The Japanese Canadian Cultural Centre's 13th annual Toronto Japanese Film Festival will be held from June 6th to 20th at the Jccc's Kobayashi Hall. The festival has now grown into one of the largest film events of its kind in the world and is recognized by the Japanese film industry as a vital conduit for bringing Japanese film to the world.
TorontoJFF is programmed to reflect the rich diversity of the world 4th largest film industry and the 2024 edition will feature 24 films including the International Premieres of Kosai Sekine's mystery drama Stay Mum「かくしごと 」starring Anne Watanabe and Eiji Okuda and Toshiyuki Teruya's heartwarming Okinawa-based comedy Kanasando「かなさんどー 」. The festival is also very proud to present the World Premiere of Alice Il Shin's Landscapes Of Home 「故郷の風景」 from producer Eiko Kawabe Brown. The film is an investigation of Japanese Canadian struggle from a new perspective redefining...
TorontoJFF is programmed to reflect the rich diversity of the world 4th largest film industry and the 2024 edition will feature 24 films including the International Premieres of Kosai Sekine's mystery drama Stay Mum「かくしごと 」starring Anne Watanabe and Eiji Okuda and Toshiyuki Teruya's heartwarming Okinawa-based comedy Kanasando「かなさんどー 」. The festival is also very proud to present the World Premiere of Alice Il Shin's Landscapes Of Home 「故郷の風景」 from producer Eiko Kawabe Brown. The film is an investigation of Japanese Canadian struggle from a new perspective redefining...
- 4/26/2024
- by Adam Symchuk
- AsianMoviePulse
The Japanese Canadian Cultural Centre’s 13th annual Toronto Japanese Film Festival will be held from June 6th to 20th at the Jccc’s Kobayashi Hall. The festival has now grown into one of the largest film events of its kind in the world and is recognized by the Japanese film industry as a vital conduit for bringing Japanese film to the world.
Tjff is programmed to reflect the rich diversity of the world 4th largest film industry and the 2024 edition will feature 24 films including the International Premiere of Kosai Sekine’s mystery drama Stay Mum「かくしごと 」starring Anne Watanabe and Eiji Okuda.
North American Premieres include Hayato Kawai’s comic retelling of the 47 Ronin story Don’T Lose Your Head!「身代わり忠臣蔵 」, Sho Miyake’s gentle tale of friendship amid mental-health struggles, All The Long Nights「夜明けのすべて 」, Yoshiyuki Kishi’s winner of the Audience Award and Best Director at the 36th Tokyo International Film Festival,...
Tjff is programmed to reflect the rich diversity of the world 4th largest film industry and the 2024 edition will feature 24 films including the International Premiere of Kosai Sekine’s mystery drama Stay Mum「かくしごと 」starring Anne Watanabe and Eiji Okuda.
North American Premieres include Hayato Kawai’s comic retelling of the 47 Ronin story Don’T Lose Your Head!「身代わり忠臣蔵 」, Sho Miyake’s gentle tale of friendship amid mental-health struggles, All The Long Nights「夜明けのすべて 」, Yoshiyuki Kishi’s winner of the Audience Award and Best Director at the 36th Tokyo International Film Festival,...
- 4/18/2024
- by Rouven Linnarz
- AsianMoviePulse
Get in touch to send in cinephile news and discoveries. For regular updates, sign up for our weekly email newsletter and follow us @NotebookMUBI.NEWSHard Truths.Mike Leigh’s forthcoming Hard Truths will reunite him with Marianne Jean-Baptiste, star of Secrets and Lies (1996). It will be the British director’s first film set in the present day since Another Year (2010).Jia Zhangke has divulged some details of We Shall Be All, now in the early stages of post-production. In production off and on since 2001, the film will be his first feature since Ash Is Purest White (2018). “I travelled with actors and a cameraman to shoot, without a script, without any obvious story,” the director told Variety. “This is a work of fiction, but I have applied many documentary methods.”Robert Bresson’s rarely seen Four Nights of a Dreamer is being restored by MK2 Films, set for a spring release.
- 2/28/2024
- MUBI
Presented by the Agency for Cultural Affairs, Government of Japan, and Japan Society
February 15-24, 2024 at Japan Society
and partner venues in NYC
New York, NY – Agency for Cultural Affairs, Government of Japan and Japan Society are proud to announce the eighth installment of the Aca Cinema Project film series – Family Portrait: Japanese Family in Flux – an ongoing initiative fostered by the Government of Japan to increase awareness and appreciation of Japanese films and filmmakers in the United States. The Aca Cinema Project has presented events in both New York and LA since 2021, and its upcoming edition will showcase over nine contemporary and classic films from February 15-24, 2024 all with the central theme of the modern family. The bonds of the Japanese family are often revered in the West, and this series will both celebrate these traditions as well as call into question their reality and relevance in our quickly changing modern world.
