Cartilage Films has acquired worldwide rights to “Summer Solstice,” a new comedy that marks the feature debut of its writer and director Noah Schamus. The movie boasts an ensemble cast led by breakout performances from Bobbi Salvör Menuez (“Under the Silver Lake”) and Marianne Rendón (“Charlie Says”).
The producers are billing Schamus’s film as a modern twist on the buddy comedy, with this one told from a queer and trans perspective. It comes as filmmakers are offering fresh takes on queer stories.
“Summer Solstice” world premiered at Provincetown Film Festival and then went on to screen at New York’s LGBTQ+ film festival NewFest, with additional selections at Mill Valley Film Festival, Woodstock Film Festival and Deauville American Film Festival. It will be released in theaters beginning June 14 in New York at the IFC Center with a national rollout to follow.
In “Summer Solstice,” trans man Leo’s (Bobbi...
The producers are billing Schamus’s film as a modern twist on the buddy comedy, with this one told from a queer and trans perspective. It comes as filmmakers are offering fresh takes on queer stories.
“Summer Solstice” world premiered at Provincetown Film Festival and then went on to screen at New York’s LGBTQ+ film festival NewFest, with additional selections at Mill Valley Film Festival, Woodstock Film Festival and Deauville American Film Festival. It will be released in theaters beginning June 14 in New York at the IFC Center with a national rollout to follow.
In “Summer Solstice,” trans man Leo’s (Bobbi...
- 4/10/2024
- by Brent Lang
- Variety Film + TV
IFC’s Late Night With The Devil has scared up the distributor’s largest opening weekend ever with an estimated $2.8+ million on 1.043 screens, coming in at no. 6 at the domestic box office.
Prior to this weekend, Watcher was IFC’s top opening film at $827k, followed by Skinamarink with $819k and Blackberry at $801k. Late Night was IFC’s widest opening since The D Train, the distributor said, noting it was IFC’s highest opening day ($437k) since Skinamakink, and its highest Thursday pre-show ($317k). The film by Australian duo Colin and Cameron Cairnes unfolds almost in real-time on the set of a 1977 late-night talk show broadcast that unexpectedly transforms from amusing to sinister, unleashing evil into the nation’s living rooms. Stars David Dastmalchian as talk show host Jack Delroy.
The Image Nation Abu Dhabi and Spooky Pictures pic premiered at SXSW and has since played Fantasia Festival in Montreal,...
Prior to this weekend, Watcher was IFC’s top opening film at $827k, followed by Skinamarink with $819k and Blackberry at $801k. Late Night was IFC’s widest opening since The D Train, the distributor said, noting it was IFC’s highest opening day ($437k) since Skinamakink, and its highest Thursday pre-show ($317k). The film by Australian duo Colin and Cameron Cairnes unfolds almost in real-time on the set of a 1977 late-night talk show broadcast that unexpectedly transforms from amusing to sinister, unleashing evil into the nation’s living rooms. Stars David Dastmalchian as talk show host Jack Delroy.
The Image Nation Abu Dhabi and Spooky Pictures pic premiered at SXSW and has since played Fantasia Festival in Montreal,...
- 3/24/2024
- by Jill Goldsmith
- Deadline Film + TV
Exclusive: Cartilage Films has taken worldwide rights to Ryan Martin Brown’s feature directorial debut, Free Time for a 2024 domestic release.
Pic stars Colin Burgess as Drew, who is approaching the end of his twenties and, with it, his relative youth. Looking to make a sudden change, he decides to quit his cushy desk job and “embrace life” — only to realize he has no idea what to do with this newfound freedom. Cycling quickly through friends, hobbies, and goals, it’s not long before Drew’s search for meaning leads him back in the direction of his recently vacated post. Brown also wrote the pic which stars Rajat Suresh, Holmes (Welcome to Flatch), Jessie Pinnick (Princess Cyd), Michael Patrick Nicholson (Socks on Fire), James Webb and Eric Yates,
Free Time was produced by Mackenzie Jamieson, Paula Andrea González-Nasser, Justin Zuckerman and Nolan Kelly.
Pic stars Colin Burgess as Drew, who is approaching the end of his twenties and, with it, his relative youth. Looking to make a sudden change, he decides to quit his cushy desk job and “embrace life” — only to realize he has no idea what to do with this newfound freedom. Cycling quickly through friends, hobbies, and goals, it’s not long before Drew’s search for meaning leads him back in the direction of his recently vacated post. Brown also wrote the pic which stars Rajat Suresh, Holmes (Welcome to Flatch), Jessie Pinnick (Princess Cyd), Michael Patrick Nicholson (Socks on Fire), James Webb and Eric Yates,
Free Time was produced by Mackenzie Jamieson, Paula Andrea González-Nasser, Justin Zuckerman and Nolan Kelly.
- 8/24/2023
- by Anthony D'Alessandro
- Deadline Film + TV
AMC Networks is bolstering the leadership team for its film group, which is comprised of IFC Films, Rlje Films, and Shudder. The company has added two new executives and promoted others, including one executive formerly with A24.
The hires come in the wake of an exodus of departures at IFC Films that began in March, including president Arianna Bocco after a 17-year run. The hires compose the team assembled under new film group head Scott Shooman, who took the job last month.
