Here’s a look at this week’s biggest premieres, parties and openings in Los Angeles and New York, including events for Doctor Who, Baby Reindeer and the Met Gala.
Baby Reindeer FYC event
Writer, creator and star Richard Gadd joined co-stars Jessica Gunning and Nava Mau, director Weronika Tofilska and editor Peter Oliver for a For Your Consideration panel in L.A. on Tuesday.
Jessica Gunning, Richard Gadd and Nava Mau
Doctor Who premiere
Ncuti Gatwa and Millie Gibson walked the red carpet at the L.A. premiere of their Disney+ series, alongside showrunner Russell T. Davies, on Wednesday.
Russell T. Davies, Craig Erwich (president, Disney Television Group), Ncuti Gatwa, Millie Gibson, Ayo Davis (president, Disney Branded Television) and Charlie Andrews (executive vp, live action and unscripted series at Disney Branded Television)
Loot FYC event
Apple TV+ kicked off its “Think Apple TV+ Emmy House” on May 3 with an FYC event for Loot,...
Baby Reindeer FYC event
Writer, creator and star Richard Gadd joined co-stars Jessica Gunning and Nava Mau, director Weronika Tofilska and editor Peter Oliver for a For Your Consideration panel in L.A. on Tuesday.
Jessica Gunning, Richard Gadd and Nava Mau
Doctor Who premiere
Ncuti Gatwa and Millie Gibson walked the red carpet at the L.A. premiere of their Disney+ series, alongside showrunner Russell T. Davies, on Wednesday.
Russell T. Davies, Craig Erwich (president, Disney Television Group), Ncuti Gatwa, Millie Gibson, Ayo Davis (president, Disney Branded Television) and Charlie Andrews (executive vp, live action and unscripted series at Disney Branded Television)
Loot FYC event
Apple TV+ kicked off its “Think Apple TV+ Emmy House” on May 3 with an FYC event for Loot,...
- 5/10/2024
- by Kirsten Chuba
- The Hollywood Reporter - Movie News
David Beckham joined director Fisher Stevens, producer Josh Battsek and editor Michael Harte at an Emmys For Your Consideration event for their Beckham documentary Sunday night, as the soccer star revealed some behind-the-scenes details of his viral “be honest” moment.
Beckham quickly became a meme — and the subject of a Super Bowl commercial — when, in the documentary, he interjected in the middle of Victoria Beckham’s interview as she talked about having a modest upbringing.
“It was Victoria’s first day filming, and she was sat there in the lounge, looking great. She had the dogs running in and out and Fisher thought that I’d left the house, but I was in the kitchen making a coffee before I went to the office,” Beckham recalled. “I put the set of headphones on, and all of a sudden I heard my wife go, ‘Well, we’re down to earth.’ And I was like,...
Beckham quickly became a meme — and the subject of a Super Bowl commercial — when, in the documentary, he interjected in the middle of Victoria Beckham’s interview as she talked about having a modest upbringing.
“It was Victoria’s first day filming, and she was sat there in the lounge, looking great. She had the dogs running in and out and Fisher thought that I’d left the house, but I was in the kitchen making a coffee before I went to the office,” Beckham recalled. “I put the set of headphones on, and all of a sudden I heard my wife go, ‘Well, we’re down to earth.’ And I was like,...
- 5/6/2024
- by Kirsten Chuba
- The Hollywood Reporter - Movie News
“Black Mirror,” “Silo” and “The Last of Us” were among winners at the BAFTA TV Craft Awards on Sunday night in London.
“Black Mirror” Season 6 was among a handful of shows to take home two awards, with creator Charlie Brooker and writer Bisha K Ali winning in the drama writer category while the show also won best photography and lighting in fiction category for the episode “Demon 79.”
The awards were a win for Apple TV+ with “Silo” and “Slow Horses” also each taking home two awards, the former for original music in fiction and production design and the latter for sound in fiction and editing in fiction.
Meanwhile “The Last of Us” director Peter Hoar took home an award for best fiction director.
Period drama “The Great” also picked up a gong thanks to costume designer Sharon Long.
The awards were hosted by Stacey Dooley and guest presenters included Katie Piper and Tanya Moodie.
“Black Mirror” Season 6 was among a handful of shows to take home two awards, with creator Charlie Brooker and writer Bisha K Ali winning in the drama writer category while the show also won best photography and lighting in fiction category for the episode “Demon 79.”
The awards were a win for Apple TV+ with “Silo” and “Slow Horses” also each taking home two awards, the former for original music in fiction and production design and the latter for sound in fiction and editing in fiction.
Meanwhile “The Last of Us” director Peter Hoar took home an award for best fiction director.
Period drama “The Great” also picked up a gong thanks to costume designer Sharon Long.
The awards were hosted by Stacey Dooley and guest presenters included Katie Piper and Tanya Moodie.
- 4/29/2024
- by K.J. Yossman
- Variety Film + TV
Cillian Murphy took home the award for lead actor in a film for his performance in Oppenheimer while That They May Face The Rising Sun clinched the best film prize at the Irish Film and Television Awards (IFTAs), that took place on Saturday (April 20).
As well as taking the best actor prize, Cork-born Murphy also collected the best international film prize on behalf of Christopher Nolan’s Oppenheimer.
Pat Collins’ best film award winner That They May Face The Rising Sun was adapted from John McGahern’s novel about life in rural Ireland, and premiered at BFI London Film Festival.
As well as taking the best actor prize, Cork-born Murphy also collected the best international film prize on behalf of Christopher Nolan’s Oppenheimer.
Pat Collins’ best film award winner That They May Face The Rising Sun was adapted from John McGahern’s novel about life in rural Ireland, and premiered at BFI London Film Festival.
- 4/22/2024
- ScreenDaily
“Oppenheimer” got a big boost in its bid for Best Editing at the Oscars with a win at the Ace Golden Eddie Awards on March 3. It prevailed in the drama race at these awards bestowed by American Cinema Editors over two of its Oscar rivals –“Anatomy of a Fall” and “Killers of the Flower Moon ” — as well as “Maestro” and “Past Lives.”
Another of the Oscar nominees, “The Holdovers ” won the comedy/musical category over the fifth Oscar contender, “Poor Things,” plus “Air”, “American Fiction” and “Barbie.”
Since 1990, the film that came up with one of the ACEs went on to win the top prize at the Academy Awards 19 times, including the 2023 winner for best comedy/musical editing, “Everything Everywhere All at Once” and the 2020 winner for best drama editing, “Parasite.” And in 10 of the 14 years when the Ace barometer was wrong, at least one of the Eddie champs was a contender for Best Picture.
Another of the Oscar nominees, “The Holdovers ” won the comedy/musical category over the fifth Oscar contender, “Poor Things,” plus “Air”, “American Fiction” and “Barbie.”
Since 1990, the film that came up with one of the ACEs went on to win the top prize at the Academy Awards 19 times, including the 2023 winner for best comedy/musical editing, “Everything Everywhere All at Once” and the 2020 winner for best drama editing, “Parasite.” And in 10 of the 14 years when the Ace barometer was wrong, at least one of the Eddie champs was a contender for Best Picture.
- 3/4/2024
- by Paul Sheehan
- Gold Derby
Cillian Murphy and writer, director, and producer Christopher Nolan on the set of ‘Oppenheimer’ (Photo © Universal Pictures)
Oppenheimer continues its winning ways, adding the Ace Eddie Awards’ Best Edited Feature Film award to its lengthy list of honors. The 74th Annual Ace Eddie Awards, held on March 3, 2024, named The Holdovers as the Best Edited Feature Film winner, and Spider-Man: Across the Spider-Verse took home the Best Edited Animated Feature Film prize.
Presented by American Cinema Editors, this year’s Ace Eddie Awards was held at UCLA’s Royce Hall and hosted by Nina West. In addition to announcing winners in the competitive categories, the 2024 Ace Eddie Awards presented John Waters with the Ace Golden Eddie Award. Kate Amend and Walter Murch were recognized with Career Achievement Awards, and Stephen Lovejoy was honored with the Ace Heritage Award.
74th Annual Ace Eddie Awards Winners:
Best Edited Feature Film:
Oppenheimer
Jennifer Lame,...
Oppenheimer continues its winning ways, adding the Ace Eddie Awards’ Best Edited Feature Film award to its lengthy list of honors. The 74th Annual Ace Eddie Awards, held on March 3, 2024, named The Holdovers as the Best Edited Feature Film winner, and Spider-Man: Across the Spider-Verse took home the Best Edited Animated Feature Film prize.
Presented by American Cinema Editors, this year’s Ace Eddie Awards was held at UCLA’s Royce Hall and hosted by Nina West. In addition to announcing winners in the competitive categories, the 2024 Ace Eddie Awards presented John Waters with the Ace Golden Eddie Award. Kate Amend and Walter Murch were recognized with Career Achievement Awards, and Stephen Lovejoy was honored with the Ace Heritage Award.
74th Annual Ace Eddie Awards Winners:
Best Edited Feature Film:
Oppenheimer
Jennifer Lame,...
- 3/4/2024
- by Rebecca Murray
- Showbiz Junkies
Best Picture favorite “Oppenheimer” and “The Holdovers” were the drama and comedy editing winners at the 74th Ace Eddie Awards, March 3 at UCLA’s Royce Hall. “Oppenheimer” editor Jennifer Lame is now a step closer to winning the Oscar for deftly balancing Christopher Nolan’s interlocking, subjective POVs of J. Robert Oppenheimer (Best Actor nominee Cillian Murphy) in color and adversary Admiral Lewis Strauss (Best Supporting Actor nominee Robert Downey Jr.) in black-and-white.