February 15-24, 2024 at Japan Society
and partner venues in NYC
New York, NY – Agency for Cultural Affairs, Government of Japan and Japan Society are proud to announce the eighth installment of the Aca Cinema Project film series – Family Portrait: Japanese Family in Flux – an ongoing initiative fostered by the Government of Japan to increase awareness and appreciation of Japanese films and filmmakers in the United States. The Aca Cinema Project has presented events in both New York and LA since 2021, and its upcoming edition will showcase over nine contemporary and classic films from February 15-24, 2024 all with the central theme of the modern family. The bonds of the Japanese family are often revered in the West, and this series will both celebrate these traditions as well as call into question their reality and relevance in our quickly changing modern world.
- 1/24/2024
- by Adam Symchuk
- AsianMoviePulse
As part of the Aca Cinema Project––”an ongoing initiative fostered by the Government of Japan to increase awareness and appreciation of Japanese films and filmmakers in the United States”––Japan Society will run “Family Portrait: Japanese Family in Flux” from February 15-24. A mix of American premieres and repertory showings, this series puts “bonds of the Japanese family” front and center to “both celebrate these traditions as well as call into question their reality and relevance in our quickly changing modern world.”
U.S. premieres include Kazuyoshi Kumakiri’s Yoko, starring Rinko Kikuchi, and Keiko Tsuruoka’s Tsugaru Lacquer Girl. A special spotlight is given to Ryota Nakano, whose A Long Goodbye and exquisitely titled Her Love Boils Bathwater will be making New York debuts; his 2020 feature The Asadas also plays.
Repertory screenings will be held for Kohei Oguri’s Muddy River, Kiyoshi Kurosawa’s Tokyo Sonata, Kore-eda’s Still Walking,...
U.S. premieres include Kazuyoshi Kumakiri’s Yoko, starring Rinko Kikuchi, and Keiko Tsuruoka’s Tsugaru Lacquer Girl. A special spotlight is given to Ryota Nakano, whose A Long Goodbye and exquisitely titled Her Love Boils Bathwater will be making New York debuts; his 2020 feature The Asadas also plays.
Repertory screenings will be held for Kohei Oguri’s Muddy River, Kiyoshi Kurosawa’s Tokyo Sonata, Kore-eda’s Still Walking,...
- 1/17/2024
- by Nick Newman
- The Film Stage
Tsugaru city has been the subject of a number of films throughout the years, with one of the first being Atg’s “Tsugaru Folk Song” exactly 50 years ago. Now, a new movie focuses on another aspect of the area that stands out, the lacquerware industry, once more, though, in order to make a number of social comments about life in the area and how difficult it can be escaping tradition. The movie is based on the novel “Japan Dignity” by Miyuki Takamori.
Tsugaru Lacquer Girl is screening at Camera Japan
Traditional lacquerwork kitchenware is the Aoki family’s legacy, but is also in decline, with the financial prowess of Seishiro’s father being nowhere to be found at the time the movie starts. Seishiro, however, knows nothing else to do, and so he keeps at it, with the help of his daughter, Miyako, who also works at a supermarket in...
Tsugaru Lacquer Girl is screening at Camera Japan
Traditional lacquerwork kitchenware is the Aoki family’s legacy, but is also in decline, with the financial prowess of Seishiro’s father being nowhere to be found at the time the movie starts. Seishiro, however, knows nothing else to do, and so he keeps at it, with the help of his daughter, Miyako, who also works at a supermarket in...
- 9/29/2023
- by Panos Kotzathanasis
- AsianMoviePulse
For many reasons, the idea of being alien or feeling like one is certainly attractive for a storyteller. Given a person’s biography, we have all been through times, especially when we were young, which have not only made us aware of the changes in the world around us, but also how we have changed. Transitioning from one state into the other, the idea of change as a constant in our lives is both encouraging and fearful, raising questions about how much influence we have on these processes and resulting in the realization that nothing – even our own bodies – will stay the same. Keiko Tsuruoka tells a story of such a period in a young boy’s life, whose feeling of a world which has become alien to him is reflected in him meeting an actual alien.
“Makuko” is screening at Nippon Connection 2020
Satoshi (Kikaru Yamazaki) lives in a small...
“Makuko” is screening at Nippon Connection 2020
Satoshi (Kikaru Yamazaki) lives in a small...
- 6/13/2020
- by Rouven Linnarz
- AsianMoviePulse
Film opens Generation 14Plus in Berlin.
Japan’s Nikkatsu has sealed a trio of deals on We Are Little Zombies, which won a special jury award for originality in Sundance and is playing as the opening film of the Generation 14Plus section here in Berlin.
The film, which is the feature debut of award-winning short filmmaker Makoto Nagahisa, has been sold to France’s Arp, Taiwan’s Joint Entertainment and Edko Films for Hong Kong. Nikkatsu is also in negotiations for a sale to China.
