The Kid Laroi has teamed up with BTS member Jung Kook and Central Cee for anthemic single “Too Much,” which sees the trio sharing vocals. The song has arrived with a music video directed by Ramez Silyan, which depicts the three singers on various covers of Too Much magazine in the midst of slick choreography.
The single combines three separate styles and countries, with Jung Kook representing South Korea and Central Cee representing the U.K. The hook-laden chorus questions their choices: “If we had the chance and the time to spend,...
The single combines three separate styles and countries, with Jung Kook representing South Korea and Central Cee representing the U.K. The hook-laden chorus questions their choices: “If we had the chance and the time to spend,...
- 10/20/2023
- by Emily Zemler
- Rollingstone.com
Charli Xcx is pink’d out, and peeling out, in the new music video for her Barbie soundtrack song, “Speed Drive.”
The new video, directed by Ramez Silyan, has a simple but appropriate concept: Charli performing and dancing to the song as a hot pink sports car does donuts in an empty lot. There’s even the occasional burning tire that rolls across the industrial landscape like tumbleweed. Plus, a Devon Lee Carlson cameo for the extremely online, as well as a brief appearance from Sam Smith via video call,...
The new video, directed by Ramez Silyan, has a simple but appropriate concept: Charli performing and dancing to the song as a hot pink sports car does donuts in an empty lot. There’s even the occasional burning tire that rolls across the industrial landscape like tumbleweed. Plus, a Devon Lee Carlson cameo for the extremely online, as well as a brief appearance from Sam Smith via video call,...
- 8/16/2023
- by Jon Blistein
- Rollingstone.com
This summer’s Barbie fever may be dying down (just a bit), but Charli Xcx is ready to take us back to Barbie Land with a new music video for “Speed Drive,” her contribution to the film’s soundtrack. Check out the visual below.
Directed by Charli and Ramez Silyan, the “Speed Drive” music video doesn’t seem to have the same big budget that Barbie boasted (Charli and Devon Lee Carlson pretty much do donuts in a California parking lot for the entirety of the clip). Still, the addition of the doll’s pink Corvette convertible adds a nice touch, and a pause in the music to tease a new collaboration between the singer and Sam Smith will likely keep the internet buzzing.
“Speed Drive” is Charli’s latest banger to appear on a film soundtrack. Last year, her track “Hot Girl” served as a theme song of sorts...
Directed by Charli and Ramez Silyan, the “Speed Drive” music video doesn’t seem to have the same big budget that Barbie boasted (Charli and Devon Lee Carlson pretty much do donuts in a California parking lot for the entirety of the clip). Still, the addition of the doll’s pink Corvette convertible adds a nice touch, and a pause in the music to tease a new collaboration between the singer and Sam Smith will likely keep the internet buzzing.
“Speed Drive” is Charli’s latest banger to appear on a film soundtrack. Last year, her track “Hot Girl” served as a theme song of sorts...
- 8/16/2023
- by Carys Anderson
- Consequence - Music
Exclusive: LA-based Crazy Rich Asians and Marshall backer Starlight is to extend its diversity funding program Stars Collective.
After initially setting out to support 30-50 diverse, emerging filmmakers, Starlight says it has now helped a total of 50 directors. CEO Peter Luo is now expanding the program with the aim of investing in another 50 filmmakers.
The program affords directors an opportunity to develop content with the guidance of established filmmakers and supports them with funding and creative resources. Starlight claims the fund’s $50M budget could be scaled up to as much as $100M.
Among those to have been supported to date are filmmakers Sohil Vaidya, Yuxi Li, Stephan Lee, Ramez Silyan, Raed Alsemari, Phyllis Tam, Nadav Kurtz, Che Grayson, Avril Z. Speaks, Malika Zouhali-Worrall and Kevin Wilson Jr.
Said Peter Luo: “A bright spot for us during the pandemic has been the ability to spend time looking at the big picture of the entertainment industry,...
