Cringe comedy and pathos converge with unlikely grace in Dad & Step-Dad, the debut feature from director Tynan DeLong. Expanded significantly from short films that DeLong crafted with recurring collaborators Colin Burgess (recent star of Ryan Martin Brown’s debut feature Free Time) and Anthony Oberbeck, the premise of the feature is nonetheless pretty straightforward. On a weekend trip to an Airbnb in upstate New York, titular dad Jim (Burgess) and step-dad Dave (Oberbeck) quarrel incessantly, both over the affection of teenage ward Branson (played hilariously by adult Brian Fiddyment) and for inconsequential paternal bragging rights over the other. Passive aggression […]
The post “We Shot for Four-and-a-Half Days”: Tynan DeLong on Dad & Step-Dad first appeared on Filmmaker Magazine.
The post “We Shot for Four-and-a-Half Days”: Tynan DeLong on Dad & Step-Dad first appeared on Filmmaker Magazine.
- 4/4/2024
- by Natalia Keogan
- Filmmaker Magazine - Blog
Cringe comedy and pathos converge with unlikely grace in Dad & Step-Dad, the debut feature from director Tynan DeLong. Expanded significantly from short films that DeLong crafted with recurring collaborators Colin Burgess (recent star of Ryan Martin Brown’s debut feature Free Time) and Anthony Oberbeck, the premise of the feature is nonetheless pretty straightforward. On a weekend trip to an Airbnb in upstate New York, titular dad Jim (Burgess) and step-dad Dave (Oberbeck) quarrel incessantly, both over the affection of teenage ward Branson (played hilariously by adult Brian Fiddyment) and for inconsequential paternal bragging rights over the other. Passive aggression […]
The post “We Shot for Four-and-a-Half Days”: Tynan DeLong on Dad & Step-Dad first appeared on Filmmaker Magazine.
The post “We Shot for Four-and-a-Half Days”: Tynan DeLong on Dad & Step-Dad first appeared on Filmmaker Magazine.
- 4/4/2024
- by Natalia Keogan
- Filmmaker Magazine-Director Interviews
It’s probably an overstatement to call writer-director Ryan Martin Brown’s feature debut, Free Time, a “generation-defining movie.” Shot in 10 days with a cast of relative unknowns, the micro-budget comedy has more or less passed under the radar, premiering at a bunch of midlevel festivals and receiving a limited release in select U.S. cities. (It’s currently playing the Quad in N.Y. and the Landmark Westwood in L.A.)
And yet there’s something very much of the now in this cleverly concocted and occasionally hilarious tale of Generation Z malaise, which follows a disgruntled 20-something office worker who quits his job to join the post-pandemic great resignation, only to realize he has no idea what to do with himself once he’s out of work. Clocking in at a breezy 78 minutes, it’s the kind of down-and-dirty NYC indie we see less and less of nowadays,...
And yet there’s something very much of the now in this cleverly concocted and occasionally hilarious tale of Generation Z malaise, which follows a disgruntled 20-something office worker who quits his job to join the post-pandemic great resignation, only to realize he has no idea what to do with himself once he’s out of work. Clocking in at a breezy 78 minutes, it’s the kind of down-and-dirty NYC indie we see less and less of nowadays,...
- 4/2/2024
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
Colin Burgess and Anthony Oberbeck star in Dad & Step-Dad, an independent comedy film they co-wrote with director Tynan DeLong. It follows Jim and Dave, a dad and a step-dad, as they struggle with bonding during a weekend upstate with Branson, the 13-year-old son they share. It’s about family, communication, insecurity and the fragility of the male ego. On this episode, Burgess and Oberbeck describe the development of their comedy tastes and take us back to the improvised shorts that preceded the feature, where they were able to hone their characters and comedic sensibility before growing the project to feature-length. […]
The post “We Accidentally Did Everything Wrong, But It’s Starting to Work”: Dad & Step-Dad Stars Colin Burgess and Anthony Oberbeck, Back To One, Episode 285 first appeared on Filmmaker Magazine.
