UK director, writer and cinematographer Molly Manning Walker, who won the Cannes Un Certain Regard prize last year for How To Have Sex, has been selected for the festival’s four-and-a-half month La Résidence program in Paris.
She will be joined by Aditya Ahmad (Indonesia), Daria Kashcheeva (Tajikistan), Danech San (Cambodia), Ernst De Geer (Sweden) and Anastasiia Solonevych (Ukraine).
They follow in the wake of Meltse Van Coillie (Belgium), Diana Cam Van Nguyen (Vietnam/Czech Republic), Hao Zhao (China), Gessica Généus (Haiti), Andrea Slaviček (Croatia), Asmae El Moudir (Morocco) who are currently coming to the end of their residency.
Both intakes will be brought together at the Cannes Film Festival’s 77th edition, running May 14 to 25.
Since its launch in 2000, La Résidence has welcomed 250 directors from around 60 countries including Lucrecia Martel, Kornél Mundruczó, Sebastián Lelio, Antonio Campos, Karim Aïnouz and Jonas Carpignano.
Based in a large flat in Paris’ ninth arrondissement,...
She will be joined by Aditya Ahmad (Indonesia), Daria Kashcheeva (Tajikistan), Danech San (Cambodia), Ernst De Geer (Sweden) and Anastasiia Solonevych (Ukraine).
They follow in the wake of Meltse Van Coillie (Belgium), Diana Cam Van Nguyen (Vietnam/Czech Republic), Hao Zhao (China), Gessica Généus (Haiti), Andrea Slaviček (Croatia), Asmae El Moudir (Morocco) who are currently coming to the end of their residency.
Both intakes will be brought together at the Cannes Film Festival’s 77th edition, running May 14 to 25.
Since its launch in 2000, La Résidence has welcomed 250 directors from around 60 countries including Lucrecia Martel, Kornél Mundruczó, Sebastián Lelio, Antonio Campos, Karim Aïnouz and Jonas Carpignano.
Based in a large flat in Paris’ ninth arrondissement,...
- 3/20/2024
- by Melanie Goodfellow
- Deadline Film + TV
A lengthy pre-title card sequence informs viewers of the political turmoil, poverty and racism that have plagued Haiti for decades, setting the stage for a kidnapping-gone-wrong plot among Haitian citizens from various economic backgrounds. This comes to us courtesy of award-winning commercial director Bruno Mourral, who makes his feature directorial debut with Kidnapping Inc.
Set in the days leading up to Haiti’s presidential election, Kidnapping Inc. follows Doc (Jasmuel Andri) and Zoe (Rolaphton Mercure), two Haitian criminals-for-hire who have just kidnapped Ben (Patrick Joseph), the son of presidential candidate Benjamin Perralt (Ashley Laraque). A wrench is thrown in their plan when they lose their kidnappee, and their desperation leads them to kidnap a lookalike and his pregnant wife (Gessica Geneus). Simultaneously, Ben’s wife Audrey (Anabel Lopez) and her lover Eddy (Marcus Boereau) attempt to secure the ransom money and get everything back to the status quo before election day arrives.
Set in the days leading up to Haiti’s presidential election, Kidnapping Inc. follows Doc (Jasmuel Andri) and Zoe (Rolaphton Mercure), two Haitian criminals-for-hire who have just kidnapped Ben (Patrick Joseph), the son of presidential candidate Benjamin Perralt (Ashley Laraque). A wrench is thrown in their plan when they lose their kidnappee, and their desperation leads them to kidnap a lookalike and his pregnant wife (Gessica Geneus). Simultaneously, Ben’s wife Audrey (Anabel Lopez) and her lover Eddy (Marcus Boereau) attempt to secure the ransom money and get everything back to the status quo before election day arrives.
- 1/29/2024
- by Trace Thurman
- bloody-disgusting.com
Bruno Mourral’s debut “Kidnapping Inc.” is a rough watch. Set in the Haitian capital of Port-au-Prince, the crime-comedy of errors slowly devolves into a political thriller, but has neither enough laughs nor the thrills to sustain itself. It follows the exploits of two kidnappers-for-hire who end up roped into a presidential scandal, but despite being led by a capable ensemble, the film is never quite cohesive enough to make the two halves of its political rigmarole feel remotely whole.