The other Oscar nominees are “The Holdovers” (edited by Ace president Kevin Tent), Killers of the Flower Moon,” “Anatomy of Fall,” and “Poor Things.”
“Spider-Man: Across the Universe” won the animation award, “Still: A Michael J. Fox Movie” earned theatrical documentary honors, and “Escaping Twin Flames” took the non-theatrical prize.
TV editing winners included “The Last of Us” for drama series, “Beef” for limited series, “How I Met Your Father” for multi-camera comedy series, “The Bear” for single-camera comedy series,...
The other Oscar nominees are “The Holdovers” (edited by Ace president Kevin Tent), Killers of the Flower Moon,” “Anatomy of Fall,” and “Poor Things.”
“Spider-Man: Across the Universe” won the animation award, “Still: A Michael J. Fox Movie” earned theatrical documentary honors, and “Escaping Twin Flames” took the non-theatrical prize.
TV editing winners included “The Last of Us” for drama series, “Beef” for limited series, “How I Met Your Father” for multi-camera comedy series, “The Bear” for single-camera comedy series,...
- 3/4/2024
- by Bill Desowitz
- Indiewire
Universal’s Oppenheimer and Focus Features’ The Holdovers won the top theatrical prizes Sunday at the 74th Annual Ace Eddie Awards, presented by the American Cinema Editors at UCLA’s Royce Hall.
Ace president Kevin Tent, who presided over the event, won best edited feature film, comedy, for The Holdovers, while the drama feature award went to Oppenheimer editor Jennifer Lame.
Other theatrical winners include animated feature winner Michael Andrews for Sony’s Spider-Man: Across the Spider-Verse and documentary winner Michael Harte for Apple’s Still: A Michael J. Fox Movie. Television winners include The Bear‘s Joanna Naugle, who won for the acclaimed episode “Fishes” that featured a star-studded lineup of guest actors led by Jamie Lee Curtis; The Last of Us‘ Timothy A. Good, for the episode “Long, Long Time;” Beef‘s Harry Yoon and Laura Zempel; and How I Met Your Father‘s Russell Griffin.
The team...
Ace president Kevin Tent, who presided over the event, won best edited feature film, comedy, for The Holdovers, while the drama feature award went to Oppenheimer editor Jennifer Lame.
Other theatrical winners include animated feature winner Michael Andrews for Sony’s Spider-Man: Across the Spider-Verse and documentary winner Michael Harte for Apple’s Still: A Michael J. Fox Movie. Television winners include The Bear‘s Joanna Naugle, who won for the acclaimed episode “Fishes” that featured a star-studded lineup of guest actors led by Jamie Lee Curtis; The Last of Us‘ Timothy A. Good, for the episode “Long, Long Time;” Beef‘s Harry Yoon and Laura Zempel; and How I Met Your Father‘s Russell Griffin.
The team...
- 3/4/2024
- by Tyler Coates
- The Hollywood Reporter - Movie News
Oppenheimer took the marquee Best Edited Feature Film (Dramatic) honor and The Holdovers landed the top Best Edited Feature Film (Comedy) award at the 74th Ace Eddie Awards Sunday. Hosted by Nina West, the winners were announced live in a ceremony at UCLA’s Royce Hall.
Jennifer Lame Ace, edited Oppenheimer, a film that has so far swept awards season with recent SAG Awards, PGA, DGA, for director Christopher Nolan, BAFTA, and more. The honor puts Oppenheimer and The Holdovers in frontrunner status in the Best Film Editing Oscar race, for which both are nominated, along with Anatomy of a Fall, Killers of the Flower Moon and Poor Things.
Since the turn of the 21st century, the Eddie winner for theatrical drama has gone on to score the Academy Award for Best Editing 13 of 23 times — but none of the past four years. In a twist, it was the Eddies’ 2023 comedy winner,...
Jennifer Lame Ace, edited Oppenheimer, a film that has so far swept awards season with recent SAG Awards, PGA, DGA, for director Christopher Nolan, BAFTA, and more. The honor puts Oppenheimer and The Holdovers in frontrunner status in the Best Film Editing Oscar race, for which both are nominated, along with Anatomy of a Fall, Killers of the Flower Moon and Poor Things.
Since the turn of the 21st century, the Eddie winner for theatrical drama has gone on to score the Academy Award for Best Editing 13 of 23 times — but none of the past four years. In a twist, it was the Eddies’ 2023 comedy winner,...
- 3/4/2024
- by Denise Petski and Erik Pedersen
- Deadline Film + TV
Christopher Nolan’s “Oppenheimer” topped the dramatic feature editing category at the American Cinema Editors’ 74th Ace Eddie Awards, while “The Holdovers” won the category for best edited comedic feature during Sunday’s ceremony at UCLA’s Royce Hall.
Jennifer Lame edited “Oppenheimer,” which also took top honors at last week’s SAG Awards and Producers Guild Awards. The recent honor further cements the film’s position to take top prize at the Oscars next weekend. But she faces competition from Kevin Tent, who won here for “The Holdovers.”
Should Lame go on to win the Oscar, it will mark nine years since a woman has won. Margaret Sixel won in 2015 for “Mad Max: Fury Road.”
Tent, also president of Ace, kicked off the ceremony addressing last year’s labor strikes, saying, “It’s great to look out and see so many rock star editors…Last year was an extraordinarily...
Jennifer Lame edited “Oppenheimer,” which also took top honors at last week’s SAG Awards and Producers Guild Awards. The recent honor further cements the film’s position to take top prize at the Oscars next weekend. But she faces competition from Kevin Tent, who won here for “The Holdovers.”
Should Lame go on to win the Oscar, it will mark nine years since a woman has won. Margaret Sixel won in 2015 for “Mad Max: Fury Road.”
Tent, also president of Ace, kicked off the ceremony addressing last year’s labor strikes, saying, “It’s great to look out and see so many rock star editors…Last year was an extraordinarily...
- 3/4/2024
- by Jazz Tangcay
- Variety Film + TV
Between February 10 and March 7, a dozen motion picture guilds lauded the most outstanding achievements in their respective fields during the previous year. The 2024 guild awards season then officially concluded with the announcement of the Writers Guild of America honors on April 14. In the end, “Oppenheimer” outpaced all of its competitors with prizes from nine guilds.
Typically, all 13 guilds hand out their trophies before the corresponding Oscars take place, but this year’s WGA Awards were delayed six weeks because of the organization’s recent 148-day strike. The groups whose ceremonies preceded the Oscars on March 10 comprise art directors, directors, makeup artists & hairstylists, costume designers, visual effects artists, actors, producers, sound mixers, film editors, cinematographers, sound editors, and casting directors.
Below is a complete breakdown of guild wins by film. See the full guild nominations scorecard here.
Ace = American Cinema Editors (report)
Adg = Art Directors Guild (report)
ASC = American Society of...
Typically, all 13 guilds hand out their trophies before the corresponding Oscars take place, but this year’s WGA Awards were delayed six weeks because of the organization’s recent 148-day strike. The groups whose ceremonies preceded the Oscars on March 10 comprise art directors, directors, makeup artists & hairstylists, costume designers, visual effects artists, actors, producers, sound mixers, film editors, cinematographers, sound editors, and casting directors.
Below is a complete breakdown of guild wins by film. See the full guild nominations scorecard here.
Ace = American Cinema Editors (report)
Adg = Art Directors Guild (report)
ASC = American Society of...
- 2/23/2024
- by Matthew Stewart
- Gold Derby
In all the excitement of the BAFTAs, it’s worth appreciating the craft that helps all those films make any sense at all. Here’s the full list of the British Film Editors’ award-winners.
Imagine a world without film and TV editors. It doesn’t bear thinking about, really. Making anything with a camera at all would be bloody hard, for a start, and then you’d have to use that take where Idris Elba realised he had yoghurt on his trousers. Oh, behave.
Good job, then, we’ve got British Film Editors, the non-profit association dedicated to the art of sticking all those bits of footage together to make something sensible-looking. Every year, they hold the Cut Above Awards, a celebration of editing achievement comparable to the guild awards in the States.
Held on 16th February, the 2024 awards pitched current awards favourites Oppenheimer and Poor Things alongside documentaries like Still: A Michael J.
Imagine a world without film and TV editors. It doesn’t bear thinking about, really. Making anything with a camera at all would be bloody hard, for a start, and then you’d have to use that take where Idris Elba realised he had yoghurt on his trousers. Oh, behave.
Good job, then, we’ve got British Film Editors, the non-profit association dedicated to the art of sticking all those bits of footage together to make something sensible-looking. Every year, they hold the Cut Above Awards, a celebration of editing achievement comparable to the guild awards in the States.
Held on 16th February, the 2024 awards pitched current awards favourites Oppenheimer and Poor Things alongside documentaries like Still: A Michael J.
- 2/21/2024
- by James Harvey
- Film Stories
Laurent Sénéchal for Anatomy Of A Fall and Keith Fraase for Past Lives are among the American Cinema Editors’ best edited dramatic feature film nominees heading into the Ace Eddie Awards on Sunday, March 3, 2024.
Thelma Schoonmaker for Killers Of The Flower Moon, Jennifer Lame for Oppenheimer, and Michelle Tesoro for Maestro round out the category nominations.
Comedy feature nominees are William Goldenberg for Air, Hilda Rasula for American Fiction, Nick Houy for Barbie, Kevin Tent for The Holdovers, and Yorgos Mavropsaridis for Poor Things.
The animated feature category pits Stephen Schaffer for Elemental against Randy Trager and Erin Crackel for Nimona,...
Thelma Schoonmaker for Killers Of The Flower Moon, Jennifer Lame for Oppenheimer, and Michelle Tesoro for Maestro round out the category nominations.