The post “We Accidentally Did Everything Wrong, But It’s Starting to Work”: Dad & Step-Dad Stars Colin Burgess and Anthony Oberbeck, Back To One, Episode 285 first appeared on Filmmaker Magazine.
- 4/2/2024
- by Peter Rinaldi
- Filmmaker Magazine - Blog
Colin Burgess and Anthony Oberbeck star in Dad & Step-Dad, an independent comedy film they co-wrote with director Tynan DeLong. It follows Jim and Dave, a dad and a step-dad, as they struggle with bonding during a weekend upstate with Branson, the 13-year-old son they share. It’s about family, communication, insecurity and the fragility of the male ego. On this episode, Burgess and Oberbeck describe the development of their comedy tastes and take us back to the improvised shorts that preceded the feature, where they were able to hone their characters and comedic sensibility before growing the project to feature-length. […]
The post “We Accidentally Did Everything Wrong, But It’s Starting to Work”: Dad & Step-Dad Stars Colin Burgess and Anthony Oberbeck, Back To One, Episode 285 first appeared on Filmmaker Magazine.
The post “We Accidentally Did Everything Wrong, But It’s Starting to Work”: Dad & Step-Dad Stars Colin Burgess and Anthony Oberbeck, Back To One, Episode 285 first appeared on Filmmaker Magazine.
- 4/2/2024
- by Peter Rinaldi
- Filmmaker Magazine-Director Interviews
IFC’s Late Night With The Devil has scared up the distributor’s largest opening weekend ever with an estimated $2.8+ million on 1.043 screens, coming in at no. 6 at the domestic box office.
Prior to this weekend, Watcher was IFC’s top opening film at $827k, followed by Skinamarink with $819k and Blackberry at $801k. Late Night was IFC’s widest opening since The D Train, the distributor said, noting it was IFC’s highest opening day ($437k) since Skinamakink, and its highest Thursday pre-show ($317k). The film by Australian duo Colin and Cameron Cairnes unfolds almost in real-time on the set of a 1977 late-night talk show broadcast that unexpectedly transforms from amusing to sinister, unleashing evil into the nation’s living rooms. Stars David Dastmalchian as talk show host Jack Delroy.
The Image Nation Abu Dhabi and Spooky Pictures pic premiered at SXSW and has since played Fantasia Festival in Montreal,...
Prior to this weekend, Watcher was IFC’s top opening film at $827k, followed by Skinamarink with $819k and Blackberry at $801k. Late Night was IFC’s widest opening since The D Train, the distributor said, noting it was IFC’s highest opening day ($437k) since Skinamakink, and its highest Thursday pre-show ($317k). The film by Australian duo Colin and Cameron Cairnes unfolds almost in real-time on the set of a 1977 late-night talk show broadcast that unexpectedly transforms from amusing to sinister, unleashing evil into the nation’s living rooms. Stars David Dastmalchian as talk show host Jack Delroy.
The Image Nation Abu Dhabi and Spooky Pictures pic premiered at SXSW and has since played Fantasia Festival in Montreal,...
- 3/24/2024
- by Jill Goldsmith
- Deadline Film + TV
Chances are, most working-class members of society have, at one point or another, questioned their own life’s direction, the value they offer, the possibilities outside the office, and the meaning behind it all. There’s something to be said about a film, loaded with all of the above without the tendency to shout it from the rooftops, that itself acts as a mirror image of its main character, which is exactly what’s presented by the relaxed, easygoing, somewhat maddening, “Free Time.“
Read More: The 100 Most Anticipated Films Of 2024
As “Free Time” opens, we’re quick to meet the protagonist, Drew (Colin Burgess), employed by a New York City-based firm as a data analyst.
Continue reading ‘Free Time’ Review: Without A Job, Without A Point, But Nonetheless Watchable at The Playlist.
Read More: The 100 Most Anticipated Films Of 2024
As “Free Time” opens, we’re quick to meet the protagonist, Drew (Colin Burgess), employed by a New York City-based firm as a data analyst.