High-strung Zoe (Rolaphton Mercure) and his cool-as-a-cucumber partner Doc (Jasmuel Andri) have a casual, personable dynamic even when they shove a kidnapping victim in their trunk. This is all we know about them when we’re dropped in-medias-res into the middle of their latest job, a high-profile kidnapping, the details of which they aren’t fully aware. They’d rather argue about Spanish soccer clubs than ask questions of their...
High-strung Zoe (Rolaphton Mercure) and his cool-as-a-cucumber partner Doc (Jasmuel Andri) have a casual, personable dynamic even when they shove a kidnapping victim in their trunk. This is all we know about them when we’re dropped in-medias-res into the middle of their latest job, a high-profile kidnapping, the details of which they aren’t fully aware. They’d rather argue about Spanish soccer clubs than ask questions of their...
- 1/24/2024
- by Siddhant Adlakha
- Indiewire
Political unrest, economic instability and rampant insecurity have plagued the Caribbean nation of Haiti for decades. That the small percentage of mixed-race (mulatto) population holds a disproportionate portion of the wealth and power over the 95% Black majority fuels the anger and distrust of the masses. That’s the harsh reality where Haitian-born director Bruno Mourral locates his brash and muddled crime comedy “Kidnapping Inc.”
Devoted fans of rival squads in the Spanish soccer league, Doc and Zoe (Rolapthon Mercure), have abducted the son of presidential candidate Benjamin Perralt (Ashley Laraque) just days before the 2017 election. We don’t know how many times, if any, they’ve done this before, but their ineptitude quickly becomes evident. The pair drives around Port-au-Prince, the country’s capital, with their victim’s dead body in the drunk after Zoe accidentally killed him. Their ridiculous solutions to this unfortunate incident only escalate the irritation of...
Devoted fans of rival squads in the Spanish soccer league, Doc and Zoe (Rolapthon Mercure), have abducted the son of presidential candidate Benjamin Perralt (Ashley Laraque) just days before the 2017 election. We don’t know how many times, if any, they’ve done this before, but their ineptitude quickly becomes evident. The pair drives around Port-au-Prince, the country’s capital, with their victim’s dead body in the drunk after Zoe accidentally killed him. Their ridiculous solutions to this unfortunate incident only escalate the irritation of...
- 1/24/2024
- by Carlos Aguilar
- Variety Film + TV
Art imitates life in the Sundance-bound “Kidnapping Inc.,” a dark comedy about a botched kidnapping plot that became eerily prescient when three crew members were abducted during the production of the film.
Haitian director Bruno Mourral’s feature debut follows a pair of hapless kidnappers tasked with what appears to be a simple abduction for hire, only to find that it’s anything but when they’re suddenly drawn into a vast political conspiracy.
In a harrowing twist, the production team’s convoy was waylaid by gunmen one night as cast and crew were returning from a location shoot. Three crew members were abducted, setting off frantic negotiations with local gangs, who were demanding a ransom of $1 million per hostage.
The incident would soon draw in the president of the neighboring Dominican Republic, where two of the hostages were from. Eventually, the prime minister of Haiti intervened to free the three men.
Haitian director Bruno Mourral’s feature debut follows a pair of hapless kidnappers tasked with what appears to be a simple abduction for hire, only to find that it’s anything but when they’re suddenly drawn into a vast political conspiracy.
In a harrowing twist, the production team’s convoy was waylaid by gunmen one night as cast and crew were returning from a location shoot. Three crew members were abducted, setting off frantic negotiations with local gangs, who were demanding a ransom of $1 million per hostage.
The incident would soon draw in the president of the neighboring Dominican Republic, where two of the hostages were from. Eventually, the prime minister of Haiti intervened to free the three men.
- 1/12/2024
- by Christopher Vourlias
- Variety Film + TV
The Sundance Film Festival is one of the most highly respected film festivals in the world, and while the horror genre generally doesn’t seem to receive as much respect as it deserves, horror has had a steady presence at Sundance over the years. In fact, just last year the Sundance horror line-up included the likes of Infinity Pool, Talk to Me, My Animal, and Onyx the Fortuitous and the Talisman of Souls. The Sundance 2024 line-up was revealed earlier today (you can see the list Here) – and there again a good number of horror movies included in the program.