After initially setting out to support 30-50 diverse, emerging filmmakers, Starlight says it has now helped a total of 50 directors. CEO Peter Luo is now expanding the program with the aim of investing in another 50 filmmakers.
The program affords directors an opportunity to develop content with the guidance of established filmmakers and supports them with funding and creative resources. Starlight claims the fund’s $50M budget could be scaled up to as much as $100M.
Among those to have been supported to date are filmmakers Sohil Vaidya, Yuxi Li, Stephan Lee, Ramez Silyan, Raed Alsemari, Phyllis Tam, Nadav Kurtz, Che Grayson, Avril Z. Speaks, Malika Zouhali-Worrall and Kevin Wilson Jr.
Said Peter Luo: “A bright spot for us during the pandemic has been the ability to spend time looking at the big picture of the entertainment industry,...
- 1/13/2021
- by Andreas Wiseman
- Deadline Film + TV
Late in Justin Staples’ brief exploration of the sub-genre known as “SoundCloud Rap,” New York Times pop music critic Jon Caramanica opines that “what young people want out of pop culture isn’t what old people want” when explaining how the community couldn’t care less about the history of rap and hip-hop. Instead, SoundCloud Rap is perhaps closer aligned with the culture around the anarchic, boundary-less, no-wave punk movement of the early 1980s.
American Rapstar is by no means a definitive look at the genre, or even an individual artist. To be a comprehensive assessment, it might need to be a shapeless, paradoxical narrative like Ramez Silyan and Sebastian Jones’ Everybody’s Everything––the biography of the late Lil Peep. Framed by two authority figures, Caramancia and a childhood psychologist, American Rapstar presents a somewhat more academic view of a genre born in the basements of broken homes in...
American Rapstar is by no means a definitive look at the genre, or even an individual artist. To be a comprehensive assessment, it might need to be a shapeless, paradoxical narrative like Ramez Silyan and Sebastian Jones’ Everybody’s Everything––the biography of the late Lil Peep. Framed by two authority figures, Caramancia and a childhood psychologist, American Rapstar presents a somewhat more academic view of a genre born in the basements of broken homes in...
- 11/30/2020
- by John Fink
- The Film Stage
Sebastian Jones and Ramez Silyan’s documentary Everybody’S Everything screens at Webster University’s Moore Auditorium(470 E Lockwood Ave) screens Friday February 7th through Sunday February 9th . The film begins each evening at 7:00pm. A Facebook invite for the event can be found Here.
A look at the life and death of emo rapper Gustav Åhr, better known as Lil Peep, the documentary Everybody’s Everything examines the factors that contribute to his success in the music industry, distinctive sound and image, and frequent drug abuse. Full of interviews with family members, friends, and collaborators, the film seeks to understand the person behind the name and the legacy he left behind.
Admission is:
$7 for the general public
$6 for seniors, Webster alumni and students from other schools
$5 for Webster University staff and faculty
Free for Webster students with proper I.D.
The post Everybody’S Everything – Doc About Emo Rapper Gustav...
A look at the life and death of emo rapper Gustav Åhr, better known as Lil Peep, the documentary Everybody’s Everything examines the factors that contribute to his success in the music industry, distinctive sound and image, and frequent drug abuse. Full of interviews with family members, friends, and collaborators, the film seeks to understand the person behind the name and the legacy he left behind.
Admission is:
$7 for the general public
$6 for seniors, Webster alumni and students from other schools
$5 for Webster University staff and faculty
Free for Webster students with proper I.D.
The post Everybody’S Everything – Doc About Emo Rapper Gustav...