Continue reading ‘Free Time’ Review: Without A Job, Without A Point, But Nonetheless Watchable at The Playlist.
- 3/22/2024
- by Brian Farvour
- The Playlist
In Free Time, writer-director-producer Ryan Martin Brown’s debut feature, directionless office drone Drew (comedian Colin Burgess) decides to quit his job. After all, the position is hardly fulfilling (nor is he particularly gifted at it), and why spend all day bleary-eyed behind a screen when all that New York City has to offer exists just outside the door? Soon enough, Drew’s naive work-life musings are proven to be drivel, and his joblessness puts a mighty strain on his few remaining social relationships. His Wfh roommate Rajat (Rajat Suresh) doesn’t seem thrilled with Drew’s daytime presence in the apartment, nor does […]
The post “It’s a Confusing World That We Inhabit”: Ryan Martin Brown on Free Time first appeared on Filmmaker Magazine.
The post “It’s a Confusing World That We Inhabit”: Ryan Martin Brown on Free Time first appeared on Filmmaker Magazine.
- 3/22/2024
- by Natalia Keogan
- Filmmaker Magazine-Director Interviews
In Free Time, writer-director-producer Ryan Martin Brown’s debut feature, directionless office drone Drew (comedian Colin Burgess) decides to quit his job. After all, the position is hardly fulfilling (nor is he particularly gifted at it), and why spend all day bleary-eyed behind a screen when all that New York City has to offer exists just outside the door? Soon enough, Drew’s naive work-life musings are proven to be drivel, and his joblessness puts a mighty strain on his few remaining social relationships. His Wfh roommate Rajat (Rajat Suresh) doesn’t seem thrilled with Drew’s daytime presence in the apartment, nor does […]
The post “It’s a Confusing World That We Inhabit”: Ryan Martin Brown on Free Time first appeared on Filmmaker Magazine.
The post “It’s a Confusing World That We Inhabit”: Ryan Martin Brown on Free Time first appeared on Filmmaker Magazine.
- 3/22/2024
- by Natalia Keogan
- Filmmaker Magazine - Blog
One of the great dilemmas facing American society in the 2020s is the question of how much time we actually need to spend working. For many, the Covid-19 pandemic and the flexible work-from-home accommodations it ushered in were evidence that they could get their jobs done without 40 hours of synchronized work each week. Others had bigger epiphanies and decided to prioritize free time over corporate glory by “quiet quitting” or abandoning their careers altogether. It feels like the country has reached a paradoxical crossroads in which many white-collar workers are deriving a higher percentage of their identity from their jobs while simultaneously looking to spend less time doing them.
But while the vague concept of “more free time” has become the MacGuffin motivating countless workaholics to make big life changes, the problem of what to actually do with it can be harder to solve. That’s a lesson that Drew...
But while the vague concept of “more free time” has become the MacGuffin motivating countless workaholics to make big life changes, the problem of what to actually do with it can be harder to solve. That’s a lesson that Drew...
- 3/22/2024
- by Christian Zilko
- Indiewire
Free Time opens on an office meeting between Drew (Colin Burgess) and his boss. Drew is dissatisfied with his data-analysis position because it’s too much data entry and too little analysis. “The computers do all of the analysis for you now. It’s really just… data,” he laments. The meeting ends unexpectedly with Drew surprising himself (and his boss) by putting in his two-week notice. It’s a savvy cold open that clues us into Drew’s lack of self-awareness being a source of amusement in the narrative to follow.
Free Time is the feature-directing debut from Ryan Martin Brown and the latest comedy from 5th Floor Pictures, a Brooklyn-based collective responsible for last year’s underrated gem Yelling Fire in an Empty Theater. After a small-yet-memorable role in Yelling Fire, actor Colin Burgess takes a big step forward here, appearing in nearly every frame of Free Time’s airtight 77 minutes.
