2024 marks the 20th edition of the festival.
Glasgow Film Festival (Gff) has set the first titles and events for its upcoming 20th edition, that will run from February 28 to March 10, 2024, as well as the team with which Allison Gardner will programme the festival, after her long-standing co-director Allan Hunter stepped down following the 2023 edition.
This year’s country in focus will be Czechia, also known as Czech Republic, under the banner ’Czech, please!’
Titles include Is There Any Place For Me, Please? a debut feature documentary and UK premiere from Jarmila Štuková, that showcases an intimate portrayal of one woman...
Glasgow Film Festival (Gff) has set the first titles and events for its upcoming 20th edition, that will run from February 28 to March 10, 2024, as well as the team with which Allison Gardner will programme the festival, after her long-standing co-director Allan Hunter stepped down following the 2023 edition.
This year’s country in focus will be Czechia, also known as Czech Republic, under the banner ’Czech, please!’
Titles include Is There Any Place For Me, Please? a debut feature documentary and UK premiere from Jarmila Štuková, that showcases an intimate portrayal of one woman...
- 12/7/2023
- by Mona Tabbara
- ScreenDaily
Sofia Exarchou’s “Animal” won the Golden Alexander at the 64th Thessaloniki Film Festival on Sunday, marking the first time in 30 years that a Greek film took home the top honors at the country’s longest-running film event.
Exarchou’s sophomore feature, which premiered at the Locarno Film Festival, was praised by Variety’s Jessica Kiang as “a poignant portrait of life amid the sequins and the seediness of a Greek resort.” The film follows a group of entertainers at an all-inclusive island resort preparing for the busy tourist season who are forced to wrestle with the dark reality that the show must go on as the sultry Mediterranean nights turn violent.
Lead actor Dimitra Vlagopoulou, who won the acting award at the prestigious Swiss fest for what Kiang called a “riveting” performance, also shared the award for best actress in Thessaloniki. The awards were handed out by a jury comprised of producer Diana Elbaum,...
Exarchou’s sophomore feature, which premiered at the Locarno Film Festival, was praised by Variety’s Jessica Kiang as “a poignant portrait of life amid the sequins and the seediness of a Greek resort.” The film follows a group of entertainers at an all-inclusive island resort preparing for the busy tourist season who are forced to wrestle with the dark reality that the show must go on as the sultry Mediterranean nights turn violent.
Lead actor Dimitra Vlagopoulou, who won the acting award at the prestigious Swiss fest for what Kiang called a “riveting” performance, also shared the award for best actress in Thessaloniki. The awards were handed out by a jury comprised of producer Diana Elbaum,...
- 11/12/2023
- by Christopher Vourlias
- Variety Film + TV
In Karlovy Vary Film Festival competition entry “We Have Never Been Modern,” Czech director Matej Chlupacek takes on both the dangers of Utopian bubbles and the power of unbending faith in traditional gender concepts.
The story, set in a Slovak company town built by a visionary industrialist, takes place on the eve of World War II, as a murder mystery threatens to upset the idealized community. The factory director’s wife Helena, played by Eliska Krenkova, is an aspiring doctor who is soon to give birth. But her rosy future is suddenly darkened by the discovery of the body of a newborn intersex baby in the factory’s courtyard.
All these elements might seem like a heavy burden for a young indie filmmaker who eschewed film school and whose last effort at making a feature was a decade ago, “Touchless” – made when he was a 17-year-old debut writer-director.
But Chlupacek...
The story, set in a Slovak company town built by a visionary industrialist, takes place on the eve of World War II, as a murder mystery threatens to upset the idealized community. The factory director’s wife Helena, played by Eliska Krenkova, is an aspiring doctor who is soon to give birth. But her rosy future is suddenly darkened by the discovery of the body of a newborn intersex baby in the factory’s courtyard.
All these elements might seem like a heavy burden for a young indie filmmaker who eschewed film school and whose last effort at making a feature was a decade ago, “Touchless” – made when he was a 17-year-old debut writer-director.
