taking part in the Directors Lab and/or the Screenwriters Lab include Hadas Ayalon (In a Minute You’ll Be Gone), Dania Bdeir & Bane Fakih (Pigeon Wars), Rashad Frett & Lin Que Ayoung (Ricky), Masami Kawai (Valley of the Tall Grass), Gabriela Ortega (Huella), Audrey Rosenberg (Wild Animals), Abinash Bikram Shah (Elephants in the Fog), Walter Thompson-Hernández (If I Go Will They Miss Me), Sean Wang (DìDi (弟弟)) and Farida Zahran (The Leftover Ladies).
A significant part of supporting Indigenous filmmakers for nearly two decades, the Native Lab will kick off online this year from May 1–5 before continuing in person in Santa Fe,...
- 4/27/2023
- by Matt Grobar
- Deadline Film + TV
Labs run from May to June.
Sundance Institute has announced the Fellows for the 2023 Directors, Screenwriters, and Native Labs.
This year’s Directors and Screenwriters Labs will support 12 Fellows, with five selected for the Native Lab.
Sundance Institute said the Native Lab has been a significant part of supporting Indigenous filmmakers for nearly two decades and will take place online from May 1–5 and continues from May 8–13 in-person in Santa Fe, New Mexico.
Projects and Fellows for the 2023 Sundance Institute Native Lab: Eva Grant / Degrees Of Separation (Can); Quinne Larsen / Trouble (USA): Anpa’o Locke / Growing Pains (USA); Jana Schmieding...
Sundance Institute has announced the Fellows for the 2023 Directors, Screenwriters, and Native Labs.
This year’s Directors and Screenwriters Labs will support 12 Fellows, with five selected for the Native Lab.
Sundance Institute said the Native Lab has been a significant part of supporting Indigenous filmmakers for nearly two decades and will take place online from May 1–5 and continues from May 8–13 in-person in Santa Fe, New Mexico.
Projects and Fellows for the 2023 Sundance Institute Native Lab: Eva Grant / Degrees Of Separation (Can); Quinne Larsen / Trouble (USA): Anpa’o Locke / Growing Pains (USA); Jana Schmieding...
- 4/27/2023
- by Jeremy Kay
- ScreenDaily
The Film Independent Screenwriting Lab is 25 years old. Can you believe it? It’s officially old enough to rent a car! And sure, hardshell clams and giant tortoises can live for centuries, but you don’t reach the quarter-century mark as a Hollywood talent incubator without substance, value and tangible success.
But more than that, this year’s cohort of freshly announced Screenwriting Lab Fellows are special. Why? Because! We’re in the midst of celebrating #AD30, aka the 30th anniversary of Film Independent’s Artist Development programs. And like its elder sibling Project Involve (which got the whole ball of wax rolling in ‘93), the Screenwriting Lab has been an essential industry resource, whether your looking to develop your own skills or tap new talent.
“We’re thrilled to support this exceptional group of filmmakers, who bring compassion, authenticity and curiosity to their work exploring unique communities and characters,” says Dea Vazquez,...
But more than that, this year’s cohort of freshly announced Screenwriting Lab Fellows are special. Why? Because! We’re in the midst of celebrating #AD30, aka the 30th anniversary of Film Independent’s Artist Development programs. And like its elder sibling Project Involve (which got the whole ball of wax rolling in ‘93), the Screenwriting Lab has been an essential industry resource, whether your looking to develop your own skills or tap new talent.
“We’re thrilled to support this exceptional group of filmmakers, who bring compassion, authenticity and curiosity to their work exploring unique communities and characters,” says Dea Vazquez,...
- 4/26/2023
- by Matt Warren
- Film Independent News & More
Exclusive: Film Independent on Wednesday named the eight screenwriters set for the 25th edition of their Screenwriting Lab. The latest cohort of the intensive program, designed to provide individualized story and career development for screenwriters with fiction feature screenplays, includes Bri Brooks, Karina Dandashi, Thais Drassinower, Chloé Hung, Adam Meeks, Nat Moonhill, Veronica Moonhill and Richard Van.
Film Independent also today named Dandashi as the recipient of their latest Mpac Hollywood Bureau Writing Fellowship Grant, who will receive $10,000 in recognition of her script, Out of Water.
Over the course of the Lab, Fellows will workshop their projects under the guidance of creative advisors Andrew Ahn, Javier Fuentes-León, Jeff Stockwell and Robin Swicord. Additional guest speakers and advisors will include Ruth Atkinson, Angela Cheng Caplan, Kd Dávila, Greta Fuentes, Jordan Hart, Eliza Hittman, Ana Leocha, Ilyse McKimmie, Lauren Mann, Kiva Reardon, Pamela Ribon and Ellen Shanman.
“In our 30th year of...
Film Independent also today named Dandashi as the recipient of their latest Mpac Hollywood Bureau Writing Fellowship Grant, who will receive $10,000 in recognition of her script, Out of Water.
Over the course of the Lab, Fellows will workshop their projects under the guidance of creative advisors Andrew Ahn, Javier Fuentes-León, Jeff Stockwell and Robin Swicord. Additional guest speakers and advisors will include Ruth Atkinson, Angela Cheng Caplan, Kd Dávila, Greta Fuentes, Jordan Hart, Eliza Hittman, Ana Leocha, Ilyse McKimmie, Lauren Mann, Kiva Reardon, Pamela Ribon and Ellen Shanman.
“In our 30th year of...
