‘Concrete Cowboy’ Review: Idris Elba Plays a Tough Inner-City Horseman in Masterful Father-Son Drama
Kicked out of school for fighting, again, 15-year-old Cole (Caleb McLaughlin of “Stranger Things”) doesn’t know what to expect when his exasperated mom drives him to Philadelphia and drops the hotheaded teen on his estranged father’s doorstep for the summer, but the last thing he expects to find in the living room is a horse. Cole can hardly remember his dad, so he has no idea the guy spends most of his time around the corner at the Fletcher Street Stables, playing modern-day cowboy. Then again, who can blame the kid: How many people realize there’s such a thing as inner-city equestrians, much less remember the role Black men have played in American horsemanship?
After “Concrete Cowboy,” they won’t soon forget it. This is one of those rare, reframe-the-conversation films, like “Paris Is Burning,” “12 O’Clock Boys” and “Rize,” that take a very specific subculture and...
After “Concrete Cowboy,” they won’t soon forget it. This is one of those rare, reframe-the-conversation films, like “Paris Is Burning,” “12 O’Clock Boys” and “Rize,” that take a very specific subculture and...
- 9/14/2020
- by Peter Debruge
- Variety Film + TV
The new documentary "Return to Mount Kennedy" is among five finalists for the Big Sky Award at the 2019 Big Sky Film Festival in Missoula, Montana. The film makes its Montana premiere on February 20th, with director Eric Becker in attendance. The film is in excellent company--the other four finalists are "Barstow California," by Rainer Komers; "The Blessing," from Hunter Robert Baker and Jordan Fein; "Fire on the Hill: Cowboys of South Central La," by Brett Fallentine; and "Stars in the Sky: A Hunting Story," from Steven Rinella. In 1965, Robert Kennedy was the first man to summit Mount Kennedy in the Yukon Territory, named in honor of his late brother. Leading that expedition was Jim Whitaker, the first American to summit Everest and original fulltime employee...
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[Read the whole post on screenanarchy.com...]...
- 1/29/2019
- Screen Anarchy
The newest of the fall festivals wraps up today, and the Los Angeles Film Festival has announced Tom Shadyac’s powerful and inspiring true story Brian Banks as winner of its Audience Award for Fiction Feature Film and the acclaimed Stuntman as Audience Award choice winner for Best Documentary Feature. As the Toronto Film Festival annually proves, it is the Audience Award that often gets the most attention and is most representative of a particular film’s success at many of these fests.
At its world premiere screening Saturday afternoon, Brian Banks received five standing ovations by my count as the key creative team and actors were brought up on stage by Banks himself after the rousing reception to the emotionally draining film. It’s the story of a promising young football star’s fight against the justice system in trying to clear his name after serving prison time and...
At its world premiere screening Saturday afternoon, Brian Banks received five standing ovations by my count as the key creative team and actors were brought up on stage by Banks himself after the rousing reception to the emotionally draining film. It’s the story of a promising young football star’s fight against the justice system in trying to clear his name after serving prison time and...
- 9/28/2018
- by Pete Hammond
- Deadline Film + TV
Film Independent’s Los Angeles event boasts 42% female-directed entries.
Film Independent’s La Film Festival has unveiled the line-ups for five of its sections, with Gregory Dixon’s Olympia, Alex Moratto’s Socrates and Linda Midgett’s Same God among the world premieres.
The festival, which runs from September 20 to 28 this year in Los Angeles, announced 40 features, 41 shorts and 10 episodic shorts from a total of 26 countries.
In competition categories, 42% of the festival titles are directed by women and 39% by people of colour, said Film Independent, the non-profit that also produces the Spirit Awards.
Scroll down for full line-up
Jennifer Cochis,...
Film Independent’s La Film Festival has unveiled the line-ups for five of its sections, with Gregory Dixon’s Olympia, Alex Moratto’s Socrates and Linda Midgett’s Same God among the world premieres.
The festival, which runs from September 20 to 28 this year in Los Angeles, announced 40 features, 41 shorts and 10 episodic shorts from a total of 26 countries.
In competition categories, 42% of the festival titles are directed by women and 39% by people of colour, said Film Independent, the non-profit that also produces the Spirit Awards.
Scroll down for full line-up
Jennifer Cochis,...
- 8/1/2018
- by John Hazelton
- ScreenDaily
The La Film Festival has placed a heavy emphasis on diversity in its competition film slate, with 42% of the films directed by women and 39% helmed by people of color.
The 24th edition of the festival is also positioning itself as an event for unveiling lesser-known talent. It will take place Sept. 20-28 as it moves from its traditional June slot to the fall awards season.
The Los Angeles event follow the Venice International Film Festival, which begins in late August; the Telluride Film Festival, which runs over Labor Day; and the Toronto Intl. Film Festival, which starts on Sept. 6. The festival will end just as the New York Film Festival begins.