Produced by Robot Communications and Dentsu, the film tells the story of four recently orphaned...
Japan’s Nikkatsu has sealed a trio of deals on We Are Little Zombies, which won a special jury award for originality in Sundance and is playing as the opening film of the Generation 14Plus section here in Berlin.
The film, which is the feature debut of award-winning short filmmaker Makoto Nagahisa, has been sold to France’s Arp, Taiwan’s Joint Entertainment and Edko Films for Hong Kong. Nikkatsu is also in negotiations for a sale to China.
Produced by Robot Communications and Dentsu, the film tells the story of four recently orphaned...
- 2/8/2019
- by Liz Shackleton
- ScreenDaily
Japan’s Nikkatsu is poised to be one of the busiest sales companies at the Tiffcom market this week. In addition to local hit “One Cut of the Dead” and festival favorite “Killing,” the company has a slate of titles in post-production that it is pitching at the autumn festivals and markets.
Youth drama, “We Are Little Zombies” is set for an early summer release in 2019. Written and directed by Makoto Nagahisa, who last year won a grand prize at Sundance for his short film “And So We Put Goldfish in The Pool,” the film is a story of four youngsters who all lose their parents around the same time. Realizing that they are devoid of emotion, they put together a kick-ass band to try to recover their ability to feel.
Written and directed by Indonesia’s Kimo Stamboel – one half of the so-called Mo Brothers – “Dreadout: Tower of Hell...
Youth drama, “We Are Little Zombies” is set for an early summer release in 2019. Written and directed by Makoto Nagahisa, who last year won a grand prize at Sundance for his short film “And So We Put Goldfish in The Pool,” the film is a story of four youngsters who all lose their parents around the same time. Realizing that they are devoid of emotion, they put together a kick-ass band to try to recover their ability to feel.
Written and directed by Indonesia’s Kimo Stamboel – one half of the so-called Mo Brothers – “Dreadout: Tower of Hell...
- 10/23/2018
- by Patrick Frater
- Variety Film + TV
A lead up to the evening’s most perplexing event, was the switcheroo announcement crowning the top film of the festival first (Very Big Shot) and once that was out of the way, the big “move” from the jury was to make sure that everyone gets a trophy, and that no one wins second place (or it can be certainly read this way). During a time where the Paris events have still in public consciousness, the 15th edition will be looked back as one that unites. Unfortunately for me, there would be no after party and Todd Haynes’ Carol will have to wait as my battle with stomach demons continued. Here is the complete tally of the prizes. I wonder what airport security thought about the statute.
L’ÉTOILE D’Or – Le Grand Prix Du Festival
The Golden Star – Festival Grand Prize
Very Big Shot (Film kteer kbeer) de/by...
L’ÉTOILE D’Or – Le Grand Prix Du Festival
The Golden Star – Festival Grand Prize
Very Big Shot (Film kteer kbeer) de/by...
- 12/15/2015
- by Eric Lavallee
- IONCINEMA.com
Francis Ford Coppola’s jury awards all other competition entries a jury prize.
The 15th Marrakech International Film Festival (Dec 04-12) saw jury president Francis Ford Coppola and his fellow jurors award all films in competition the event’s jury prize, apart from Lebanese-Qatari feature Very Big Shot, which won the Golden Star Festival Grand Prize.
Coppola announced the joint prize in a speech during the closing ceremony: “This year’s jury prize is for cinema itself,” said the director, adding that the decision was made by the “majority vote of the jury”.
In Jean Bou Chaaya’s Very Big Shot a small-time Lebanese drug-dealer slyly manipulates public opinion with the help of a filmmaker.
The best directing prize went to Gabriel Mascaro for his film Neon Bull.
Gunnar Jonsson snapped up the best actor prize for his performance in Virgin Mountain.
The best actress prize went to Galatea Bellugi for her performance in Guillaume Senez’s [link...
The 15th Marrakech International Film Festival (Dec 04-12) saw jury president Francis Ford Coppola and his fellow jurors award all films in competition the event’s jury prize, apart from Lebanese-Qatari feature Very Big Shot, which won the Golden Star Festival Grand Prize.
Coppola announced the joint prize in a speech during the closing ceremony: “This year’s jury prize is for cinema itself,” said the director, adding that the decision was made by the “majority vote of the jury”.
In Jean Bou Chaaya’s Very Big Shot a small-time Lebanese drug-dealer slyly manipulates public opinion with the help of a filmmaker.
The best directing prize went to Gabriel Mascaro for his film Neon Bull.
Gunnar Jonsson snapped up the best actor prize for his performance in Virgin Mountain.
The best actress prize went to Galatea Bellugi for her performance in Guillaume Senez’s [link...
- 12/14/2015
- ScreenDaily
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