Exclusive: The Murtha Skouras Agency, representing top below-the-line talent, has elevated longtime agents Hillary Cook and Karen Berch to Partner, founding partners Ann Murtha and Spyros Skouras announced on Friday.
Created in 2016 following the mergers of The Murtha Agency and The Skouras Agency, The Murtha Skouras Agency has had Cook and Berch serving in the film and television arm ever since.
“Hillary and Karen, longtime agents of The Murtha Skouras Agency, have been indispensable, passionate members of our team. Both possess a wealth of knowledge, experience and a deep commitment to promoting and celebrating the art of film,” Murtha and Skouras said in a joint statement. “They are also known for their honesty, integrity, unwavering dedication, exceptional work ethic, commitment to excellence, and professionalism. With these promotions, we are delighted to recognize their accomplishments – and future achievements.”
Recently, Cook and Berch saw client Arthur Max receive his fourth Oscar nomination...
Created in 2016 following the mergers of The Murtha Agency and The Skouras Agency, The Murtha Skouras Agency has had Cook and Berch serving in the film and television arm ever since.
“Hillary and Karen, longtime agents of The Murtha Skouras Agency, have been indispensable, passionate members of our team. Both possess a wealth of knowledge, experience and a deep commitment to promoting and celebrating the art of film,” Murtha and Skouras said in a joint statement. “They are also known for their honesty, integrity, unwavering dedication, exceptional work ethic, commitment to excellence, and professionalism. With these promotions, we are delighted to recognize their accomplishments – and future achievements.”
Recently, Cook and Berch saw client Arthur Max receive his fourth Oscar nomination...
- 3/15/2024
- by Matt Grobar
- Deadline Film + TV
“Oppenheimer” got a big boost in its bid for Best Editing at the Oscars with a win at the Ace Golden Eddie Awards on March 3. It prevailed in the drama race at these awards bestowed by American Cinema Editors over two of its Oscar rivals –“Anatomy of a Fall” and “Killers of the Flower Moon ” — as well as “Maestro” and “Past Lives.”
Another of the Oscar nominees, “The Holdovers ” won the comedy/musical category over the fifth Oscar contender, “Poor Things,” plus “Air”, “American Fiction” and “Barbie.”
Since 1990, the film that came up with one of the ACEs went on to win the top prize at the Academy Awards 19 times, including the 2023 winner for best comedy/musical editing, “Everything Everywhere All at Once” and the 2020 winner for best drama editing, “Parasite.” And in 10 of the 14 years when the Ace barometer was wrong, at least one of the Eddie champs was a contender for Best Picture.
Another of the Oscar nominees, “The Holdovers ” won the comedy/musical category over the fifth Oscar contender, “Poor Things,” plus “Air”, “American Fiction” and “Barbie.”
Since 1990, the film that came up with one of the ACEs went on to win the top prize at the Academy Awards 19 times, including the 2023 winner for best comedy/musical editing, “Everything Everywhere All at Once” and the 2020 winner for best drama editing, “Parasite.” And in 10 of the 14 years when the Ace barometer was wrong, at least one of the Eddie champs was a contender for Best Picture.
- 3/4/2024
- by Paul Sheehan
- Gold Derby
Best Picture favorite “Oppenheimer” and “The Holdovers” were the drama and comedy editing winners at the 74th Ace Eddie Awards, March 3 at UCLA’s Royce Hall. “Oppenheimer” editor Jennifer Lame is now a step closer to winning the Oscar for deftly balancing Christopher Nolan’s interlocking, subjective POVs of J. Robert Oppenheimer (Best Actor nominee Cillian Murphy) in color and adversary Admiral Lewis Strauss (Best Supporting Actor nominee Robert Downey Jr.) in black-and-white.
The other Oscar nominees are “The Holdovers” (edited by Ace president Kevin Tent), Killers of the Flower Moon,” “Anatomy of Fall,” and “Poor Things.”
“Spider-Man: Across the Universe” won the animation award, “Still: A Michael J. Fox Movie” earned theatrical documentary honors, and “Escaping Twin Flames” took the non-theatrical prize.
