In many ways, Timothy Dalton's James Bond was before his time. Following the more tongue-in-cheek approach taken by Roger Moore, Dalton debuted as Bond in 1987's "The Living Daylights" as a more hard-edged 007 that wasn't a far cry from what Daniel Craig would bring to the role some 16 years later. Dalton would continue that more character-focused portrayal with 1989's "Licence to Kill," but at the time, not all critics were convinced.
Among all the James Bond movies, Dalton's two outings are by no means viewed as blunders. But they aren't necessarily seen as all-time classics, either. Dalton never really got the scripts he deserved, and it seems longtime Bond producer Albert "Cubby" Broccoli may have seen it similarly. After "Licence to Kill," Broccoli decided to part ways with Richard Maibaum, though the writer claims he left "by mutual consent." Maibaum had co-written the movie that kicked off the Bond franchise,...
Among all the James Bond movies, Dalton's two outings are by no means viewed as blunders. But they aren't necessarily seen as all-time classics, either. Dalton never really got the scripts he deserved, and it seems longtime Bond producer Albert "Cubby" Broccoli may have seen it similarly. After "Licence to Kill," Broccoli decided to part ways with Richard Maibaum, though the writer claims he left "by mutual consent." Maibaum had co-written the movie that kicked off the Bond franchise,...
- 9/24/2023
- by Joe Roberts
- Slash Film
The history of any major movie franchise is littered with “sliding door” moments – decisions that changed the shape and direction of the films that followed – and James Bond is no exception. Adam West turning down the chance to play 007 paved the way for Roger Moore to take the role. The fateful decision to equip Bond with an invisible car in Die Another Day, meanwhile, contributed to producers pushing for a more gritty and grounded 007 in Casino Royale.
For Timothy Dalton, that sliding door moment came as a result of the corporate litigation between producer Cubby Broccoli’s company, Danjaq, LLC, which owned the exclusive rights to produce feature films and television series based on the character of Bond, and Italian financier Giancarlo Parretti, then owner of MGM, the parent company of United Artists, which financed and distributed the series.
Changes in the ownership of MGM, legal wrangles over Bond’s international distribution,...
For Timothy Dalton, that sliding door moment came as a result of the corporate litigation between producer Cubby Broccoli’s company, Danjaq, LLC, which owned the exclusive rights to produce feature films and television series based on the character of Bond, and Italian financier Giancarlo Parretti, then owner of MGM, the parent company of United Artists, which financed and distributed the series.
Changes in the ownership of MGM, legal wrangles over Bond’s international distribution,...
- 11/21/2022
- by John Saavedra
- Den of Geek
David Zaslav, who is famously gregarious and high-energy, has been oddly quiet lately with an absence of media interviews or social events on his schedule. Even his regular booth at the Polo Lounge has been somnolent.
That’s about to change: Zaslav arrived back in Hollywood yesterday and the industry has been forcefully reminded that “the deal” is real.
As federal regulators and other random bureaucrats remove their barriers, the long-awaited entity called Warner Bros. Discovery becomes a functioning reality in four short weeks.
There are high expectations of imminent moves that will impact the power structures spanning television, movies and news.
For over a year the managements of Warner Bros, CNN, HBO and beyond have labored in a bureaucratic cloud, with executives implementing policies they knew were likely evanescent.
So now starts the guessing game. Who will be anointed to fill the $43 billion power vacuum? Barred from occupying offices...
That’s about to change: Zaslav arrived back in Hollywood yesterday and the industry has been forcefully reminded that “the deal” is real.
As federal regulators and other random bureaucrats remove their barriers, the long-awaited entity called Warner Bros. Discovery becomes a functioning reality in four short weeks.
There are high expectations of imminent moves that will impact the power structures spanning television, movies and news.
For over a year the managements of Warner Bros, CNN, HBO and beyond have labored in a bureaucratic cloud, with executives implementing policies they knew were likely evanescent.
So now starts the guessing game. Who will be anointed to fill the $43 billion power vacuum? Barred from occupying offices...
- 2/17/2022
- by Peter Bart
- Deadline Film + TV
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