Below you can take a closer look at some of the horror movies that will be showing at Sundance 2024, with images to go along with each one of them.
Of course, most of the horror can be found in the Midnight program:
I Saw the TV Glow / U.S.A. — Teenager...
Below you can take a closer look at some of the horror movies that will be showing at Sundance 2024, with images to go along with each one of them.
Of course, most of the horror can be found in the Midnight program:
I Saw the TV Glow / U.S.A. — Teenager...
- 12/6/2023
- by Cody Hamman
- JoBlo.com
It’s that time of the year again when the Sundance Film Festival shares all of its horror discoveries that’ll help define the upcoming year for the genre.
Today they announced the comprehensive slate of independent films selected from the fest that will take place January 18–28, 2024, in person in Park City, Salt Lake City, and the Sundance Resort, along with a selection of films available online across the country January 25–28, 2024. Packages and passes are available now and single tickets will be available beginning January 11 at Sundance’s site.
Bloody Disgusting combed through the entire program this afternoon and pulled out all of the genre films of note, with first-look images and information where available. Highlights from the upcoming slate of programming includes Love Lies Bleeding starring Kristen Stewart, Steven Soderbergh‘s Presence, Sasquatch Sunset, and so much more.
What are you most excited to see at Sundance next year?...
Today they announced the comprehensive slate of independent films selected from the fest that will take place January 18–28, 2024, in person in Park City, Salt Lake City, and the Sundance Resort, along with a selection of films available online across the country January 25–28, 2024. Packages and passes are available now and single tickets will be available beginning January 11 at Sundance’s site.
Bloody Disgusting combed through the entire program this afternoon and pulled out all of the genre films of note, with first-look images and information where available. Highlights from the upcoming slate of programming includes Love Lies Bleeding starring Kristen Stewart, Steven Soderbergh‘s Presence, Sasquatch Sunset, and so much more.
What are you most excited to see at Sundance next year?...
- 12/6/2023
- by Meagan Navarro
- bloody-disgusting.com
The Haitian actor and film-maker kept her cameras rolling through the deadly upheavals of 2019. Now she’s starting on a new film, and little has improved – but that’s why she is determined to carry on
Making a film in Haiti, as director Gessica Généus can testify, is no easy thing. When she began work at the end of 2019 on her 2021 feature, Freda, the country was engulfed in the Petrocaribe street protests, named for the vast scandal involving Venezuelan oil that saw billions of dollars vanish.
Through December 2019 and January 2020 she carried on working, at one stage filming while gunfire rang out for hours outside the nightclub where she was filming, prompting concerned calls from her actors’ families.
Making a film in Haiti, as director Gessica Généus can testify, is no easy thing. When she began work at the end of 2019 on her 2021 feature, Freda, the country was engulfed in the Petrocaribe street protests, named for the vast scandal involving Venezuelan oil that saw billions of dollars vanish.
Through December 2019 and January 2020 she carried on working, at one stage filming while gunfire rang out for hours outside the nightclub where she was filming, prompting concerned calls from her actors’ families.
- 10/17/2023
- by Peter Beaumont
- The Guardian - Film News
It’s not only paid room and board in Paris but a true opportunity to help support the next generation of international filmmakers. A mandate that is now in its 46th edition, Asmae El Moudir, Meltse Van Coillie, Diana Cam Van Nguyen, Zhao Hao, Gessica Généus, and Andréa Slaviček will receive support for their first or second feature film screenplays and get to connect with industry professionals via the Résidence of the Festival de Cannes.
Moroccan filmmaker Asmae El Moudir is best known for debut masterwork The Mother of All Lies – which was selected for the Un Certain Regard section winning Best Director and she also won this year’s L’Oeil d’or (tied) – for the Best Documentary film at this year’s Cannes.…...
Moroccan filmmaker Asmae El Moudir is best known for debut masterwork The Mother of All Lies – which was selected for the Un Certain Regard section winning Best Director and she also won this year’s L’Oeil d’or (tied) – for the Best Documentary film at this year’s Cannes.…...
- 10/6/2023
- by Eric Lavallée
- IONCINEMA.com
“The most beautiful gestures from my film came to mind at the kitchen in the Résidence when I was pressing oranges in the juice machine,” said Nadiv Lapid.
