Natalie Rae and Angela Patton’s “Daughters,” an acclaimed documentary about a program that allows young girls to participate in a special dance with their incarcerated fathers, is finalizing a sale to Netflix. If the deal closes, it is expected to be in the seven-figure range. It was a competitive situation with at least three companies circling the picture.
“Daughters” premiered at this year’s Sundance Film Festival, where it won the Audience Award in Documentary Competition and was named overall Festival Favorite. The film took eight years to produce.
In a rave review in Variety, Lisa Kennedy praised “Daughters,” writing that the film adds “depth and dimension to stories of incarceration.” Kennedy added: “The film is rife with visually lyrical moments that connect viewers with the young ones’ sorrows, fears, insights and hopes. In the hands of the directors, cinematographer Michael Cambio Fernandez and editors Troy Lewis and Adelina Bichis,...
“Daughters” premiered at this year’s Sundance Film Festival, where it won the Audience Award in Documentary Competition and was named overall Festival Favorite. The film took eight years to produce.
In a rave review in Variety, Lisa Kennedy praised “Daughters,” writing that the film adds “depth and dimension to stories of incarceration.” Kennedy added: “The film is rife with visually lyrical moments that connect viewers with the young ones’ sorrows, fears, insights and hopes. In the hands of the directors, cinematographer Michael Cambio Fernandez and editors Troy Lewis and Adelina Bichis,...
- 1/30/2024
- by Brent Lang and Angelique Jackson
- Variety Film + TV
A striking film that evokes a wave of emotions, Natalie Rae and Angela Patton’s Daughters is another picture––à la Rudy Valdez’s The Sentence, Garrett Bradley’s Time, and Zara Katz and Lisa Riordan Seville’s A Women on the Outside––focusing directly on the impact prison sentences have on families. All three films discuss the direct and indirect costs of keeping in touch with loved ones “inside,” from visiting far-flung facilities across the state or country to the exorbitant rates charged by companies (e.g. Secures Technologies) for video visits and emails. Daughters is an oft-poetic look at the impact this separation has on four girls, ages five to 15: Aubrey, Santana, Ja’Anna, and Raziah.
Early on we learn from Clinique Chapman, a prison social worker overseeing this project, that a group of girls have petitioned the local sheriff overseeing the prison in Washington, DC, for...
Early on we learn from Clinique Chapman, a prison social worker overseeing this project, that a group of girls have petitioned the local sheriff overseeing the prison in Washington, DC, for...
- 1/26/2024
- by John Fink
- The Film Stage
In “Daughters,” a group of men gathers in a sunny, brightly hued prison meeting room. Each man wears an orange jumpsuit and has signed on for a 10-week course about fatherhood with life coach Chad Morris in directors Natalie Rae and Angela Patton’s entrancing documentary, debuting at the Sundance Film Festival. The body language in the room is instructive, not least because it will change over time. Show-me postures will give way to leaning in. Crickets become questions and confessions as the day nears when the men will attend a dance and luncheon in the repurposed prison gymnasium, reunited with the daughters from whom they’ve been separated.
As interesting as the goings-on in that prison room will be, the stars of “Daughters” are the titular girls: Aubrey Smith, 5, Santana Stewart, 10, Ja’Ana Crudup, 11, and Raziah Lewis, 15. “One thing I know from working over a decade with girls is they know what they need,...
As interesting as the goings-on in that prison room will be, the stars of “Daughters” are the titular girls: Aubrey Smith, 5, Santana Stewart, 10, Ja’Ana Crudup, 11, and Raziah Lewis, 15. “One thing I know from working over a decade with girls is they know what they need,...
- 1/23/2024
- by Lisa Kennedy
- Variety Film + TV
Exclusive: Here’s a positive news story in challenging times. Filming is underway on a charitable, filmed-from-home pilot starring Brian Cox (Succession), Claes Bang (The Square) and journalist-presenter Mariella Frostrup, among others.
UK producer Maggie Monteith (Swimming With Men) has enlisted an all-female, transatlantic team of writer-directors for whodunnit The Agoraphobics Detective Society, whose proceeds will go to UK and U.S. film and TV freelancers impacted by coronavirus.
More from DeadlineAmazing Stories, Mythic Quest: Raven's Banquet Give Apple TV+ A Boost - StudyIHeartMedia Targets $250M In 2020 Cost Savings With Furloughs, Pay CutsRita Wilson Talks About Her Coronavirus Experience, 'Hip Hop Hooray' Remix In 'CBS This Morning' Interview
The pilot for the eight-episode show will see a distraught group of patients band together to find a renowned expert psychiatrist who disappears without explanation.
Also among actors filming their parts digitally from home during the lockdown are Ian Harvie...
UK producer Maggie Monteith (Swimming With Men) has enlisted an all-female, transatlantic team of writer-directors for whodunnit The Agoraphobics Detective Society, whose proceeds will go to UK and U.S. film and TV freelancers impacted by coronavirus.
More from DeadlineAmazing Stories, Mythic Quest: Raven's Banquet Give Apple TV+ A Boost - StudyIHeartMedia Targets $250M In 2020 Cost Savings With Furloughs, Pay CutsRita Wilson Talks About Her Coronavirus Experience, 'Hip Hop Hooray' Remix In 'CBS This Morning' Interview
The pilot for the eight-episode show will see a distraught group of patients band together to find a renowned expert psychiatrist who disappears without explanation.
Also among actors filming their parts digitally from home during the lockdown are Ian Harvie...
- 4/14/2020
- by Andreas Wiseman
- Deadline Film + TV
Friendships rarely start on terms more passive-aggressive than an intergenerational one does in “Good Posture,” writer-director Dolly Wells’ roughly drafted feature debut that manages to be just affable enough. Navigating the bookish streets of New York again after playing a kindhearted bookstore owner in “Can You Ever Forgive Me?” — this time, behind the camera in present-day Brooklyn — Wells swaddles her film with her soft artistic spirit; an aura she also infused into Marielle Heller’s melancholic drama. The result is a genial slice-of-life comedy, a female-driven, late-coming-of-age tale in the tradition of Lynn Shelton’s “Laggies,” exclusively brewed and bottled among the tree-lined sidewalks of Bed-Stuy.
While sufficiently charming, “Good Posture” would have been mostly unremarkable if it weren’t for sensational “The Meyerowitz Stories” actor Grace Van Patten, who plays recent college graduate Lilian, an entitled and thoroughly privileged brat who hides her aimless existence behind her noticeable beauty.
While sufficiently charming, “Good Posture” would have been mostly unremarkable if it weren’t for sensational “The Meyerowitz Stories” actor Grace Van Patten, who plays recent college graduate Lilian, an entitled and thoroughly privileged brat who hides her aimless existence behind her noticeable beauty.
- 5/1/2019
- by Tomris Laffly
- Variety Film + TV
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