Keshet International has boarded “The Women’s Balcony,” a warm drama series based on the hit Israeli film starring Tshai Halevi (“Line in the Sand”).
“The Women’s Balcony” recently bowed on commercial TV channel Keshet 12 and garnered strong ratings, taking a 26.1% market share and becoming the second highest rated drama in Israel since 2015, after “Line in the Sand.”
The plot unfolds in a close-knit neighborhood of Jersualem which is under threat as ultra-orthodox sects try to impose their rules and restrict women in public spaces. Meanwhile, five women at the heart of the community each find themselves at a personal crossroads, as health, finance, political principles and grief mark the start of the next chapters of their lives. Yafit Asulin and Orna Banai, Assaf Ben-Shimon star in the series, along with Halevi.
The show is produced by Pie Films, whose credits include the original movie and their current...
“The Women’s Balcony” recently bowed on commercial TV channel Keshet 12 and garnered strong ratings, taking a 26.1% market share and becoming the second highest rated drama in Israel since 2015, after “Line in the Sand.”
The plot unfolds in a close-knit neighborhood of Jersualem which is under threat as ultra-orthodox sects try to impose their rules and restrict women in public spaces. Meanwhile, five women at the heart of the community each find themselves at a personal crossroads, as health, finance, political principles and grief mark the start of the next chapters of their lives. Yafit Asulin and Orna Banai, Assaf Ben-Shimon star in the series, along with Halevi.
The show is produced by Pie Films, whose credits include the original movie and their current...
- 5/12/2021
- by Elsa Keslassy
- Variety Film + TV
There’s more to The Women’s Balcony than the American marketing machine has thus far presented. Billed as a feel good comedy of communal spirit — and correctly so — there are much weightier issues at play. This isn’t merely a farcical war between a synagogue’s female congregation and a new rabbi placing their demands behind his own. It’s also a keenly intuitive account of fundamentalist extremism in a forum we aren’t used to seeing. Too often Hollywood takes this concept and projects it upon terrorists killing in God’s name, but evidence of it also exists closer to home. No religion is immune to having its “rules” bent for specific purposes. Zealotry is cultivated only when the devout forget their humanity to seek God-like authority for themselves.
That’s hyperbolic insofar as my goal to describe this film’s success, but I believe it’s what...
That’s hyperbolic insofar as my goal to describe this film’s success, but I believe it’s what...
- 5/24/2017
- by Jared Mobarak
- The Film Stage
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