Six first or second-time international filmmakers are taking part in the Cannes Film Festival’s annual Résidence programme that kicked off on October 1 in Paris and will run through February 2024.
Belgian director Meltse Van Coillie, Czech-Vietnamese filmmaker Diana Cam Van Nguyen, Chinese director Zhao Hao, Haitian director Gessica Généus, Croatian filmmaker Andréa Slaviček, and Moroccan director Asmae El Moudi will all work on their upcoming features with advice from industry experts in writing and producing their films.
Six first or second-time international filmmakers are taking part in the Cannes Film Festival’s annual Résidence programme that kicked off on October 1 in Paris and will run through February 2024.
Belgian director Meltse Van Coillie, Czech-Vietnamese filmmaker Diana Cam Van Nguyen, Chinese director Zhao Hao, Haitian director Gessica Généus, Croatian filmmaker Andréa Slaviček, and Moroccan director Asmae El Moudi will all work on their upcoming features with advice from industry experts in writing and producing their films.
- 10/6/2023
- by Rebecca Leffler
- ScreenDaily
The Cannes Film Festival has admitted six filmmakers, five women and one man, to its 2024 residency program.
The list of filmmakers includes Morrocan director Asmae El Moudir, best known for her feature The Mother of All Lies, which shared last year’s the L’Oeil d’or (Golden Eye) prize for the best documentary with Four Daughters (Kaouther Ben Hania) at this year’s Cannes Film Festival.
The other participants are Meltse Van Coillie, Diana Cam Van Nguyen, Zhao Hao, Gessica Généus, and Andréa Slaviček. The residency program runs over four and a half months, during which all participants will live in Paris and receive personalized support to aid the writing of their first or second feature film screenplay.
The Cannes residency program was created in 2000 by Pierre Viot and Gilles Jacob and was first headed by Sylvie Perras. It is now helmed by Stéphanie Lamome.
“This year, five female...
The list of filmmakers includes Morrocan director Asmae El Moudir, best known for her feature The Mother of All Lies, which shared last year’s the L’Oeil d’or (Golden Eye) prize for the best documentary with Four Daughters (Kaouther Ben Hania) at this year’s Cannes Film Festival.
The other participants are Meltse Van Coillie, Diana Cam Van Nguyen, Zhao Hao, Gessica Généus, and Andréa Slaviček. The residency program runs over four and a half months, during which all participants will live in Paris and receive personalized support to aid the writing of their first or second feature film screenplay.
The Cannes residency program was created in 2000 by Pierre Viot and Gilles Jacob and was first headed by Sylvie Perras. It is now helmed by Stéphanie Lamome.
“This year, five female...
- 10/6/2023
- by Zac Ntim
- Deadline Film + TV
Few American filmmakers of the last 40 years await a major rediscovery like Hal Hartley, whose traces in modern movies are either too-minor or entirely unknown. Thus it’s cause for celebration that the Criterion Channel are soon launching a major retrospective: 13 features (which constitutes all but My America) and 17 shorts, a sui generis style and persistent vision running across 30 years. Expect your Halloween party to be aswim in Henry Fool costumes.
Speaking of: there’s a one-month headstart on seasonal programming with the 13-film “High School Horror”––most notable perhaps being a streaming premiere for the uncut version of Suspiria, plus the rare opportunity to see a Robert Rodriguez movie on the Criterion Channel––and a retrospective of Hong Kong vampire movies. A retrospective of ’70s car movies offer chills and thrills of a different sort
Six films by Allan Dwan and 12 “gaslight noirs” round out the main September series; The Eight Mountains,...
Speaking of: there’s a one-month headstart on seasonal programming with the 13-film “High School Horror”––most notable perhaps being a streaming premiere for the uncut version of Suspiria, plus the rare opportunity to see a Robert Rodriguez movie on the Criterion Channel––and a retrospective of Hong Kong vampire movies. A retrospective of ’70s car movies offer chills and thrills of a different sort
Six films by Allan Dwan and 12 “gaslight noirs” round out the main September series; The Eight Mountains,...
