HBO has unveiled the first look at “Euphoria” breakout Sydney Sweeney as Nsa leaker Reality Winner in the upcoming film “Reality.” Tina Satter writes and directs the feature based on her 2019 play “Is This a Room,” and the dialogue in the film is directly from the transcript of the tense conversation between Reality Winner and the FBI agents who arrived at her home to question her.
The HBO original film takes place on June 3, 2017, when the 25-year-old former American intelligence specialist was confronted about the leak of an intelligence report about Russian interference in the 2016 U.S. elections, which ran on The Intercept. The shocking report showed how Russian hackers accessed voter registration roles in the United States.
This is Sweeney’s next major leading role after breaking out on the HBO series “Euphoria,” previously having starred in the HBO limited series “Sharp Objects,” Hulu’s “The Handmaid’s Tale” and...
The HBO original film takes place on June 3, 2017, when the 25-year-old former American intelligence specialist was confronted about the leak of an intelligence report about Russian interference in the 2016 U.S. elections, which ran on The Intercept. The shocking report showed how Russian hackers accessed voter registration roles in the United States.
This is Sweeney’s next major leading role after breaking out on the HBO series “Euphoria,” previously having starred in the HBO limited series “Sharp Objects,” Hulu’s “The Handmaid’s Tale” and...
- 4/28/2023
- by Adam Chitwood
- The Wrap
Sony Pictures Classics has acquired the Sundance audience award winner Shayda for North America and other international territories.
Cate Blanchett executive produced Noora Niasari’s debut feature that stars Zar Amir Ebrahimi, who won best actress at Cannes last year for her performance in Holy Spider, and the drama earned the audience award in the world cinema dramatic competition at Sundance.
“I have held the deepest admiration for Sony Pictures Classics since childhood. For my debut feature to be distributed by them is a dream. I know they will set the stage for a wonderful release, so that audiences worldwide can experience the emotional depth and power of Shayda,” said Niasari in a statement on Tuesday.
Sony Pictures Classics also took all media rights for Latin America, Benelux, Eastern Europe, Portugal, the Middle East and Turkey. Unfolding in 1995 Australia, Niasari’s film draws from her experiences as a child living...
Cate Blanchett executive produced Noora Niasari’s debut feature that stars Zar Amir Ebrahimi, who won best actress at Cannes last year for her performance in Holy Spider, and the drama earned the audience award in the world cinema dramatic competition at Sundance.
“I have held the deepest admiration for Sony Pictures Classics since childhood. For my debut feature to be distributed by them is a dream. I know they will set the stage for a wonderful release, so that audiences worldwide can experience the emotional depth and power of Shayda,” said Niasari in a statement on Tuesday.
Sony Pictures Classics also took all media rights for Latin America, Benelux, Eastern Europe, Portugal, the Middle East and Turkey. Unfolding in 1995 Australia, Niasari’s film draws from her experiences as a child living...
- 2/14/2023
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Sony Pictures Classics has secured distribution rights to “Shayda,” which won the Audience Award at Sundance’s World Cinema Dramatic Competition last month.
The distributor holds all media rights in North America, Latin America, Benelux, Eastern Europe, Portugal, the Middle East, and Turkey.
Executive produced by Cate Blanchett’s Dirty Films, the first feature by writer-director Noora Niasari follows Shayda and her six-year-old daughter Mona, two Iranians living in Australia. After divorcing her husband Hossein, Shayda moves them into a women’s shelter, where she struggles to adjust to her new life while trying to create one for Mona. Encouraged by the start of the Persian New Year, Nowruz, to embrace her newfound freedom, Shayda is thrown off when Hossein wins visitation rights, raising the possibility that he’ll attempt to take his daughter back to Iran.
Also Read:
Zach Cregger and New Line Biggest Deal Not Made at Sundance...
The distributor holds all media rights in North America, Latin America, Benelux, Eastern Europe, Portugal, the Middle East, and Turkey.
Executive produced by Cate Blanchett’s Dirty Films, the first feature by writer-director Noora Niasari follows Shayda and her six-year-old daughter Mona, two Iranians living in Australia. After divorcing her husband Hossein, Shayda moves them into a women’s shelter, where she struggles to adjust to her new life while trying to create one for Mona. Encouraged by the start of the Persian New Year, Nowruz, to embrace her newfound freedom, Shayda is thrown off when Hossein wins visitation rights, raising the possibility that he’ll attempt to take his daughter back to Iran.
