Taichi Kimura lives between two worlds. The Japanese filmmaker based in London made himself a name in the music industry by producing videos for Chemical Brothers, David Guetta, Chase & Status, and many more. Now, the 36-year-old director makes his debut on the big screen with his first feature „Afterglows“.
Director Taichi Kimura visited the Japannual Film Festival in Vienna for the international premiere of his debut film “Afterglows”. In our interview, the ambitious filmmaker reveals his vision for the Japanese film industry and gives personal insights into his career.
Let’s start with the basics. Who are you? What’s your background and what made you become a filmmaker?
I was born in Japan and I was raised in the middle of Tokyo. So, I was actually a city boy. I think the film that really got me was probably “Jurassic Park” (1993). I was like only five years old or something like that.
Director Taichi Kimura visited the Japannual Film Festival in Vienna for the international premiere of his debut film “Afterglows”. In our interview, the ambitious filmmaker reveals his vision for the Japanese film industry and gives personal insights into his career.
Let’s start with the basics. Who are you? What’s your background and what made you become a filmmaker?
I was born in Japan and I was raised in the middle of Tokyo. So, I was actually a city boy. I think the film that really got me was probably “Jurassic Park” (1993). I was like only five years old or something like that.
- 10/15/2023
- by Alexander Knoth
- AsianMoviePulse
The evolution of photography as an art form and its technology brought a lot of developments, thus revolutionizing the way we perceive pictures and how we take them. One of the most interesting phenomena has to be the concept of the snapshot, a picture taken in the moment, without it being staged and with perhaps some imperfections taken into account. While not necessarily regarded as artistic, the spontaneous and authentic nature of the snapshot made it into a very attractive approach for many artists, aiming to capture the world around them as it is rather than how it wants to be seen. Among the many photographers using the concept within their palette, Daido Moriyama perhaps is one of the most prominent examples of photographers who have made the snapshot and therefore also digital photography the core technique in their repertoire. On the occasions of his work “Japan: A Photo Theater...
- 2/14/2023
- by Rouven Linnarz
- AsianMoviePulse
Cinema is such a costly medium that directors have little chance to experiment between features. It’s not like music or painting — relatively low-cost art forms whose practitioners can try new techniques in the secret obscurity of their studios until their bold ideas are ready to be shared. Making movies takes a crew, and equipment, and actors; all of that takes money, which in turn obliges directors to do their R&d in public, on projects that critics can and do hold up to unfair scrutiny.
A few workarounds exist, including commercials and music videos, through which such film artists as David Lynch, Sofia Coppola and Wes Anderson have refined their craft, but if they’re not careful, taking such gigs can look like selling out. This brings us to Gaspar Noé’s 2019 oddity “Lux Æterna,” which is not a film in the conventional sense but a work-for-hire gone awry — although in Noé’s case,...
A few workarounds exist, including commercials and music videos, through which such film artists as David Lynch, Sofia Coppola and Wes Anderson have refined their craft, but if they’re not careful, taking such gigs can look like selling out. This brings us to Gaspar Noé’s 2019 oddity “Lux Æterna,” which is not a film in the conventional sense but a work-for-hire gone awry — although in Noé’s case,...
- 5/4/2022
- by Peter Debruge
- Variety Film + TV
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