Comedy feature nominees are William Goldenberg for Air, Hilda Rasula for American Fiction, Nick Houy for Barbie, Kevin Tent for The Holdovers, and Yorgos Mavropsaridis for Poor Things.
The animated feature category pits Stephen Schaffer for Elemental against Randy Trager and Erin Crackel for Nimona,...
- 1/25/2024
- ScreenDaily
The nominations for the 2024 Ace Eddie Awards announced on Thursday (Jan. 25) include our Oscar frontrunner for Best Film Editing, “Oppenheimer,” along with the other four films contending in that race: “Anatomy of a Fall,” “Killers of the Flower Moon,” “Poor Things” and “The Holdovers.”
The Ace Eddie Awards divide their prizes for editing between dramas and comedies/musicals.
“Anatomy of a Fall,” “Killers of the Flower Moon” and “Oppenheimer” contend here in the drama race, which is rounded out by “Maestro” and “Past Lives.”
Facing off against “Poor Things” and “The Holdovers” on the comedy side are “Air,” “American Fiction” and “Barbie.”
In 1992, the Eddies went from three to five nominees (matching that of the Oscars) and in 2000 it split the award in two, with five nominees for each of drama and comedy/musical. Over the past 31 years, 139 of the 155 Academy Awards nominees for Best Film Editing have reaped an...
The Ace Eddie Awards divide their prizes for editing between dramas and comedies/musicals.
“Anatomy of a Fall,” “Killers of the Flower Moon” and “Oppenheimer” contend here in the drama race, which is rounded out by “Maestro” and “Past Lives.”
Facing off against “Poor Things” and “The Holdovers” on the comedy side are “Air,” “American Fiction” and “Barbie.”
In 1992, the Eddies went from three to five nominees (matching that of the Oscars) and in 2000 it split the award in two, with five nominees for each of drama and comedy/musical. Over the past 31 years, 139 of the 155 Academy Awards nominees for Best Film Editing have reaped an...
- 1/25/2024
- by Paul Sheehan
- Gold Derby
Ryan Gosling as Ken and Margot Robbie as Barbie in ‘Barbie’ ((Photo Courtesy Warner Bros. Pictures)
Taylor Swift: The Eras Tour, Oppenheimer, The Bear, and Barbie are among the nominees for the 74th Annual Ace Eddie Awards, recognizing outstanding editing in film, television, and documentaries. In addition to the 14 competitive categories, the American Cinema Editors (Ace) will honor filmmaker John Waters and editors Kate Amend, Stephen Lovejoy, and Walter Murch with special awards during this year’s ceremony.
Winners will be announced at the Ace Eddie Awards to be held on Sunday, March 3, 2024 at UCLA’s Royce Hall. Drag queen, performer, and queer activist Nina West (Hairspray) will handle hosting duties.
2024 Ace Eddie Awards Nominees:
Best Edited Feature Film:
Anatomy of a Fall, Laurent Sénéchal
Killers of the Flower Moon, Thelma Schoonmaker, Ace
Maestro, Michelle Tesoro, Ace
Oppenheimer, Jennifer Lame, Ace
Past Lives, Keith Fraase
Best Edited Feature Film:
Air,...
Taylor Swift: The Eras Tour, Oppenheimer, The Bear, and Barbie are among the nominees for the 74th Annual Ace Eddie Awards, recognizing outstanding editing in film, television, and documentaries. In addition to the 14 competitive categories, the American Cinema Editors (Ace) will honor filmmaker John Waters and editors Kate Amend, Stephen Lovejoy, and Walter Murch with special awards during this year’s ceremony.
Winners will be announced at the Ace Eddie Awards to be held on Sunday, March 3, 2024 at UCLA’s Royce Hall. Drag queen, performer, and queer activist Nina West (Hairspray) will handle hosting duties.
2024 Ace Eddie Awards Nominees:
Best Edited Feature Film:
Anatomy of a Fall, Laurent Sénéchal
Killers of the Flower Moon, Thelma Schoonmaker, Ace
Maestro, Michelle Tesoro, Ace
Oppenheimer, Jennifer Lame, Ace
Past Lives, Keith Fraase
Best Edited Feature Film:
Air,...
- 1/25/2024
- by Rebecca Murray
- Showbiz Junkies
The 2024 American Cinema Editors (Ace) Eddie Award nominations have been unveiled.
As announced today, January 25, the 74th Annual Ace Eddie Awards will recognize Thelma Schoonmaker’s work on “Killers of the Flower Moon,” Jennifer Lame’s editing skills on “Oppenheimer,” Nick Houy’s vision for “Barbie,” Laurent Sénéchal for “Anatomy of a Fall,” and more nominees across drama and comedy.
The annual awards ceremony honors outstanding editing in 14 categories of film, television, and documentaries. The winners will be announced live during the Ace Eddie Awards on Sunday, March 3, 2024 at UCLA’s Royce Hall at a special brunch celebration, with “Hairspray” actress, drag queen, and queer activist Nina West hosting.
TV nominees include “The Bear,” “Succession,” “Barry,” “Ahsoka,” “The Last of Us,” and “Beef.”
“Hairspray” director John Waters will receive the Ace Golden Eddie Filmmaker of the Year Award, which recognizes filmmakers who exemplify distinguished achievement in the art and business of film.
As announced today, January 25, the 74th Annual Ace Eddie Awards will recognize Thelma Schoonmaker’s work on “Killers of the Flower Moon,” Jennifer Lame’s editing skills on “Oppenheimer,” Nick Houy’s vision for “Barbie,” Laurent Sénéchal for “Anatomy of a Fall,” and more nominees across drama and comedy.
The annual awards ceremony honors outstanding editing in 14 categories of film, television, and documentaries. The winners will be announced live during the Ace Eddie Awards on Sunday, March 3, 2024 at UCLA’s Royce Hall at a special brunch celebration, with “Hairspray” actress, drag queen, and queer activist Nina West hosting.
TV nominees include “The Bear,” “Succession,” “Barry,” “Ahsoka,” “The Last of Us,” and “Beef.”
“Hairspray” director John Waters will receive the Ace Golden Eddie Filmmaker of the Year Award, which recognizes filmmakers who exemplify distinguished achievement in the art and business of film.
- 1/25/2024
- by Samantha Bergeson
- Indiewire
The American Cinema Editors unwrapped the nominees for its 74th Eddie Awards.
Ace’s live-action theatrical feature competition is divided into two categories, for drama and comedy. Nominees in the category for best edited dramatic theatrical feature are Laurent Sénéchal for Anatomy of a Fall, Thelma Schoonmaker for Killers of the Flower Moon, Michelle Tesoro for Maestro, Jennifer Lame for Oppenheimer and Keith Fraase for Past Lives. Nominees for best edited comedic theatrical feature are William Goldenberg for Air, Hilda Rasula for American Fiction, Nick Houy for Barbie; Kevin Tent for The Holdovers and Yorgos Mavropsaridis for Poor Things.
The Eddie nominees include the five nominees for the Oscar in film editing: Anatomy of a Fall, Killers of the Flower Moon and Oppenheimer (from the drama category); and The Holdovers and Poor Things (from the comedy category). With the nomination for Killers of the Flower Moon, Martin Scorsese’s longtime...
Ace’s live-action theatrical feature competition is divided into two categories, for drama and comedy. Nominees in the category for best edited dramatic theatrical feature are Laurent Sénéchal for Anatomy of a Fall, Thelma Schoonmaker for Killers of the Flower Moon, Michelle Tesoro for Maestro, Jennifer Lame for Oppenheimer and Keith Fraase for Past Lives. Nominees for best edited comedic theatrical feature are William Goldenberg for Air, Hilda Rasula for American Fiction, Nick Houy for Barbie; Kevin Tent for The Holdovers and Yorgos Mavropsaridis for Poor Things.
The Eddie nominees include the five nominees for the Oscar in film editing: Anatomy of a Fall, Killers of the Flower Moon and Oppenheimer (from the drama category); and The Holdovers and Poor Things (from the comedy category). With the nomination for Killers of the Flower Moon, Martin Scorsese’s longtime...
- 1/25/2024
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
The American Cinema Editors (Ace) have nominated “Anatomy of a Fall,” Killers of the Flower Moon,”
“Maestro,” “Oppenheimer” and “Past Lives” in the category of feature film drama for the 74th annual Ace Eddie Awards. “Air,” “Barbie,” “American Fiction,” “Poor Things” and “The Holdovers” received nominations in the best edited comedic feature category.
The TV nominees include “The Bear,” “Barry,” “Succession,” Only Murders in the Building” and “Ahsoka.” Also landing a nomination for editing was the team behind “Taylor Swift: The Eras Tour.”
As previously announced, John Waters will receive the Ace Golden Eddie Filmmaker of the Year award. Film editors Kate Amend, Ace and Walter Murch, Ace will receive career achievement awards for their outstanding contributions to film editing. Stephen Lovejoy, Ace will receive the Heritage award for his unwavering commitment to Ace.
“RuPaul’s Drag Race” alumni and star of “Hairspray” Nina West will emcee the event. The winners...
“Maestro,” “Oppenheimer” and “Past Lives” in the category of feature film drama for the 74th annual Ace Eddie Awards. “Air,” “Barbie,” “American Fiction,” “Poor Things” and “The Holdovers” received nominations in the best edited comedic feature category.
The TV nominees include “The Bear,” “Barry,” “Succession,” Only Murders in the Building” and “Ahsoka.” Also landing a nomination for editing was the team behind “Taylor Swift: The Eras Tour.”
As previously announced, John Waters will receive the Ace Golden Eddie Filmmaker of the Year award. Film editors Kate Amend, Ace and Walter Murch, Ace will receive career achievement awards for their outstanding contributions to film editing. Stephen Lovejoy, Ace will receive the Heritage award for his unwavering commitment to Ace.