Also Read:
Zach Cregger and New Line Biggest Deal Not Made at Sundance...
- 2/14/2023
- by Harper Lambert
- The Wrap
The Audience Award goes to SPC for North America and bundle of international markets.
Sony Pictures Classics (SPC) has acquired all media rights to Sundance Audience Award winner Shayda for North America, Latin America, Benelux, Eastern Europe, Portugal, the Middle East and Turkey.
Written and directed by Iranian-Australian filmmaker Noora Niasari as her feature debut, the film had its world premiere in the World Cinema Dramatic Competition at Sundance and is currently being offered for remaining territories by HanWay Films at Berlin’s European Film Market.
Shayda stars Zar Amir Ebrahimi, Osamah Sami and Leah Purcell in the story of...
Sony Pictures Classics (SPC) has acquired all media rights to Sundance Audience Award winner Shayda for North America, Latin America, Benelux, Eastern Europe, Portugal, the Middle East and Turkey.
Written and directed by Iranian-Australian filmmaker Noora Niasari as her feature debut, the film had its world premiere in the World Cinema Dramatic Competition at Sundance and is currently being offered for remaining territories by HanWay Films at Berlin’s European Film Market.
Shayda stars Zar Amir Ebrahimi, Osamah Sami and Leah Purcell in the story of...
- 2/14/2023
- by John Hazelton
- ScreenDaily
Giant Pictures has acquired North American rights to The Sounding, the feature directing debut of Catherine Eaton. She also co-wrote with Bryan Delaney and stars in the pic, which is shifting release gears from theatrical owing to the pandemic lockdown and now will premiere on-demand nationwide October 20. HBO Europe has acquired Central European streaming rights.
Eaton plays Liv, a young woman who has never spoken, raised on a remote island by her grandfather (Harris Yulin). When Lionel discovers he’s dying, he calls the maverick son (Teddy Sears) of his best friend and asks him to protect Liv’s independence, alongside Lionel’s attorney (Frankie Faison). That night, as Lionel is reading to Liv, his voice fails him. Liv picks up the book of Shakespeare and begins to weave a new language from Shakespeare’s words. She is committed to a psychiatric hospital and becomes a full-blown rebel, while her...
Eaton plays Liv, a young woman who has never spoken, raised on a remote island by her grandfather (Harris Yulin). When Lionel discovers he’s dying, he calls the maverick son (Teddy Sears) of his best friend and asks him to protect Liv’s independence, alongside Lionel’s attorney (Frankie Faison). That night, as Lionel is reading to Liv, his voice fails him. Liv picks up the book of Shakespeare and begins to weave a new language from Shakespeare’s words. She is committed to a psychiatric hospital and becomes a full-blown rebel, while her...
- 9/24/2020
- by Patrick Hipes and Amanda N'Duka
- Deadline Film + TV
Here’s your daily dose of an indie film, web series, TV pilot, what-have-you in progress, as presented by the creators themselves. At the end of the week, you’ll have the chance to vote for your favorite.
In the meantime: Is this a project you’d want to see? Tell us in the comments.
The Sounding
Logline: Liv, after years of silence, begins to weave a language of her own out of Shakespeare’s words. “The Sounding” is a psychological mystery about a woman who literally speaks her mind. Crazy, right?
Elevator Pitch:
On an island off the coast of Maine, Liv, after years of silence, begins to weave a language out of Shakespeare’s words. A driven neurologist, brought to the island to protect her, commits her to a psychiatric hospital. She becomes a full-blown rebel; her increasing violence threatens to keep her locked up for life as...
In the meantime: Is this a project you’d want to see? Tell us in the comments.
The Sounding
Logline: Liv, after years of silence, begins to weave a language of her own out of Shakespeare’s words. “The Sounding” is a psychological mystery about a woman who literally speaks her mind. Crazy, right?
Elevator Pitch:
On an island off the coast of Maine, Liv, after years of silence, begins to weave a language out of Shakespeare’s words. A driven neurologist, brought to the island to protect her, commits her to a psychiatric hospital. She becomes a full-blown rebel; her increasing violence threatens to keep her locked up for life as...