But Chlupacek...
- 7/9/2023
- by Will Tizard
- Variety Film + TV
Czech director Matěj Chlupáček may not even be 30 yet, but when his period drama We Have Never Been Modern (Úsvit) debuted in the main competition of the 57th Karlovy Vary International Film Festival a few days ago, buzz was ringing through the fest halls that it could become the Czech submission for the 2024 Academy Awards.
The film, with a screenplay by Miro Šifra, is set in 1937’s Czechoslovakia and follows Helena (Eliška Křenková, Bird Atlas, Winter Flies) who is about to give birth and face a rosy future in a modern city as the wife of a successful young factory manager. “However, all her illusions soon perish, as the dead body of a newborn intersex baby is found in the middle of their factory,” a plot description highlights. “Helena needs to find out what happened here for the safety of her own child, but she runs into her own prejudices.
The film, with a screenplay by Miro Šifra, is set in 1937’s Czechoslovakia and follows Helena (Eliška Křenková, Bird Atlas, Winter Flies) who is about to give birth and face a rosy future in a modern city as the wife of a successful young factory manager. “However, all her illusions soon perish, as the dead body of a newborn intersex baby is found in the middle of their factory,” a plot description highlights. “Helena needs to find out what happened here for the safety of her own child, but she runs into her own prejudices.
- 7/6/2023
- by Georg Szalai
- The Hollywood Reporter - Movie News
A lacquered Czech period piece with surprisingly topical interests at its core, “We Have Never Been Modern” rather ambitiously borrows its title from a key text by the late French philosopher Bruno Latour — in which he argued that humanity’s distinction between nature and our own culture is a wholly modern development, and one we’d do best to move away from. While Latour’s ideas can indeed be mapped onto a story that charts modern society’s fixation on human advancement against its rejection of human difference, Matěj Chlupáček’s gripping, gleamingly produced second feature isn’t as academic as all that: Ultimately a humane message movie planting flags for both women’s liberation and queer rights, this Karlovy Vary competition premiere could easily resonate with festival and arthouse audiences away from home turf.
Following extensive work in TV, shorts and music videos, Chlupáček’s return to the big...
Following extensive work in TV, shorts and music videos, Chlupáček’s return to the big...
- 7/4/2023
- by Guy Lodge
- Variety Film + TV
The spectrum of gender and sexuality may seem to be a subject firmly rooted in the political and cultural squabbles of 2023, but Czech director Matej Chlupacek has chosen to look at it through the lens of 1937 in “We Have Never Been Modern,” an affecting drama that both relies on and transcends its period setting.
Set in the old Czechoslovakia (a fitting setting for a rare Czech and Slovak co-production) just prior to World War II, the film opened the Crystal Globe competition section of the Karlovy Vary Film Festival on Friday. Titled “Úsvit” in Czech but borrowing its English title from Bruno Latour’s 1991 cultural study, the film uses its prewar setting to add resonance to a portrait of a society trying to transform itself even as a large and destructive transformation looms just out of sight. At the same time, it deals with issues of sexuality, and panic over sexuality,...
Set in the old Czechoslovakia (a fitting setting for a rare Czech and Slovak co-production) just prior to World War II, the film opened the Crystal Globe competition section of the Karlovy Vary Film Festival on Friday. Titled “Úsvit” in Czech but borrowing its English title from Bruno Latour’s 1991 cultural study, the film uses its prewar setting to add resonance to a portrait of a society trying to transform itself even as a large and destructive transformation looms just out of sight. At the same time, it deals with issues of sexuality, and panic over sexuality,...
- 7/4/2023
- by Steve Pond
- The Wrap
The Karlovy Vary Film Festival, which takes place in an elegant spa resort in the Bohemian region of the Czech Republic, is set to get political during its 57th edition, but in a subtle way.
“I am not sure if you can even use the word ‘subtle’ when talking about politics, but it doesn’t always have to be in your face. You can be political by showing the existential struggles of an elderly lady who gets framed by some crooks,” says artistic director Karel Och, mentioning Stephan Komandarev’s “Blaga’s Lessons,” which will vie for the Crystal Globe.
