- Active on Broadway in the following productions:
- New Faces of 1956 (1956). Musical comedy/revue. "Stars in the Rough," "Steady Edna," "Darts" sketches by Paul Lynde. "The Broken Kimona" sketch by Richard Maury. "A Canful of Trash" sketch by Louis Botto. "Madame Interpreter" sketch by Neil Simon and Danny Simon. "Twenty Years in the Blackboard Jungle" sketch by Terry Ryan and Barry E. Blitzer. Music by Dean Fuller ("One Perfect Moment," "Isn't She Lovely," "Scratch My Back," "This is Quite a Perfect Night," "Mustapha...," "She's Got Everything") and John Rox. Lyrics by Marshall Barer ("One Perfect Moment," "Isn't She Lovely," "Scratch My Back," "This is Quite a Perfect Night." "Mustapha ..." "She's Got Everything"). Music for "The Washingtons Are Doin' Okay" by Michael Brown. Lyrics for "The Washingtons Are Doin' Okay" by Michael Brown. Lyrics ("Tell Her," "A Doll's House," "Don't Wait...," "Boy Most Likely...," "White Witch") by June Carroll. Music ("Tell Her," "A Doll's House," "Don't Wait...," "Boy Most Likely...," "White Witch") by Arthur Siegel. Music for "Hurry," "April in Fairbanks," "Rouge" by Murray Grand. Music for "The Greatest Invention" by Matt Dubey and Sid Silvers. Music for "What Does Dream Mean?" and "The Greatest Invention" by Harold Karr. Lyrics for "What Does Dream Mean?" and "The Greatest Invention" by Matt Dubey. Music and lyrics for "Girls 'n' Girls 'n' Girls" by Irvin Graham. Opening number music and lyrics by Ronny Graham. Music and lyrics for "I Could Love Him" and "Talent" by Paul Nassau [earliest Broadway credit]. Music for "One Perfect Moment" by Leslie Julian-Jones. Lyrics for "Hurry" by Elisse Boyd. Lyrics for "The Broken Kimona" by Richard Maury. Music for "The Broken Kimona" by Robert W. Stringer. Lyrics for "The Greatest Invention" by Harold Karr and Sid Silvers. Music orchestrated by Ted Royal, Albert Sendrey and Joe Glover. Musical Director: Jay Blackton. Conceived by Leonard Sillman. Production Supervised by Leonard Sillman. Musical Numbers Staged and Directed by David Tihmar. Scenic Design by Peter Larkin. Costume Design by Thomas Becher. Lighting Design by Peggy Clark. Sketches directed by Paul Lynde. Ethel Barrymore Theatre: 14 Jun 1956- 22 Dec 1956 (220 performances). Cast: Franca Baldwin, Suzanne Bernard, Jane Connell, Billie Hayes, Johnny Haymer, Tiger Haynes [Broadway debut], Ann Henry, T.C. Jones, John Laverty, Virginia Martin, Bill McCutcheon, John Reardon, Amru Sani, Bob Shaver, Jimmy Sisco, Maggie Smith, Dana Sosa, Rod Strong, Inga Swenson [Broadway debut]. Understudies: Shellie Farrell, Paula Lloyd, Bill Mullikin, Alice Nunn, Bill O'Brien, Jack Parker, Jack Payne, Tom Roland, Ruth Tarson, Patti Williams. Note: Musical Director [assumed duties during production run]: Anton Coppola. Produced by Leonard Sillman and John Roberts. Produced in association with Yvette Schumer.
- Happy Town (1959). Musical comedy.