Free Time is the feature-directing debut from Ryan Martin Brown and the latest comedy from 5th Floor Pictures, a Brooklyn-based collective responsible for last year’s underrated gem Yelling Fire in an Empty Theater. After a small-yet-memorable role in Yelling Fire, actor Colin Burgess takes a big step forward here, appearing in nearly every frame of Free Time’s airtight 77 minutes.
- 3/22/2024
- by Caleb Hammond
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
After Blue (Bertrand Mandico)
In the post-apocalyptic nightmare of After Blue, humanity—or what’s left of it—roams a former paradise turned wasteland. The Armageddon that wrecked the Earth in some undetermined past left no machines behind, no screens, and, perhaps most conspicuously, no men. In the distant planet the human race fled to, and which writer-director Bertrand Mandico’s film is named after, “they were the first to die,” we’re warned early on: “their hairs grew inside them, and killed them.” As it was for its predecessor, The Wild Boys, After Blue is suffused in a feverish ecstasy, that wild excitement that comes from a watching one world crumble and another jutting into being from scratch, a vision of...
After Blue (Bertrand Mandico)
In the post-apocalyptic nightmare of After Blue, humanity—or what’s left of it—roams a former paradise turned wasteland. The Armageddon that wrecked the Earth in some undetermined past left no machines behind, no screens, and, perhaps most conspicuously, no men. In the distant planet the human race fled to, and which writer-director Bertrand Mandico’s film is named after, “they were the first to die,” we’re warned early on: “their hairs grew inside them, and killed them.” As it was for its predecessor, The Wild Boys, After Blue is suffused in a feverish ecstasy, that wild excitement that comes from a watching one world crumble and another jutting into being from scratch, a vision of...
- 3/22/2024
- by Jordan Raup
- The Film Stage
Few films capture the trials and tribulations of twenty-something waywardness rooted in economic realities of today so eloquently and humorously as Ryan Martin Brown’s feature debut Free Time, as I noted in my March preview. Led by Colin Burgess in a beautifully articulated performance of neurotic self-sabotage, this portrait of “the Great Resignation” more than makes up for its small scale with keen observations on what it means to have a creatively satisfying life. Accompanied by the strong supporting cast of Rajat Suresh, Holmes, James Webb, Eric Yates, Jessie Pinnick, and Rebecca Bulnes, Free Time feels like the promising beginnings of a new era in NYC indie filmmaking.
Ahead of the film’s theatrical release beginning at New York’s Quad Cinema this Friday, I spoke with Ryan Martin Brown about developing his first feature, his approach to comedy, being inspired by The Heartbreak Kid and The Jerk, the...
Ahead of the film’s theatrical release beginning at New York’s Quad Cinema this Friday, I spoke with Ryan Martin Brown about developing his first feature, his approach to comedy, being inspired by The Heartbreak Kid and The Jerk, the...
- 3/20/2024
- by Jordan Raup
- The Film Stage
Paul Mescal and Ayo Edebiri are sparking some romance rumors!
The 28-year-old actors set the Internet ablaze with a cute selfie together, getting close to celebrate St. Patrick’s Day over the weekend.
The photo was shared on Ayo‘s Instagram Story, in which they can be seen laughing together as they sat on a stairwell. Ayo also had her arms wrapped around his shoulder as he took the photo.
“Happy St Paddy’s...
The 28-year-old actors set the Internet ablaze with a cute selfie together, getting close to celebrate St. Patrick’s Day over the weekend.
The photo was shared on Ayo‘s Instagram Story, in which they can be seen laughing together as they sat on a stairwell. Ayo also had her arms wrapped around his shoulder as he took the photo.
“Happy St Paddy’s...