TV editing winners included “The Last of Us” for drama series, “Beef” for limited series, “How I Met Your Father” for multi-camera comedy series, “The Bear” for single-camera comedy series,...
The other Oscar nominees are “The Holdovers” (edited by Ace president Kevin Tent), Killers of the Flower Moon,” “Anatomy of Fall,” and “Poor Things.”
“Spider-Man: Across the Universe” won the animation award, “Still: A Michael J. Fox Movie” earned theatrical documentary honors, and “Escaping Twin Flames” took the non-theatrical prize.
TV editing winners included “The Last of Us” for drama series, “Beef” for limited series, “How I Met Your Father” for multi-camera comedy series, “The Bear” for single-camera comedy series,...
- 3/4/2024
- by Bill Desowitz
- Indiewire
Universal’s Oppenheimer and Focus Features’ The Holdovers won the top theatrical prizes Sunday at the 74th Annual Ace Eddie Awards, presented by the American Cinema Editors at UCLA’s Royce Hall.
Ace president Kevin Tent, who presided over the event, won best edited feature film, comedy, for The Holdovers, while the drama feature award went to Oppenheimer editor Jennifer Lame.
Other theatrical winners include animated feature winner Michael Andrews for Sony’s Spider-Man: Across the Spider-Verse and documentary winner Michael Harte for Apple’s Still: A Michael J. Fox Movie. Television winners include The Bear‘s Joanna Naugle, who won for the acclaimed episode “Fishes” that featured a star-studded lineup of guest actors led by Jamie Lee Curtis; The Last of Us‘ Timothy A. Good, for the episode “Long, Long Time;” Beef‘s Harry Yoon and Laura Zempel; and How I Met Your Father‘s Russell Griffin.
The team...
Ace president Kevin Tent, who presided over the event, won best edited feature film, comedy, for The Holdovers, while the drama feature award went to Oppenheimer editor Jennifer Lame.
Other theatrical winners include animated feature winner Michael Andrews for Sony’s Spider-Man: Across the Spider-Verse and documentary winner Michael Harte for Apple’s Still: A Michael J. Fox Movie. Television winners include The Bear‘s Joanna Naugle, who won for the acclaimed episode “Fishes” that featured a star-studded lineup of guest actors led by Jamie Lee Curtis; The Last of Us‘ Timothy A. Good, for the episode “Long, Long Time;” Beef‘s Harry Yoon and Laura Zempel; and How I Met Your Father‘s Russell Griffin.
The team...
- 3/4/2024
- by Tyler Coates
- The Hollywood Reporter - Movie News
Christopher Nolan’s “Oppenheimer” topped the dramatic feature editing category at the American Cinema Editors’ 74th Ace Eddie Awards, while “The Holdovers” won the category for best edited comedic feature during Sunday’s ceremony at UCLA’s Royce Hall.
Jennifer Lame edited “Oppenheimer,” which also took top honors at last week’s SAG Awards and Producers Guild Awards. The recent honor further cements the film’s position to take top prize at the Oscars next weekend. But she faces competition from Kevin Tent, who won here for “The Holdovers.”
Should Lame go on to win the Oscar, it will mark nine years since a woman has won. Margaret Sixel won in 2015 for “Mad Max: Fury Road.”
Tent, also president of Ace, kicked off the ceremony addressing last year’s labor strikes, saying, “It’s great to look out and see so many rock star editors…Last year was an extraordinarily...
Jennifer Lame edited “Oppenheimer,” which also took top honors at last week’s SAG Awards and Producers Guild Awards. The recent honor further cements the film’s position to take top prize at the Oscars next weekend. But she faces competition from Kevin Tent, who won here for “The Holdovers.”
Should Lame go on to win the Oscar, it will mark nine years since a woman has won. Margaret Sixel won in 2015 for “Mad Max: Fury Road.”
Tent, also president of Ace, kicked off the ceremony addressing last year’s labor strikes, saying, “It’s great to look out and see so many rock star editors…Last year was an extraordinarily...