- A Joyful Noise (1966). Musical. Music by Oscar Brand and Paul Nassau. Lyrics by Oscar Brand and Paul Nassau. Book by Edward V. Padula. Based on "The Insolent Breed" by Borden Deal. Music orchestrated by William Stegmeyer. Choreographed by Michael Bennett. Assistant Choreographer: Leland Palmer and Jo-Jo Smith. Directed by Edward V. Padula. Mark Hellinger Theatre: 15 Dec 1966- 24 Dec 1966 (12 performances + 4 previews that began on 28 Nov 1966). Cast: Martin Ambrose (as "Freddy, Saw Mill Boys and The Motley Crew"), Bonnie Ano (as "Ensemble Dancer"), Ken Ayers (as "Director/Ensemble Singer"), Chrissy Bocchino (as "Ensemble Dancer"), Shawn Campbell (as "John Tom"), Paul Charles (as "Boy/Ensemble Dancer"), Clifford David (as "Brother Locke"), Susan Donovan (as "Ensemble Dancer"), Jack Fletcher (as "Stage Manager/Ensemble Singer"), Winston DeWitt Hemsley (as "Ensemble"), Baayork Lee (as "Ensemble Dancer"), Stuart Mann (as "Ensemble Singer"), Eric Mason (as "Ensemble Singer"), George Mathews (as "Walter Wishenant"), Veronica McCormick (as "Ensemble Singer"), Jack Metté (as "Announcer/Ensemble Singer"), Charles Morley (as "Jaybird, Saw Mill Boys and The Motley Crew"), Karen Morrow (as "Mary Texas"), April Nevins (as "Ensemble Dancer"), Leland Palmer (as "Miss Jimmie"), Scott Pearson (as "Boy/Ensemble Dancer"), Alan Peterson (as "Boy/Ensemble Dancer"), Diane Phillips (as "Ensemble Dancer"), Barry Preston (as "Boy/Ensemble Dancer"), Jessica Quinn (as "Ensemble Singer"), John Raitt (as "Shade Motley"), Steven Ross (as "Ensemble Dancer"), Darrell Sandeen (as "Ensemble Singer"), Joy Serio (as "Ensemble Dancer"), Jo-Jo Smith (as "Bailey/Ensemble Dancer"), Oatis Stephens (as "Oscar, Saw Mill Boys and The Motley Crew"), Melissa Stoneburn (as "Ensemble Dancer "), Swen Swenson (as "Bliss Stanley"), Diane Tarleton (as "Ensemble Singer"), Linda Theil (as "Ensemble Singer"), Jamie Thomas (as "Ensemble Singer"), Tommy Tune (as "Tommy, Saw Mill Boys and The Motley Crew/Ensemble Dancer"), Carol Flynn Vasquez (as "Ensemble Dancer"), Art Wallace (as "Sam Fredrickson"), Susan Watson (as "Jenny Lee"), Eric Weissberg (as "De Witt, Saw Mill Boys and The Motley Crew"). Understudies: Chrissy Bocchino (as "Miss Jimmie"), Jack Fletcher (as "Brother Locke"), Jack Metté (as "Shade Motley), Von O'Fallon (as "John Tom"), Darrell Sandeen (as "Walter Wishenant"), Jamie Thomas (as "Jenny Lee/Mary Texas"), Tommy Tune (as "Saw Mill Boys"). Produced by Edward V. Padula and L. Slade Brown.
- The Education of H*Y*M*A*N K*A*P*L*A*N (1968). Musical. Music by Paul Nassau and Oscar Brand. Lyrics by Oscar Brand and Paul Nassau. Book by Benjamin Bernard Zavin. Based on the stories by Leo Rosten. Musical Director: Julian Stein. Vocal arrangements by Julian Stein. Music orchestrated by Larry Wilcox. Dance arrangements by Lee Holdridge. Choreographed by Jaime Rogers. Directed by George Abbott. Alvin Theatre: 4 Apr 1968- 27 Apr 1968 (20 performances + 12 previews that began on 28 Mar 1968). Understudies: Alice Cannon (as "Rose Mitnick"), David Ellin (as "Sam Pinsky/Yissel Fishbein"), Hal Linden (as "Hyman Kaplan"), Maggie Task (as "Mrs. Mitnick/Mrs. Moskowitz"). Produced by André Gouldston, Jack Farren and Stephen Mellow. Associate Producer: David W. Sampliner.
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