- 3/18/2024
- by Just Jared
- Just Jared
"Really, really, funny." NoBudge has debuted a brand new official trailer for an indie comedy called Dad & Step-Dad, made by filmmakers Tynan DeLong and Colin Burgess. After initially releasing on the streaming service NoBudge last year, this is getting a proper VOD release (with limited theatrical showings) starting in March. Here is the full intro to this cinema creation via Indiewire: "Dad & Step-Dad was filmed in just four days during summer 2021, with a production budget of $18,000. The feature is entirely improvised and based on an outline and multiple rehearsals... The film uses cinéma vérité, documentary filmmaking, Asmr, and Japanese environmental music as cinematic inspirations." Jim and Dave, a dad and a step-dad, have trouble bonding during a 3-day weekend upstate with their son, Branson. It's entirely improvised, based off of a robust outline + several rehearsals. Starring Colin Burgess and Anthony Oberbeck, with Brian Fiddyment and Clare O'Kane.
- 2/27/2024
- by Alex Billington
- firstshowing.net
Comedians Colin Burgess and Anthony Oberbeck lead a fully improvised indie film about the hilarious hijinks of fatherhood.
Burgess and Oberbeck are credited as co-writers for “Dad & Step-Dad,” which marks Brooklyn-based artist Tynan DeLong’s feature directorial debut. IndieWire exclusively debuts the trailer for the buzzed-about film that debuted on indie streaming platform NoBudge.
Now, after a premiere at Nitehawk Cinema Prospect Park, sold-out screenings at Spectacle theater, and a limited theatrical run at Alamo Drafthouse, “Dad & Step-Dad” arrives on digital platforms. The movie marks NoBudge’s first move into distribution.
Director DeLong co-wrote “Dad & Step-Dad” with lead stars Burgess and Oberbeck. The official synopsis reads: “A comedy about family, communication, insecurity, and the fragility of the male ego, the film follows Jim and Dave, a dad and a step-dad, as they struggle with bonding during a weekend upstate with Branson, the son they share.”
Brooklyn-based comedian...
Burgess and Oberbeck are credited as co-writers for “Dad & Step-Dad,” which marks Brooklyn-based artist Tynan DeLong’s feature directorial debut. IndieWire exclusively debuts the trailer for the buzzed-about film that debuted on indie streaming platform NoBudge.
Now, after a premiere at Nitehawk Cinema Prospect Park, sold-out screenings at Spectacle theater, and a limited theatrical run at Alamo Drafthouse, “Dad & Step-Dad” arrives on digital platforms. The movie marks NoBudge’s first move into distribution.
Director DeLong co-wrote “Dad & Step-Dad” with lead stars Burgess and Oberbeck. The official synopsis reads: “A comedy about family, communication, insecurity, and the fragility of the male ego, the film follows Jim and Dave, a dad and a step-dad, as they struggle with bonding during a weekend upstate with Branson, the son they share.”
Brooklyn-based comedian...
- 2/27/2024
- by Samantha Bergeson
- Indiewire
"I think this is good for me... I think I'm gonna go out and live life. Live life to the fullest..." Cartilage Films has unveiled an official trailer for an indie comedy titled Free Time, marking the feature directorial debut of indie filmmaker Ryan Martin Brown. This first premiered at the 2023 Indy Film Fest last year, with stops at the Boston, Montclair, and Nashville Film Festivals as well. Led by Colin Burgess and featuring a wide ensemble of New York's funniest performers, Ryan's debut feature is an uproarious comedy — filmed on location in the midst of America's "Great Resignation" — about the search for meaning in the modern world. Approaching the end of his twenties and his relative youth, a man decides to quit his cushy desk job and "embrace life" - only to realize he has no idea what to do with this newfound freedom. Also starring Rajat Suresh, Holmes,...
- 2/20/2024
- by Alex Billington
- firstshowing.net
One of the most promising American indies of the year, Ryan Martin Brown’s Free Time brings together Colin Burgess, Rajat Suresh, Holmes, James Webb, Eric Yates, Jessie Pinnick, and Rebecca Bulnes for a story about a man rethinking his life’s path. Ahead of a NYC opening on March 22 at Quad Cinema, LA opening on March 29 at Landmark Westwood, and Chicago opening on April 12 at Gene Siskel Film Center from Cartilage Films, the first trailer has now arrived.
