New Orleans Pelicans player Bryce Dejean-Jones was reportedly shot to death early Saturday morning in Dallas. Dejean-Jones, 23, was shot after he reportedly entered an apartment he believed belonged to "an estranged acquaintance," the manager of the apartment complex said in an email obtained by USA Today. However, he apparently entered the wrong apartment. "After breaking in, the intruder was shot and later taken via ambulance to a local hospital," Joshua Pool, a manager at the Camden Belmont located northeast of downtown Dallas, reportedly wrote. "Fortunately, no residents were injured." Police spokesman DeMarquis Black said in a statement to CNN that...
- 5/29/2016
- by Maria Mercedes Lara, @maria_mercedes
- PEOPLE.com
1:50 Pm Pst -- Dallas law enforcement says Dejean-Jones was shot after allegedly breaking into an apartment. In a press release, cops say the owner of the apartment heard someone kick their door in and didn't get a response when they yelled out so they fired their gun, striking Bryce.New Orleans Pelicans guard Bryce Dejean-Jones has died after suffering a gunshot wound to the stomach. The 23-year-old died early Saturday in Dallas and his...
- 5/28/2016
- by TMZ Staff
- TMZ
Smash, Season 2, Episode 16: “The Nominations”
Written by Bryan Goluboff
Directed by Michael Morris
Smash, Season 2, Episode 17: “The Tonys”
Written by Joshua Safran
Directed by Michael Morris
Aired Saturdays at 8pm (Et) on NBC
In the television world there is a very important concept that every show must consider if it wants to be taken seriously: verisimilitude. Simply put, verisimilitude is the appearance of being real. The audience very well knows that the characters that appear on the screen night after night are make believe and the stories are made up, but it’s essential that the creators of that television show make the audience believe. Smash has been lucky in that the world of Broadway largely still remains a mystery to most, but while this helps the audience engage, it doesn’t compensate for the unbelievable plot lines that engulf the two hour finale and sour the finale...
Written by Bryan Goluboff
Directed by Michael Morris
Smash, Season 2, Episode 17: “The Tonys”
Written by Joshua Safran
Directed by Michael Morris
Aired Saturdays at 8pm (Et) on NBC
In the television world there is a very important concept that every show must consider if it wants to be taken seriously: verisimilitude. Simply put, verisimilitude is the appearance of being real. The audience very well knows that the characters that appear on the screen night after night are make believe and the stories are made up, but it’s essential that the creators of that television show make the audience believe. Smash has been lucky in that the world of Broadway largely still remains a mystery to most, but while this helps the audience engage, it doesn’t compensate for the unbelievable plot lines that engulf the two hour finale and sour the finale...
- 5/27/2013
- by Millicent Evans
- SoundOnSight
This week on Smash, the last few holdouts finally realize Jimmy is the Worst, Hit List‘s Broadway prospects dim and Tom & Julia: The Sitcom looks closer to cancellation. Oh, and the episode ends with two shocking developments — one very sexy and one involving somebody getting hit by a car.
Related | NBC Renews 5 Series, Including Parenthood and Law & Order: Svu; What About Parks and Rec?
Here’s how it all played out:
Jimmy Finishes His “Alienate Everyone!” Tour | Here’s the week in Jimmy (aka The TV Character I’d Most Enjoy Seeing Mauled by a Rogue Pack of Dingos...
Related | NBC Renews 5 Series, Including Parenthood and Law & Order: Svu; What About Parks and Rec?
Here’s how it all played out:
Jimmy Finishes His “Alienate Everyone!” Tour | Here’s the week in Jimmy (aka The TV Character I’d Most Enjoy Seeing Mauled by a Rogue Pack of Dingos...
- 4/28/2013
- by Michael Slezak
- TVLine.com
Smash, Season 2, Episode 11: “The Invited Dress”
Written by: Julia Brownell
Directed by: Mimi Leder
Airs Saturdays at 9pm (Et) on NBC
Smash you disappoint me. One of the greatest attributes about your show is the female leads. In the television world we get to see a lot of men in leading roles, with females competing for supporting roles. Smash has done an excellent job of allowing a handful of strong, female actresses to take control of the show. They’ve had some wonderful story lines for those actresses, except for this episode, “The Invited Dress”, where Ivy is relied upon to flash the audience to sell more tickets. And over at Hit List Karen is loosing her lead role simply because she refuses to be involved with Derek. This is a low point for the ladies of Smash.