- 4/26/2023
- by Matt Grobar
- Deadline Film + TV
Blumhouse and K Period Media, the production company founded by Kimberly Steward, revealed their inaugural cohort of nine fellows selected to participate in the first annual Blumhouse and K Period Media Screamwriting Fellowship, the companies announced on Tuesday.
The program, created in partnership with the Sundance Institute, was established to provide support and mentorship to underrepresented emerging film and television writers aspiring to work in the horror genre.
The week-long intensive lab kicks off today in Los Angeles with the generous support of advisors Karen Joseph Adcock, Simon Barrett, Dwight Caines, Jacob Chase, Bridget Savage Cole, Mike Flanagan, Christine D’Souza Gelb, Alayna Glasthal, Josh Godfrey, Disney Hall, Walter Hamada, Cindy Holland, Danielle Krudy, Chris Landon, Nick Lazo, Keith Levine, Damon Lindelof, Crystal Liu, Grant Moninger, Ryan Murphy, Couper Samuelson, Rob Savage, Ryan Turek and Kevin Williamson.
Also Read:
‘Dead by Daylight’ Movie in the Works at Blumhouse, James Wan’s...
The program, created in partnership with the Sundance Institute, was established to provide support and mentorship to underrepresented emerging film and television writers aspiring to work in the horror genre.
The week-long intensive lab kicks off today in Los Angeles with the generous support of advisors Karen Joseph Adcock, Simon Barrett, Dwight Caines, Jacob Chase, Bridget Savage Cole, Mike Flanagan, Christine D’Souza Gelb, Alayna Glasthal, Josh Godfrey, Disney Hall, Walter Hamada, Cindy Holland, Danielle Krudy, Chris Landon, Nick Lazo, Keith Levine, Damon Lindelof, Crystal Liu, Grant Moninger, Ryan Murphy, Couper Samuelson, Rob Savage, Ryan Turek and Kevin Williamson.
Also Read:
‘Dead by Daylight’ Movie in the Works at Blumhouse, James Wan’s...
- 3/7/2023
- by Umberto Gonzalez
- The Wrap
The nonprofit Sundance Institute has announced the 12 projects selected for the Screenwriters Lab and the 10 projects selected for the Screenwriters Intensive for 2023. The fellows come from both the U.S. and abroad, with participants hailing from the Dominican Republic, Egypt, Israel, Lebanon and Nepal. This year’s projects were chosen from over 2,000 submissions, and the selected fellows will work to develop their scripts with Michelle Satter, Founding Senior Director of Sundance Institute’s Artist Programs, and Ilyse McKimmie, Deputy Director of the Feature Film Program. Lab fellows will develop their projects in-person at the Sundance Mountain Resort from January […]
The post Sundance Institute Announces 2023 Screenwriters Lab and Screenwriters Intensive Fellows first appeared on Filmmaker Magazine.
The post Sundance Institute Announces 2023 Screenwriters Lab and Screenwriters Intensive Fellows first appeared on Filmmaker Magazine.
- 1/13/2023
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
The nonprofit Sundance Institute has announced the 12 projects selected for the Screenwriters Lab and the 10 projects selected for the Screenwriters Intensive for 2023. The fellows come from both the U.S. and abroad, with participants hailing from the Dominican Republic, Egypt, Israel, Lebanon and Nepal. This year’s projects were chosen from over 2,000 submissions, and the selected fellows will work to develop their scripts with Michelle Satter, Founding Senior Director of Sundance Institute’s Artist Programs, and Ilyse McKimmie, Deputy Director of the Feature Film Program. Lab fellows will develop their projects in-person at the Sundance Mountain Resort from January […]
The post Sundance Institute Announces 2023 Screenwriters Lab and Screenwriters Intensive Fellows first appeared on Filmmaker Magazine.
The post Sundance Institute Announces 2023 Screenwriters Lab and Screenwriters Intensive Fellows first appeared on Filmmaker Magazine.
- 1/13/2023
- by Filmmaker Staff
- Filmmaker Magazine - Blog
The Sundance Institute has named the participants and projects set for the 2023 editions of a pair of its flagship programs: the Screenwriters Lab and Screenwriters Intensive.
Lab participants will include Joseph Sackett (Cross Pollination), Sean Wang (Dìdi (弟弟)), Abinash Bikram Shah (Elephants in the Fog), Gabriela Ortega (Huella), Walter Thompson-Hernández (If I Go Will They Miss Me), Hadas Ayalon (In a Minute You’ll Be Gone), Bernardo Cubría, John Hibey & Joshua Penn Soskin (Kill Yr Idols), Dania Bdeir & Bane Fakih (Pigeon Wars), Rashad Frett & Lin Que Ayoung (Ricky), Farida Zahran (The Leftover Ladies), Masami Kawai (Valley of the Tall Grass) and Audrey Rosenberg (Wild Animals).
Those set for the Intensive are Keisha Rae Witherspoon & Jason Fitzroy Jeffers (Arc), Shireen Alihaji (Blue Veil), Spencer Cook & Parker Smith (Lame), Jesahel Newton-Bernal (Leche), Cynthia Lowen (Light Mass Energy), Rebin Zangana (Qareen), David Liu (Santa Anita), Urvashi Pathania (Skin), Ciara Leina`ala Lacy (Untitled...