- 3/4/2024
- by Jazz Tangcay
- Variety Film + TV
Laurent Sénéchal for Anatomy Of A Fall and Keith Fraase for Past Lives are among the American Cinema Editors’ best edited dramatic feature film nominees heading into the Ace Eddie Awards on Sunday, March 3, 2024.
Thelma Schoonmaker for Killers Of The Flower Moon, Jennifer Lame for Oppenheimer, and Michelle Tesoro for Maestro round out the category nominations.
Comedy feature nominees are William Goldenberg for Air, Hilda Rasula for American Fiction, Nick Houy for Barbie, Kevin Tent for The Holdovers, and Yorgos Mavropsaridis for Poor Things.
The animated feature category pits Stephen Schaffer for Elemental against Randy Trager and Erin Crackel for Nimona,...
Thelma Schoonmaker for Killers Of The Flower Moon, Jennifer Lame for Oppenheimer, and Michelle Tesoro for Maestro round out the category nominations.
Comedy feature nominees are William Goldenberg for Air, Hilda Rasula for American Fiction, Nick Houy for Barbie, Kevin Tent for The Holdovers, and Yorgos Mavropsaridis for Poor Things.
The animated feature category pits Stephen Schaffer for Elemental against Randy Trager and Erin Crackel for Nimona,...
- 1/25/2024
- ScreenDaily
The nominations for the 2024 Ace Eddie Awards announced on Thursday (Jan. 25) include our Oscar frontrunner for Best Film Editing, “Oppenheimer,” along with the other four films contending in that race: “Anatomy of a Fall,” “Killers of the Flower Moon,” “Poor Things” and “The Holdovers.”
The Ace Eddie Awards divide their prizes for editing between dramas and comedies/musicals.
“Anatomy of a Fall,” “Killers of the Flower Moon” and “Oppenheimer” contend here in the drama race, which is rounded out by “Maestro” and “Past Lives.”
Facing off against “Poor Things” and “The Holdovers” on the comedy side are “Air,” “American Fiction” and “Barbie.”
In 1992, the Eddies went from three to five nominees (matching that of the Oscars) and in 2000 it split the award in two, with five nominees for each of drama and comedy/musical. Over the past 31 years, 139 of the 155 Academy Awards nominees for Best Film Editing have reaped an...
The Ace Eddie Awards divide their prizes for editing between dramas and comedies/musicals.
“Anatomy of a Fall,” “Killers of the Flower Moon” and “Oppenheimer” contend here in the drama race, which is rounded out by “Maestro” and “Past Lives.”
Facing off against “Poor Things” and “The Holdovers” on the comedy side are “Air,” “American Fiction” and “Barbie.”
In 1992, the Eddies went from three to five nominees (matching that of the Oscars) and in 2000 it split the award in two, with five nominees for each of drama and comedy/musical. Over the past 31 years, 139 of the 155 Academy Awards nominees for Best Film Editing have reaped an...
- 1/25/2024
- by Paul Sheehan
- Gold Derby
Ryan Gosling as Ken and Margot Robbie as Barbie in ‘Barbie’ ((Photo Courtesy Warner Bros. Pictures)
Taylor Swift: The Eras Tour, Oppenheimer, The Bear, and Barbie are among the nominees for the 74th Annual Ace Eddie Awards, recognizing outstanding editing in film, television, and documentaries. In addition to the 14 competitive categories, the American Cinema Editors (Ace) will honor filmmaker John Waters and editors Kate Amend, Stephen Lovejoy, and Walter Murch with special awards during this year’s ceremony.
Winners will be announced at the Ace Eddie Awards to be held on Sunday, March 3, 2024 at UCLA’s Royce Hall. Drag queen, performer, and queer activist Nina West (Hairspray) will handle hosting duties.
2024 Ace Eddie Awards Nominees:
Best Edited Feature Film:
Anatomy of a Fall, Laurent Sénéchal
Killers of the Flower Moon, Thelma Schoonmaker, Ace
Maestro, Michelle Tesoro, Ace
Oppenheimer, Jennifer Lame, Ace
Past Lives, Keith Fraase
Best Edited Feature Film:
Air,...