This week Tom is allowed to show off his more comical side,...
Written by: Julia Brownell
Directed by: Mimi Leder
Airs Saturdays at 9pm (Et) on NBC
Smash you disappoint me. One of the greatest attributes about your show is the female leads. In the television world we get to see a lot of men in leading roles, with females competing for supporting roles. Smash has done an excellent job of allowing a handful of strong, female actresses to take control of the show. They’ve had some wonderful story lines for those actresses, except for this episode, “The Invited Dress”, where Ivy is relied upon to flash the audience to sell more tickets. And over at Hit List Karen is loosing her lead role simply because she refuses to be involved with Derek. This is a low point for the ladies of Smash.
This week Tom is allowed to show off his more comical side,...
- 4/14/2013
- by Millicent Evans
- SoundOnSight
Previously, on Smash
We open on a post-coital Karen shuffling to the kitchen in a t-shirt to make coffee. It's not the shirt she swiped from Jimmy Charming last episode, and shouldn't it be? Jimmy shuffles out after her wrapped in an afghan that you know Karen's grandmother knitted for her never dreaming it would end up wrapped around some greasy half-naked dude who defiled her granddaughter atop it.
They grossly let us know that they banged repeatedly and for hours and are about to do it again when the buzzer rings. Karen hits the intercom. It's her father (Dylan Baker), flown in from Iowa for a conference on milk machine technology or whatever the hell it is people from Iowa talk about. Karen's panicked but Jimmy thinks letting Dad know he defiled his daughter repeatedly atop her grandmother's quilt is the funniest thing ever. She forces him into his clothes and out the window,...
We open on a post-coital Karen shuffling to the kitchen in a t-shirt to make coffee. It's not the shirt she swiped from Jimmy Charming last episode, and shouldn't it be? Jimmy shuffles out after her wrapped in an afghan that you know Karen's grandmother knitted for her never dreaming it would end up wrapped around some greasy half-naked dude who defiled her granddaughter atop it.
They grossly let us know that they banged repeatedly and for hours and are about to do it again when the buzzer rings. Karen hits the intercom. It's her father (Dylan Baker), flown in from Iowa for a conference on milk machine technology or whatever the hell it is people from Iowa talk about. Karen's panicked but Jimmy thinks letting Dad know he defiled his daughter repeatedly atop her grandmother's quilt is the funniest thing ever. She forces him into his clothes and out the window,...
- 4/3/2013
- by fakename
- The Backlot
Smash, Season 2, Episode 7: “Musical Chairs”
Written by: Becky Mode
Directed by: Casey Nicholaw
Airs Tuesdays at 10pm (Et) on NBC
Yes Smash fans, unfortunately the end is near. NBC ‘s decision to move the show to the television graveyard that is Saturday night puts the final nail in the coffin for Smash. As disappointing as it is it better not discourage viewers from watching because there is still some good stuff left here, if only for the original songwriting. We’re finally getting to the inevitable face-off between Bombshell and Hit List. Even with the schedule changes hopefully those dedicated few will continue to watch and prove to NBC that they had something pretty terrific here and ruined it.
“Musical Chairs” features directors Tom and Derek taking on their new shows. Tom fails miserably at trying to teach new choreography to the Bombshell cast since Derek refuses to sign...
Written by: Becky Mode
Directed by: Casey Nicholaw
Airs Tuesdays at 10pm (Et) on NBC
Yes Smash fans, unfortunately the end is near. NBC ‘s decision to move the show to the television graveyard that is Saturday night puts the final nail in the coffin for Smash. As disappointing as it is it better not discourage viewers from watching because there is still some good stuff left here, if only for the original songwriting. We’re finally getting to the inevitable face-off between Bombshell and Hit List. Even with the schedule changes hopefully those dedicated few will continue to watch and prove to NBC that they had something pretty terrific here and ruined it.
