Exclusive: Alejandra Reyes, most recently a TV lit agent at UTA, is switching to management and joining 3 Arts Entertainment. She is bringing an expertise in the international space — focusing on Latin America and Spain — which she developed as an agent, introducing international writers and directors to the US market, attaching them to major series and closing first-look/overall deals for them. That includes a first-look deal with Onyx for The House of Flowers creator Manolo Caro and his production company Woo Films and an overall deal with Netflix for Chilean writer José Ignacio “Chascas” Valenzuela, creator, executive producer and showrunner of Who Killed Sara?
“We are so thrilled that Alejandra Reyes chose to join us, bringing her unique eye for talent, coupled with her deep knowledge of the expanding global marketplace,” the 3 Arts partners said in a statement.
Reyes, originally from Mexico City, spent more than eight years at UTA,...
“We are so thrilled that Alejandra Reyes chose to join us, bringing her unique eye for talent, coupled with her deep knowledge of the expanding global marketplace,” the 3 Arts partners said in a statement.
Reyes, originally from Mexico City, spent more than eight years at UTA,...
- 3/28/2024
- by Nellie Andreeva
- Deadline Film + TV
Annecy — In major news for Mexican animation as it comes under the spotlight at Annecy, director Sofia Carrillo is teaming with “Roma” producer Nicolas Celis and ‘Dance of the 41’ writer Monika Revilla to make “Insectario,” which bids fair to become one of the first stop motion features from Mexico.
Targeting family audiences, and written by Revilla, “Insectario” is set up at Celis’ Pimienta Films.
Carrillo, who worked on the Mexican second unit on “Guillermo del Toro’s Pinocchio,” based out of Guadalajara’s El Taller del Chucho, told Variety that “Insectario” will build on the same aesthetic universe of “Cerulia” using the same puppets and sometimes the same sets.
“To a certain extent, ‘Insectario’ is a prolongation of the world of ‘Cerulia,’ but with an independent story which stands by itself,” she said.
In “Cerulia,” Carrillo’s crowning triumph which made her one of the most sought-after directors in Mexico,...
Targeting family audiences, and written by Revilla, “Insectario” is set up at Celis’ Pimienta Films.
Carrillo, who worked on the Mexican second unit on “Guillermo del Toro’s Pinocchio,” based out of Guadalajara’s El Taller del Chucho, told Variety that “Insectario” will build on the same aesthetic universe of “Cerulia” using the same puppets and sometimes the same sets.
“To a certain extent, ‘Insectario’ is a prolongation of the world of ‘Cerulia,’ but with an independent story which stands by itself,” she said.
In “Cerulia,” Carrillo’s crowning triumph which made her one of the most sought-after directors in Mexico,...
- 6/12/2023
- by John Hopewell
- Variety Film + TV
Photo: 'Somos'/Netflix 'Somos' follows the story of the people in a small town inside the state of Coahuila, Mexico. In the town of Allende, the daily chores of civilians are looking out for danger and forcibly sweeping the truth under the rug. Based on Ginger Thompson's 2017 story, "How the U.S. Triggered a Massacre in Mexico," 'Somos' is a six-episode series created by James Schamus and written by Mexican screenwriter Monika Revilla and Novelist, Fernanda Melchor. The show's main inspiration is the massacre that overtook Allende on March 18th, 2011. A killing that was led by Los Zetas, the most violent drug cartels of Mexico at the time. Related article: ‘In the Heights’ – Behind the Scenes and Full Commentary/Reactions from Cast & Crew Related article: A Tribute to Cannes Film Festival: A Celebration of Cinema, Glamour, and Humanity | Statement From The Hollywood Insider’s CEO Pritan Ambroase...
- 7/3/2021
- by Ana Cobo
- Hollywood Insider - Substance & Meaningful Entertainment
November 1901. Mexico City. A police raid on a high-society private party leads to the arrest of 42 men. Nineteen are found wearing lavish ball gowns that matched the opulence of the (very much illicit) affair. Among those arrested are key figures from Mexico’s ruling class, including one whose name and presence at the party is promptly erased from the record. David Pablos’ handsome period film “Dance of the 41” traces the real-life story of that man: Ignacio de la Torre, the then-son-in-law of Mexican president Porfirio Díaz.