“RuPaul’s Drag Race” alumni and star of “Hairspray” Nina West will emcee the event. The winners...
- 1/25/2024
- by Jazz Tangcay
- Variety Film + TV
American Cinemas Editors has cut together the nominees for its 74rd annual Ace Eddie Awards, which will be handed out next month. See the list of all 13 film and TV categories below.
The group also said today that Nina West, who played Divine in Weird: The Al Yankovic Story and Edna Turnblad in the touring production of Hairspray, will host the March 3 ceremony at UCLA’s Royce Hall in Westwood.
Vying for the marquee prize of Best Edited Feature Film are the editors behind Anatomy of a Fall, Killers of the Flower Moon, Maestro, Oppenheimer and Past Lives. The Comedy Theatrical race will be among Air, American Fiction, Barbie, The Holdovers and Poor Things.
Since the turn of the 21st century, the Eddie winner for theatrical drama has gone on to score the Academy Award for Best Editing 13 of 23 times — but none of the past four years. In a twist,...
The group also said today that Nina West, who played Divine in Weird: The Al Yankovic Story and Edna Turnblad in the touring production of Hairspray, will host the March 3 ceremony at UCLA’s Royce Hall in Westwood.
Vying for the marquee prize of Best Edited Feature Film are the editors behind Anatomy of a Fall, Killers of the Flower Moon, Maestro, Oppenheimer and Past Lives. The Comedy Theatrical race will be among Air, American Fiction, Barbie, The Holdovers and Poor Things.
Since the turn of the 21st century, the Eddie winner for theatrical drama has gone on to score the Academy Award for Best Editing 13 of 23 times — but none of the past four years. In a twist,...
- 1/25/2024
- by Erik Pedersen
- Deadline Film + TV
32 Sounds, the innovative documentary that explores the power of sonic experience, pulled off a shocker at the Cinema Eye Honors Friday night, winning Outstanding Nonfiction Feature over Still: A Michael J. Fox Movie and other prominent nominees.
The film directed by Sam Green won two other awards: Outstanding Sound Design, recognizing the work of Mark Mangini, and Outstanding Original Score, which went to composer J.D. Samson.
32 Sounds is one of 15 documentaries shortlisted for the Academy Awards, along with Still, Four Daughters, The Eternal Memory, and 20 Days in Mariupol, all of which took home prizes at the Cinema Eye Honors.
‘Four Daughters’
Outstanding Direction resulted in a tie between two filmmakers, Kaouther Ben Hania of Four Daughters, and Maite Alberdi, director of The Eternal Memory. Alberdi’s film explores the love story of two of Chile’s most prominent figures in the arts and media, Paulina Urrutia and Augusto Góngora,...
The film directed by Sam Green won two other awards: Outstanding Sound Design, recognizing the work of Mark Mangini, and Outstanding Original Score, which went to composer J.D. Samson.
32 Sounds is one of 15 documentaries shortlisted for the Academy Awards, along with Still, Four Daughters, The Eternal Memory, and 20 Days in Mariupol, all of which took home prizes at the Cinema Eye Honors.
‘Four Daughters’
Outstanding Direction resulted in a tie between two filmmakers, Kaouther Ben Hania of Four Daughters, and Maite Alberdi, director of The Eternal Memory. Alberdi’s film explores the love story of two of Chile’s most prominent figures in the arts and media, Paulina Urrutia and Augusto Góngora,...
- 1/13/2024
- by Matthew Carey
- Deadline Film + TV
The Cinema Eye Honors announced the winners for its documentary films and series competition Friday in Manhattan, with “32 Sounds” taking the honor for outstanding nonfiction feature. Maite Alberdi won outstanding direction for “The Eternal Memory” together with Kaouther Ben Hania for “Four Daughters,” while “Paul T. Goldman” won outstanding nonfiction series.
See all the winners below:
—Outstanding Nonfiction Feature
32 Sounds
Directed by Sam Green
Produced by Josh Penn and Thomas O. Kriegsmann
—Outstanding Direction
Maite Alberdi
The Eternal Memory
Kaouther Ben Hania
Four Daughters
—Outstanding Editing
Michael Harte
Still: A Michael J. Fox Movie
—Outstanding Production
Mstyslav Chernov, Michelle Mizner, Raney Aronson Rath, Derl McCrudden and Vasilisa Stepanenko
20 Days in Mariupol
—Outstanding Cinematography
Ants Tammik
Smoke Sauna Sisterhood
—Outstanding Original Score
Jd Samson
32 Sounds
—Outstanding Sound Design
Mark Mangini
32 Sounds
—Outstanding Visual Design
Thomas Curtis and Sean Pierce
Going to Mars: The Nikki Giovanni Project
—Outstanding Debut
Kokomo...
See all the winners below:
—Outstanding Nonfiction Feature
32 Sounds
Directed by Sam Green
Produced by Josh Penn and Thomas O. Kriegsmann
—Outstanding Direction
Maite Alberdi
The Eternal Memory
Kaouther Ben Hania
Four Daughters
—Outstanding Editing
Michael Harte
Still: A Michael J. Fox Movie
—Outstanding Production
Mstyslav Chernov, Michelle Mizner, Raney Aronson Rath, Derl McCrudden and Vasilisa Stepanenko
20 Days in Mariupol
—Outstanding Cinematography
Ants Tammik
Smoke Sauna Sisterhood
—Outstanding Original Score
Jd Samson
32 Sounds
—Outstanding Sound Design
Mark Mangini
32 Sounds
—Outstanding Visual Design
Thomas Curtis and Sean Pierce
Going to Mars: The Nikki Giovanni Project
—Outstanding Debut
Kokomo...
- 1/13/2024
- by Jazz Tangcay, Caroline Brew, Jaden Thompson and Diego Ramos Bechara
- Variety Film + TV
Still: A Michael J. Fox Movie is in hot pursuit of an Oscar nomination, but in the meantime the documentary about the beloved Hollywood star has picked up major awards at the Emmys.
The film directed by Davis Guggenheim won Outstanding Documentary or Nonfiction Special on Sunday on the second night of the Creative Arts Emmys ceremony in Los Angeles. Guggenheim also won Outstanding Directing for a Documentary/Nonfiction Program; the film’s picture editor, Michael Harte, was honored for his work and composer John Powell won for his score for Still.
The film came into the night with a leading seven nominations — the most of any nonfiction contender — and picked up wins in four of those seven categories.
Davis Guggenheim at the 75th Creative Arts Emmy Awards held at the Peacock Theater at L.A. Live on January 7, 2023 in Los Angeles, California.
In late December, Still: A Michael J.
The film directed by Davis Guggenheim won Outstanding Documentary or Nonfiction Special on Sunday on the second night of the Creative Arts Emmys ceremony in Los Angeles. Guggenheim also won Outstanding Directing for a Documentary/Nonfiction Program; the film’s picture editor, Michael Harte, was honored for his work and composer John Powell won for his score for Still.
The film came into the night with a leading seven nominations — the most of any nonfiction contender — and picked up wins in four of those seven categories.
Davis Guggenheim at the 75th Creative Arts Emmy Awards held at the Peacock Theater at L.A. Live on January 7, 2023 in Los Angeles, California.
In late December, Still: A Michael J.
- 1/8/2024
- by Matthew Carey
- Deadline Film + TV
The American Cinematheque announced the honorees for the third annual Tribute to the Crafts, which include “Oppenheimer” for cinematography and editing, “Poor Things” for costume design and “I’m Just Ken” from “Barbie” for song. The event will take place on Jan. 19, 2024, at the Egyptian Theatre in Hollywood.
Celebrating individuals in 15 categories across aspects of filmmaking, Tribute to the Crafts recognizes those “who are at the very heart of filmmaking and have exhibited extraordinary work behind the camera,” per the release. The event will also showcase clips from the films being honored.
With a 30-year career that includes 270 film credits, Oscar-winning sound mixer Kevin O’Connell will receive the Career Achievement Award. His projects from this year include “Oppenheimer,” “Barbie,” “Gran Turismo,” “Cocaine Bear” and “Are You There God? It’s Me Margaret.”
Producers and American Cinematheque board members Franklin Leonard and Paula Wagner will co-host the event.
“Celebrating the artisans and...
Celebrating individuals in 15 categories across aspects of filmmaking, Tribute to the Crafts recognizes those “who are at the very heart of filmmaking and have exhibited extraordinary work behind the camera,” per the release. The event will also showcase clips from the films being honored.
With a 30-year career that includes 270 film credits, Oscar-winning sound mixer Kevin O’Connell will receive the Career Achievement Award. His projects from this year include “Oppenheimer,” “Barbie,” “Gran Turismo,” “Cocaine Bear” and “Are You There God? It’s Me Margaret.”
Producers and American Cinematheque board members Franklin Leonard and Paula Wagner will co-host the event.
“Celebrating the artisans and...
- 12/14/2023
- by Caroline Brew
- Variety Film + TV
In its continuing effort to shine the spotlight on industry artisans who toil behind the scenes to make movie magic, the American Cinematheque on Thursday revealed the 2023 honorees for its third annual Tribute to the Crafts.
Winning multiple honors are Oppenheimer for Cinematography and Film Editing; Maestro for Hair & Makeup and Sound; and Barbie for Production Design/Set Decoration and Song (for “I’m Just Ken”).
American Fiction, The Color Purple, Poor Things, Killers of The Flower Moon (for the late Robbie Robertson’s final score) John Wick: Chapter 4 and The Creator also are being honored in the feature film categories, while Anselm, Still: A Michael J. Fox Movie and American Symphony are being recognized for achievement in documentaries.
Honorees will be tributed at the gala event at American Cinematheque’s newly restored (in conjunction with Netflix) Egyptian Theatre in Hollywood on January 19, 2024.