Lab participants will include Joseph Sackett (Cross Pollination), Sean Wang (Dìdi (弟弟)), Abinash Bikram Shah (Elephants in the Fog), Gabriela Ortega (Huella), Walter Thompson-Hernández (If I Go Will They Miss Me), Hadas Ayalon (In a Minute You’ll Be Gone), Bernardo Cubría, John Hibey & Joshua Penn Soskin (Kill Yr Idols), Dania Bdeir & Bane Fakih (Pigeon Wars), Rashad Frett & Lin Que Ayoung (Ricky), Farida Zahran (The Leftover Ladies), Masami Kawai (Valley of the Tall Grass) and Audrey Rosenberg (Wild Animals).
Those set for the Intensive are Keisha Rae Witherspoon & Jason Fitzroy Jeffers (Arc), Shireen Alihaji (Blue Veil), Spencer Cook & Parker Smith (Lame), Jesahel Newton-Bernal (Leche), Cynthia Lowen (Light Mass Energy), Rebin Zangana (Qareen), David Liu (Santa Anita), Urvashi Pathania (Skin), Ciara Leina`ala Lacy (Untitled...
- 1/13/2023
- by Matt Grobar
- Deadline Film + TV
Among the pandemic’s many side effects, it created a unique capacity to force even the most august institutions to experience identity crises and growing pains. And in the film industry, perhaps no organization has felt this syndrome more acutely than the Sundance Institute.
“We have to look back at how do we sustain Sundance, for the future,” Michelle Satter, director of Sundance Institute’s Feature Film Program, told me. “We’re in a moment of stepping back and making tough decisions. You have to prioritize, and build back.”
After longtime festival director John Cooper left in 2020, Sundance veteran Tabitha Jackson took over; she stepped down June 7 and the festival now seeks a new leader. Sundance Institute CEO Keri Putnam left in 2021; Joana Vicente, who helped guide the Toronto International Film Festival during the pandemic, is now tasked with putting Sundance on its feet. Two years of a virtual Sundance...
“We have to look back at how do we sustain Sundance, for the future,” Michelle Satter, director of Sundance Institute’s Feature Film Program, told me. “We’re in a moment of stepping back and making tough decisions. You have to prioritize, and build back.”
After longtime festival director John Cooper left in 2020, Sundance veteran Tabitha Jackson took over; she stepped down June 7 and the festival now seeks a new leader. Sundance Institute CEO Keri Putnam left in 2021; Joana Vicente, who helped guide the Toronto International Film Festival during the pandemic, is now tasked with putting Sundance on its feet. Two years of a virtual Sundance...
- 6/23/2022
- by Anne Thompson
- Indiewire
In preparation for a summer return to in-person artist development labs, the Sundance Institute today named those selected as fellows for its 2022 Directors, Screenwriters and Native Labs.
Creatives developing original work for the screen as part of the Native Lab include Justin Ducharme (Positions), Taietsarón:sere ‘Tai’ Leclaire (How to Deal with Systemic Racism in the Afterlife), Daniel Pewewardy (Residential), Tiare Ribeaux (Huaka’i) and Tim Worrall (Ka Whawhai Tonu – Struggle Without End).
Those participating in the Directors Lab and/or the Screenwriters Lab include Dina Amer (Cain and Abel), Zandashé Brown (The Matriarch), Caledonia Curry and Meagan Brothers (Sibylant Sisters), Hasan Hadi (The President’s Cake), Michael León and Ashley Alvafez (Crabs in a Barrel), Eliza McNitt (Black Hole), Olive Nwosu (Lady), Neo Sora (Earthquake) and Yuan Yang (Late Spring).
The Native Lab began online from May 2-6 and continues in person from May 9-14, in Santa Fe, Nm, for...
Creatives developing original work for the screen as part of the Native Lab include Justin Ducharme (Positions), Taietsarón:sere ‘Tai’ Leclaire (How to Deal with Systemic Racism in the Afterlife), Daniel Pewewardy (Residential), Tiare Ribeaux (Huaka’i) and Tim Worrall (Ka Whawhai Tonu – Struggle Without End).
Those participating in the Directors Lab and/or the Screenwriters Lab include Dina Amer (Cain and Abel), Zandashé Brown (The Matriarch), Caledonia Curry and Meagan Brothers (Sibylant Sisters), Hasan Hadi (The President’s Cake), Michael León and Ashley Alvafez (Crabs in a Barrel), Eliza McNitt (Black Hole), Olive Nwosu (Lady), Neo Sora (Earthquake) and Yuan Yang (Late Spring).
The Native Lab began online from May 2-6 and continues in person from May 9-14, in Santa Fe, Nm, for...
- 5/9/2022
- by Matt Grobar
- Deadline Film + TV
Organisation prepares to return to in-person artist development Labs this summer.
As it prepares to return to in-person artist development Labs this summer Sundance Institute has announced the 2022 Fellows across its signature Directors, Screenwriters, and Native Labs.
Nineteen emerging creators, eight from the Native Lab and 11 from the Directors and Screenwriters Lab will be supported at this year’s Labs as they work to develop original work for the screen, with guidance and mentorship from seasoned creative professionals.
The Native Lab focused on development of storytellers from Native and Indigenous backgrounds ran online from May 2-6 and continues in-person from May 9-14 in Santa Fe,...
As it prepares to return to in-person artist development Labs this summer Sundance Institute has announced the 2022 Fellows across its signature Directors, Screenwriters, and Native Labs.
Nineteen emerging creators, eight from the Native Lab and 11 from the Directors and Screenwriters Lab will be supported at this year’s Labs as they work to develop original work for the screen, with guidance and mentorship from seasoned creative professionals.