Monika Revilla’s screenplay doesn’t begin with the political scandal that gives the film its title. Instead, it uses it as its climax, an impactful punctuation mark on a tender love story played against the backdrop of the patriarchal power structures of Mexico’s turn-of-the-century gentry. As Ignacio, who’s recently been wed to Amada Díaz and in turn appointed to Congress,...
Monika Revilla’s screenplay doesn’t begin with the political scandal that gives the film its title. Instead, it uses it as its climax, an impactful punctuation mark on a tender love story played against the backdrop of the patriarchal power structures of Mexico’s turn-of-the-century gentry. As Ignacio, who’s recently been wed to Amada Díaz and in turn appointed to Congress,...
- 5/28/2021
- by Manuel Betancourt
- Variety Film + TV
Former Focus Features CEO James Schamus, best known for producing Ang Lee’s Oscar-winning “Brokeback Mountain” and Lee’s other stellar projects, is debuting “Somos,” his first television outing, on June 30. The six-episode Netflix series is based on the ProPublica report “How the U.S. Triggered a Massacre in Mexico,” by Pulitzer Prize-winning American journalist Ginger Thompson.
Presenting a fictional mosaic of characters in the events leading up to the massacre that took place in the border town of Allende, Coahuila, in 2011, the series gives the point of view of the victims whose lives were forever altered in a tragedy that was sparked by a DEA operation gone awry.
The trailer shows a montage of characters and scenes in the lead up to the unspeakable event where the Los Zetas drug cartel torched and killed hundreds of innocent people related (or not) to an alleged snitch.
Schamus made it a...
Presenting a fictional mosaic of characters in the events leading up to the massacre that took place in the border town of Allende, Coahuila, in 2011, the series gives the point of view of the victims whose lives were forever altered in a tragedy that was sparked by a DEA operation gone awry.
The trailer shows a montage of characters and scenes in the lead up to the unspeakable event where the Los Zetas drug cartel torched and killed hundreds of innocent people related (or not) to an alleged snitch.
Schamus made it a...
- 5/25/2021
- by Anna Marie de la Fuente
- Variety Film + TV
Six-episode show filmed in Mexico, will debut on streamer on June 30.
Longtime Ang Lee collaborator and Indignation director James Schamus has made his first foray into TV with Somos., Netflix’s show about the 2011 Allende Massacre.
The six-episode series will debut on the streamer on June 30 and explores the consequences of drug trafficking and a mass killing perpetrated by a drug cartel over missing money in the Mexico-us border town of Allende.
Schamus hatched the idea after reading Pulitzer Prize-winning Ginger Thompson’s ProPublica investigative report ‘How the U.S. Triggered A Massacre in Mexico’, which incorporates stories and testimonies...
Longtime Ang Lee collaborator and Indignation director James Schamus has made his first foray into TV with Somos., Netflix’s show about the 2011 Allende Massacre.
The six-episode series will debut on the streamer on June 30 and explores the consequences of drug trafficking and a mass killing perpetrated by a drug cartel over missing money in the Mexico-us border town of Allende.
Schamus hatched the idea after reading Pulitzer Prize-winning Ginger Thompson’s ProPublica investigative report ‘How the U.S. Triggered A Massacre in Mexico’, which incorporates stories and testimonies...
- 5/25/2021
- ScreenDaily
Netflix has set May 12 for the worldwide premiere of “El Baile de los 41” (“Dance of the 41”), the fact-based drama about the early 20th century scandal that rocked Mexican high society.
Penned by Monika Revilla and directed by David Pablos (“The Chosen Ones”), “El Baile de los 41” focuses on the 1901 scandal of the Ball of the Forty-One where police raided a private home in Mexico City and exposed various prominent society men in drag, including the son-in-law of the president of Mexico. Although the government tried to suppress the story, the local press gave it blanket coverage, marking the first time that homosexuality was openly discussed in the Mexican media and impacting the country’s culture for years to come.