- 12/12/2016
- by Steve Greene
- Indiewire
Award-winning screenwriter Justin Owensby brings us his feature film directorial debut, "Chapman", an atmospheric and visually stunning character study enlivened with a strong dose of crude humor following a young man’s journey back home while haunted by images of his past.Alex Fletcher ("Killing Lincoln’s" Jesse Johnson), a locksmith trapped inside the wreckage of a life numbed by drugs and regret, receives an unexpected and troubling letter that draws him back to his childhood home, an idyllic town in the Colorado Rockies. While facing heartbreaking memories of best friend Paul (Chris Masterson, “Malcolm in the Middle”), his first love, Marie and demons from his past, Alex’s journey leads to an unlikely new bedfellow in Claire (Christine Woods, "The Walking Dead") and a confrontation that may be the key to his emotional healing.
"Justin Owensby's feature film debut immediately resonated with us,” said Candy Factory Films’ Head of Acquisitions Caitlin Gold. “His aesthetic eye and ability to bring a character to life is something we're looking forward to sharing with digital audiences everywhere this May.” "Chapman" will be available to download on iTunes and everywhere on May 8th, 2015.
About Candy Factory Films
Candy Factory Films is dedicated to producing and distributing high impact films and fostering communities around independent cinema. Candy Factory Films is a filmmaker-friendly multimedia distribution and production company committed to keeping with the best interests of our clients. We embrace emerging distribution and social media trends to successfully promote films and incentivize project-specific audiences. We promise individualized services and customized experiences to increase overall exposure. We pride ourselves on our inventive methods for filmmaking success. Connect with Candy Factory Films at www.CandyFactoryFilms.com and @CandyFactory411.
"Justin Owensby's feature film debut immediately resonated with us,” said Candy Factory Films’ Head of Acquisitions Caitlin Gold. “His aesthetic eye and ability to bring a character to life is something we're looking forward to sharing with digital audiences everywhere this May.” "Chapman" will be available to download on iTunes and everywhere on May 8th, 2015.
About Candy Factory Films
Candy Factory Films is dedicated to producing and distributing high impact films and fostering communities around independent cinema. Candy Factory Films is a filmmaker-friendly multimedia distribution and production company committed to keeping with the best interests of our clients. We embrace emerging distribution and social media trends to successfully promote films and incentivize project-specific audiences. We promise individualized services and customized experiences to increase overall exposure. We pride ourselves on our inventive methods for filmmaking success. Connect with Candy Factory Films at www.CandyFactoryFilms.com and @CandyFactory411.
- 5/7/2015
- by Erin Grover
- Sydney's Buzz
From a recent interview at Sundance 2015. An informative piece on distribution and the production & distribution company Candy Factory Films.
Based in New York, Candy Factory Films is a forward-thinking, filmmaker-friendly production and distribution company dedicated to creating and releasing high impact films and fostering communities around independent cinema.
Some of Candy Factory’s films include the just-released documentary, 'No Evidence of Disease', which played in 44 markets nationwide on World Cancer Day and is now available exclusively on Vimeo On Demand, as well as last year’s critically acclaimed Slamdance drama, 'The Sublime and Beautiful'. The company also just announced the launch of their genre arm, Electric Candy, and the first titles to be released under the new banner: Eddie Mullins pre-apocalyptic comedy, 'Doomsdays', and Sarah Adina Smith’s paranormal psychodrama, 'The Midnight Swim' (Smith was also just announced as one of the directors in the upcoming Xyz-produced Holiday Anthology).
During a recent interview at Sundance 2015, Head of Acquisitions Caitlin Gold took the time to share her passion for distribution, the core values of Candy Factory Films, and useful information for any filmmaker who is just starting to navigate the world of distribution.
How did you enter the world of distribution?
I actually moved to New York to attend a theater conservatory program in 2007. I wanted to be an actor, and never really saw myself doing anything else. After graduating, I was working as a professional actor and at the time, a friend was producing his second full-length feature film. As many of us indie filmmakers do out of necessity, he was wearing far too many hats (writer, director, producer, wardrobe, catering etc.). I had a small role in the film and saw him struggling. I said “Hey, I’m type A… I can help get some of the busy work done!” I jumped in and ended up helping him to produce that project and fell in love with it. Eventually, after some time and more production work, I realized I was much better suited to behind-the-camera roles. I had lost the passion for acting and fell quite madly in love with all that producing entailed. So in 2010, I started a production company with a colleague of mine and have been producing content ever since.
Then nearly three years ago, I met Jason Ward — the CEO of Candy Factory - here at Sundance, so I have a particular fondness in my heart for this place. Jason and I developed this great working relationship where I would send him scripts I had been working on and rough cuts of films that I was producing. Quite quickly, he became a trusted colleague.