The Native Lab focused on development of storytellers from Native and Indigenous backgrounds ran online from May 2-6 and continues in-person from May 9-14 in Santa Fe,...
- 5/9/2022
- by Jeremy Kay
- ScreenDaily
The Sundance Institute has set Marissa Chibás (72), Walé Oyéjidé, Esq. (Chiaroscuro), Glenn Kaino (Fox & Stork), Mamoudou N’Diaye (Freelancers), Gabby Rivera (Juliet Takes a Breath), Nuhash Hamuyun (Moving Bangladesh), Tania Taiwo (Pharmacopeia), Andre Muir and Jake Hutton (The Predicament), Tommy Pico and Tazbah Rose Chavez (Sometimes), A.K. Espada (This Is Our Home) and Ramzi I. Bashour (Tomahawk Springs) as the participants for its tenth annual, two-day Screenwriters Intensive, taking place virtually through tomorrow.
During the workshop, these emerging creatives from historically marginalized communities will develop their first fiction features under the guidance of established writers and the Institute’s Feature Film Program, led by Michelle Satter and the Feature Film Program’s deputy director, Ilyse McKimmie.
Creatives serving as advisors for the intensive include Andrew Ahn, Lucy Alibar, Julia Camara, DeMane Davis, Nisha Ganatra, John Gatins, Tanya Hamilton, James Ponsoldt, Jon Raymond, Jessica Sharzer,...
During the workshop, these emerging creatives from historically marginalized communities will develop their first fiction features under the guidance of established writers and the Institute’s Feature Film Program, led by Michelle Satter and the Feature Film Program’s deputy director, Ilyse McKimmie.
Creatives serving as advisors for the intensive include Andrew Ahn, Lucy Alibar, Julia Camara, DeMane Davis, Nisha Ganatra, John Gatins, Tanya Hamilton, James Ponsoldt, Jon Raymond, Jessica Sharzer,...
- 3/2/2022
- by Matt Grobar
- Deadline Film + TV
The Sundance Institute has announced the 13 writers selected for its 2022 Screenwriters Intensive.
Now in its 10th year, the Screenwriters Intensive is an annual two-day workshop that invites emerging creatives from historically marginalized backgrounds to develop their first full-length feature film scripts under the guidance of the Institute’s Feature Film Program. The workshop is led by Michelle Satter, the founding senior director of the Sundance Institute’s Artist Programs, as well as Ilyse McKimmie, the deputy director of the Feature Film Program.
“We’re thrilled to be bringing together such a dynamic and memorable group of storytellers developing work with bold vision and unique, necessary perspectives,” McKimmie said in a statement. “We look forward to continuing our creative and strategic support of them as they develop their debut features, and we’re excited to welcome them into the vibrant community of Sundance artists.”
The fellows selected for this year are:
Marissa Chibás,...
Now in its 10th year, the Screenwriters Intensive is an annual two-day workshop that invites emerging creatives from historically marginalized backgrounds to develop their first full-length feature film scripts under the guidance of the Institute’s Feature Film Program. The workshop is led by Michelle Satter, the founding senior director of the Sundance Institute’s Artist Programs, as well as Ilyse McKimmie, the deputy director of the Feature Film Program.
“We’re thrilled to be bringing together such a dynamic and memorable group of storytellers developing work with bold vision and unique, necessary perspectives,” McKimmie said in a statement. “We look forward to continuing our creative and strategic support of them as they develop their debut features, and we’re excited to welcome them into the vibrant community of Sundance artists.”
The fellows selected for this year are:
Marissa Chibás,...
- 3/2/2022
- by Wilson Chapman
- Variety Film + TV
The Sundance Institute has named the summer fellows for the Directors, Screenwriters and Native Labs.
The Labs give writers and directors a space to develop their craft and selected projects with input from a roster of industry mentors and advisers. Some parts of this year’s labs, normally held in person in Utah, will take place virtually on the Sundance Collab platform.
At the Directors Lab, which runs June 1 to July 2, filmmakers will participated in roundtable discussions, presentatons and one-on-one meetings, as well as rehearsing, shooting and editing a scene from their work-in-progress screenplays at home. The Screenwriters lab, from July 6-9, will support one-on-one story sessions to develop original and timely screenplays.
The Native lab, running from Monday to May 21, focuses on storytellers from Native and Indigenous backgrounds, including feature film, episodic work and cultivating artists-in-residence.
The labs are organized under feature film program founding director Michelle Satter, deputy...
The Labs give writers and directors a space to develop their craft and selected projects with input from a roster of industry mentors and advisers. Some parts of this year’s labs, normally held in person in Utah, will take place virtually on the Sundance Collab platform.
At the Directors Lab, which runs June 1 to July 2, filmmakers will participated in roundtable discussions, presentatons and one-on-one meetings, as well as rehearsing, shooting and editing a scene from their work-in-progress screenplays at home. The Screenwriters lab, from July 6-9, will support one-on-one story sessions to develop original and timely screenplays.
The Native lab, running from Monday to May 21, focuses on storytellers from Native and Indigenous backgrounds, including feature film, episodic work and cultivating artists-in-residence.
The labs are organized under feature film program founding director Michelle Satter, deputy...
- 5/10/2021
- by Pat Saperstein
- Variety Film + TV
Labs organised by Michelle Satter, director Ilyse McKimmie, and N. Bird Runningwater.