Here’s the synopsis: “Drew is approaching the end of his twenties and, with it, his relative youth. Looking to make a sudden change, he decides to quit his cushy desk job and “embrace life.” Cycling quickly through friends, hobbies, and goals, it’s not long until Drew realizes he has no idea what to do with his newfound freedom. Led by Colin Burgess and featuring a wide ensemble of New York City’s funniest performers,...
Here’s the synopsis: “Drew is approaching the end of his twenties and, with it, his relative youth. Looking to make a sudden change, he decides to quit his cushy desk job and “embrace life.” Cycling quickly through friends, hobbies, and goals, it’s not long until Drew realizes he has no idea what to do with his newfound freedom. Led by Colin Burgess and featuring a wide ensemble of New York City’s funniest performers,...
- 2/20/2024
- by Leonard Pearce
- The Film Stage
Drew (Colin Burgess) believes he’s gonna have a bunch of sex if he just quits his desk job. In “Free Time” (as in reality), it doesn’t quite work out that way.
In Ryan Martin Brown’s debut feature film, shot over 10 days on the streets of New York, the main character hits a quarter-life crisis — hard. Drew chooses life over work … until he realizes life isn’t really happening while everyone else is at work. Drew quickly cycles through hobbies (including literally cycling), friends, and every which way to watch a DVD. As it turns out, what he really wants is the mundanity of structure. Drew wants a job.
If stand-up comedian and actor Burgess feels like perfect casting as the lead, well, that’s probably because the movie was written for him, Brown said. “Free Time,” distributed by Cartilage Films, also stars Rajat Suresh (“Severance”), Holmes (“Welcome to Flatch”), James Webb,...
In Ryan Martin Brown’s debut feature film, shot over 10 days on the streets of New York, the main character hits a quarter-life crisis — hard. Drew chooses life over work … until he realizes life isn’t really happening while everyone else is at work. Drew quickly cycles through hobbies (including literally cycling), friends, and every which way to watch a DVD. As it turns out, what he really wants is the mundanity of structure. Drew wants a job.
If stand-up comedian and actor Burgess feels like perfect casting as the lead, well, that’s probably because the movie was written for him, Brown said. “Free Time,” distributed by Cartilage Films, also stars Rajat Suresh (“Severance”), Holmes (“Welcome to Flatch”), James Webb,...
- 2/20/2024
- by Tony Maglio
- Indiewire
Colin Burgess, the original drummer of AC/DC, has died.
The Australian musician was 77 years old.
Colin served as the drummer of the Masters Apprentices from 1968 to 1972. His subsequent time with AC/DC lasted from November 1973 to February 1974. The band’s other founding members are: singer Dave Evans, bassist Larry Van Kriedt, and guitarists Angus and Malcolm Young.
Keep reading to find out more…
On Saturday (December 16), AC/DC’s official Instagram page announced the tragic news.
“Very sad to hear of the passing of Colin Burgess,” the band wrote alongside an old photo of their former colleague. “He was our first drummer and a very respected musician. Happy memories, rock in peace Colin.”
As of now, the cause of Colin‘s death has not been revealed.
We send our sincere condolences to Colin‘s loved ones during this difficult time.
So many stars have sadly passed away in 2023.
The Australian musician was 77 years old.
Colin served as the drummer of the Masters Apprentices from 1968 to 1972. His subsequent time with AC/DC lasted from November 1973 to February 1974. The band’s other founding members are: singer Dave Evans, bassist Larry Van Kriedt, and guitarists Angus and Malcolm Young.
Keep reading to find out more…
On Saturday (December 16), AC/DC’s official Instagram page announced the tragic news.
“Very sad to hear of the passing of Colin Burgess,” the band wrote alongside an old photo of their former colleague. “He was our first drummer and a very respected musician. Happy memories, rock in peace Colin.”
As of now, the cause of Colin‘s death has not been revealed.
We send our sincere condolences to Colin‘s loved ones during this difficult time.
So many stars have sadly passed away in 2023.