Taylor Swift: The Eras Tour, Oppenheimer, The Bear, and Barbie are among the nominees for the 74th Annual Ace Eddie Awards, recognizing outstanding editing in film, television, and documentaries. In addition to the 14 competitive categories, the American Cinema Editors (Ace) will honor filmmaker John Waters and editors Kate Amend, Stephen Lovejoy, and Walter Murch with special awards during this year’s ceremony.
Winners will be announced at the Ace Eddie Awards to be held on Sunday, March 3, 2024 at UCLA’s Royce Hall. Drag queen, performer, and queer activist Nina West (Hairspray) will handle hosting duties.
2024 Ace Eddie Awards Nominees:
Best Edited Feature Film:
Anatomy of a Fall, Laurent Sénéchal
Killers of the Flower Moon, Thelma Schoonmaker, Ace
Maestro, Michelle Tesoro, Ace
Oppenheimer, Jennifer Lame, Ace
Past Lives, Keith Fraase
Best Edited Feature Film:
Air,...
- 1/25/2024
- by Rebecca Murray
- Showbiz Junkies
The 2024 American Cinema Editors (Ace) Eddie Award nominations have been unveiled.
As announced today, January 25, the 74th Annual Ace Eddie Awards will recognize Thelma Schoonmaker’s work on “Killers of the Flower Moon,” Jennifer Lame’s editing skills on “Oppenheimer,” Nick Houy’s vision for “Barbie,” Laurent Sénéchal for “Anatomy of a Fall,” and more nominees across drama and comedy.
The annual awards ceremony honors outstanding editing in 14 categories of film, television, and documentaries. The winners will be announced live during the Ace Eddie Awards on Sunday, March 3, 2024 at UCLA’s Royce Hall at a special brunch celebration, with “Hairspray” actress, drag queen, and queer activist Nina West hosting.
TV nominees include “The Bear,” “Succession,” “Barry,” “Ahsoka,” “The Last of Us,” and “Beef.”
“Hairspray” director John Waters will receive the Ace Golden Eddie Filmmaker of the Year Award, which recognizes filmmakers who exemplify distinguished achievement in the art and business of film.
As announced today, January 25, the 74th Annual Ace Eddie Awards will recognize Thelma Schoonmaker’s work on “Killers of the Flower Moon,” Jennifer Lame’s editing skills on “Oppenheimer,” Nick Houy’s vision for “Barbie,” Laurent Sénéchal for “Anatomy of a Fall,” and more nominees across drama and comedy.
The annual awards ceremony honors outstanding editing in 14 categories of film, television, and documentaries. The winners will be announced live during the Ace Eddie Awards on Sunday, March 3, 2024 at UCLA’s Royce Hall at a special brunch celebration, with “Hairspray” actress, drag queen, and queer activist Nina West hosting.
TV nominees include “The Bear,” “Succession,” “Barry,” “Ahsoka,” “The Last of Us,” and “Beef.”
“Hairspray” director John Waters will receive the Ace Golden Eddie Filmmaker of the Year Award, which recognizes filmmakers who exemplify distinguished achievement in the art and business of film.
- 1/25/2024
- by Samantha Bergeson
- Indiewire
The American Cinema Editors unwrapped the nominees for its 74th Eddie Awards.
Ace’s live-action theatrical feature competition is divided into two categories, for drama and comedy. Nominees in the category for best edited dramatic theatrical feature are Laurent Sénéchal for Anatomy of a Fall, Thelma Schoonmaker for Killers of the Flower Moon, Michelle Tesoro for Maestro, Jennifer Lame for Oppenheimer and Keith Fraase for Past Lives. Nominees for best edited comedic theatrical feature are William Goldenberg for Air, Hilda Rasula for American Fiction, Nick Houy for Barbie; Kevin Tent for The Holdovers and Yorgos Mavropsaridis for Poor Things.
The Eddie nominees include the five nominees for the Oscar in film editing: Anatomy of a Fall, Killers of the Flower Moon and Oppenheimer (from the drama category); and The Holdovers and Poor Things (from the comedy category). With the nomination for Killers of the Flower Moon, Martin Scorsese’s longtime...