- 8/21/2023
- by Leonard Pearce
- The Film Stage
Personal and political life in Haiti are brought sharply into focus in “Freda,” a powerful and resolutely unsentimental drama about a determined young university student who must decide whether to stay in her deeply troubled country or seek a future elsewhere. Weaving documentary footage of civil unrest into an intelligent and compassionate screenplay that examines what it means to be a Haitian woman in a society stacked heavily in favor of men, “Freda” marks an outstanding feature debut for actress-singer-filmmaker Gessica Geneus. This vital and vibrant drama is Haiti’s submission in the Oscar international feature category.
“Freda” is only the second Haitian feature entered for Oscar consideration, following “Ayiti Mon Amour” by Guetty Felinin in 2017. It’s also just the second Haitian production ever selected for Cannes, after Raoul Peck’s “The Man on the Shore” in 1993. “Freda” received a major profile boost in early December with the announcement that Francis Ford Coppola,...
“Freda” is only the second Haitian feature entered for Oscar consideration, following “Ayiti Mon Amour” by Guetty Felinin in 2017. It’s also just the second Haitian production ever selected for Cannes, after Raoul Peck’s “The Man on the Shore” in 1993. “Freda” received a major profile boost in early December with the announcement that Francis Ford Coppola,...
- 12/19/2021
- by Richard Kuipers
- Variety Film + TV
Latin America has submitted 15 contenders in the Academy Awards’ international feature category this time, not quite as big a haul as last year’s tally of 18.
Leading the hopefuls is Mexico’s “Prayers for the Stolen,” the fiction debut of Tatiana Huezo, one of Variety’s 10 Directors to Watch in 2022. Her tale follows three girls as they come of age in a remote village afflicted by the drug trade and human trafficking. The Cannes Un Certain Regard winner is now streaming on Netflix, which is putting all its promotional heft behind it. The film’s producers are Jim Stark (“Coffee and Cigarettes”) and Nicolas Celis, the latter a key producer of Mexico’s first-ever international feature Oscar winner, “Roma,” by Alfonso Cuarón.
Huezo’s 2016 documentary, “Tempestad,” represented Mexico at the 90th Academy Awards. Since 1957, when Mexico started participating in the Oscars, 10 of its entries have been nominated, culminating in “Roma’s” win in 2019.
Chile,...
Leading the hopefuls is Mexico’s “Prayers for the Stolen,” the fiction debut of Tatiana Huezo, one of Variety’s 10 Directors to Watch in 2022. Her tale follows three girls as they come of age in a remote village afflicted by the drug trade and human trafficking. The Cannes Un Certain Regard winner is now streaming on Netflix, which is putting all its promotional heft behind it. The film’s producers are Jim Stark (“Coffee and Cigarettes”) and Nicolas Celis, the latter a key producer of Mexico’s first-ever international feature Oscar winner, “Roma,” by Alfonso Cuarón.
Huezo’s 2016 documentary, “Tempestad,” represented Mexico at the 90th Academy Awards. Since 1957, when Mexico started participating in the Oscars, 10 of its entries have been nominated, culminating in “Roma’s” win in 2019.
Chile,...
- 12/13/2021
- by Anna Marie de la Fuente
- Variety Film + TV
Africa’s biggest film festival unfolded in Burkina Faso from October 16 to 23.
Finnish-Somali filmmaker Khadar Ayderus Ahmed’s The Gravedigger’s Wife scooped the top prize at the 27th edition of the Pan-African Film and Television Festival of Ouagadougou (Fespaco) in Burkina Faso over the weekend.
The largest film festival in Africa, the biannual event normally takes place end-February, start-March but was pushed to October 16-23 this year due to the Covid-19 pandemic.
Its top prize is the $36,000 Golden Stallion of Yennenga (Étalon de Yennenga) award. The prizes are named after legendary warrior princess Yennenga, who is considered the mother...
Finnish-Somali filmmaker Khadar Ayderus Ahmed’s The Gravedigger’s Wife scooped the top prize at the 27th edition of the Pan-African Film and Television Festival of Ouagadougou (Fespaco) in Burkina Faso over the weekend.
The largest film festival in Africa, the biannual event normally takes place end-February, start-March but was pushed to October 16-23 this year due to the Covid-19 pandemic.