“Musical Chairs” features directors Tom and Derek taking on their new shows. Tom fails miserably at trying to teach new choreography to the Bombshell cast since Derek refuses to sign...
- 3/20/2013
- by Millicent Evans
- SoundOnSight
Previously, on Smash
This week's episode finds us watching Jimmy Charming and Ana singing the song from Hit List that I thought last week was called “Let the Broken Pieces Go” but is actually called “Heart Shaped Wreckage” which is not any better. They're performing it for Scott Nichols (Jesse L. Martin) and members of the Manhattan Theatre Workshop board of directors and it makes me wonder again why they didn't have Ana perform the first night at Fringe instead of scrambling to replace Karen with an outsider.
Scott and the board adjourn to Scott's office to discuss whether to offer the main stage to Hit List. Derek calls for a decent cup of coffee from some random who's wandered on stage. The random introduces himself as Blake, the lighting designer, and advises Derek that everyone's responsible for their own caffeination. He then congratulates Kyle on the show and between...
This week's episode finds us watching Jimmy Charming and Ana singing the song from Hit List that I thought last week was called “Let the Broken Pieces Go” but is actually called “Heart Shaped Wreckage” which is not any better. They're performing it for Scott Nichols (Jesse L. Martin) and members of the Manhattan Theatre Workshop board of directors and it makes me wonder again why they didn't have Ana perform the first night at Fringe instead of scrambling to replace Karen with an outsider.
Scott and the board adjourn to Scott's office to discuss whether to offer the main stage to Hit List. Derek calls for a decent cup of coffee from some random who's wandered on stage. The random introduces himself as Blake, the lighting designer, and advises Derek that everyone's responsible for their own caffeination. He then congratulates Kyle on the show and between...
- 3/20/2013
- by fakename
- The Backlot
Previously, on Smash
We open on yet another Bombshell rehearsal and the cabal has made the inexplicable decision to go with the workshop book, but still graft that dreadful “Public Relations” number from last week onto it. No word on whether the agony auntie will be in drag like Mary Sunshine.
The intro ends and Derek directs the ensemble on how to avoid being crushed under the hideously expensive and unnecessary airplane that will be wheeling in from the wings. Tom and Eileen love it, but Julia declares it artistically void. Eileen shows just how deep in the weeds she is, declaring it a “Technicolor fantasy of the way Marilyn made herself”. This devolves into a fight over Eileen's choosing the old new book instead of the new new book culminating in the loathsome Jerry's saying they might have to cut a number to make room for this one because...
We open on yet another Bombshell rehearsal and the cabal has made the inexplicable decision to go with the workshop book, but still graft that dreadful “Public Relations” number from last week onto it. No word on whether the agony auntie will be in drag like Mary Sunshine.
The intro ends and Derek directs the ensemble on how to avoid being crushed under the hideously expensive and unnecessary airplane that will be wheeling in from the wings. Tom and Eileen love it, but Julia declares it artistically void. Eileen shows just how deep in the weeds she is, declaring it a “Technicolor fantasy of the way Marilyn made herself”. This devolves into a fight over Eileen's choosing the old new book instead of the new new book culminating in the loathsome Jerry's saying they might have to cut a number to make room for this one because...
- 3/13/2013
- by fakename
- The Backlot
A humorous PSA from the filmmakers of the upcoming independent comedy Searching For Sonny is set to unspool when the film opens in a variety of cities across the country on August 28. Directing viewers to the website MustLoveBears.org, writer-director Andrew Disney, marketing director Scott Nichols and film financier Jared Knight attempt to solicit purchases of their film on Blu-ray in the guise of associating Searching For Sonny with a marketable, if misguided social cause. Photos: 20 Biggest Political Players in Hollywood Scheduled for simultaneous release on VOD, DVD and Blu-ray on August 28th, the comedy
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- 8/20/2012
- by Todd Gilchrist
- The Hollywood Reporter - Movie News
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