Tribute to the Crafts honors those who...
Winning multiple honors are Oppenheimer for Cinematography and Film Editing; Maestro for Hair & Makeup and Sound; and Barbie for Production Design/Set Decoration and Song (for “I’m Just Ken”).
American Fiction, The Color Purple, Poor Things, Killers of The Flower Moon (for the late Robbie Robertson’s final score) John Wick: Chapter 4 and The Creator also are being honored in the feature film categories, while Anselm, Still: A Michael J. Fox Movie and American Symphony are being recognized for achievement in documentaries.
Honorees will be tributed at the gala event at American Cinematheque’s newly restored (in conjunction with Netflix) Egyptian Theatre in Hollywood on January 19, 2024.
Tribute to the Crafts honors those who...
- 12/14/2023
- by Pete Hammond
- Deadline Film + TV
Talent behind movies including Barbie, Oppenheimer and Maestro are among the honorees for the American Cinematheque’s third annual “Tribute to the Crafts,” which will be held Jan. 19 at the newly renovated Egyptian Theatre in Hollywood.
The event — which will be co-hosted by producers and American Cinematheque board members Franklin Leonard and Paula Wagner — will celebrate individuals in 15 categories including Oppenheimer editor Jennifer Lame, Poor Things costume designer Holly Waddington and late Killers of the Flower Moon composer Robbie Robertson.
Additionally, Academy Award-winning sound mixer Kevin O’Connell will receive a Career Achievement Award for his work, which spans 270 films over three decades. This year, O’Connell worked on projects including Oppenheimer, Barbie, Gran Turismo, Are You There God? It’s Me Margaret and Cocaine Bear.
The “Tribute to the Crafts” honorees are below.
Feature Film
Choreography: The Color Purple (Fatima Robinson) – Warner Bros. Pictures
Cinematography: Oppenheimer (Hoyte van Hoytema) – Universal Pictures
Costume...
The event — which will be co-hosted by producers and American Cinematheque board members Franklin Leonard and Paula Wagner — will celebrate individuals in 15 categories including Oppenheimer editor Jennifer Lame, Poor Things costume designer Holly Waddington and late Killers of the Flower Moon composer Robbie Robertson.
Additionally, Academy Award-winning sound mixer Kevin O’Connell will receive a Career Achievement Award for his work, which spans 270 films over three decades. This year, O’Connell worked on projects including Oppenheimer, Barbie, Gran Turismo, Are You There God? It’s Me Margaret and Cocaine Bear.
The “Tribute to the Crafts” honorees are below.
Feature Film
Choreography: The Color Purple (Fatima Robinson) – Warner Bros. Pictures
Cinematography: Oppenheimer (Hoyte van Hoytema) – Universal Pictures
Costume...
- 12/14/2023
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
“Kokomo City,” D. Smith’s documentary about four trans Black women in New York and Georgia, led all films in nominations for the 17th annual Cinema Eye Honors, the New York-based awards designed to spotlight all facets of nonfiction filmmaking.
The film received six nominations, including Outstanding Nonfiction Feature and Outstanding Direction. Mstyslav Chernov’s “20 Days in Mariupol,” Maite Alberdi’s “The Eternal Memory” and Sam Green’s “32 Sounds” followed with five nominations each.
In the Outstanding Nonfiction Feature category, “Kokomo City,” “The Eternal Memory,” “20 Days in Mariupol” and “32 Sounds” were joined by “Four Daughters,” “Going to Mars: The Nikki Giovanni Project” and “Still: A Michael J. Fox Movie.”
Matthew Heineman’s “American Symphony” received nominations for Outstanding Production and Outstanding Score, making Heineman the third-most-nominated filmmaker in Cinema Eye history. With 12 nominations overall, he now trails Steve James and Laura Poitras by one.
While many...
The film received six nominations, including Outstanding Nonfiction Feature and Outstanding Direction. Mstyslav Chernov’s “20 Days in Mariupol,” Maite Alberdi’s “The Eternal Memory” and Sam Green’s “32 Sounds” followed with five nominations each.
In the Outstanding Nonfiction Feature category, “Kokomo City,” “The Eternal Memory,” “20 Days in Mariupol” and “32 Sounds” were joined by “Four Daughters,” “Going to Mars: The Nikki Giovanni Project” and “Still: A Michael J. Fox Movie.”
Matthew Heineman’s “American Symphony” received nominations for Outstanding Production and Outstanding Score, making Heineman the third-most-nominated filmmaker in Cinema Eye history. With 12 nominations overall, he now trails Steve James and Laura Poitras by one.
While many...
- 11/16/2023
- by Steve Pond
- The Wrap
It’s a sweep! The Critics Choice Association revealed the winners for its 8th annual documentary awards on Sunday, November 12, 2023, and one film claimed all five of the awards it was nominated for. Though it trailed “American Symphony” in bids going into the night, “Still: A Michael J. Fox Movie” prevailed as the night’s biggest winner, taking home prizes in all five of its categories, including Best Documentary. The film’s other wins went to Davis Guggenheim in Best Director, Michael Harte in Best Editing, and in Best Narration and Best Biographical Documentary.
“American Symphony,” the nomination leader with six, took home two prizes: Jon Batiste won Best Score and the film was named Best Music Documentary. The other two-time winners were “20 Days in Mariupol,” Best First Documentary Feature and Best Political Documentary, and “The Deepest Breath,” Best Cinematography and Best Sports Documentary.
If, like us, you’re...
“American Symphony,” the nomination leader with six, took home two prizes: Jon Batiste won Best Score and the film was named Best Music Documentary. The other two-time winners were “20 Days in Mariupol,” Best First Documentary Feature and Best Political Documentary, and “The Deepest Breath,” Best Cinematography and Best Sports Documentary.
If, like us, you’re...
- 11/13/2023
- by John Benutty
- Gold Derby
It was a very good night Sunday for Apple TV+’s Davis Guggenheim-directed documentary Still: A Michael J Fox Movie, about Fox’s life and battle with Parkinson’s disease. The movie won in all five categories for which it was nominated at the eighth annual Critics Choice Documentary Awards, taking wins for Best Documentary Feature, Best Director, Editing for Michael Harte, Narration for Fox himself, and Biographical Documentary.
The Critics Choice Documentary Awards, held tonight at the Edison Hotel in New York City and livestreamed, recognizes the year’s finest achievements in documentaries released in theaters, on TV and on major digital platforms, as determined by the voting of qualified Cca members.
20 Days in Mariupol won for Best First Documentary for director Msyyslav Chernov and Best Political Documentary. Also winning twice: Netflix’s docus American Symphony and The Deepest Breath.
Jon Batiste was the subject of American Symphony,...
The Critics Choice Documentary Awards, held tonight at the Edison Hotel in New York City and livestreamed, recognizes the year’s finest achievements in documentaries released in theaters, on TV and on major digital platforms, as determined by the voting of qualified Cca members.
20 Days in Mariupol won for Best First Documentary for director Msyyslav Chernov and Best Political Documentary. Also winning twice: Netflix’s docus American Symphony and The Deepest Breath.
Jon Batiste was the subject of American Symphony,...
- 11/13/2023
- by Pete Hammond
- Deadline Film + TV
Still: A Michael J. Fox Movie was the big winner at the Eighth Annual Critics Choice Documentary Awards held on November 12, 2023 in New York City. Still took home five awards, including Best Documentary Feature, Best Director (Davis Guggenheim), Best Editing (Michael Harte), Best Narration (Michael J. Fox), and Best Biographical Documentary.
Critics Choice Association members recognized 20 Days in Mariupol, American Symphony, and The Deepest Breath with two awards each. Additional winners included Being Mary Tyler Moore, JFK: One Day in America, Secrets of the Elephants, Lennon: Murder Without a Trial, Telemarketers, The 1619 Project, The Last Repair Shop, and 30 for 30.
“This was another incredible night of celebrating documentaries as we reunited with familiar faces and welcomed so many new filmmakers to the event for the first time. Congratulations to all the winners, honorees, and everyone else who made our eighth show such a hit,” said Christopher Campbell, Cca’s Vice President of Documentaries.
Critics Choice Association members recognized 20 Days in Mariupol, American Symphony, and The Deepest Breath with two awards each. Additional winners included Being Mary Tyler Moore, JFK: One Day in America, Secrets of the Elephants, Lennon: Murder Without a Trial, Telemarketers, The 1619 Project, The Last Repair Shop, and 30 for 30.
“This was another incredible night of celebrating documentaries as we reunited with familiar faces and welcomed so many new filmmakers to the event for the first time. Congratulations to all the winners, honorees, and everyone else who made our eighth show such a hit,” said Christopher Campbell, Cca’s Vice President of Documentaries.
- 11/13/2023
- by Rebecca Murray
- Showbiz Junkies
20 Days In Mariupol, American Symphony win two honours apiece.
Still: A Michael J. Fox Movie has been named best film at the Critics Choice Documentary Awards in New York on Sunday night (November 12).
The Apple Original, in which the star of the Back To The Future franchise and Teen Wolf talks candidly about his life with Parkinson’s, won four other awards.
Davis Guggenheim earned best director, and there were also honours for editing (Michael Harte), narration (Fox), and best biographical documentary.
Still: A Michael J. Fox Movie premiered in Sundance, as did Mstyslav Chernov’s 20 Days In Mariupol,...
Still: A Michael J. Fox Movie has been named best film at the Critics Choice Documentary Awards in New York on Sunday night (November 12).
The Apple Original, in which the star of the Back To The Future franchise and Teen Wolf talks candidly about his life with Parkinson’s, won four other awards.
Davis Guggenheim earned best director, and there were also honours for editing (Michael Harte), narration (Fox), and best biographical documentary.