Ace’s live-action theatrical feature competition is divided into two categories, for drama and comedy. Nominees in the category for best edited dramatic theatrical feature are Laurent Sénéchal for Anatomy of a Fall, Thelma Schoonmaker for Killers of the Flower Moon, Michelle Tesoro for Maestro, Jennifer Lame for Oppenheimer and Keith Fraase for Past Lives. Nominees for best edited comedic theatrical feature are William Goldenberg for Air, Hilda Rasula for American Fiction, Nick Houy for Barbie; Kevin Tent for The Holdovers and Yorgos Mavropsaridis for Poor Things.
The Eddie nominees include the five nominees for the Oscar in film editing: Anatomy of a Fall, Killers of the Flower Moon and Oppenheimer (from the drama category); and The Holdovers and Poor Things (from the comedy category). With the nomination for Killers of the Flower Moon, Martin Scorsese’s longtime...
- 1/25/2024
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
The American Cinema Editors (Ace) have nominated “Anatomy of a Fall,” Killers of the Flower Moon,”
“Maestro,” “Oppenheimer” and “Past Lives” in the category of feature film drama for the 74th annual Ace Eddie Awards. “Air,” “Barbie,” “American Fiction,” “Poor Things” and “The Holdovers” received nominations in the best edited comedic feature category.
The TV nominees include “The Bear,” “Barry,” “Succession,” Only Murders in the Building” and “Ahsoka.” Also landing a nomination for editing was the team behind “Taylor Swift: The Eras Tour.”
As previously announced, John Waters will receive the Ace Golden Eddie Filmmaker of the Year award. Film editors Kate Amend, Ace and Walter Murch, Ace will receive career achievement awards for their outstanding contributions to film editing. Stephen Lovejoy, Ace will receive the Heritage award for his unwavering commitment to Ace.
“RuPaul’s Drag Race” alumni and star of “Hairspray” Nina West will emcee the event. The winners...
“Maestro,” “Oppenheimer” and “Past Lives” in the category of feature film drama for the 74th annual Ace Eddie Awards. “Air,” “Barbie,” “American Fiction,” “Poor Things” and “The Holdovers” received nominations in the best edited comedic feature category.
The TV nominees include “The Bear,” “Barry,” “Succession,” Only Murders in the Building” and “Ahsoka.” Also landing a nomination for editing was the team behind “Taylor Swift: The Eras Tour.”
As previously announced, John Waters will receive the Ace Golden Eddie Filmmaker of the Year award. Film editors Kate Amend, Ace and Walter Murch, Ace will receive career achievement awards for their outstanding contributions to film editing. Stephen Lovejoy, Ace will receive the Heritage award for his unwavering commitment to Ace.
“RuPaul’s Drag Race” alumni and star of “Hairspray” Nina West will emcee the event. The winners...
- 1/25/2024
- by Jazz Tangcay
- Variety Film + TV
American Cinemas Editors has cut together the nominees for its 74rd annual Ace Eddie Awards, which will be handed out next month. See the list of all 13 film and TV categories below.
The group also said today that Nina West, who played Divine in Weird: The Al Yankovic Story and Edna Turnblad in the touring production of Hairspray, will host the March 3 ceremony at UCLA’s Royce Hall in Westwood.
Vying for the marquee prize of Best Edited Feature Film are the editors behind Anatomy of a Fall, Killers of the Flower Moon, Maestro, Oppenheimer and Past Lives. The Comedy Theatrical race will be among Air, American Fiction, Barbie, The Holdovers and Poor Things.
Since the turn of the 21st century, the Eddie winner for theatrical drama has gone on to score the Academy Award for Best Editing 13 of 23 times — but none of the past four years. In a twist,...
The group also said today that Nina West, who played Divine in Weird: The Al Yankovic Story and Edna Turnblad in the touring production of Hairspray, will host the March 3 ceremony at UCLA’s Royce Hall in Westwood.
Vying for the marquee prize of Best Edited Feature Film are the editors behind Anatomy of a Fall, Killers of the Flower Moon, Maestro, Oppenheimer and Past Lives. The Comedy Theatrical race will be among Air, American Fiction, Barbie, The Holdovers and Poor Things.