While the main competition features many stories about people trying to return home or simply find their place in the world, he adds, the festival will also celebrate Iran with a separate section “Another Birth. Iranian Cinema Here and Now.” “Before our consultant Lorenzo Esposito came up with this name,...
“I am not sure if you can even use the word ‘subtle’ when talking about politics, but it doesn’t always have to be in your face. You can be political by showing the existential struggles of an elderly lady who gets framed by some crooks,” says artistic director Karel Och, mentioning Stephan Komandarev’s “Blaga’s Lessons,” which will vie for the Crystal Globe.
While the main competition features many stories about people trying to return home or simply find their place in the world, he adds, the festival will also celebrate Iran with a separate section “Another Birth. Iranian Cinema Here and Now.” “Before our consultant Lorenzo Esposito came up with this name,...
- 6/30/2023
- by Marta Balaga
- Variety Film + TV
At this time last year, the organizers of the Karlovy Vary international film festival — the biggest cinema event in the Czech Republic and the premium A-list festival for all of Eastern Europe — were scrambling. The Russian invasion of Ukraine, just a few months earlier, had disputed the entire region. Filmmakers from Prague to Tallinn were rushing to show their support for the Ukrainian people and their battered industry. When the Odesa International Film Festival (Oiff), scheduled for July 2022, had to be canceled, festivals near Ukraine joined forces to show cross-border solidarity. Poland’s Warsaw Film Festival stepped up to host Odesa’s competition program. The PriFest in Kosovo opened up its schedule to screen full-length and short films by Ukrainian debutant directors.
And in Karlovy Vary, a festival best-known for its stunning location — in the number one spa town of the Czech Republic — and glamorous celebrity guests, organizers hosted the Oiff’s selection of works-in-progress,...
And in Karlovy Vary, a festival best-known for its stunning location — in the number one spa town of the Czech Republic — and glamorous celebrity guests, organizers hosted the Oiff’s selection of works-in-progress,...
- 6/29/2023
- by Georg Szalai and Scott Roxborough
- The Hollywood Reporter - Movie News
LevelK has boarded “We Have Never Been Modern,” a Czech period drama inspired by the true story of intersex people in the 1930’s. The film has been selected at Karlovy Vary and will be released in Czech Republic by Bontonfilm.
The movie, which marks the feature debut of Matěj Chlupáček (“Zrádci”), follows Helena, who is about to have a baby with an affluent factory manager. All her illusions soon perish when the dead body of a newborn intersex baby is found in the middle of their factory. Helena needs to find out what happened there for the safety of her own child, but she runs into her own prejudices.
“We Have Never Been Modern” stars Eliška Křenková, Miloslav König and newcomer Richard Langdon.
Chlupáček, who also produced the film, said he “chose to tell the story of ‘We Have Never Been’ because it communicates current and important topics, such as...
The movie, which marks the feature debut of Matěj Chlupáček (“Zrádci”), follows Helena, who is about to have a baby with an affluent factory manager. All her illusions soon perish when the dead body of a newborn intersex baby is found in the middle of their factory. Helena needs to find out what happened there for the safety of her own child, but she runs into her own prejudices.
“We Have Never Been Modern” stars Eliška Křenková, Miloslav König and newcomer Richard Langdon.
Chlupáček, who also produced the film, said he “chose to tell the story of ‘We Have Never Been’ because it communicates current and important topics, such as...
- 5/30/2023
- by Elsa Keslassy
- Variety Film + TV
The 57th edition includes new films by directors Pascal Plante, Stephan Komandarev, Tinatin Kajrishvili and Babak Jalali.
Karlovy Vary International Film Festival has unveiled the official selection for its 57th edition, including new features by Pascal Plante, Stephan Komandarev and Tinatin Kajrishvili.
The festival, which runs from June 30-July 8 in the Czech spa town, has nine world premieres and two international premieres in its main Crystal Globe Competition.
