Best Short Story “Go Owls,” by Adrian Tomine, in Optic Nerve #13 (Drawn & Quarterly) “Mars to Stay,” by Brett Lewis and Cliff Chiang, in Witching Hour (DC) “Seaside Home,” by Josh Simmons, in Habit #1 (Oily) “Untitled,” by Gilbert Hernandez, in Love and Rockets: New Stories #6 (Fantagraphics) “When Your House Is Burning Down, You Should Brush Your Teeth,” by Matthew Inman, theoatmeal.com/comics/house Best Single Issue (or One-Shot) Demeter, by Becky Cloonan (self-published) Hawkeye #11: “Pizza Is My Business,” by Matt Fraction and David Aja (Marvel) Love and Rockets: New Stories #6, by Gilbert Hernandez and Jaime Hernandez (Fantagraphics) Viewotron #2, by Sam Sharpe (self-published) Watson and Holmes #6, by Brandon Easton, and N. Steven Harris (New Paradigm Studios) Best Continuing Series East of West, by Jonathan Hickman and Nick Dragotta (Image) Hawkeye, by Matt Fraction and David Aja (Marvel) Nowhere Men, by Eric Stephenson and Nate Bellegarde (Image) Saga, by...
- 4/15/2014
- ComicBookMovie.com
Update: Clearly, Nikki Finke's own perspective on the ongoing drama at Deadline is skewed by her emotional investment in the site she founded --which changed the rules of the trade game in Hollywood. After a series of interviews and tweets about confusing changes in her Twitter feed and ability to post on Deadline, Mike Fleming lays out the Penske side of the situation, suggesting that the entire Deadline team want Nikki to write her own stuff and leave the rest of them alone, basically. "We want the old Nikki Finke back," he writes. "If she returns—she is under contract until 2016—we will welcome her with open arms. If she doesn’t, we will survive, knowing in our hearts that she is miscast as the victim in this drama." Earlier: I have always preferred Jaime Hernandez's New Yorker illustration of Nikki Finke, which offers a kinder gentler portrait of the real woman herself,...
- 10/26/2013
- by Anne Thompson
- Thompson on Hollywood
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