“Our mission of finding fresh new voices from different geographical and cultural axes remains true,” said L Film Festival director Jennifer Cochis. “These storytellers are united by their ability to transport, impact and inspire audiences with the power of their craft.
The 24th edition of the festival is also positioning itself as an event for unveiling lesser-known talent. It will take place Sept. 20-28 as it moves from its traditional June slot to the fall awards season.
The Los Angeles event follow the Venice International Film Festival, which begins in late August; the Telluride Film Festival, which runs over Labor Day; and the Toronto Intl. Film Festival, which starts on Sept. 6. The festival will end just as the New York Film Festival begins.
“Our mission of finding fresh new voices from different geographical and cultural axes remains true,” said L Film Festival director Jennifer Cochis. “These storytellers are united by their ability to transport, impact and inspire audiences with the power of their craft.
- 7/31/2018
- by Dave McNary
- Variety Film + TV
Forty feature films including 24 world premieres highlight the official La Film Festival competition lineup in the fest’s move into the crowded fall festival corridor, away from their previous early-summer perch.
Among the movies in competition is the highly regarded Swedish film Border (Grans) from director Ali Abbasi, a Neon pickup out of Cannes that took the top prize in that festival’s No. 2 competition, Un Certain Regard. It is listed as a “California Premiere,” which means it likely will show up first in Telluride, Toronto or both before Laff, which runs September 20-28. It will play in the World Fiction Competition across a field of categories that also include U.S. Fiction, Documentary, La Muse, Nightfall. Short Films, and Episodes: Indie Series from the web.
“Our mission of finding fresh new voices from different geographical and cultural axes remains true,” Laff Director Jennifer Cochis said. “These storytellers are united by their ability to transport,...
Among the movies in competition is the highly regarded Swedish film Border (Grans) from director Ali Abbasi, a Neon pickup out of Cannes that took the top prize in that festival’s No. 2 competition, Un Certain Regard. It is listed as a “California Premiere,” which means it likely will show up first in Telluride, Toronto or both before Laff, which runs September 20-28. It will play in the World Fiction Competition across a field of categories that also include U.S. Fiction, Documentary, La Muse, Nightfall. Short Films, and Episodes: Indie Series from the web.
“Our mission of finding fresh new voices from different geographical and cultural axes remains true,” Laff Director Jennifer Cochis said. “These storytellers are united by their ability to transport,...
- 7/31/2018
- by Pete Hammond
- Deadline Film + TV
For its 24th edition, Film Independent’s newly configured Los Angeles Film Festival has revealed its first fall lineup (September 20 – 28), the second under the leadership of Festival Director Jennifer Cochis. The date moves Laff into awards season and direct competition with AFI Fest (November 8 – 15), the last of the fall festivals. This year’s Laff program includes 40 feature films, 41 short films, and 10 short episodic works representing 26 countries. Across the competition categories 42 percent of the films are directed by women and 39 percent are directed by people of color.
The festival remains committed to a diverse lineup of feature films, shorts and episodic series for its U.S. Fiction (“original voices with distinct visions from emerging and established American independent filmmakers”), Documentary (“character-driven non-fiction films from the U.S. and around the world”), World Fiction (“unique fiction films from around the world by emerging and established filmmakers”), La Muse (“fiction and documentary films...
The festival remains committed to a diverse lineup of feature films, shorts and episodic series for its U.S. Fiction (“original voices with distinct visions from emerging and established American independent filmmakers”), Documentary (“character-driven non-fiction films from the U.S. and around the world”), World Fiction (“unique fiction films from around the world by emerging and established filmmakers”), La Muse (“fiction and documentary films...
- 7/31/2018
- by Anne Thompson
- Indiewire
For its 24th edition, Film Independent’s newly configured Los Angeles Film Festival has revealed its first fall lineup (September 20 – 28), the second under the leadership of Festival Director Jennifer Cochis. The date moves Laff into awards season and direct competition with AFI Fest (November 8 – 15), the last of the fall festivals. This year’s Laff program includes 40 feature films, 41 short films, and 10 short episodic works representing 26 countries. Across the competition categories 42 percent of the films are directed by women and 39 percent are directed by people of color.
The festival remains committed to a diverse lineup of feature films, shorts and episodic series for its U.S. Fiction (“original voices with distinct visions from emerging and established American independent filmmakers”), Documentary (“character-driven non-fiction films from the U.S. and around the world”), World Fiction (“unique fiction films from around the world by emerging and established filmmakers”), La Muse (“fiction and documentary films...
The festival remains committed to a diverse lineup of feature films, shorts and episodic series for its U.S. Fiction (“original voices with distinct visions from emerging and established American independent filmmakers”), Documentary (“character-driven non-fiction films from the U.S. and around the world”), World Fiction (“unique fiction films from around the world by emerging and established filmmakers”), La Muse (“fiction and documentary films...
- 7/31/2018
- by Anne Thompson
- Thompson on Hollywood
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