In the trailer, which Netflix bows exclusively in Variety, it opens on an officer informing the president about 42 men caught in a raid. “I only count 41,” the president replies,...
Penned by Monika Revilla and directed by David Pablos (“The Chosen Ones”), “El Baile de los 41” focuses on the 1901 scandal of the Ball of the Forty-One where police raided a private home in Mexico City and exposed various prominent society men in drag, including the son-in-law of the president of Mexico. Although the government tried to suppress the story, the local press gave it blanket coverage, marking the first time that homosexuality was openly discussed in the Mexican media and impacting the country’s culture for years to come.
In the trailer, which Netflix bows exclusively in Variety, it opens on an officer informing the president about 42 men caught in a raid. “I only count 41,” the president replies,...
- 4/14/2021
- by Anna Marie de la Fuente
- Variety Film + TV
James Schamus (pictured, left), the former co-president of Focus Features who is best known for his laureled producing partnership with multi Oscar-winning director Ang Lee, is creating his first TV series for Netflix Mexico.
Schamus will serve as executive producer and showrunner for the series, which he co-wrote with Monika Revilla and author Fernanda Melchor (“Hurricane Season”).
The series, whose storyline is under wraps, will shoot in Spanish with local crew and talent in Mexico and is set to debut later this year. Francisco Ramos, VP of Spanish-language originals for Netflix in Latin America, told Variety that Schamus is learning Spanish. Ramos also expressed his delight at the “complete and diverse slate” that Netflix Mexico has put together in recent years.
This is the first major Latino collaboration for Schamus — producer of Lee’s “Brokeback Mountain” as well as “The Ice Storm,” which he also co-wrote — since his 1990 producing debut,...
Schamus will serve as executive producer and showrunner for the series, which he co-wrote with Monika Revilla and author Fernanda Melchor (“Hurricane Season”).
The series, whose storyline is under wraps, will shoot in Spanish with local crew and talent in Mexico and is set to debut later this year. Francisco Ramos, VP of Spanish-language originals for Netflix in Latin America, told Variety that Schamus is learning Spanish. Ramos also expressed his delight at the “complete and diverse slate” that Netflix Mexico has put together in recent years.
This is the first major Latino collaboration for Schamus — producer of Lee’s “Brokeback Mountain” as well as “The Ice Storm,” which he also co-wrote — since his 1990 producing debut,...
- 2/8/2021
- by Anna Marie de la Fuente
- Variety Film + TV
Fernanda Valadez’s feature debut “Identifying Features” (“Sin Señas Particulares”) has collected the 18th Morelia Int’l Film Festival’s Best Film Ojo prize as well as Audience Award and best actress plaudit for its lead, Mercedes Hernandez.
In a spare and sparsely attended closing ceremony on Sunday evening, Hernandez was among only two winners who were present to come on stage. A visibly moved Hernandez said: “My son, when asked what I do, says I earn my living by crying, probably because he has seen me act in plays or movies.”
“Paradoxically, my character in this film cannot cry as she has to contain her rage, she has to persist in looking for her son… as there is nothing worse for a mother than not knowing if her son is dead or alive.”
The topical drama, about a mother searching desperately for her son who has vanished while attempting to cross into the U.
In a spare and sparsely attended closing ceremony on Sunday evening, Hernandez was among only two winners who were present to come on stage. A visibly moved Hernandez said: “My son, when asked what I do, says I earn my living by crying, probably because he has seen me act in plays or movies.”
“Paradoxically, my character in this film cannot cry as she has to contain her rage, she has to persist in looking for her son… as there is nothing worse for a mother than not knowing if her son is dead or alive.”
The topical drama, about a mother searching desperately for her son who has vanished while attempting to cross into the U.
- 11/2/2020
- by Anna Marie de la Fuente
- Variety Film + TV
Limited series Someone Has To Die in the works.
