Despite it’s very au courant subject matter, Peter Bogdanovich’s first feature was never going to abide by the filmmaking trends of its era. In fact, it would be hard to think of many others in the industry less interested in the then-contemporary vanguard, and more fixated on the way things used to be back in American cinema’s golden age. Nevertheless, Targets emerged in 1968 as something of a bridge between the two generational factions that were in the early stages of splitting Hollywood apart.
Targets is essentially two films in conflict with each other right up to the final minute. Its logline is a ripped-from-the-headlines depiction of what, at the time, was a reasonably unheard-of phenomenon: a mass shooting. Lifting thematic elements of the infamous case of Charles Whitman, who climbed to an observation deck at the University of Texas in Austin, on August 1, 1966, and picked people off with a rifle,...
Targets is essentially two films in conflict with each other right up to the final minute. Its logline is a ripped-from-the-headlines depiction of what, at the time, was a reasonably unheard-of phenomenon: a mass shooting. Lifting thematic elements of the infamous case of Charles Whitman, who climbed to an observation deck at the University of Texas in Austin, on August 1, 1966, and picked people off with a rifle,...
- 5/18/2023
- by Eric Henderson
- Slant Magazine
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