- 2/4/2020
- by Tom Stockman
- WeAreMovieGeeks.com
It’d be easy to think Everybody’s Everything, the painfully intimate documentary on the late Lil Peep, is a strictly-for-the-fans endeavor — that the only audience are the people who heard songs like “U Said” or “Crybaby” and felt like someone had mysteriously tapped into their own inner monologues. And yes, the die-hards will indeed find themselves giddy over the home movies, the behind-the-scenes peeks, the rise-and-fall of it all when they’re not tearing up. You wanna see footage of the groundbreaking emo-rapper getting the crowd jumping to “Beamer Boy” in Tucson,...
- 11/19/2019
- by David Fear
- Rollingstone.com
The family drama Waves made its premiere at the Telluride Film Festival before going to Toronto, where it became the talk of the town. Critics were raving about it while the Twitterverse gave it the seal of approval before A24 picked it up to release November 15 — a choice spot for awards season.
Directed and written by Trey Edward Shults (It Comes At Night) and featuring a stacked cast that includes Kelvin Harrison Jr, Lucas Hedges, Taylor Russell, Renée Elise Goldsberry and Sterling K. Brown, Waves follows a family in South Florida with a well-intentioned but aggressively domineering father as the head of household. As he expects and demands only the best from his son, a wrestler at his high school, the entire family begins to unravel with unstable relationships, the love they have for each other, forgiveness and coping with loss.
“When I first got the script from Trey, I...
Directed and written by Trey Edward Shults (It Comes At Night) and featuring a stacked cast that includes Kelvin Harrison Jr, Lucas Hedges, Taylor Russell, Renée Elise Goldsberry and Sterling K. Brown, Waves follows a family in South Florida with a well-intentioned but aggressively domineering father as the head of household. As he expects and demands only the best from his son, a wrestler at his high school, the entire family begins to unravel with unstable relationships, the love they have for each other, forgiveness and coping with loss.
“When I first got the script from Trey, I...
- 11/15/2019
- by Dino-Ray Ramos
- Deadline Film + TV
“Everybody’s Everything,” a little Gunpowder & Sky documentary on the late emo rapper Lil Peep, managed something remarkable this week. On November 12, a Tuesday, screenings of the film grossed five of the top 10 grosses in North America, including the top spot. That one went to Denver’s Northfield 18, where it grossed $10,538.
Certainly, it’s a testament to the rapper’s enduring popularity. The film, which debuted at SXSW, opened just days before the second anniversary of his death from an accidental drug overdose at 21 and in tandem with a new album. However, it’s also a testament to the power of the weekday screenings from Fathom and other limited-showing companies, which provide an increasingly vital supplement for exhibition.
For “Everybody’s Everything,” which counts Terrence Malick as an executive producer, that took the form of 121 theaters on Tuesday, nearly all of which offered only one show. It grossed $320,000, or about $2,650 per theater.
Certainly, it’s a testament to the rapper’s enduring popularity. The film, which debuted at SXSW, opened just days before the second anniversary of his death from an accidental drug overdose at 21 and in tandem with a new album. However, it’s also a testament to the power of the weekday screenings from Fathom and other limited-showing companies, which provide an increasingly vital supplement for exhibition.
For “Everybody’s Everything,” which counts Terrence Malick as an executive producer, that took the form of 121 theaters on Tuesday, nearly all of which offered only one show. It grossed $320,000, or about $2,650 per theater.
- 11/15/2019
- by Tom Brueggemann
- Indiewire
For those who were close to Gustav Elijah Åhr, the release of documentary film Everybody’s Everything next week may be as difficult as it is cathartic. Åhr, who performed as Lil Peep, died of a drug overdose on tour in 2017 shortly after celebrating his 21st birthday; the film spotlights dozens of friends, family members, and colleagues sharing beloved memories of the young rapper, who’d amassed millions of fans with his uniquely vulnerable songs and harbored a personal ambition to “revolutionize music.”
Directors Sebastian Jones and Ramez Silyan whittled...
Directors Sebastian Jones and Ramez Silyan whittled...