Netflix has signed Mexican filmmaker Manolo Caro and his Noc Noc Cinema to a deal under which the creator of the streamer’s Spanish-language comedy series The House of Flowers (La Casa de Las Flores) will develop new TV projects exclusively for the platform.
Already in the works under the deal is limited series Someone Has To Die, created by Caro, who co-wrote with Monika Revilla and Fernando Perez, and is producing with Rafael Law, José María Córdova, and Carlos Taibo.
The three-episode series is set in Spain in 1950 and centres...
Netflix has signed Mexican filmmaker Manolo Caro and his Noc Noc Cinema to a deal under which the creator of the streamer’s Spanish-language comedy series The House of Flowers (La Casa de Las Flores) will develop new TV projects exclusively for the platform.
Already in the works under the deal is limited series Someone Has To Die, created by Caro, who co-wrote with Monika Revilla and Fernando Perez, and is producing with Rafael Law, José María Córdova, and Carlos Taibo.
The three-episode series is set in Spain in 1950 and centres...
- 5/9/2019
- by John Hazelton
- ScreenDaily
Mexican director-writer-producer Manolo Caro whose hit Netflix series “The House of Flowers” (“La Casa de las Flores”) was renewed for two more seasons last year, has inked an exclusive production pact with the streaming giant. In an unprecedented multi-year deal for a Mexican director, Caro has committed to creating several TV series for Netflix.
First out the gate is “Someone Has to Die” (Alguien Tiene Que Morir”), a three-episode mini-series set in 1950s Spain, created by Caro and penned by Monika Revilla, Fernando Perez and Caro. Rafael Ley, Maria Jose Cordova, Carlos Taibo and Caro serve as producers.
The mini-series kicks off when a young man’s parents summon him home from Mexico to introduce him to his bride-to-be but he stuns them when he returns with Lazaro, a ballet dancer. The family realizes that to stay one step ahead of Spain’s repressive government, someone will have to die.
First out the gate is “Someone Has to Die” (Alguien Tiene Que Morir”), a three-episode mini-series set in 1950s Spain, created by Caro and penned by Monika Revilla, Fernando Perez and Caro. Rafael Ley, Maria Jose Cordova, Carlos Taibo and Caro serve as producers.
The mini-series kicks off when a young man’s parents summon him home from Mexico to introduce him to his bride-to-be but he stuns them when he returns with Lazaro, a ballet dancer. The family realizes that to stay one step ahead of Spain’s repressive government, someone will have to die.
- 5/9/2019
- by Anna Marie de la Fuente
- Variety Film + TV
Netflix has struck an overall deal with Mexican director Manolo Caro, creator of comedy drama The House of Flowers (La Casa de las Flores).
Caro, director of films including Tales of an Immoral Couple, will develop and produce new television projects for the service as part of the multi-year deal.
The first project as part of the agreement is Alguien Tiene Que Morir (Someone Has To Die), a three-part mini-series set in Spain in the 1950s. The show, which was created by Caro, written by Monika Revilla, Fernando Perez and Manolo Caro and produced by Rafael Ley, Maria Jose Cordova, Carlos Taibo and Manolo Caro. The series begins when a young man’s parents summon him home from Mexico to introduce him to his bride-to-be, and people are shocked when he comes back with Lazaro, a mysterious ballet dancer. The group realizes that to stay one step ahead of the repressive government,...
Caro, director of films including Tales of an Immoral Couple, will develop and produce new television projects for the service as part of the multi-year deal.
The first project as part of the agreement is Alguien Tiene Que Morir (Someone Has To Die), a three-part mini-series set in Spain in the 1950s. The show, which was created by Caro, written by Monika Revilla, Fernando Perez and Manolo Caro and produced by Rafael Ley, Maria Jose Cordova, Carlos Taibo and Manolo Caro. The series begins when a young man’s parents summon him home from Mexico to introduce him to his bride-to-be, and people are shocked when he comes back with Lazaro, a mysterious ballet dancer. The group realizes that to stay one step ahead of the repressive government,...
- 5/9/2019
- by Peter White
- Deadline Film + TV
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