Still: A Michael J. Fox Movie premiered in Sundance, as did Mstyslav Chernov’s 20 Days In Mariupol,...
- 11/13/2023
- by Jeremy Kay
- ScreenDaily
Still: A Michael J. Fox Movie was the top winner at the 2023 Critics Choice Documentary Awards, which were handed out Sunday night.
Among the other prizes the film collected was the best narration award for Michael J. Fox. It also won best biographical documentary, best direction for Davis Guggenheim and best editing for Michael Harte for a total of five awards overall.
Elsewhere, Jon Batiste won best score for American Symphony on the heels of his five Grammy noms, including album of the year. American Symphony also was named best music doc.
20 Days in Mariupol won two awards, for best first documentary feature and best political doc.
The eighth annual edition of the awards show, hosted by Wyatt Cenac, took place at New York’s Edison Ballroom.
Winners were announced in 18 categories spanning theatrical film, TV and digital platforms. Also this year, the Critics Choice Association honored Ross McElwee with its Pennebaker Award,...
Among the other prizes the film collected was the best narration award for Michael J. Fox. It also won best biographical documentary, best direction for Davis Guggenheim and best editing for Michael Harte for a total of five awards overall.
Elsewhere, Jon Batiste won best score for American Symphony on the heels of his five Grammy noms, including album of the year. American Symphony also was named best music doc.
20 Days in Mariupol won two awards, for best first documentary feature and best political doc.
The eighth annual edition of the awards show, hosted by Wyatt Cenac, took place at New York’s Edison Ballroom.
Winners were announced in 18 categories spanning theatrical film, TV and digital platforms. Also this year, the Critics Choice Association honored Ross McElwee with its Pennebaker Award,...
- 11/13/2023
- by Kimberly Nordyke
- The Hollywood Reporter - Movie News
Davis Guggenheim’s “Still: A Michael J. Fox Movie,” which chronicled the actor’s life, career and battle with Parkinson’s disease, was named the best nonfiction film of 2023 at the Critics Choice Documentary Awards, which took place on Sunday night in New York City.
The Apple TV+ film won five awards overall, also including best director for Guggenheim, best narration for Fox, best biographical documentary and best editing.
Journalist Mstyslav Chernov Chernov won the award for Best First Documentary for “20 Days in Mariupol.”
Other winners included “Being Mary Tyler Moore” (Best Archival Documentary), “The Deepest Breath” (Best Sports Documentary), “20 Days in Mariupol” (Best Political Documentary), “American Symphony” (Best Music Documentary), “Secrets of the Elephants” (Best Science/Nature Documentary) and “JFK: One Day in America” (Best Historical Documentary).
Jon Batiste won for the music in “American Symphony,” and Tim Cragg won for the cinematography of “The Deepest Breath.
The Apple TV+ film won five awards overall, also including best director for Guggenheim, best narration for Fox, best biographical documentary and best editing.
Journalist Mstyslav Chernov Chernov won the award for Best First Documentary for “20 Days in Mariupol.”
Other winners included “Being Mary Tyler Moore” (Best Archival Documentary), “The Deepest Breath” (Best Sports Documentary), “20 Days in Mariupol” (Best Political Documentary), “American Symphony” (Best Music Documentary), “Secrets of the Elephants” (Best Science/Nature Documentary) and “JFK: One Day in America” (Best Historical Documentary).
Jon Batiste won for the music in “American Symphony,” and Tim Cragg won for the cinematography of “The Deepest Breath.
- 11/13/2023
- by Steve Pond
- The Wrap
‘Still: A Michael J. Fox Movie’ Sweeps the Critics Choice Documentary Awards (Complete Winners List)
One of the first big nights of the 2023 award season took place tonight at Manhattan’s Edison Ballroom when the best nonfiction filmmakers competed for the Critics Choice Documentary Awards. The show, which is hosted by Wyatt Cenac, honors the most acclaimed documentaries of the year in one of the biggest early contests before the Academy Awards.
Netflix’s Jon Batiste documentary “American Symphony” led the pack with six nominations, while “20 Days in Mariupol,” “Kokomo City,” and “Still: A Michael J. Fox Movie” were each honored with five nominations a piece. Other contenders for Best Documentary Feature include “Beyond Utopia,” “The Deepest Breath,” “The Mission,” “The Eternal Memory,” “Judy Blume Forever,” and “Stamped from the Beginning.”
“Still: A Michael J. Fox Story” had the strongest story of the night. In addition to taking home Best Documentary Feature, the film won Best Biographical Documentary, Best Director, Best Editing, and Best Narration for Fox himself.
Netflix’s Jon Batiste documentary “American Symphony” led the pack with six nominations, while “20 Days in Mariupol,” “Kokomo City,” and “Still: A Michael J. Fox Movie” were each honored with five nominations a piece. Other contenders for Best Documentary Feature include “Beyond Utopia,” “The Deepest Breath,” “The Mission,” “The Eternal Memory,” “Judy Blume Forever,” and “Stamped from the Beginning.”
“Still: A Michael J. Fox Story” had the strongest story of the night. In addition to taking home Best Documentary Feature, the film won Best Biographical Documentary, Best Director, Best Editing, and Best Narration for Fox himself.
- 11/13/2023
- by Christian Zilko
- Indiewire
The Critics Choice Association just unveiled the nominees for its 8th annual documentary awards. Topping the list is “American Symphony” with six bids, including Best Documentary, Best Director for Matthew Heineman, and notices in Cinematography, Editing, and Music Documentary. Heineman is the Oscar nominated director of “Cartel Land” from 2015. The sixth nomination for “American Symphony” is for Best Score thanks to 2022’s Grammy Award recipient for Album of the Year, Jon Batiste. You may recognize another Aoty winner in the Ccda’s lineup — Taylor Swift‘s record breaking concert movie “Taylor Swift: The Eras Tour” is also nominated for Music Documentary.
Just behind “American Symphony” are three films that received five nominations each: “20 Days in Mariupol” from Mstyslav Chernov, “Kokomo City” from D. Smith, and “Still: A Michael J. Fox Movie” from Davis Guggenheim, who is also nominated for Director. The other directors that were heralded for their films...
Just behind “American Symphony” are three films that received five nominations each: “20 Days in Mariupol” from Mstyslav Chernov, “Kokomo City” from D. Smith, and “Still: A Michael J. Fox Movie” from Davis Guggenheim, who is also nominated for Director. The other directors that were heralded for their films...
- 10/24/2023
- by John Benutty
- Gold Derby
Steve McQueen earns directing nod for A24’s Occupied City.
Matthew Heineman’s American Symphony exploring a year in the life of musician Jon Batiste led the Critics Choice Documentary Awards with six nominations on Monday (October 16).
Heineman also gets a nod for best director, Tony Hardmon, Heineman, and Thorsten Thielow for best cinematography, Sammy Dane, Jim Hession, Heineman, and Fernando Villegas for best editing, Jon Batiste for best score, and best music documentary.
Mstyslav Chernov’s 20 Days In Mariupol, D. Smth’s Kokomo City, and Davis Guggenheim’s Still: A Michael J. Fox Movie each received five nominations...
Matthew Heineman’s American Symphony exploring a year in the life of musician Jon Batiste led the Critics Choice Documentary Awards with six nominations on Monday (October 16).
Heineman also gets a nod for best director, Tony Hardmon, Heineman, and Thorsten Thielow for best cinematography, Sammy Dane, Jim Hession, Heineman, and Fernando Villegas for best editing, Jon Batiste for best score, and best music documentary.
Mstyslav Chernov’s 20 Days In Mariupol, D. Smth’s Kokomo City, and Davis Guggenheim’s Still: A Michael J. Fox Movie each received five nominations...
- 10/16/2023
- by Jeremy Kay
- ScreenDaily
Jon Batiste in ‘American Symphony’
American Symphony earned six nominations, topping the list of 2023 Critics Choice Documentary Awards (Ccda) nominees. American Symphony, which focuses on Jon Batiste and his wife, Suleika Jaouad, picked up nominations in categories including Best Documentary Feature, Best Director (Matthew Heineman), Best Cinematography, Best Editing, Best Score (Jon Batiste), and Best Music Documentary.
Three documentaries – 20 Days in Mariupol, Kokomo City, and Still: A Michael J. Fox Movie – followed with five nominations each. Documentarian Ross McElwee has been chosen to receive The Pennebaker Award (the Ccda’s lifetime achievement honor).
Winners will be announced during the Eighth Annual Critics Choice Documentary Awards to be held at The Edison Ballroom in Manhattan on Sunday, November 12, 2023. Actor and standup comedian Wyatt Cenac (Wyatt Cenac’s Problem Areas) will host the awards for the second consecutive year.
The Ccda will live-stream on Facebook, YouTube, and X (formerly Twitter...
American Symphony earned six nominations, topping the list of 2023 Critics Choice Documentary Awards (Ccda) nominees. American Symphony, which focuses on Jon Batiste and his wife, Suleika Jaouad, picked up nominations in categories including Best Documentary Feature, Best Director (Matthew Heineman), Best Cinematography, Best Editing, Best Score (Jon Batiste), and Best Music Documentary.
Three documentaries – 20 Days in Mariupol, Kokomo City, and Still: A Michael J. Fox Movie – followed with five nominations each. Documentarian Ross McElwee has been chosen to receive The Pennebaker Award (the Ccda’s lifetime achievement honor).
Winners will be announced during the Eighth Annual Critics Choice Documentary Awards to be held at The Edison Ballroom in Manhattan on Sunday, November 12, 2023. Actor and standup comedian Wyatt Cenac (Wyatt Cenac’s Problem Areas) will host the awards for the second consecutive year.