Since the turn of the 21st century, the Eddie winner for theatrical drama has gone on to score the Academy Award for Best Editing 13 of 23 times — but none of the past four years. In a twist,...
- 1/25/2024
- by Erik Pedersen
- Deadline Film + TV
Oscars Predictions: Best Film Editing – ‘Anatomy of a Fall’ Picking Up Momentum From Critics’ Groups
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday.
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Achievement in Film Editing All of Us Strangers
Weekly Commentary: Lafca has only been handing out prizes for editing since 2012. Out of the past 11 winners, six became Oscar nominees with one winner among them – “Gravity” (2013). Interestingly, last year’s Lafca recipient “Aftersun,” was the first narrative...
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Achievement in Film Editing All of Us Strangers
Weekly Commentary: Lafca has only been handing out prizes for editing since 2012. Out of the past 11 winners, six became Oscar nominees with one winner among them – “Gravity” (2013). Interestingly, last year’s Lafca recipient “Aftersun,” was the first narrative...
- 12/10/2023
- by Clayton Davis
- Variety Film + TV
The motif of soulmates has been repeatedly explored in cinema throughout its history, particularly in romantic dramas/comedies which found a rather appealing theme in order to develop stories from. Celine Song, in her feature directorial debut, presents her take on the motif, through a semi-autobiographical approach that also combines the theme of the Asian-American diaspora. “Past Lives” premiered in Sundance, was later screened in Berlin and recently found its place in Busan.
Past Lives screened at Busan International Film Festival
The story begins in 2000, introducing us to two deeply connected childhood friends, Na-young and Hae Sung, who find themselves separated after the former’s family emigrates from South Korea to Canada. Twelve years later, Hae Sung has finished his military service and Na-young has emigrated to New York City, where she has changed her name to Nora. One day, she discovers on Facebook that Hae Sung had commented on...
Past Lives screened at Busan International Film Festival
The story begins in 2000, introducing us to two deeply connected childhood friends, Na-young and Hae Sung, who find themselves separated after the former’s family emigrates from South Korea to Canada. Twelve years later, Hae Sung has finished his military service and Na-young has emigrated to New York City, where she has changed her name to Nora. One day, she discovers on Facebook that Hae Sung had commented on...
- 10/18/2023
- by Panos Kotzathanasis
- AsianMoviePulse
When it comes to predicting the Oscar winner for Best Film Editing, you can’t go wrong by looking for the movie with the most cuts. Past winners “The Bourne Ultimatum” (2008), “Mad Max: Fury Road” (2016), “Ford v Ferrari” (2020), “Dune” (2022) and last year’s champ “Everything Everywhere All at Once” included high-octane action sequences with frenetic cutting. A slew of winners — including “Saving Private Ryan” in 1999, “Black Hawk Down” (2002), “The Hurt Locker” (2010), “Hacksaw Ridge” (2017) and “Dunkirk” (2018) — have been war pictures. (Scroll down for the most up-to-date 2024 Oscar predictions for Best Film Editing.)
Oscar voters also embrace film editors who skillfully juggle multiple storylines, as was the case with “Traffic” (2001) and “Crash” (2006). And they like films that expertly inter-cut music with images, such as “Cabaret” (1973), “Chicago” (2003), “Whiplash” (2015), “Bohemian Rhapsody” (2019) and 2021 winner “Sound of Metal.” Special effects extravaganzas like “The Lord of the Rings: The Return of the King” (2004) and “Gravity” (2014) won by...
Oscar voters also embrace film editors who skillfully juggle multiple storylines, as was the case with “Traffic” (2001) and “Crash” (2006). And they like films that expertly inter-cut music with images, such as “Cabaret” (1973), “Chicago” (2003), “Whiplash” (2015), “Bohemian Rhapsody” (2019) and 2021 winner “Sound of Metal.” Special effects extravaganzas like “The Lord of the Rings: The Return of the King” (2004) and “Gravity” (2014) won by...