Canadian director Plante, whose Nadia Butterfly was in Cannes’ Official Selection in 2020 and Fake Tattoos played in the Berlinale’s Generation strand in 2018, world premieres arthouse thriller Red Rooms about a woman...
Karlovy Vary International Film Festival has unveiled the official selection for its 57th edition, including new features by Pascal Plante, Stephan Komandarev and Tinatin Kajrishvili.
The festival, which runs from June 30-July 8 in the Czech spa town, has nine world premieres and two international premieres in its main Crystal Globe Competition.
Canadian director Plante, whose Nadia Butterfly was in Cannes’ Official Selection in 2020 and Fake Tattoos played in the Berlinale’s Generation strand in 2018, world premieres arthouse thriller Red Rooms about a woman...
- 5/30/2023
- by Tim Dams
- ScreenDaily
The Karlovy Vary Intl. Film Festival, Eastern and Central Europe’s leading cinema event, has unveiled its lineup, which includes new works by Pascal Plante, Stephan Komandarev, Tinatin Kajrishvili and Babak Jalali in the Crystal Globes Competition. They will vie against films by up-and-comers Ernst De Geer, Itsaso Arana and Cyril Aris. The section has nine world and two international premieres. Oscar-nominated actor Patricia Clarkson is one of the jury members.
The Proxima Competition, which made its debut at last year’s Kviff, presents what the festival defines as “bold works,” directed by young filmmakers and renowned auteurs alike. The section comprises of 10 world and two international premieres. The festival says “playfulness, courage and freshness can be found” in the new films by Swiss auteur Thomas Imbach, Poland’s Olga Chajdas, Cyprus-born Kyros Papavassiliou, French filmmaker Émilie Brisavoine and Romanian documentarist Alexandru Solomon, among others.
Eight films will play in the Special Screenings section,...
The Proxima Competition, which made its debut at last year’s Kviff, presents what the festival defines as “bold works,” directed by young filmmakers and renowned auteurs alike. The section comprises of 10 world and two international premieres. The festival says “playfulness, courage and freshness can be found” in the new films by Swiss auteur Thomas Imbach, Poland’s Olga Chajdas, Cyprus-born Kyros Papavassiliou, French filmmaker Émilie Brisavoine and Romanian documentarist Alexandru Solomon, among others.
Eight films will play in the Special Screenings section,...
- 5/30/2023
- by Leo Barraclough
- Variety Film + TV
The 57th Karlovy Vary Film Festival has unveiled its competition lineup for its 57th edition, set to run in the bucolic Czech spa town from June 30 to July 8.
Among this year’s competition highlights are Fremont, from Iranian-born, London-based director Babak Jalali, a dramedy based around Donya, a former Afghan translator for U.S. troops who now works in a fortune cookie factory in Fremont, USA. Empty Nets, from Iranian filmmaker Behrooz Karamizade, a love story set in a small fishing village in contemporary Iran, is also in the running for the festival’s Crystal Globe honor for best competition film.
Outside the competition, Karlovy Vary this year has put a focus on independent Iranian cinema, with a selection of recent works by directors working outside the Tehran regime.
Other 2023 competition highlights include Red Rooms, a Canadian darknet thriller from director Pascal Plante, Itsaso Arana’s Spanish drama The Girls Are Alright...
Among this year’s competition highlights are Fremont, from Iranian-born, London-based director Babak Jalali, a dramedy based around Donya, a former Afghan translator for U.S. troops who now works in a fortune cookie factory in Fremont, USA. Empty Nets, from Iranian filmmaker Behrooz Karamizade, a love story set in a small fishing village in contemporary Iran, is also in the running for the festival’s Crystal Globe honor for best competition film.
Outside the competition, Karlovy Vary this year has put a focus on independent Iranian cinema, with a selection of recent works by directors working outside the Tehran regime.
Other 2023 competition highlights include Red Rooms, a Canadian darknet thriller from director Pascal Plante, Itsaso Arana’s Spanish drama The Girls Are Alright...
- 5/30/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
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