Its top prize is the $36,000 Golden Stallion of Yennenga (Étalon de Yennenga) award. The prizes are named after legendary warrior princess Yennenga, who is considered the mother...
- 10/25/2021
- by Melanie Goodfellow
- ScreenDaily
Cannes' Official Selection for its 74th edition, running July 6-17.
In Competition
Annette, Leos Carax (France) - Opening Film
The Story of My Wife, Ildikó Enyedi (Hungary)
Benedetta, Paul Verhoeven (Netherlands)
Bergman Island, Mia-Hansen-Love (France)
Drive My Car, Rysuke Hamaguchi (Japan)
Ha’Berech (Ahed’s Knee), Nadav Lapid
Casablanca Beats, Nabil Ayouch (Morocco)
Compartment No. 6, Juho Kuosmanen (Finland)
The Worst Person in the World, Joachim Trier (Norway)
La Fracture, Catherine Corsini (France)
The Restless, Joachim Lafosse (Belgium)
Paris 13th District, Jacques Audiard (France)
Lingui, Mahamat-Saleh Haroun (Chad)
Memoria, Apichatpong Weerasethakul (Thailand)
Nitram, Justin Kurzel (Australia)
France, Bruno Dumont (France)
Petrov’s Flu, Kirill Serebrennikov (Russia)
Red Rocket, Sean Baker (USA)
Flag Day, Sean Penn (USA)
The French Dispatch, Wes Anderson (USA)
Titane, Julia Ducournau (France)
Tre Piani, Nanni Moretti (Italy)
Tout s'est Bien Passé, François Ozon (France)
A Hero, Asghar Farhadi (Iran)
Un Certain Regard
Moneyboys, C.B. Yi (Austria)
Blue Bayou, Justin Chon (USA)
Freda, Gessica Geneus (Haiti)
Delo (House Arrest), Alexey German Jr. (Russia)
Bonne Mere, Hafsia Herzi (France)
Noche de Fuego, Tatiana Huezo (Mexico)
Lamb, Valdimar Johansson (Iceland)
Commitment Hasan, Hasan Semih Kaplanoglu (Turkey)
After Yang, Kogonada (USA)
Let There Be Morning, Eran Kolirin (Israel)
Unclenching the Fists, Kira Kovalenko (Russia)
Women Do Cry, Mina Mileva, Vesela Kazakova (Bulgaria)
Rehana Maryam Noor, Abdullah Mohammad Saad (Bangladesh)
Great Freedom, Sebastian Meise (Austria)
La Civil, Teodora Ana Mihai (Romania / Belgium)
Gaey’s Wa’r, Na Jiazuo (China)
The Innocents, Eskil Vogt (Norway)
Un Monde, Laura Wandel (Belgium)
Out of Competition
De Son Vivant, Emmanuelle Bercot (France)
Emergency Declaration, Han Jae-Rim (Korea)
The Velvet Underground, Todd Haynes (USA)
Bac Nord, Cédric Jimenez (France)
Aline, The Voice of Love, Valérie Lemercier (France)
Stillwater, Tom McCarthy (USA)...