In early 2013, he approached me and we discussed his desire to open a distribution arm of his company. Immediately I knew that I wanted to be a part of it. I never saw myself working in distribution, but it was an opportunity that I knew would prove invaluable, simply because it was the chance to learn an area of this business I had only been exposed to at the surface-level. Now, a year and a half later, distribution is my life. I still produce films, but working on the distribution side has forever changed the way I’ll make movies moving forward.
What have you’ve learned about distribution that you really didn’t get before?
For a producer, particularly one who is navigating the distribution landscape for the first time, it is so important to be aware of and truly understand the myriad of options in front of you. Do your research. Know the key players in the distribution game – the sales agents, the aggregators, the boutique distributors like ourselves. Also, understand how the choices you make early on will impact your opportunities later. Read the trades constantly. The more you do, the more you’ll begin to develop a true understanding of critical aspects of the distribution game, such as windowing. It’s fantastic that filmmakers today have so many options and that the barrier for entry is virtually non-existent. But that just means that filmmakers need to be more savvy, more knowledgeable – not less – in order for their films to be financially successful.
Another thing I always tell filmmakers is that the time to be thinking about distribution isn’t once you’re in post, or once you hit the festival circuit. You should be thinking about distribution as early as development, and its awesome to see that filmmakers are much more savvy to this nowadays. They’re thinking about how to connect with audiences before they’ve raised a penny. They’re thinking about outreach and engagement before they even get to set. This is critical.
You mentioned the term “aggregator”. What is an aggregator?
An aggregator is the conduit between the filmmaker or distributor and the various platforms like iTunes or Google Play. An aggregator typically takes a small percentage or flat fee for getting the content to the platforms. Most distributors work with aggregators, though many – us included – work hard to forge direct relationships with the platforms to reduce the number of intermediaries.
Please talk about Candy Factory’s history and slate.
The company was launched by our CEO, Jason Ward, back in 2005, and was strictly a production and post-production company at the time.
Jason had several experiences where distribution deals went sour, and it really put a bad taste in his mouth. He witnessed first-hand people being taken advantage of and promises that weren’t lived up to. It made him question the landscape around him and ask, “Can’t there be a distribution company that focuses on the collaboration between the filmmaker and distributor?” He wanted to launch a distribution company that considered the goals of the filmmaker to be of utmost importance. He also wanted to bring people back to why we make movies to begin with – which is to have shared meaningful experiences, engage people, and ignite conversation.
Those principles are the foundation of our company. Our core values are to find unique and meaningful ways to connect content with audiences, to craft release strategies that support and also enhance our filmmakers’ goals, and to release films in a manner that is cost effective so that our clients can recoup. I think we’re unique in that we truly value and appreciate collaboration with our filmmakers, and they really do get personal attention from us. We aren’t the kind of company where it’s going to take three days to return a call or a week to return an email.
As for our slate, for now, we’ve made a conscious decision to keep it small and selective, releasing two to three films a month. We have 12 films at the moment, both documentaries and narratives. We look for films that are impactful, intelligent, thought provoking, and that ignite conversations and engage audiences.
Yes, this is a business and we have to be focused on profit and entertainment value. But getting back to the core values of filmmaking and placing focus on the filmmaker is truly important to us.
Lastly, despite all we have going on on the distribution side, I will say that we’re also very excited to be reincorporating more producing opportunities back into Candy Factory. We love building long-term relationships with our filmmakers. So if we’re distributing your film, it’s highly plausible that we’ll consider coming on board your next project in a greater capacity.
Why do you love doing this?
I am a film lover, first and foremost. For me, there is nothing more powerful than going into a dark theater and witnessing something that leaves me feeling inspired. If I can be even a small part of creating content that inspires others or helping that content to reach a wider audience, that is a dream come true. That is why I’m here and what I hope to do for many years to come.
Learn more about Candy Factory Films here.
Based in New York, Candy Factory Films is a forward-thinking, filmmaker-friendly production and distribution company dedicated to creating and releasing high impact films and fostering communities around independent cinema.