- 11/6/2019
- by Amy X. Wang
- Rollingstone.com
When musician, producer, and rapper Lil Peep died at the tragically young age of 21 of an accidental drug overdose, many listeners heard his genre-defying music for the first time. Now, even greater audiences will be introduced to the late wunderkind via an intimate new documentary, which happens to have been executive produced by none other than “Tree of Life” filmmaker Terrence Malick. “Everybody’s Everything,” which recently released its first official trailer, relies on Malickian voiceover, candid testimony, and candid video to tell the story of the creative life cut all too short.
Here’s the official synopsis: “Creating a unique mix of punk, emo and trap, Lil Peep was set to bring a new musical genre to the mainstream when he died of a drug overdose at just 21 years old. From the streets of Los Angeles to studios in London and sold out tours in Russia, the artist born...
Here’s the official synopsis: “Creating a unique mix of punk, emo and trap, Lil Peep was set to bring a new musical genre to the mainstream when he died of a drug overdose at just 21 years old. From the streets of Los Angeles to studios in London and sold out tours in Russia, the artist born...
- 10/1/2019
- by Jude Dry
- Indiewire
Nearly two years after the untimely death of 21-year-old rapper Lil Peep, fans are getting their first look at an upcoming documentary about his life.
The trailer for Everybody’s Everything dropped Monday. Directed by Sebastian Jones and Ramez Silyan, the feature film honors the late genre-blending rapper, who died of an overdose in 2017.
The documentary follows Lil Peep, who was born Gustav Åhr, through his childhood and emergence via platforms like SoundCloud and YouTube, all the way through his rise to fame.
His mother, Liza Womack, narrates footage from Peep’s childhood and describes his early musical ambition.
“Gus had very big plans.
The trailer for Everybody’s Everything dropped Monday. Directed by Sebastian Jones and Ramez Silyan, the feature film honors the late genre-blending rapper, who died of an overdose in 2017.
The documentary follows Lil Peep, who was born Gustav Åhr, through his childhood and emergence via platforms like SoundCloud and YouTube, all the way through his rise to fame.
His mother, Liza Womack, narrates footage from Peep’s childhood and describes his early musical ambition.
“Gus had very big plans.
- 10/1/2019
- by Georgia Slater
- PEOPLE.com
North American release to come later this year.
Gunpowder & Sky has acquired worldwide rights to the recent SXSW Lil Peep documentary Everybody’s Everything, which includes Terrence Malick among its executive producers, and will launch sales in Cannes next week.
Sebastian Jones and Ramez Silyan directed the film, which follows the life and career of Lil Peep Aka Gustav Åhr, the genre-bending rapper who was on the cusp of fame when he died of an accidental drug overdose aged 21.
Lil Peep played an influential role in bringing emo and pop-punk to hip-hop through his mixtapes, released via SoundCloud.
Everybody...
Gunpowder & Sky has acquired worldwide rights to the recent SXSW Lil Peep documentary Everybody’s Everything, which includes Terrence Malick among its executive producers, and will launch sales in Cannes next week.
Sebastian Jones and Ramez Silyan directed the film, which follows the life and career of Lil Peep Aka Gustav Åhr, the genre-bending rapper who was on the cusp of fame when he died of an accidental drug overdose aged 21.
Lil Peep played an influential role in bringing emo and pop-punk to hip-hop through his mixtapes, released via SoundCloud.
Everybody...
- 5/9/2019
- by Jeremy Kay
- ScreenDaily
Gunpowder & Sky has acquired the worldwide rights to the documentary on the life of the late rapper Lil Peep, “Everybody’s Everything,” the studio announced Thursday.
The film, from directors Sebastian Jones and Ramez Silyan, premiered at this year’s SXSW and is executive produced by “The Tree of Life” director Terrence Malick. Gunpowder & Sky will release the film domestically later this year and will handle international sales on the film at the Cannes Film Festival.