- 12/17/2023
- by Just Jared
- Just Jared
Colin Burgess, AC/DC’s original drummer who played on the hard rock legends’ earliest single, has died at the age of 77.
AC/DC announced Burgess’ death on social media Saturday; no cause of death was provided.
View this post on Instagram
A post shared by AC/DC (@acdc)
“Very sad to hear of the passing of Colin Burgess. He was our first drummer and a very respected musician,” the band wrote. “Happy memories, rock in peace Colin.”
Prior to his short tenure in AC/DC, Burgess was the drummer...
AC/DC announced Burgess’ death on social media Saturday; no cause of death was provided.
View this post on Instagram
A post shared by AC/DC (@acdc)
“Very sad to hear of the passing of Colin Burgess. He was our first drummer and a very respected musician,” the band wrote. “Happy memories, rock in peace Colin.”
Prior to his short tenure in AC/DC, Burgess was the drummer...
- 12/16/2023
- by Daniel Kreps
- Rollingstone.com
Colin Burgess, AC/DC’s original drummer, has died at the age of 77. The news was reported on AC/DC’s social media pages.
“Very sad to hear of the passing of Colin Burgess,” wrote AC/DC on Instagram. “He was our first drummer and a very respected musician. Happy memories, rock in peace Colin.”
Burgess was part of the original AC/DC lineup that formed in 1973 and included guitarists Malcolm and Angus Young, bassist/saxophonist Larry Van Kriedt, and singer Dave Evans. He appeared on the band’s debut single “Can I Sit Next to You, Girl,” but was fired from AC/DC in early 1974 for allegedly being drunk onstage, although he would claim that someone spiked his drink.
Prior to joining AC/DC, Burgess was a member of the Australian rock band The Masters Apprentices from 1968 to 1972, scoring a number of hits in the country during that time.
“Very sad to hear of the passing of Colin Burgess,” wrote AC/DC on Instagram. “He was our first drummer and a very respected musician. Happy memories, rock in peace Colin.”
Burgess was part of the original AC/DC lineup that formed in 1973 and included guitarists Malcolm and Angus Young, bassist/saxophonist Larry Van Kriedt, and singer Dave Evans. He appeared on the band’s debut single “Can I Sit Next to You, Girl,” but was fired from AC/DC in early 1974 for allegedly being drunk onstage, although he would claim that someone spiked his drink.
Prior to joining AC/DC, Burgess was a member of the Australian rock band The Masters Apprentices from 1968 to 1972, scoring a number of hits in the country during that time.
- 12/16/2023
- by Spencer Kaufman
- Consequence - Music
Exclusive: Cartilage Films has taken worldwide rights to Ryan Martin Brown’s feature directorial debut, Free Time for a 2024 domestic release.
Pic stars Colin Burgess as Drew, who is approaching the end of his twenties and, with it, his relative youth. Looking to make a sudden change, he decides to quit his cushy desk job and “embrace life” — only to realize he has no idea what to do with this newfound freedom. Cycling quickly through friends, hobbies, and goals, it’s not long before Drew’s search for meaning leads him back in the direction of his recently vacated post. Brown also wrote the pic which stars Rajat Suresh, Holmes (Welcome to Flatch), Jessie Pinnick (Princess Cyd), Michael Patrick Nicholson (Socks on Fire), James Webb and Eric Yates,
Free Time was produced by Mackenzie Jamieson, Paula Andrea González-Nasser, Justin Zuckerman and Nolan Kelly.
Pic stars Colin Burgess as Drew, who is approaching the end of his twenties and, with it, his relative youth. Looking to make a sudden change, he decides to quit his cushy desk job and “embrace life” — only to realize he has no idea what to do with this newfound freedom. Cycling quickly through friends, hobbies, and goals, it’s not long before Drew’s search for meaning leads him back in the direction of his recently vacated post. Brown also wrote the pic which stars Rajat Suresh, Holmes (Welcome to Flatch), Jessie Pinnick (Princess Cyd), Michael Patrick Nicholson (Socks on Fire), James Webb and Eric Yates,
Free Time was produced by Mackenzie Jamieson, Paula Andrea González-Nasser, Justin Zuckerman and Nolan Kelly.