Some of Candy Factory’s films include the just-released documentary, 'No Evidence of Disease', which played in 44 markets nationwide on World Cancer Day and is now available exclusively on Vimeo On Demand, as well as last year’s critically acclaimed Slamdance drama, 'The Sublime and Beautiful'. The company also just announced the launch of their genre arm, Electric Candy, and the first titles to be released under the new banner: Eddie Mullins pre-apocalyptic comedy, 'Doomsdays', and Sarah Adina Smith’s paranormal psychodrama, 'The Midnight Swim' (Smith was also just announced as one of the directors in the upcoming Xyz-produced Holiday Anthology).
During a recent interview at Sundance 2015, Head of Acquisitions Caitlin Gold took the time to share her passion for distribution, the core values of Candy Factory Films, and useful information for any filmmaker who is just starting to navigate the world of distribution.
How did you enter the world of distribution?
I actually moved to New York to attend a theater conservatory program in 2007. I wanted to be an actor, and never really saw myself doing anything else. After graduating, I was working as a professional actor and at the time, a friend was producing his second full-length feature film. As many of us indie filmmakers do out of necessity, he was wearing far too many hats (writer, director, producer, wardrobe, catering etc.). I had a small role in the film and saw him struggling. I said “Hey, I’m type A… I can help get some of the busy work done!” I jumped in and ended up helping him to produce that project and fell in love with it. Eventually, after some time and more production work, I realized I was much better suited to behind-the-camera roles. I had lost the passion for acting and fell quite madly in love with all that producing entailed. So in 2010, I started a production company with a colleague of mine and have been producing content ever since.
Then nearly three years ago, I met Jason Ward — the CEO of Candy Factory - here at Sundance, so I have a particular fondness in my heart for this place. Jason and I developed this great working relationship where I would send him scripts I had been working on and rough cuts of films that I was producing. Quite quickly, he became a trusted colleague.
In early 2013, he approached me and we discussed his desire to open a distribution arm of his company. Immediately I knew that I wanted to be a part of it. I never saw myself working in distribution, but it was an opportunity that I knew would prove invaluable, simply because it was the chance to learn an area of this business I had only been exposed to at the surface-level. Now, a year and a half later, distribution is my life. I still produce films, but working on the distribution side has forever changed the way I’ll make movies moving forward.
What have you’ve learned about distribution that you really didn’t get before?
For a producer, particularly one who is navigating the distribution landscape for the first time, it is so important to be aware of and truly understand the myriad of options in front of you. Do your research. Know the key players in the distribution game – the sales agents, the aggregators, the boutique distributors like ourselves. Also, understand how the choices you make early on will impact your opportunities later. Read the trades constantly. The more you do, the more you’ll begin to develop a true understanding of critical aspects of the distribution game, such as windowing. It’s fantastic that filmmakers today have so many options and that the barrier for entry is virtually non-existent. But that just means that filmmakers need to be more savvy, more knowledgeable – not less – in order for their films to be financially successful.
Another thing I always tell filmmakers is that the time to be thinking about distribution isn’t once you’re in post, or once you hit the festival circuit. You should be thinking about distribution as early as development, and its awesome to see that filmmakers are much more savvy to this nowadays. They’re thinking about how to connect with audiences before they’ve raised a penny. They’re thinking about outreach and engagement before they even get to set. This is critical.
You mentioned the term “aggregator”. What is an aggregator?
An aggregator is the conduit between the filmmaker or distributor and the various platforms like iTunes or Google Play. An aggregator typically takes a small percentage or flat fee for getting the content to the platforms. Most distributors work with aggregators, though many – us included – work hard to forge direct relationships with the platforms to reduce the number of intermediaries.
Please talk about Candy Factory’s history and slate.
The company was launched by our CEO, Jason Ward, back in 2005, and was strictly a production and post-production company at the time.
Jason had several experiences where distribution deals went sour, and it really put a bad taste in his mouth. He witnessed first-hand people being taken advantage of and promises that weren’t lived up to. It made him question the landscape around him and ask, “Can’t there be a distribution company that focuses on the collaboration between the filmmaker and distributor?” He wanted to launch a distribution company that considered the goals of the filmmaker to be of utmost importance. He also wanted to bring people back to why we make movies to begin with – which is to have shared meaningful experiences, engage people, and ignite conversation.
Those principles are the foundation of our company. Our core values are to find unique and meaningful ways to connect content with audiences, to craft release strategies that support and also enhance our filmmakers’ goals, and to release films in a manner that is cost effective so that our clients can recoup. I think we’re unique in that we truly value and appreciate collaboration with our filmmakers, and they really do get personal attention from us. We aren’t the kind of company where it’s going to take three days to return a call or a week to return an email.