“Everybody’s Everything” follows the life and career of Lil Peep, real name Gustav Ahr, who was influential in bringing emo and pop-punk sounds into the hip-hop genre. But his career was cut short as he was rising to fame when he died of an accidental drug overdose at age 21. The documentary features unseen archival footage of the late rapper and interviews from Lil Peep’s friends and family, who lovingly refer to him not as Lil Peep,...
The film, from directors Sebastian Jones and Ramez Silyan, premiered at this year’s SXSW and is executive produced by “The Tree of Life” director Terrence Malick. Gunpowder & Sky will release the film domestically later this year and will handle international sales on the film at the Cannes Film Festival.
“Everybody’s Everything” follows the life and career of Lil Peep, real name Gustav Ahr, who was influential in bringing emo and pop-punk sounds into the hip-hop genre. But his career was cut short as he was rising to fame when he died of an accidental drug overdose at age 21. The documentary features unseen archival footage of the late rapper and interviews from Lil Peep’s friends and family, who lovingly refer to him not as Lil Peep,...
- 5/9/2019
- by Brian Welk
- The Wrap
A documentary on the life and career of rapper Lil Peep, who died of an accidental overdose at age 21 just as his career was taking off, has had its worldwide rights acquired by content studio Gunpowder & Sky.
Sebastian Jones and Ramez Silyan’s SXSW music documentary Everybody’s Everything details the genre-bending rapper, called the “future of emo” by music site Pitchfork. The late Lil Peep, real name Gustav Åhr, was influential in bringing emo and pop-punk to hip-hop through his mixtapes, released via SoundCloud.
Ahr’s first mixtape, 2015’s Lil Peep Part One, generated 4,000 plays in its first week. In September 2016, the release of Hellboy led Peep to go on his first-ever solo tour across the Us, while clocking in millions of plays on SoundCloud and YouTube.2018’s Come Over When You’re Sober, Pt. 2, Ahr’s second album and first posthumous release, debuted at number four on the...
Sebastian Jones and Ramez Silyan’s SXSW music documentary Everybody’s Everything details the genre-bending rapper, called the “future of emo” by music site Pitchfork. The late Lil Peep, real name Gustav Åhr, was influential in bringing emo and pop-punk to hip-hop through his mixtapes, released via SoundCloud.
Ahr’s first mixtape, 2015’s Lil Peep Part One, generated 4,000 plays in its first week. In September 2016, the release of Hellboy led Peep to go on his first-ever solo tour across the Us, while clocking in millions of plays on SoundCloud and YouTube.2018’s Come Over When You’re Sober, Pt. 2, Ahr’s second album and first posthumous release, debuted at number four on the...
- 5/9/2019
- by Bruce Haring
- Deadline Film + TV
Gunpowder & Sky has acquired worldwide rights to the Lil Peep music documentary “Everybody’s Everything.”
The film, directed by Sebastian Jones and Ramez Silyan, premiered at South by Southwest in March. Gunpowder & Sky will release the film later this year, and kick off foreign sales at the Cannes market next week. The film festival opens on May 14.
“Everybody’s Everything” follows life and career of Lil Peep, the genre-bending rapper who was just rising to fame when he died of an accidental drug overdose at 21 years old in 2017. The American rapper, who was born as Gustav Åhr, was influential in bringing emo and pop-punk to hip-hop through his mixtapes. In 2016, the release of “Hellboy” led Peep to go on his first-ever solo tour across the U.S., while clocking in millions of plays on SoundCloud and YouTube.
Variety’s Andrew Barker said in his SXSW review that the film was “haunting.
The film, directed by Sebastian Jones and Ramez Silyan, premiered at South by Southwest in March. Gunpowder & Sky will release the film later this year, and kick off foreign sales at the Cannes market next week. The film festival opens on May 14.
“Everybody’s Everything” follows life and career of Lil Peep, the genre-bending rapper who was just rising to fame when he died of an accidental drug overdose at 21 years old in 2017. The American rapper, who was born as Gustav Åhr, was influential in bringing emo and pop-punk to hip-hop through his mixtapes. In 2016, the release of “Hellboy” led Peep to go on his first-ever solo tour across the U.S., while clocking in millions of plays on SoundCloud and YouTube.
