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Director Marie Alice Wolfszahn’s Mother Superior has taken best feature in the main competition at the Brooklyn Horror Film Festival with the abortion-focused anthology Give Me An A garnering the Gold Audience Award during the seventh edition of the festival.
Other main competition jury prize winners at Bhff, which ran from Oct. 13-20 with events held in Williamsburg and Prospect Park, included Wolfszahn for best director, Megalomaniac’s Eline Schumacher for best performance and a special jury mention for the Paolo Strippoli-directed Flowing.
The main competition jury, which was comprised of filmmaker Zach Clark, HuffPost Senior Culture Editor Candice Frederick and author Kate Robertson, lauded Mother Superior — a directorial debut from the Austrian Wolfszahn — as “a thoughtfully crafted folk story exploring the völkisch occult with a captivating aesthetic indebted to the gothic tradition and tight editing, each frame carefully considered.”
The...
Director Marie Alice Wolfszahn’s Mother Superior has taken best feature in the main competition at the Brooklyn Horror Film Festival with the abortion-focused anthology Give Me An A garnering the Gold Audience Award during the seventh edition of the festival.
Other main competition jury prize winners at Bhff, which ran from Oct. 13-20 with events held in Williamsburg and Prospect Park, included Wolfszahn for best director, Megalomaniac’s Eline Schumacher for best performance and a special jury mention for the Paolo Strippoli-directed Flowing.
The main competition jury, which was comprised of filmmaker Zach Clark, HuffPost Senior Culture Editor Candice Frederick and author Kate Robertson, lauded Mother Superior — a directorial debut from the Austrian Wolfszahn — as “a thoughtfully crafted folk story exploring the völkisch occult with a captivating aesthetic indebted to the gothic tradition and tight editing, each frame carefully considered.”
The...
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Flipping a traditional formula on its head, Mari Walker’s haunting feature film debut See You Then begins simply enough: we’re introduced to a reunion that takes place in a sometimes awkward dream-like state in a college town on a weekday night when only a handful of professors and students have ventured out. Perhaps, the long conversation that transpires throughout the evening can be read as a truth and reconciliation that needed to occur so that both parties can simply get out of the rut they find themselves personally, professionally, and creatively––the kind of process one might engage in while dreaming of an ex or a road not taken while sleeping.
Visiting a college town for a conference Kris (Pooya Mohseni), a networking specialist, meets up with an old college acquaintance Naomi (Lynn Chen), a daring performance artist who is now a professor juggling course loads and the...
Visiting a college town for a conference Kris (Pooya Mohseni), a networking specialist, meets up with an old college acquaintance Naomi (Lynn Chen), a daring performance artist who is now a professor juggling course loads and the...
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- by John Fink
- The Film Stage
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