- 9/13/2023
- by Paul Sheehan and Jacob Sarkisian
- Gold Derby
Nominations voting is from January 11–16, 2024, with official Oscar nominations announced on January 23, 2024. Final voting is February 22–27, 2024. And finally, the 96th Oscars telecast will be broadcast on Sunday, March 10, and air live on ABC at 8 p.m. Et/ 5 p.m. Pt. We update predictions throughout awards season, so keep checking IndieWire for all our 2024 Oscar picks.
The State of the Race
It’s the season of complex narratives and existential crises, led by Christopher Nolan’s “Oppenheimer” (Universal), the early favorite, Greta Gerwig’s blockbuster “Barbie” (Warner Bros.), Martin Scorsese’s “Killers of the Flower Moon” (Apple TV+/Paramount), Ari Aster’s “Beau Is Afraid” (A24), and Celine Song’s “Past Lives” (A24).
Other contenders include Denis Villeneuve’s “Dune: Part Two” (Warner Bros.), the follow-up to his Oscar winner, Yargos Lanthimos’ “Poor Things” (Searchlight), Wes Anderson’s “Asteroid City,” Bradley Cooper’s “Maestro” (Netflix), Ridley Scott’s “Napoleon” (Apple TV...
The State of the Race
It’s the season of complex narratives and existential crises, led by Christopher Nolan’s “Oppenheimer” (Universal), the early favorite, Greta Gerwig’s blockbuster “Barbie” (Warner Bros.), Martin Scorsese’s “Killers of the Flower Moon” (Apple TV+/Paramount), Ari Aster’s “Beau Is Afraid” (A24), and Celine Song’s “Past Lives” (A24).
Other contenders include Denis Villeneuve’s “Dune: Part Two” (Warner Bros.), the follow-up to his Oscar winner, Yargos Lanthimos’ “Poor Things” (Searchlight), Wes Anderson’s “Asteroid City,” Bradley Cooper’s “Maestro” (Netflix), Ridley Scott’s “Napoleon” (Apple TV...
- 8/17/2023
- by Bill Desowitz
- Indiewire
After serving as a writer on the television series The Wheel of Time (2021), Celine Song delivers a memorable directorial debut – as well as penning her first feature screenplay – with the poignant and elegant Past Lives.
The film tells the tale of two close childhood friends – Nora (Seung-ah Moon) and Hae Sung (Seung-Min Yim) – who are separated when Nora’s family emigrates from South Korea. Decades later, when the couple are fatefully reunited in New York, a grown Nora (Greta Lee) and Hae Sung (Teo Yoo), are forced to come to terms with their beliefs concerning destiny and the choices that make up an individual’s life.
As a first feature, Past Lives signals the arrival of a unique voice and talent in writer/director Celine Song. There is a transcendent quality within the interplay and dialogue between the characters of the film that makes their story both romantic and simultaneously heartbreaking.
The film tells the tale of two close childhood friends – Nora (Seung-ah Moon) and Hae Sung (Seung-Min Yim) – who are separated when Nora’s family emigrates from South Korea. Decades later, when the couple are fatefully reunited in New York, a grown Nora (Greta Lee) and Hae Sung (Teo Yoo), are forced to come to terms with their beliefs concerning destiny and the choices that make up an individual’s life.
As a first feature, Past Lives signals the arrival of a unique voice and talent in writer/director Celine Song. There is a transcendent quality within the interplay and dialogue between the characters of the film that makes their story both romantic and simultaneously heartbreaking.
- 6/23/2023
- by Mike Tyrkus
- CinemaNerdz
Opposition to the Academy’s plan to award eight Oscars prior to the live telecast continues to grow, with more than 350 new names — including more than a dozen Oscar-winning editors, cinematographers and production designers — added to the petition sent last week to Academy president David Rubin urging a reversal of the plan.
Among the industry professionals signing are Oscar-winning cinematographers John Seale (“The English Patient”), John Toll (“Braveheart”) and Dean Semler (“Dances With Wolves”), and Oscar-winning editors Richard Chew and Paul Hirsch (“Star Wars”), Mikkel Neilsen (“The Sound of Metal”), Pietro Scalia (“JFK”) and Zach Staenberg (“The Matrix”).