The Ccda will live-stream on Facebook, YouTube, and X (formerly Twitter...
- 10/16/2023
- by Rebecca Murray
- Showbiz Junkies
Matthew Heineman’s American Symphony, a portrait of musician Jon Batiste as he experiences professional success amid the personal challenge of his wife Suleika Jaouad’s cancer battle, leads the nominations for the 2023 Critics Choice Documentary Awards.
American Symphony is up for six awards including best documentary feature. The film is also nominated for best director (Heineman), cinematography (Heineman, Tony Hardmon and Thorsten Thielow), editing (Heineman, Sammy Dane, Jim Hession and Fernando Villegas), score (Batiste) and best music doc.
20 Days in Mariupol, Kokomo City and Still: A Michael J. Fox Movie each scored five nods, with all three titles up for best doc feature and best editing.
20 Days in Mariupol is additionally nominated for best first doc, narration (Mstyslav Chernov) and political doc. Kokomo City is also up for best first doc, cinematography and score (D. Smith). Still is up for best director (Davis Guggenheim), narration (Fox) and biographical doc.
American Symphony is up for six awards including best documentary feature. The film is also nominated for best director (Heineman), cinematography (Heineman, Tony Hardmon and Thorsten Thielow), editing (Heineman, Sammy Dane, Jim Hession and Fernando Villegas), score (Batiste) and best music doc.
20 Days in Mariupol, Kokomo City and Still: A Michael J. Fox Movie each scored five nods, with all three titles up for best doc feature and best editing.
20 Days in Mariupol is additionally nominated for best first doc, narration (Mstyslav Chernov) and political doc. Kokomo City is also up for best first doc, cinematography and score (D. Smith). Still is up for best director (Davis Guggenheim), narration (Fox) and biographical doc.
- 10/16/2023
- by Hilary Lewis
- The Hollywood Reporter - Movie News
The eighth annual Critics Choice Documentary Awards nominations are often an early bellwether for the Best Documentary Feature Oscar race, mainly because they signal to Oscar voters many of the key films they should not miss. Last year’s winner, “Good Night Oppy,” did not make it to the documentary Oscar shortlist, but the year before, “Summer of Soul” went on to win the Oscar.
This year’s nominations were led by fall festival favorite “American Symphony,” Matthew Heineman’s moving portrait of musician Jon Batiste as he juggles work demands and his wife’s recurring leukemia, with six nods. It was followed by Mstyslav Chernov’s Ukraine international Oscar submission “20 Days in Mariupol,” D. Smith’s black-and-white portrait of Black trans sex workers “Kokomo City,” and Davis Guggenheim’s editing feat “Still: A Michael J. Fox Movie,” with five each.
The gala to honor the winners, hosted by comedian Wyatt Cenac,...
This year’s nominations were led by fall festival favorite “American Symphony,” Matthew Heineman’s moving portrait of musician Jon Batiste as he juggles work demands and his wife’s recurring leukemia, with six nods. It was followed by Mstyslav Chernov’s Ukraine international Oscar submission “20 Days in Mariupol,” D. Smith’s black-and-white portrait of Black trans sex workers “Kokomo City,” and Davis Guggenheim’s editing feat “Still: A Michael J. Fox Movie,” with five each.
The gala to honor the winners, hosted by comedian Wyatt Cenac,...
- 10/16/2023
- by Anne Thompson
- Indiewire
Oscar winner Davis Guggenheim is no stranger to bold-faced names, having worked with the likes of Al Gore, Barack Obama and Malala Yousafzai. But some three years ago, he found himself, as he says, “stuck.”
“I wanted to do something different. I wanted to find joy in my work. I wanted to experiment and take some big risks,” says Guggenheim. At the time, he was reading Michael J. Fox’s autobiography, No Time Like the Future, and a light bulb went off. “I said, ‘Wow, this could be a wild ride.’ That was one of the first things I jotted in the margins of the book: ‘This could be a wild ride.’ “
Davis Guggenheim
Still: A Michael J. Fox Movie, released via Apple TV+, is the story of Fox’s life and career told through the lens of the Back to the Future actor’s diagnosis and continued maintenance of his Parkinson’s disease.
“I wanted to do something different. I wanted to find joy in my work. I wanted to experiment and take some big risks,” says Guggenheim. At the time, he was reading Michael J. Fox’s autobiography, No Time Like the Future, and a light bulb went off. “I said, ‘Wow, this could be a wild ride.’ That was one of the first things I jotted in the margins of the book: ‘This could be a wild ride.’ “
Davis Guggenheim
Still: A Michael J. Fox Movie, released via Apple TV+, is the story of Fox’s life and career told through the lens of the Back to the Future actor’s diagnosis and continued maintenance of his Parkinson’s disease.
- 8/17/2023
- by Mia Galuppo
- The Hollywood Reporter - Movie News
People often say never meet your heroes, but “Still: A Michael J. Fox Movie” editor Michael Harte absolutely couldn’t wait to meet one of his. When Oscar-winning documentary filmmaker Davis Guggenheim (“An Inconvenient Truth”) ended up needing an editor for AppleTV+’s in-depth film profile of the Parkinson’s cure advocate and “Family Ties” and “Back to the Future” star, Harte accelerated his interest almost to the tune of 88 miles per hour.
“I was working on the documentary “Three Identical Strangers,” and we wanted the first act of that to feel like a 1980s movie,” said the BAFTA-winning Harte of that 2018 Oscar-nominated doc about a notable group of separated male triplets who reconnect later in life. “So, we were watching a lot of Michael J. Fox movies, because we just wanted to get the same vibe.”
One of the most striking aspects of “Still”—the most nominated nonfiction project...
“I was working on the documentary “Three Identical Strangers,” and we wanted the first act of that to feel like a 1980s movie,” said the BAFTA-winning Harte of that 2018 Oscar-nominated doc about a notable group of separated male triplets who reconnect later in life. “So, we were watching a lot of Michael J. Fox movies, because we just wanted to get the same vibe.”
One of the most striking aspects of “Still”—the most nominated nonfiction project...
- 8/16/2023
- by Jason Clark
- The Wrap
This story about “Still: A Michael J. Fox Movie” first appeared in the Down to the Wire: Comedy/Variety/Reality/Nonfiction issue of TheWrap’s awards magazine.
The last time Davis Guggenheim interviewed Michael J. Fox for the documentary “Still: A Michael J. Fox Movie,” it came at the end of a three-year period in which the filmmaker of “An Inconvenient Truth” and “Waiting for ‘Superman’” had spent time with the actor as he reflected on his life and battled Parkinson’s disease. He left Fox’s home exhausted by the lengthy interview — “interviews are super intense and I’m hyper-focused” — but also feeling as if he’d really gotten to know the 62-year-old actor who’d become a star in his 20s with “Family Ties” and “Back to the Future.”
It was a beautiful spring day, so Guggenheim decided to walk back to his hotel, which was two miles away.
The last time Davis Guggenheim interviewed Michael J. Fox for the documentary “Still: A Michael J. Fox Movie,” it came at the end of a three-year period in which the filmmaker of “An Inconvenient Truth” and “Waiting for ‘Superman’” had spent time with the actor as he reflected on his life and battled Parkinson’s disease. He left Fox’s home exhausted by the lengthy interview — “interviews are super intense and I’m hyper-focused” — but also feeling as if he’d really gotten to know the 62-year-old actor who’d become a star in his 20s with “Family Ties” and “Back to the Future.”
It was a beautiful spring day, so Guggenheim decided to walk back to his hotel, which was two miles away.
- 8/14/2023
- by Steve Pond
- The Wrap
Still: A Michael J. Fox Movie heads into final Emmy Awards voting with more nominations than any other nonfiction project this year: seven in all, including Outstanding Documentary or Nonfiction Special, as well as recognition for director Davis Guggenheim and picture editor Michael Harte.
The Apple TV+ documentary creates a powerful portrait of the titular star, who rose to fame in the 1980s with Family Ties and Back to the Future and at age 29 – at the height of his fame – was diagnosed with Parkinson’s disease.
“I grew up adoring Michael J. Fox as an actor, and I think by the end of the project I kind of adored him as a man, as a human being,” Harte shared during an appearance at Deadline’s Contenders Television: The Nominees awards-season event. “It’s his ability to see the positive and to laugh through basically everything; his ability to find the...
The Apple TV+ documentary creates a powerful portrait of the titular star, who rose to fame in the 1980s with Family Ties and Back to the Future and at age 29 – at the height of his fame – was diagnosed with Parkinson’s disease.
“I grew up adoring Michael J. Fox as an actor, and I think by the end of the project I kind of adored him as a man, as a human being,” Harte shared during an appearance at Deadline’s Contenders Television: The Nominees awards-season event. “It’s his ability to see the positive and to laugh through basically everything; his ability to find the...
- 8/12/2023
- by Matthew Carey
- Deadline Film + TV
Celebrating television might feel like a wasted effort right now, especially since 11,500 writers and 160,000 actors are walking the picket lines for the ongoing WGA and SAG-AFTRA strikes. But it would be unfair to overlook the extraordinary work of so many Emmy-worthy creatives, even if the ongoing dispute between the Alliance of Motion Picture and Television Producers prevents writers and actors from talking about the very series that got them a ticket to the 75th annual Primetime Emmy Awards in the first place. Sadly, everyone will have to wait until January 2024 to see who will accept their just rewards. But this year’s Contenders Television: The Nominees virtual livestream event that kicks off Saturday at 10 a.m. Pt will certainly make it worth the wait.
Click here to sign up for and launch the livestream.
Talk of the streamers may be dominating the picket lines, but it’s the cable networks like HBO,...
Click here to sign up for and launch the livestream.
Talk of the streamers may be dominating the picket lines, but it’s the cable networks like HBO,...
