Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Billy (Zachary Epcar)
An emerging experimental filmmaker uses a series of 16mm close-ups to capture the textures and objects that characterize suburban life in this short horror film inspired by the ‘90s soap opera Melrose Place. Zachary Epcar’s approach to presenting household items––plastic Fiji water bottles, Nespresso pods, Amazon packages––using a combination of sharp visuals and eerie sounds produces a nightmarish thrill-ride through the suburbs that renders commodity culture itself as a movie monster.
Where to Stream: Le Cinéma Club
Blackout (Larry Fessenden)
As with Depraved, writer-director Larry Fessenden returns to the world of classic, Universal-inspired monsters in Blackout. Whereas that title brought the mythos of Frankenstein’s monster (and its ample room for social commentary) into the present-day,...
Billy (Zachary Epcar)
An emerging experimental filmmaker uses a series of 16mm close-ups to capture the textures and objects that characterize suburban life in this short horror film inspired by the ‘90s soap opera Melrose Place. Zachary Epcar’s approach to presenting household items––plastic Fiji water bottles, Nespresso pods, Amazon packages––using a combination of sharp visuals and eerie sounds produces a nightmarish thrill-ride through the suburbs that renders commodity culture itself as a movie monster.
Where to Stream: Le Cinéma Club
Blackout (Larry Fessenden)
As with Depraved, writer-director Larry Fessenden returns to the world of classic, Universal-inspired monsters in Blackout. Whereas that title brought the mythos of Frankenstein’s monster (and its ample room for social commentary) into the present-day,...
- 4/12/2024
- by Jordan Raup
- The Film Stage
Let’s start here: the production design in Tom Gustafson’s Glitter & Doom is impeccable, colorful, and memorable. Too often these days films lack an adventurous color palette. Here we have a welcome outlier. Production designer Geo Martínez breathes life into each frame. Next there’s the music. The film is a musical set to the indelible tunes of the Indigo Girls, the folk-rock duo that became a household name in the late ’80s and early ’90s with hits like “Closer to Fine” and “Galileo.” Without question are music and lyrics the most essential piece of this problematically simple narrative. These artists are long overdue for legacy-laden admiration and celebration.
Now, for some criticism. We have Glitter (Alex Diaz) who wants to be a successful circus performer. We have Doom (Alan Cammish) who wants to be a successful musician. Both are struggling as they tilt at the windmills of their dreams.
Now, for some criticism. We have Glitter (Alex Diaz) who wants to be a successful circus performer. We have Doom (Alan Cammish) who wants to be a successful musician. Both are struggling as they tilt at the windmills of their dreams.
- 3/6/2024
- by Dan Mecca
- The Film Stage
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