Sundance Institute on Monday (May 10) named the artists and projects selected for the first group of the upcoming signature summer Labs including 12 fellows for the Directors and Screenwriters Labs and nine participating in the Native Lab. One fellow will participate in both Labs.
Directors Lab (June 1-July 2) fellows and projects are: Erica Tremblay (co-writer/director) and Miciana Alise (co-writer) with Fancy Dance; Cris Gris (director) and Mary Ann Anane (Writer) with forward; Tracy Droz Tragos (writer/director) with The Macrobiotic Toker; Diego Céspedes (writer/director) with The Mysterious...
Sundance Institute on Monday (May 10) named the artists and projects selected for the first group of the upcoming signature summer Labs including 12 fellows for the Directors and Screenwriters Labs and nine participating in the Native Lab. One fellow will participate in both Labs.
Directors Lab (June 1-July 2) fellows and projects are: Erica Tremblay (co-writer/director) and Miciana Alise (co-writer) with Fancy Dance; Cris Gris (director) and Mary Ann Anane (Writer) with forward; Tracy Droz Tragos (writer/director) with The Macrobiotic Toker; Diego Céspedes (writer/director) with The Mysterious...
- 5/10/2021
- by Jeremy Kay
- ScreenDaily
The Sundance Institute has announced the projects that have been invited to the 2019 Directors and Screenwriters Labs. At the Directors Lab (May 27-June 18), filmmakers will rehearse, shoot, and edit key scenes from their scripts. The Screenwriters Lab (June 20-24) immediately follows and provides the opportunity for one-on-one story sessions with screenwriter advisors. The labs are overseen by Sundance’s Feature Film Program director Michelle Satter and Labs director Ilyse McKimmie.
Founded in 1981, the Sundance labs have been a launching pad for directors such as Quentin Tarantino, Paul Thomas Anderson, Miranda July, Dee Rees, Boots Riley, Ryan Coogler, and Marielle Heller, among other names. At this year’s Sundance Film Festival, breakout titles such as Joe Talbot’s “The Last Black Man in San Francisco” and Lulu Wang’s “The Farewell” were supported by the labs.
The 2019 Sundance Institute Directors Lab Projects and Fellows are:
“The American Society of Magical Negroes” (U.
Founded in 1981, the Sundance labs have been a launching pad for directors such as Quentin Tarantino, Paul Thomas Anderson, Miranda July, Dee Rees, Boots Riley, Ryan Coogler, and Marielle Heller, among other names. At this year’s Sundance Film Festival, breakout titles such as Joe Talbot’s “The Last Black Man in San Francisco” and Lulu Wang’s “The Farewell” were supported by the labs.
The 2019 Sundance Institute Directors Lab Projects and Fellows are:
“The American Society of Magical Negroes” (U.
- 5/10/2019
- by Zack Sharf
- Indiewire
The Directors and Screenwriting Labs offer mentorship to up and coming filmmakers Photo: Sundance Institute Sundance Institute has announced the 13 new independent feature projects from the U.S., Cuba, Kenya, Mexico, Morocco, and Palestine which have been selected for the 2018 Sundance Institute Directors and Screenwriters Labs - which boast alumni including Ryan Coogler, Cary Fukunaga, Dee Rees, Benh Zeitlin, Haifaa Al Mansour, Damien Chazelle, Miranda July and Quentin Tarantino.
At the Directors Lab (28 May-21 June), filmmakers will rehearse, shoot and edit key scenes from their scripts, working closely with industry advisers, actors, and production crews to help drive creative growth via an immersive and hands-on experience at the Sundance Resort in Utah. The Screenwriters Lab from 23-28 June fosters a similar environment as participants focus on the art and craft of screenplay writing with one-on-one support from Institute advisors . Overseen by feature film program founding director Michelle Satter and labs director Ilyse McKimmie,...
At the Directors Lab (28 May-21 June), filmmakers will rehearse, shoot and edit key scenes from their scripts, working closely with industry advisers, actors, and production crews to help drive creative growth via an immersive and hands-on experience at the Sundance Resort in Utah. The Screenwriters Lab from 23-28 June fosters a similar environment as participants focus on the art and craft of screenplay writing with one-on-one support from Institute advisors . Overseen by feature film program founding director Michelle Satter and labs director Ilyse McKimmie,...
- 5/24/2018
- by Amber Wilkinson
- eyeforfilm.co.uk
Read More: Indiewire's Ultimate Guide for Screenwriters The Sundance Institute has announced the 12 projects selected for this month's Screenwriters Lab, which will take place over five days (January 15-20) at the Sundance Resort in Utah. The January Screenwriters Lab is one of 25 residency Labs the Institute hosts each year for independent artists in theatre, film, new media and episodic content. Under the leadership of Michelle Satter, Founding Director of the Sundance Institute Feature Film Program, and Ilyse McKimmie, Labs Director, Feature Film Program, the 12 winning independent screenwriters will have the opportunity to develop their feature film scripts with the support of accomplished advisors and screenwriters. The program usually bodes well for the winning fellows, as nine features premiering at Sundance this year come from past Lab winners. "We’re excited to welcome sixteen new Fellows to the January Screenwriters Lab, which is the beginning of a year-round...