- 8/12/2023
- by Lynette Rice
- Deadline Film + TV
This season, television was pushed to its limits and into spaces that teetered genres and kept audiences guessing. From an improv show about a fake court trial to mockumentaries about public schools and vampires, a sci-fi drama about nuns, the 2023 Emmy nominations were a grab bag full of interesting television, and artisans helped take them even further.
Variety’s Creative Collaborators: The Nominees brunch, hosted by Variety’s senior artisans editor Jazz Tangcay, brought together this year’s Emmy-nominated casting directors, designers, editors and other exciting creators to reflect on how they defied tropes and took fresh approaches to TV.
Panel guests included Tom Campbell, EP of “RuPaul’s Drag Race”; Susie Farris, casting director on “Jury Duty”; Chris Gehrt, casting director on “Abbott Elementary”; Yana Gorskaya, editor for “What We Do in The Shadows”; Michael Harte, picture editor for “Still: A Michael J. Fox Movie”; Charlene Lee, casting director on “Beef”; Arlene Martin,...
Variety’s Creative Collaborators: The Nominees brunch, hosted by Variety’s senior artisans editor Jazz Tangcay, brought together this year’s Emmy-nominated casting directors, designers, editors and other exciting creators to reflect on how they defied tropes and took fresh approaches to TV.
Panel guests included Tom Campbell, EP of “RuPaul’s Drag Race”; Susie Farris, casting director on “Jury Duty”; Chris Gehrt, casting director on “Abbott Elementary”; Yana Gorskaya, editor for “What We Do in The Shadows”; Michael Harte, picture editor for “Still: A Michael J. Fox Movie”; Charlene Lee, casting director on “Beef”; Arlene Martin,...
- 8/9/2023
- by Sophia Scorziello
- Variety Film + TV
“A lot of what we do as directors is just putting out fires,” said “Ted Lasso” director Declan Lowney. Whether those are unavoidable or self-made fires, the directors at Variety’s Creative Collaborations: Directors on Directors panel all agreed that their shows and films faced serious challenges — but that didn’t stop their projects from earning Emmy nominations.
Directors Valerie Faris and Jonathan Dayton of “Fleishman is in Trouble,” Peter Hoar of “The Last of Us,” Lowney of “Ted Lasso,” Glenn Weiss of “The Oscars” and Davis Guggenheim of “Still: A Michael J. Fox Movie” joined Variety’s senior artisans editor Jazz Tangcay for a conversation about their recent projects and the unexpected complications that came with them.
Preparing for a live show as big as the Oscars takes serious planning, starting as early as the day nominations come out and running all the way up to the final week before the show.
Directors Valerie Faris and Jonathan Dayton of “Fleishman is in Trouble,” Peter Hoar of “The Last of Us,” Lowney of “Ted Lasso,” Glenn Weiss of “The Oscars” and Davis Guggenheim of “Still: A Michael J. Fox Movie” joined Variety’s senior artisans editor Jazz Tangcay for a conversation about their recent projects and the unexpected complications that came with them.
Preparing for a live show as big as the Oscars takes serious planning, starting as early as the day nominations come out and running all the way up to the final week before the show.
- 8/9/2023
- by Sophia Scorziello
- Variety Film + TV
Variety has announced the programming for its inaugural Creative Collaborations: The Nominees brunch, featuring two panels with the contending directors and artisans behind the year’s top TV series’. The invite-only brunch will take place in Los Angeles on August 8. Both conversations will be moderated and hosted by senior artisans editor Jazz Tangcay.
Creative Collaborations: The Nominees will feature two panels with Emmy-nominees from across the various categories. The Creative Collaborators panelists will shine a spotlight on nominated artisans from shows such as “Jury Duty” “Poker Face” “Abbott Elementary,” “ Moonage Daydream”, “What we do in the Shadows” and many more. The panel will focus on how the crafts are essential to the visual storytelling behind this year’s Emmy-nominated shows.
Directors on Directors will feature Emmy-nominated helmers from “Last of Us” “Ted Lasso,” “The Oscars” and “Fleishman is in Trouble” as they share their collaborative process and how working with...
Creative Collaborations: The Nominees will feature two panels with Emmy-nominees from across the various categories. The Creative Collaborators panelists will shine a spotlight on nominated artisans from shows such as “Jury Duty” “Poker Face” “Abbott Elementary,” “ Moonage Daydream”, “What we do in the Shadows” and many more. The panel will focus on how the crafts are essential to the visual storytelling behind this year’s Emmy-nominated shows.
Directors on Directors will feature Emmy-nominated helmers from “Last of Us” “Ted Lasso,” “The Oscars” and “Fleishman is in Trouble” as they share their collaborative process and how working with...
- 8/2/2023
- by William Earl
- Variety Film + TV
Over his career Michael J. Fox has won five Emmys, and now an acclaimed documentary about him could win a bunch more.
Still: A Michael J. Fox Movie from Apple TV+ earned seven nominations this morning, the most of any nonfiction film or series. It was recognized in the marquee category of Outstanding Documentary or Nonfiction Series, as well as Outstanding Directing for a Documentary/Nonfiction for Davis Guggenheim – the Oscar-winning director of An Inconvenient Truth. The feature doc also scored nominations for cinematography, picture editing, sound editing, sound mixing and music for John Powell’s score.
Michael J. Fox on ‘The Tonight Show with Jay Leno’
The documentary examines Fox’s improbable rise from Canada to the heights of Hollywood fame, first on TV in Family Ties and later in films including the immensely successful Back to the Future franchise. And it chronicles his long struggle with debilitating Parkinson’s disease,...
Still: A Michael J. Fox Movie from Apple TV+ earned seven nominations this morning, the most of any nonfiction film or series. It was recognized in the marquee category of Outstanding Documentary or Nonfiction Series, as well as Outstanding Directing for a Documentary/Nonfiction for Davis Guggenheim – the Oscar-winning director of An Inconvenient Truth. The feature doc also scored nominations for cinematography, picture editing, sound editing, sound mixing and music for John Powell’s score.
Michael J. Fox on ‘The Tonight Show with Jay Leno’
The documentary examines Fox’s improbable rise from Canada to the heights of Hollywood fame, first on TV in Family Ties and later in films including the immensely successful Back to the Future franchise. And it chronicles his long struggle with debilitating Parkinson’s disease,...
- 7/12/2023
- by Matthew Carey
- Deadline Film + TV
This story about “Still: A Michael J. Fox Movie” first appeared in the Race Begins issue of TheWrap’s Emmy magazine.
Davis Guggenheim, the Oscar-winning director of “An Inconvenient Truth” and “Waiting for Superman,” has made an intimate chronicle of Michael J. Fox’s meteoric rise to TV and film stardom in the 1980s, followed by his shocking diagnosis with Parkinson’s disease. In keeping with Fox’s usual approach, “Still” is light instead of ponderous, even as it delves into the inexorable progression of a disease about which Fox’s doctor told him, “You lose this one.”
How did you get involved with this movie?
It was during Covid. I was in a rut, I hadn’t had a movie that excited me in a while. And I read this interview with Michael in the New York Times. Of course he was funny, but his storytelling was so strong that I said,...
Davis Guggenheim, the Oscar-winning director of “An Inconvenient Truth” and “Waiting for Superman,” has made an intimate chronicle of Michael J. Fox’s meteoric rise to TV and film stardom in the 1980s, followed by his shocking diagnosis with Parkinson’s disease. In keeping with Fox’s usual approach, “Still” is light instead of ponderous, even as it delves into the inexorable progression of a disease about which Fox’s doctor told him, “You lose this one.”
How did you get involved with this movie?
It was during Covid. I was in a rut, I hadn’t had a movie that excited me in a while. And I read this interview with Michael in the New York Times. Of course he was funny, but his storytelling was so strong that I said,...
- 6/1/2023
- by Steve Pond
- The Wrap
“I felt like I was in a personal rut and a professional rut,” recalls Oscar-winning filmmaker Davis Guggenheim prior to directing “Still: A Michael J. Fox Movie.” “I felt like I’ve been making the same thing over and over again. I was looking for some joy in my work. And I read this interview with Michael where he’d had this conversation about his most recent book, and his writing was so good. The storytelling was so good, but also there was a humor, a surprising humor and wisdom in his book. I started to read it for myself, and as I read his books, then I listened to his books on tape. I was like, ‘Oh my God, this would be amazing movie!'” Watch our exclusive video interview above.
“Still: A Michael J. Fox Movie” follows the life of beloved actor and advocate Michael J. Fox, exploring...
“Still: A Michael J. Fox Movie” follows the life of beloved actor and advocate Michael J. Fox, exploring...
- 5/19/2023
- by Denton Davidson
- Gold Derby
If producer-director Davis Guggenheim winds up coming away with an Emmy Award for his phenomenal Apple TV+ documentary film of Michael J. Fox’s life and career entitled “Still” that premiered May 12 on the streamer, his best move would be to immediately dedicate the win to the spectacular job done by his editor, a fellow named Michael Harte. I have in fact never seen a more brilliant job of storytelling and production flow than that turned in by Harte, who merges the personal and professional lives of Fox so brilliantly that it almost takes your breath away.
Unlike the majority of so-called celebrity docs that get made, “Still” doesn’t focus on friends, colleagues or even family members to tell the story of the subject at its center. It shines an unblinking spotlight on Fox himself, one that can be raw and harrowing to take in given the star’s...
Unlike the majority of so-called celebrity docs that get made, “Still” doesn’t focus on friends, colleagues or even family members to tell the story of the subject at its center. It shines an unblinking spotlight on Fox himself, one that can be raw and harrowing to take in given the star’s...
- 5/16/2023
- by Ray Richmond
- Gold Derby
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