Oscar-winning production designers Hannah Beachler (“Black Panther”), Barbara Ling (“Once Upon a Time in Hollywood”), Adam Stockhausen (“Grand Budapest Hotel”) and David and Sandy Wasco (“La La Land”) also signed on.
Cinematography will be presented during the live show, but editing and production design are among the eight awards to be presented during the 4 p.
Among the industry professionals signing are Oscar-winning cinematographers John Seale (“The English Patient”), John Toll (“Braveheart”) and Dean Semler (“Dances With Wolves”), and Oscar-winning editors Richard Chew and Paul Hirsch (“Star Wars”), Mikkel Neilsen (“The Sound of Metal”), Pietro Scalia (“JFK”) and Zach Staenberg (“The Matrix”).
Oscar-winning production designers Hannah Beachler (“Black Panther”), Barbara Ling (“Once Upon a Time in Hollywood”), Adam Stockhausen (“Grand Budapest Hotel”) and David and Sandy Wasco (“La La Land”) also signed on.
Cinematography will be presented during the live show, but editing and production design are among the eight awards to be presented during the 4 p.
- 3/17/2022
- by Jon Burlingame
- Variety Film + TV
When host — and living documentary legend — Steve James took the stage on Thursday night to kick off the start of the 11th Annual Cinema Eye Honors Awards at Queens’ own Museum of the Moving Image, he might have enjoyed the benefit of being tipped off as to who would dominate the ceremony. For James, the night was all about a “new generation” of filmmakers, and bringing them further into a tight-knit community that could support them for the rest of their lives.
No surprise then that Yance Ford and his debut feature, the deeply personal and long-gestating “Strong Island,” emerged as the night’s biggest winner, pulling in wins for Outstanding Direction, Outstanding Debut, and Outstanding Nonfiction Feature Film. Ford’s win for Outstanding Direction was also a history-maker: the filmmaker is the first to ever win the award for a debut film.
Read More:Cinema Eye Honors Announces Nominees; ‘Strong Island,...
No surprise then that Yance Ford and his debut feature, the deeply personal and long-gestating “Strong Island,” emerged as the night’s biggest winner, pulling in wins for Outstanding Direction, Outstanding Debut, and Outstanding Nonfiction Feature Film. Ford’s win for Outstanding Direction was also a history-maker: the filmmaker is the first to ever win the award for a debut film.
Read More:Cinema Eye Honors Announces Nominees; ‘Strong Island,...
- 1/12/2018
- by Kate Erbland
- Indiewire
They Knew Him Well: Malick’s Sublime Existential Search for the Pearl
To many, Terrence Malick, perhaps the most revered of modern American auteurs, has ascended to his own idiosyncratic, esoteric doss, entering his most prolific decade in his forty years of filmmaking with confounding illustrations of pronounced existential ennui. Following 2011’s Palme d’Or winning The Tree of Life, he unleashed the belabored To the Wonder, cementing a pretentious predilection for wandering, rambling lost souls. His latest, Knight of Cups is certainly as impressionistic as these last two features, and hinges once again on a restless nomad, this time a faded Hollywood screenwriter hovering betwixt the sacred labors of his profession and the profane temptations of his surroundings. Inundated with notable celebrities, it’s too abstruse for a legion of starfuckers to fathom, much less righteously embrace its rather obvious critique of how completely commodifying an art form eventually...
To many, Terrence Malick, perhaps the most revered of modern American auteurs, has ascended to his own idiosyncratic, esoteric doss, entering his most prolific decade in his forty years of filmmaking with confounding illustrations of pronounced existential ennui. Following 2011’s Palme d’Or winning The Tree of Life, he unleashed the belabored To the Wonder, cementing a pretentious predilection for wandering, rambling lost souls. His latest, Knight of Cups is certainly as impressionistic as these last two features, and hinges once again on a restless nomad, this time a faded Hollywood screenwriter hovering betwixt the sacred labors of his profession and the profane temptations of his surroundings. Inundated with notable celebrities, it’s too abstruse for a legion of starfuckers to fathom, much less righteously embrace its rather obvious critique of how completely commodifying an art form eventually...
- 3/3/2016
- by Nicholas Bell
- IONCINEMA.com
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