- 1/11/2016
- by Zack Sharf
- Indiewire
The Industry Days program at the recent Chicago International Film Festival wrapped up with a panel featuring four female film professionals who shared their experiences in the business and their thoughts on the state of gender equality in filmmaking. The panel, dubbed "Power Players: How Women Executives and Producers are Changing the Business," was moderated by Ilyse McKimmie (Labs Director, Feature Film Program at Sundance Institute) and featured Rebecca Green (producer, "It Follows"), Alicia Sams (producer, "Amreeka"), and Amy Hobby (Tangerine Entertainment). A cautious optimism permeated the room as they discussed the issue. Below are some highlights of the discussion. Read More: Attention, Female Filmmakers: The Film Fatales Are Here to Help You An uneven playing field McKimmie set the table for the conversation by bringing up some statistics. "Out of the 250 highest grossing films produced in 2014, 7% were directed by women, 23% had a...
- 11/2/2015
- by Adam Cook
- Indiewire
Sundance Institute has announced the 12 projects selected for the 2015 January Screenwriters Lab set to run from January 16-21.
The Lab is one of the Institute’s 24 year-round residency programmes and in this case will work with a team of creative advisors led by artistic director Scott Frank that includes Kasi Lemmons, John Lee Hancock and Naomi Foner.
“Together with my colleague, Labs Director Ilyse McKimmie, we are honoured to welcome our new group of fellows to the January Screenwriters Lab,” said founding director of the Sundance Institute Feature Film Program Michelle Satter.
“They represent a broad spectrum of independent vision with stories that reflect our complex world with emotional truth and urgency. The Lab is the beginning of our year-round support for these film-makers. We look forward to working with them throughout the life cycle of the project.”
The projects and fellows selected for the 2015 January Screenwriters Lab are:
Archive (USA), Jonathan Minard (co-writer-director) and Scott Rashap (co-writer...
The Lab is one of the Institute’s 24 year-round residency programmes and in this case will work with a team of creative advisors led by artistic director Scott Frank that includes Kasi Lemmons, John Lee Hancock and Naomi Foner.
“Together with my colleague, Labs Director Ilyse McKimmie, we are honoured to welcome our new group of fellows to the January Screenwriters Lab,” said founding director of the Sundance Institute Feature Film Program Michelle Satter.
“They represent a broad spectrum of independent vision with stories that reflect our complex world with emotional truth and urgency. The Lab is the beginning of our year-round support for these film-makers. We look forward to working with them throughout the life cycle of the project.”
The projects and fellows selected for the 2015 January Screenwriters Lab are:
Archive (USA), Jonathan Minard (co-writer-director) and Scott Rashap (co-writer...
- 12/17/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Eliza Hittman (was love at first sight for her directorial debut It Felt Like Love) and Yung Chang (a docu-helmer best known for the award-winning portrait of modern China in Up the Yangtze) are just two of the dozen folks/projects invited to the upcoming Sundance Institute 2015 January Screenwriters Lab. The labs work as a testing ground of sorts, with Lab Director Ilyse McKimmie seeing to it that the screenwriters are mentored by filmmaking professionals. I’d wager that a good portion of these projects on paper eventually make it onto the big screen (say about 65 to 70 percent) and about 35-40 percent break into the actual Sundance Film Fest. Not unlike her debut picture, Hittman’s potential sophomore pic Beach Rats features NYC borough backdrop and via a teenage vantage point but is sure to stir the pot with tad bit more destruction. After Up the Yangtze, China Heavyweight, and The Fruit Hunters,...
- 12/16/2014
- by Eric Lavallee
- IONCINEMA.com
Adelina Anthony is an award-winning Chicana lesbian writer, actor, director, and producer. Her short film Forgiving Heart screened last year at Outfest and is now being developed into a feature-length screenplay. Anthony recently attended the Sundance Institute Screenwriters Intensive in Los Angeles and shares her five takeaways below.
Fortunate to be among 10 diverse writers, I descended upon the Sundance Institute offices last Thursday to participate in the second annual Screenwriters Intensive - Los Angeles. Feature Film Program Lab Director Ilyse McKimmie conducted warm introductions on behalf of the gathered Feature Film Program staff and interns. She set the day's intention: to be bold and not to be "defended." Listen to each other. The goal was to leave asking the right questions about your story.
The Screenwriting Fellows introduced themselves and their respective projects; I peeled my breakfast tangerine thinking, "I want to see that film. And that one. Oooh, esa tambien". After everyone's introductions, the day was handed over to our master teacher, Joan Tewkesbury (Nashville). She asked if we had written biographies for our protagonists – we all raised our hands. She then asked us to write down five names, followed by the instruction to write our protagonist's obituary, bullet-point style. When she asked us to read the obituaries aloud, Joan modeled the active listening she also insisted from us. "Speak up, start over, raise your head, and slow it down," she commanded, reminders to take ownership of our voices. She prodded us with questions, especially if we left any detail murky. Takeaway #1: You can never get too detailed with your characters' lives.
We started the first of many lists: Three things your character wants. Three things you personally would hate to give away. Three beds you remember. Write down a sound that disturbs you. We read these lists aloud and because we included personal information, hiding behind our characters was not an option. Joan had us pick one item from each list and plunged us into prose writing. This was Joan's modus operandi: sharing openly and making us deeply identify with our characters. Takeaway #2: As Joan stated, "You are always writing about yourself."
This sums up the first 20 minutes, no wonder we were famished by lunchtime. Did I mention we were writing old-school style? Pens and papers, ya'll. After lunch, she continued to show us how to trick our rational selves by "taking the back door," to mine the rich subconscious of our experiences. As fellow participant Ya'ke Smith wrote, "Subjects that we'd hoped to explore... became flesh of our flesh and bone of our bone." Takeaway #3: Find other ways to write, not just on your computer, because other methods help you see your work differently.