Variety’s Andrew Barker said in his SXSW review that the film was “haunting.
- 5/9/2019
- by Dave McNary
- Variety Film + TV
Framed with a haunting letter from his grandfather Jack, Everybody’s Everything is a messy portrait of deeply flawed rising star Lil Peep, who passed away at age 21 in 2017 of a fentanyl overdose. His work is still surfacing with his second album released posthumously along with a current radio single I’ve Been Waiting with ILoveMakonnen and Fall Out Boy.
Embracing the medium of youth Diy stardom, Everybody’s Everything uses a wall of media tracing his career both in composed sit-down interviews with family, collaborators, girlfriends, and his management team with rough and ready ephemeral moments that could have been crafted for Instagram and Snapchat. For those seeking to understand the Lil Peep phenomena, especially as his work continues to reach radio stations, it’s a fairly comprehensive document. Directed by editor Sebastian Jones and cinematographer Ramez Silyan, the film follows Lil Peep (aka Gustav Elijah Åhr) from a...
Embracing the medium of youth Diy stardom, Everybody’s Everything uses a wall of media tracing his career both in composed sit-down interviews with family, collaborators, girlfriends, and his management team with rough and ready ephemeral moments that could have been crafted for Instagram and Snapchat. For those seeking to understand the Lil Peep phenomena, especially as his work continues to reach radio stations, it’s a fairly comprehensive document. Directed by editor Sebastian Jones and cinematographer Ramez Silyan, the film follows Lil Peep (aka Gustav Elijah Åhr) from a...
- 3/24/2019
- by John Fink
- The Film Stage
An elegiac documentary exploring the brief life of rapper Lil Peep, “Everybody’s Everything” certainly doesn’t lack for perspectives. Interviewing virtually everyone who knew the musician (born Gustav Ahr), directors Sebastian Jones and Ramez Silyan cover the waterfront, from Peep’s family to his girlfriends, his innumerable collaborators, his managers and his fans, trying to distill exactly what it was about this shy, vulnerable kid that made him such a self-made sensation in the short years between the launch of his career via rough bedroom recordings, and his death of a drug overdose at age 21. Given the proximity to his passing (barely a year and a half ago), the remembrances are raw and sometimes free-associative, and a wealth of intimate footage offers plenty of warts-and-all testimony to the wild blur that was his life. The only perspective that’s missing here is that of Peep himself, and that hole...
- 3/21/2019
- by Andrew Barker
- Variety Film + TV
The 2019 SXSW Film Festival launched plenty of buzz for many anticipated studio releases, from Jordan Peele’s “Us” to Olivia Wilde’s “Booksmart,” but these movies don’t tell the whole story. The Austin gathering showcased 102 features and episodic across nine days, and it remains unclear where many of those titles will surface next. But even if they didn’t garner the same level of hype, many of the smaller-scale narratives and documentaries at SXSW 2019 deserve audiences beyond the insular film festival circuit.
These highlights may not generate massive deals, but in today’s malleable distribution landscape, there are many of ways that strong, original storytelling can find audience. Here’s our usual plea that buyers take a chance on these worthy films that still need homes.
“Alice”
The opening minutes of “Alice” make the case for Emilie Piponnier to be a movie star, and the rest of the movie keeps it up.
These highlights may not generate massive deals, but in today’s malleable distribution landscape, there are many of ways that strong, original storytelling can find audience. Here’s our usual plea that buyers take a chance on these worthy films that still need homes.
“Alice”
The opening minutes of “Alice” make the case for Emilie Piponnier to be a movie star, and the rest of the movie keeps it up.