As for our slate, for now, we’ve made a conscious decision to keep it small and selective, releasing two to three films a month. We have 12 films at the moment, both documentaries and narratives. We look for films that are impactful, intelligent, thought provoking, and that ignite conversations and engage audiences.
Yes, this is a business and we have to be focused on profit and entertainment value. But getting back to the core values of filmmaking and placing focus on the filmmaker is truly important to us.
Lastly, despite all we have going on on the distribution side, I will say that we’re also very excited to be reincorporating more producing opportunities back into Candy Factory. We love building long-term relationships with our filmmakers. So if we’re distributing your film, it’s highly plausible that we’ll consider coming on board your next project in a greater capacity.
Why do you love doing this?
I am a film lover, first and foremost. For me, there is nothing more powerful than going into a dark theater and witnessing something that leaves me feeling inspired. If I can be even a small part of creating content that inspires others or helping that content to reach a wider audience, that is a dream come true. That is why I’m here and what I hope to do for many years to come.
Learn more about Candy Factory Films here.
- 2/10/2015
- by Erin Grover
- Sydney's Buzz
New Castle season 6,episode 16 short teaser spoilers & title hit the net. Recently, Spoiler TV dished out some new,small, teaser spoilery scoopage for the upcoming "Castle" episode 16 of season 6. We've also gotten a title for it, which is labeled, "Room 147." It turns out that a very guilt-ridden lady will fess up to committing a horrible murder. However, the case will get very complicated when other contradictory evidence is discovered, along with a shocking second confession to the same murder! In their spoiler report, they stated: "Room 147. A guilt-ridden woman confesses to a murder, but contradictory evidence and a second confession complicate the case." Episode 16 is set to air on Monday night, February 24th at 9pm central time on ABC. In related news, the Castle folks have hired a very beautiful,new Asian chick, named Caitlin Gold to portray a new character, named Yumi, to show up in episode 18. Unfortunately, there...
- 2/9/2014
- by Andre
- OnTheFlix
Title: When Harry Tries to Marry Directed by: Nayan Padrai Starring: Rahul Rai, Stefanie Estes, Caitlin Gold, Osvaldo Hernandez, Freishia Bomanbehram, Zenobia Shroff, Tony Mirrcandani There’s something about the romantic comedy genre that moviegoers just can’t get enough of. Why else would we get unoriginal film after unoriginal film and still continue to see them? Well, while they do tend to snag our money, that doesn’t mean they’re all worth it. They all get that romcom “Get Out of Jail Free Card,” but some seem to forget that other filmmaking conventions like sensible storytelling and proper performances are still necessary. Sure enough, while When Harry Tries to Marry makes good...
- 4/23/2011
- by Perri Nemiroff
- ShockYa
The 12th edition of the Mumbai Film Festival by Mami (Mumbai Academy of Moving Image) is scheduled to take place from Oct 21 to Oct 28 in Mumbai. Following is the complete list of all the films that are going to be premiered for the first time ever at the festival: 1. The Way Home - Biju Kumar World Premiere Synopsis - The plot revolves around a doctor with a haunting past. Now working at a Prison Hospital, the Doctor is assigned the case of a woman a surviving member from a notorious terrorist group. .Before dying she entrusts him to find her five-year-old son and unite him with his father who is the head of terrorist group. Finding the boy from a village the Doctor and child set out on a journey to find his father. The journey is happening through the contemporary and mysterious path of the terrorist network in the vast country with many incidents.
- 10/15/2010
- by Bollywood Hungama News Network
- BollywoodHungama
The 12th edition of the Mumbai Film Festival by Mami (Mumbai Academy of Moving Image) is scheduled to take place from Oct 21 to Oct 28 in Mumbai. Following is the complete list of all the films that are going to be premiered for the first time ever at the festival: 1. The Way Home - Biju Kumar World Premiere Synopsis - The plot revolves around a doctor with a haunting past. Now working at a Prison Hospital, the Doctor is assigned the case of a woman a surviving member from a notorious terrorist group. .Before dying she entrusts him to find her five-year-old son and unite him with his father who is the head of terrorist group. Finding the boy from a village the Doctor and child set out on a journey to find his father. The journey is happening through the contemporary and mysterious path of the terrorist network in the vast country with many incidents.
- 10/15/2010
- by Bollywood Hungama News Network
- BollywoodHungama
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