Im polnischen Pasym finden derzeit die Dreharbeiten zu zwei weiteren Filmen der Ard-„Masuren-Krimi“-Reihe statt.
Am Set des „Masuren-Krimi“ (v.l.n.r.): Kamerafrau Eeva Fleig, die Darsteller Peter Schneider und Katharina Schüttler, Regisseur Nicolai Rohde sowie die Hauptdarsteller Claudia Eisinger und Sebastian Hülk (Credit: Ard Degeto / Darek Minkiewicz)
Im polnischen Pasym inszeniert Nicolai Rohde nach Drehbüchern von Nadine Schweigardt – beim Drehbuch zum „Masuren-Krimi: Liebestod“ (At) fungierte Olaf Kraemer als Ko-Autor – derzeit zwei neue Filme aus der Ard-Reihe „Masuren-Krimi“. In den Hauptrollen der Kriminaltechnikerin Viktoria Wex und des Dorfpolizisten Leon Pawlak stehen erneut Claudia Eisinger und Sebastian Hülk vor der Kamera, die Eeva Fleig führt.
Im „Masuren-Krimi: Liebestod“ (At) wird die Leiche des jungen Mädchens Rada (Weronika Skwaroń) am Morgen ihres 18. Geburtstags rituell inszeniert in einem weißen Kleid in einem Birkenhain aufgefunden. Das Mädchen war in der Nacht zuvor aus ihrem Zuhause, wo sie und ihre Schwester...
Am Set des „Masuren-Krimi“ (v.l.n.r.): Kamerafrau Eeva Fleig, die Darsteller Peter Schneider und Katharina Schüttler, Regisseur Nicolai Rohde sowie die Hauptdarsteller Claudia Eisinger und Sebastian Hülk (Credit: Ard Degeto / Darek Minkiewicz)
Im polnischen Pasym inszeniert Nicolai Rohde nach Drehbüchern von Nadine Schweigardt – beim Drehbuch zum „Masuren-Krimi: Liebestod“ (At) fungierte Olaf Kraemer als Ko-Autor – derzeit zwei neue Filme aus der Ard-Reihe „Masuren-Krimi“. In den Hauptrollen der Kriminaltechnikerin Viktoria Wex und des Dorfpolizisten Leon Pawlak stehen erneut Claudia Eisinger und Sebastian Hülk vor der Kamera, die Eeva Fleig führt.
Im „Masuren-Krimi: Liebestod“ (At) wird die Leiche des jungen Mädchens Rada (Weronika Skwaroń) am Morgen ihres 18. Geburtstags rituell inszeniert in einem weißen Kleid in einem Birkenhain aufgefunden. Das Mädchen war in der Nacht zuvor aus ihrem Zuhause, wo sie und ihre Schwester...
- 5/27/2024
- by Jochen Müller
- Spot - Media & Film
WarnerMedia and Rtl Deutschland are partnering for the first time on the six-part co-production “Two Sides of the Abyss.”
Rtl Deutschland has secured first-run rights to the Warner TV original for Germany, where it will initially stream on its newly renamed Rtl Plus platform, as well as free-tv rights thereafter.
Warner TV Serie (formerly TNT Serie) will offer the series on pay TV in Germany, Austria and Switzerland, while WarnerMedia streaming platform HBO Max will launch the series as a Max Original in 61 territories across the U.S., Latin America and Europe. WarnerMedia International Television Distribution will handle international distribution outside of these territories.
Created and written by Kristin Derfler, “Two Sides of the Abyss” follows Wuppertal police officer Luise Berg (Anne Ratte-Polle) as she heads for an inevitable catastrophe after her daughter’s murderer is released early from prison. A psychologically complex game of confusion begins in which the boundaries of guilt and innocence,...
Rtl Deutschland has secured first-run rights to the Warner TV original for Germany, where it will initially stream on its newly renamed Rtl Plus platform, as well as free-tv rights thereafter.
Warner TV Serie (formerly TNT Serie) will offer the series on pay TV in Germany, Austria and Switzerland, while WarnerMedia streaming platform HBO Max will launch the series as a Max Original in 61 territories across the U.S., Latin America and Europe. WarnerMedia International Television Distribution will handle international distribution outside of these territories.
Created and written by Kristin Derfler, “Two Sides of the Abyss” follows Wuppertal police officer Luise Berg (Anne Ratte-Polle) as she heads for an inevitable catastrophe after her daughter’s murderer is released early from prison. A psychologically complex game of confusion begins in which the boundaries of guilt and innocence,...
- 2/14/2022
- by Ed Meza
- Variety Film + TV
Meet Leo (Alexander Fehling). He's going through a messy break-up with girlfriend Marlene (Claudia Eisinger), who, to make matters worse, keeps drifting back into his life when he thinks he's found his feet, laving him continually unsettled. His sister's attempts to snap him out of it get nowhere. Sitting alone in his loft apartment listening to miserable songs doesn't really seem to help. Then one day he gets a message from an angry woman who has used his email address by mistake when trying to complain about a magazine subscription, and the two begin an impulsive correspondence that will change everything.
The woman is Emma (Nora Tschirner), who is - to the extent that she's thought about it - really quite contented with her life, married to conductor Bernhard (an excellent Ulrich Thomsen) and getting along well with his kids, whose mother died when they were young. To the surprise of.
The woman is Emma (Nora Tschirner), who is - to the extent that she's thought about it - really quite contented with her life, married to conductor Bernhard (an excellent Ulrich Thomsen) and getting along well with his kids, whose mother died when they were young. To the surprise of.
- 6/18/2020
- by Jennie Kermode
- eyeforfilm.co.uk
To the chagrin of #MeToo activists and 23,000 petition signers, Berlin International Film Festival director Dieter Kosslick dismissed a request to lay down black carpet for guests attending Thursday’s opening-night premiere of “Isle of Dogs,” the latest Wes Anderson film. Deadline reports that Kosslick — who will step down when his contract ends in May 2019 — said he wants to “delve deeper into the #MeToo discourse, deeper than our carpet allows,” and thus “laying out a black carpet at the Berlinale is not the path we have chosen.”
The Change.org plea to change the carpet color from red to black was drafted by German actress Claudia Eisinger. “We fully understand the motivation behind Ms. Eisinger’s petition,” Kosslick said. “But for the festival, we made a conscious decision not to engage in symbolic politics.”
In addition, Kosslick responded to a suggestion that the film’s star-studded cast planned to wear black,...
The Change.org plea to change the carpet color from red to black was drafted by German actress Claudia Eisinger. “We fully understand the motivation behind Ms. Eisinger’s petition,” Kosslick said. “But for the festival, we made a conscious decision not to engage in symbolic politics.”
In addition, Kosslick responded to a suggestion that the film’s star-studded cast planned to wear black,...
- 2/15/2018
- by Jenna Marotta
- Indiewire
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