- 3/18/2019
- by Eric Kohn, Kate Erbland and Chris O'Falt
- Indiewire
In recent years, the SXSW Film Festival has grown in stature to become a key launchpad for many kinds of movies — anticipated studio comedies, edgy documentaries, and low-budget narrative features have all found taken flight at the Austin gathering. The addition of television series has further complicated SXSW’s profile, to the point where both media receive nearly the same level of attention.
The 2019 edition was an especially fertile example, as Jordan Peele’s horror sensation “Us” kicked off the proceedings with a level of enthusiasm that remained in place in the days ahead, with many other crowdpleasing movies and television shows. Setting aside the obvious, here are some of the biggest highlights.
“The Beach Bum”
Harmony Korine’s unorthodox portrait of jubilant Florida stoner Moondog (Matthew McConaughey) portrays a man whose guiding ambition in life is to find bliss every step of the way. Moondog is a role only...
The 2019 edition was an especially fertile example, as Jordan Peele’s horror sensation “Us” kicked off the proceedings with a level of enthusiasm that remained in place in the days ahead, with many other crowdpleasing movies and television shows. Setting aside the obvious, here are some of the biggest highlights.
“The Beach Bum”
Harmony Korine’s unorthodox portrait of jubilant Florida stoner Moondog (Matthew McConaughey) portrays a man whose guiding ambition in life is to find bliss every step of the way. Moondog is a role only...
- 3/16/2019
- by Eric Kohn, Ben Travers, Kate Erbland and Chris O'Falt
- Indiewire
The rapper Lil Peep tweeted 15 times on the day he died. At 1:14am: “Nightmares to u is my life to me.” That was followed by a handful of links to music he liked or wanted to self-promote, a fan retweet of some performance footage, and an emoji-filled reference to his stage name, which the 21-year-old’s loving mom had coined when he was a child. Finally, at 5:01pm, he shared a shoutout to his “biggest fan” Nick Bons, an incarcerated felon whose sister had allegedly provided the rapper with drugs. Lil Peep was found dead a few hours later in the back of a tour bus outside the Tucson, Arizona, venue where he’d been scheduled to perform; his body would later test positive for everything from cannabis and cocaine to prescription-grade painkillers like Tramadol and oxycodone.
If the replies to these final posts are any indication, Lil...
If the replies to these final posts are any indication, Lil...
- 3/12/2019
- by David Ehrlich
- Indiewire
Lil Peep, the SoundCloud sensation turned genre-blending rap star, was exploring a film career before his death in 2017.
At the SXSW premiere of the Terrence Malick-produced documentary “Everybody’s Everything,” about the rapper’s rise and untimely end, filmmakers told Variety that Peep was being pursued to take on his first movie role.
Sebastian Jones, a co-director on the documentary, said he met Peep in Austin, Texas “three days before he passed. I was at one of his shows, and I was so taken by him … I wanted to cast him in a movie.”
Jones is a collaborator and protege of Malick’s, who himself is a longtime friend of Peep’s family, the Womacks. Jones has worked as an editor and eventually associate producer on Malick projects like “Knight of Cups” starring Christian Bale and “Song to Song” with Ryan Gosling and Cate Blanchett.
Jones said he spoke to Malick about engaging Peep,...
At the SXSW premiere of the Terrence Malick-produced documentary “Everybody’s Everything,” about the rapper’s rise and untimely end, filmmakers told Variety that Peep was being pursued to take on his first movie role.
Sebastian Jones, a co-director on the documentary, said he met Peep in Austin, Texas “three days before he passed. I was at one of his shows, and I was so taken by him … I wanted to cast him in a movie.”
Jones is a collaborator and protege of Malick’s, who himself is a longtime friend of Peep’s family, the Womacks. Jones has worked as an editor and eventually associate producer on Malick projects like “Knight of Cups” starring Christian Bale and “Song to Song” with Ryan Gosling and Cate Blanchett.
Jones said he spoke to Malick about engaging Peep,...
- 3/11/2019
- by Matt Donnelly
- Variety Film + TV
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