- 8/24/2023
- by Anthony D'Alessandro
- Deadline Film + TV
Cinedigm announced today the acquisition of North American rights to “Yelling Fire in an Empty Theater,” the feature debut of writer-director Justin Zuckerman. Starting Jan. 24, the film will be available for viewing exclusively on Fandor, Cinedigm’s official streaming platform.
“We’re thrilled to be partnering with Fandor and Cinedigm on the film, who are really building an incredible new home for independent film,” Zuckerman said. “When we made this film, we only had set out to prove to ourselves that we could make something fun and interesting with what we already had at our disposal. The support and encouragement from Fandor and elsewhere has meant the world, and we’re excited for more people to see the project.”
Zuckerman shot the 73-minute feature with a mini-dv on a budget that cost less than the monthly rent of the apartment he filmed in. Though the film’s minimal production value...
“We’re thrilled to be partnering with Fandor and Cinedigm on the film, who are really building an incredible new home for independent film,” Zuckerman said. “When we made this film, we only had set out to prove to ourselves that we could make something fun and interesting with what we already had at our disposal. The support and encouragement from Fandor and elsewhere has meant the world, and we’re excited for more people to see the project.”
Zuckerman shot the 73-minute feature with a mini-dv on a budget that cost less than the monthly rent of the apartment he filmed in. Though the film’s minimal production value...
- 1/18/2023
- by Katie Reul
- Variety Film + TV
A long-time coming fit of exasperation gets Lisa (Isadora Leiva) to ask herself the question she should have asked before leaving Florida behind: is New York City a place or just an idea? A stranger at the airport tried to prepare her for this inevitable reckoning by handing over an unsolicited fifty-dollar bill along with advice to temper expectations, but dreams aren’t so easily thrown away. This move is about hope and excitement. It’s about leaving behind the only life she’s ever known to adventure forward into a fresh future with infinite promise. Her college boyfriend (Ryan Martin Brown’s Eric) already resides there, and she’s secured herself a place to stay via a friend-of-a-friend (Kelly Cooper’s Holly). So, what could go wrong? The unfortunate answer is always: everything.
Writer/director Justin Zuckerman has more or less taken all the usual romanticized tropes of a...
Writer/director Justin Zuckerman has more or less taken all the usual romanticized tropes of a...
- 1/31/2022
- by Jared Mobarak
- The Film Stage
As we look ahead to the new year, one of the first festivals of 2022 has unveiled its lineup. Slamdance Film Festival will return to both Park City, Utah for a physical festival from January 20-23, 2022, along with holding virtual screenings from January 20-30, 2022. With a lineup of 28 features, 79 shorts, and 7 episodes, the feature competition lineup was chosen from over 1,124 submissions.
“We are anti-algorithm. That’s always been true, but it’s more urgent than ever as we continue to celebrate truly unique voices that defy simple classification and transcend analytics,” said Slamdance President and co-founder Peter Baxter. “This year our programmers gravitated towards films that embody the true DIY spirit of guerrilla filmmaking and push the boundaries of what’s possible in storytelling. The Slamdance team is honored to introduce everyone of these storytellers, who are changing the media narrative and elevating the art form of independent film.”
See the lineup below.
“We are anti-algorithm. That’s always been true, but it’s more urgent than ever as we continue to celebrate truly unique voices that defy simple classification and transcend analytics,” said Slamdance President and co-founder Peter Baxter. “This year our programmers gravitated towards films that embody the true DIY spirit of guerrilla filmmaking and push the boundaries of what’s possible in storytelling. The Slamdance team is honored to introduce everyone of these storytellers, who are changing the media narrative and elevating the art form of independent film.”
See the lineup below.
- 12/9/2021
- by Jordan Raup
- The Film Stage
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