In Competition
Annette, Leos Carax (France) - Opening Film
The Story of My Wife, Ildikó Enyedi (Hungary)
Benedetta, Paul Verhoeven (Netherlands)
Bergman Island, Mia-Hansen-Love (France)
Drive My Car, Rysuke Hamaguchi (Japan)
Ha’Berech (Ahed’s Knee), Nadav Lapid
Casablanca Beats, Nabil Ayouch (Morocco)
Compartment No. 6, Juho Kuosmanen (Finland)
The Worst Person in the World, Joachim Trier (Norway)
La Fracture, Catherine Corsini (France)
The Restless, Joachim Lafosse (Belgium)
Paris 13th District, Jacques Audiard (France)
Lingui, Mahamat-Saleh Haroun (Chad)
Memoria, Apichatpong Weerasethakul (Thailand)
Nitram, Justin Kurzel (Australia)
France, Bruno Dumont (France)
Petrov’s Flu, Kirill Serebrennikov (Russia)
Red Rocket, Sean Baker (USA)
Flag Day, Sean Penn (USA)
The French Dispatch, Wes Anderson (USA)
Titane, Julia Ducournau (France)
Tre Piani, Nanni Moretti (Italy)
Tout s'est Bien Passé, François Ozon (France)
A Hero, Asghar Farhadi (Iran)
Un Certain Regard
Moneyboys, C.B. Yi (Austria)
Blue Bayou, Justin Chon (USA)
Freda, Gessica Geneus (Haiti)
Delo (House Arrest), Alexey German Jr. (Russia)
Bonne Mere, Hafsia Herzi (France)
Noche de Fuego, Tatiana Huezo (Mexico)
Lamb, Valdimar Johansson (Iceland)
Commitment Hasan, Hasan Semih Kaplanoglu (Turkey)
After Yang, Kogonada (USA)
Let There Be Morning, Eran Kolirin (Israel)
Unclenching the Fists, Kira Kovalenko (Russia)
Women Do Cry, Mina Mileva, Vesela Kazakova (Bulgaria)
Rehana Maryam Noor, Abdullah Mohammad Saad (Bangladesh)
Great Freedom, Sebastian Meise (Austria)
La Civil, Teodora Ana Mihai (Romania / Belgium)
Gaey’s Wa’r, Na Jiazuo (China)
The Innocents, Eskil Vogt (Norway)
Un Monde, Laura Wandel (Belgium)
Out of Competition
De Son Vivant, Emmanuelle Bercot (France)
Emergency Declaration, Han Jae-Rim (Korea)
The Velvet Underground, Todd Haynes (USA)
Bac Nord, Cédric Jimenez (France)
Aline, The Voice of Love, Valérie Lemercier (France)
Stillwater, Tom McCarthy (USA)...
- 6/3/2021
- IMDbPro News
Paul Verhoeven, Oliver Stone, Sean Baker, Asghar Farhadi, Tom McCarthy and Sean Penn are among the directors who will be represented in the official selection of the 2021 Cannes Film Festival, which will take place from July 6-17 in the south of France.
Verhoeven, Baker and Farhadi will be represented in the main competition with “Benedetta,” “Red Rocket” and “A Hero,” respectively. “Spotlight” director McCarthy will screen his Matt Damon film “Stillwater” out of competition, while Stone will present the first two hours of his four-hour documentary about the John F. Kennedy assassination, “JFK Revisited: Through the Looking Glass.”
As previously announced, the festival will open with Leos Carax’s musical “Annette,” with music by the band Sparks, and will also include Wes Anderson’s “The French Dispatch,” which was originally scheduled to premiere in Cannes last year.
After the Cannes press release had been sent out and general delegate Thierry...
Verhoeven, Baker and Farhadi will be represented in the main competition with “Benedetta,” “Red Rocket” and “A Hero,” respectively. “Spotlight” director McCarthy will screen his Matt Damon film “Stillwater” out of competition, while Stone will present the first two hours of his four-hour documentary about the John F. Kennedy assassination, “JFK Revisited: Through the Looking Glass.”
As previously announced, the festival will open with Leos Carax’s musical “Annette,” with music by the band Sparks, and will also include Wes Anderson’s “The French Dispatch,” which was originally scheduled to premiere in Cannes last year.
After the Cannes press release had been sent out and general delegate Thierry...
- 6/3/2021
- by Steve Pond
- The Wrap
Cannes is back in full force with the announcement of the Official Selection for the film festival’s 74th edition. Taking place in July after having been originally scheduled for May, Cannes is returning with an in-person event after the pandemic forced the festival to cancel in 2020. Spike Lee, who was supposed to head the jury and premiere his “Da 5 Bloods” out of competition last year, is returning to Cannes 2021 as jury president. Films such as Wes Anderson’s “The French Dispatch,” Leos Carax’s “Annette,” and Paul Verhoeven’s “Benedetta” were all supposed to premiere at Cannes 2020 but are now confirmed for Cannes 2021 after waiting a year to be unveiled to the world.
Given this is the first Cannes in the Covid pandemic era, there are as many questions about the event’s safety protocols as there are about the lineup. Cannes general delegate Thierry Frémaux told IndieWire...
Given this is the first Cannes in the Covid pandemic era, there are as many questions about the event’s safety protocols as there are about the lineup. Cannes general delegate Thierry Frémaux told IndieWire...
- 6/3/2021
- by Zack Sharf
- Indiewire
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