After our writing sessions, we watched the Sundance Film Festival Best of Next winner, Imperial Dreams, by co-writer/director Malik Vitthal. To say my spirit broke open at this film's devastating climax is an understatement. After the screening, Vitthal graciously shared his process about making the film, talked about his voice as a filmmaker, and his artist trajectory. Takeaway #4: After our work with Joan, this screening was a perfect example of where our efforts could lead to: a beautifully wrought story.
By our evening reception, every fellow I saw mirrored my own exhaustion and buzzing creative energy. We returned the next morning to meet with two assigned advisors. They gave us feedback on our scripts, and, for me, this was a priceless component. Critical eyes on my screenplay gave me new ways to imagine how I might infuse my script with what I learned in the workshop writings. Takeaway #5: Sundance Institute is truly a community of filmmakers and advocates who want to see your films made.
In the end, you do the writing rituals, because you believe in them; because they've been passed on and they work themselves on you; you listen deeply; you pray to see more clearly. Moreover, if the space and peoples gathered are led through the rites in a purposeful manner you leave transformed.
Learn more about the Feature Film Program and apply for its 2015 January Screenwriters Lab here.
LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow @LatinoBuzz on Twitter and Facebook.
Fortunate to be among 10 diverse writers, I descended upon the Sundance Institute offices last Thursday to participate in the second annual Screenwriters Intensive - Los Angeles. Feature Film Program Lab Director Ilyse McKimmie conducted warm introductions on behalf of the gathered Feature Film Program staff and interns. She set the day's intention: to be bold and not to be "defended." Listen to each other. The goal was to leave asking the right questions about your story.
The Screenwriting Fellows introduced themselves and their respective projects; I peeled my breakfast tangerine thinking, "I want to see that film. And that one. Oooh, esa tambien". After everyone's introductions, the day was handed over to our master teacher, Joan Tewkesbury (Nashville). She asked if we had written biographies for our protagonists – we all raised our hands. She then asked us to write down five names, followed by the instruction to write our protagonist's obituary, bullet-point style. When she asked us to read the obituaries aloud, Joan modeled the active listening she also insisted from us. "Speak up, start over, raise your head, and slow it down," she commanded, reminders to take ownership of our voices. She prodded us with questions, especially if we left any detail murky. Takeaway #1: You can never get too detailed with your characters' lives.
We started the first of many lists: Three things your character wants. Three things you personally would hate to give away. Three beds you remember. Write down a sound that disturbs you. We read these lists aloud and because we included personal information, hiding behind our characters was not an option. Joan had us pick one item from each list and plunged us into prose writing. This was Joan's modus operandi: sharing openly and making us deeply identify with our characters. Takeaway #2: As Joan stated, "You are always writing about yourself."
This sums up the first 20 minutes, no wonder we were famished by lunchtime. Did I mention we were writing old-school style? Pens and papers, ya'll. After lunch, she continued to show us how to trick our rational selves by "taking the back door," to mine the rich subconscious of our experiences. As fellow participant Ya'ke Smith wrote, "Subjects that we'd hoped to explore... became flesh of our flesh and bone of our bone." Takeaway #3: Find other ways to write, not just on your computer, because other methods help you see your work differently.
After our writing sessions, we watched the Sundance Film Festival Best of Next winner, Imperial Dreams, by co-writer/director Malik Vitthal. To say my spirit broke open at this film's devastating climax is an understatement. After the screening, Vitthal graciously shared his process about making the film, talked about his voice as a filmmaker, and his artist trajectory. Takeaway #4: After our work with Joan, this screening was a perfect example of where our efforts could lead to: a beautifully wrought story.
By our evening reception, every fellow I saw mirrored my own exhaustion and buzzing creative energy. We returned the next morning to meet with two assigned advisors. They gave us feedback on our scripts, and, for me, this was a priceless component. Critical eyes on my screenplay gave me new ways to imagine how I might infuse my script with what I learned in the workshop writings. Takeaway #5: Sundance Institute is truly a community of filmmakers and advocates who want to see your films made.
In the end, you do the writing rituals, because you believe in them; because they've been passed on and they work themselves on you; you listen deeply; you pray to see more clearly. Moreover, if the space and peoples gathered are led through the rites in a purposeful manner you leave transformed.
Learn more about the Feature Film Program and apply for its 2015 January Screenwriters Lab here.
LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow @LatinoBuzz on Twitter and Facebook.
- 3/26/2014
- by Adelina Anthony
- Sydney's Buzz
The 35th CineFestival, which takes place in San Antonio Feb. 23 - Mar 2, has unveiled the launch of The Latino Screenwriters Project, a screenwriting conference in which Sundance Institute is lending critical consulting support. Per the press release, the three-day workshop aims to elevate the presence, representation and quality of stories that narrate the U.S. Latino experience.
Fellows will be provided a network of support in a hands-on environment where they can get quality feedback, mentoring and inspiration to further hone their craft, polish their screenplays and take their stories to the next level.
Festival Director, Jim Mendiola along with filmmaker Cruz Angeles (Don't Let Me Drown), both Sundance alumni fellows, conceived of the program and turned to Sundance Institute for support. “Cruz and I both recognized the benefit of the Sundance Labs both in terms of a career and in improving one’s craft,” Mendiola says, “since we wanted to champion Latino stories, bringing an experience like that to CineFestival seemed liked the perfect fit."
“Latinos are yearning for more access and representation in American cinema,” Angeles says, "We want American-based Latino screenplays to be more competitive in the industry.”
Labs Director of the Sundance Institute Feature Film Program, Ilyse McKimmie adds, "We’re thrilled to be providing consulting support to CineFestival’s Latino Screenwriters Project, the goals of which so closely align with our own. It’s part of our ongoing commitment to encourage and celebrate a diverse group of storytellers and helping them bring their visions to the screen".
In addition to the previously announced film lineup, CineFestival has added a special screening of Narco Cultura directed by Shaul Schwarz and produced by Jay Van Hoy and Lars Knudsen. The film recently premiered in U.S. Documentary Competition at the 2013 Sundance Film Festival and Berlin's distinguished Panorama section. Strikingly lensed, it is an explosive look at the drug cartels’ pop culture influence on both sides of the border as experienced by an La narcocorrido singer dreaming of stardom and a Juarez crime scene investigator on the front line of Mexico’s Drug War. Thought provoking and prescribed viewing, I'm excited for San Antonio audiences to engage with the sociological complexities in the film. Tickets available here.
The four Fellows chosen for the inaugural 2013 workshop below. The full press release can be found here, and for passes tickets and schedule information check here and follow on Twitter and Facebook.
Gabi by Zoe Salicrup Junco (New York, NY) After the unexpected death of her mother, a modern, emancipated Puerto Rican woman in her late 30‘s forces herself to explore the possibilities of becoming a mother for the first time.
La Perdida by Miguel Alvarez (Austin, TX) In the mid-21st century, a memory-wiped psychiatric patient illegally travels back in time to stop a tragedy she can’t remember from happening all over again. But along the way, she can’t help but get swallowed up in a Moebius strip of time, memory, and loss.
Rachel’s Quinceanera by Mauro Flores Jr. (Los Angeles, CA) A coming-of-age story set in South Texas. A shy nerd has a crush on the head cheerleader, but due to his social status Rachel doesn’t know he exists. But a family obligation forces Rachel to include the nerd in the Court of Honor for her upcoming Quinceañera.
The Andes Project by Jose R. Casado (New York, NY) When Sofia, an opportunistic American Latina journalist, attempts to revive her career by investigating mysterious disappearances in Paraguay, she teams up with an idealistic young local reporter doing the same and together they uncover a complex water conspiracy instead.
Fellows will be provided a network of support in a hands-on environment where they can get quality feedback, mentoring and inspiration to further hone their craft, polish their screenplays and take their stories to the next level.
Festival Director, Jim Mendiola along with filmmaker Cruz Angeles (Don't Let Me Drown), both Sundance alumni fellows, conceived of the program and turned to Sundance Institute for support. “Cruz and I both recognized the benefit of the Sundance Labs both in terms of a career and in improving one’s craft,” Mendiola says, “since we wanted to champion Latino stories, bringing an experience like that to CineFestival seemed liked the perfect fit."
“Latinos are yearning for more access and representation in American cinema,” Angeles says, "We want American-based Latino screenplays to be more competitive in the industry.”
Labs Director of the Sundance Institute Feature Film Program, Ilyse McKimmie adds, "We’re thrilled to be providing consulting support to CineFestival’s Latino Screenwriters Project, the goals of which so closely align with our own. It’s part of our ongoing commitment to encourage and celebrate a diverse group of storytellers and helping them bring their visions to the screen".
In addition to the previously announced film lineup, CineFestival has added a special screening of Narco Cultura directed by Shaul Schwarz and produced by Jay Van Hoy and Lars Knudsen. The film recently premiered in U.S. Documentary Competition at the 2013 Sundance Film Festival and Berlin's distinguished Panorama section. Strikingly lensed, it is an explosive look at the drug cartels’ pop culture influence on both sides of the border as experienced by an La narcocorrido singer dreaming of stardom and a Juarez crime scene investigator on the front line of Mexico’s Drug War. Thought provoking and prescribed viewing, I'm excited for San Antonio audiences to engage with the sociological complexities in the film. Tickets available here.
The four Fellows chosen for the inaugural 2013 workshop below. The full press release can be found here, and for passes tickets and schedule information check here and follow on Twitter and Facebook.
Gabi by Zoe Salicrup Junco (New York, NY) After the unexpected death of her mother, a modern, emancipated Puerto Rican woman in her late 30‘s forces herself to explore the possibilities of becoming a mother for the first time.
La Perdida by Miguel Alvarez (Austin, TX) In the mid-21st century, a memory-wiped psychiatric patient illegally travels back in time to stop a tragedy she can’t remember from happening all over again. But along the way, she can’t help but get swallowed up in a Moebius strip of time, memory, and loss.
Rachel’s Quinceanera by Mauro Flores Jr. (Los Angeles, CA) A coming-of-age story set in South Texas. A shy nerd has a crush on the head cheerleader, but due to his social status Rachel doesn’t know he exists. But a family obligation forces Rachel to include the nerd in the Court of Honor for her upcoming Quinceañera.
The Andes Project by Jose R. Casado (New York, NY) When Sofia, an opportunistic American Latina journalist, attempts to revive her career by investigating mysterious disappearances in Paraguay, she teams up with an idealistic young local reporter doing the same and together they uncover a complex water conspiracy instead.
- 2/13/2013
- by Christine Davila
- Sydney's Buzz
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