Nicole Weis, who previously worked at A24 as its VP of sales and distribution, is joining the team as VP of Distribution, managing the theatrical rollout of the film group’s output, and Judy Woloshen, who has been with AMC Networks, is moving over to the film group and is the VP of Public Relations. Weis will report to Scott Shooman, head of the film group, and Woloshen will promote to Olivia Dupuis,...
The hires come in the wake of an exodus of departures at IFC Films that began in March, including president Arianna Bocco after a 17-year run. The hires compose the team assembled under new film group head Scott Shooman, who took the job last month.
Nicole Weis, who previously worked at A24 as its VP of sales and distribution, is joining the team as VP of Distribution, managing the theatrical rollout of the film group’s output, and Judy Woloshen, who has been with AMC Networks, is moving over to the film group and is the VP of Public Relations. Weis will report to Scott Shooman, head of the film group, and Woloshen will promote to Olivia Dupuis,...
- 8/10/2023
- by Brian Welk
- Indiewire
IFC Films is beefing up its depleted leadership ranks, naming Nicole Weis VP of Distribution. Judy Woloshen also joins as VP of Public Relations, managing national publicity efforts across IFC’s three film brands.
Weis, who will manage theatrical rollout for the film group’s slate, was previously VP of sales and distribution at A24Films, where she handled sales for Everything Everywhere All At Once, The Whale, Marcel The Shell, Minari, Midsommar, Uncut Gems and others.
Prior to A24, Weis worked at Universal Pictures and Focus Features on films including Jurassic World, the Fast And Furious franchise Despicable Me, Get Out, Halloween, Straight Out Of Compton, Halloween, Green Book and Blackkkansman.
Weiss reports to Scott Shooman, who was recently appointed as Head of AMC Networks’ Film Group. Woloshen reports to Olivia Dupuis, SVP of Public Relations.
“Nicole and Judy are uniquely talented and bring a depth of industry knowledge and experience,...
Weis, who will manage theatrical rollout for the film group’s slate, was previously VP of sales and distribution at A24Films, where she handled sales for Everything Everywhere All At Once, The Whale, Marcel The Shell, Minari, Midsommar, Uncut Gems and others.
Prior to A24, Weis worked at Universal Pictures and Focus Features on films including Jurassic World, the Fast And Furious franchise Despicable Me, Get Out, Halloween, Straight Out Of Compton, Halloween, Green Book and Blackkkansman.
Weiss reports to Scott Shooman, who was recently appointed as Head of AMC Networks’ Film Group. Woloshen reports to Olivia Dupuis, SVP of Public Relations.
“Nicole and Judy are uniquely talented and bring a depth of industry knowledge and experience,...
- 8/10/2023
- by Jill Goldsmith
- Deadline Film + TV
When the Gotham Awards paid tribute to then-IFC Films president Jonathan Sehring, his speech contained a passage that could have been written by Cassandra, the Trojan priestess fated to speak true prophecies that would not be believed.
“Traditional theatrical distribution isn’t dead, but film distributors large and small are competing with more and more entertainment options on a daily basis,” he said. “The digital revolution is now.”
It was easy to overlook the warning in 2008. That year saw the release of Fox Searchlight’s “Slumdog Millionaire,” which won eight Oscars, including Best Picture, and grossed $378 million worldwide. Barry Jenkins made his debut on the festival circuit with “Medicine for Melancholy,” which later would be distributed by IFC.
Sehring left the company in 2018. Five years later, IFC faces a turning point in the specialty film ecosystem it helped create. With the abrupt departure of president Arianna Bocco at the end of last month,...
“Traditional theatrical distribution isn’t dead, but film distributors large and small are competing with more and more entertainment options on a daily basis,” he said. “The digital revolution is now.”
It was easy to overlook the warning in 2008. That year saw the release of Fox Searchlight’s “Slumdog Millionaire,” which won eight Oscars, including Best Picture, and grossed $378 million worldwide. Barry Jenkins made his debut on the festival circuit with “Medicine for Melancholy,” which later would be distributed by IFC.
Sehring left the company in 2018. Five years later, IFC faces a turning point in the specialty film ecosystem it helped create. With the abrupt departure of president Arianna Bocco at the end of last month,...
- 5/3/2023
- by Eric Kohn
- Indiewire
As the independent film landscape continues to feel the effects of a changing marketplace, IFC has lost another key executive. Laura Sok, who has served as IFC Films’ vice president of publicity for the past five years, is leaving the independent distributor. Sok confirmed to IndieWire that her departure was her decision and that she plans to announce a new opportunity soon.
News of Sok leaving IFC Films was first reported by Deadline. A representative for AMC Networks, IFC Films’ parent company, also confirmed with IndieWire Sok’s departure.
Sok has been at IFC Films for seven years. Since assuming her current role in 2018, Sok has run public relations for theatrical labels IFC Films, IFC Midnight, Sundance Selects, and the streaming service IFC Films Unlimited. In late 2022, she also began overseeing publicity for Shudder and Rlje Films labels. A 17-year veteran of indie film publicity, Sok previously held roles at Cinetic Media,...
News of Sok leaving IFC Films was first reported by Deadline. A representative for AMC Networks, IFC Films’ parent company, also confirmed with IndieWire Sok’s departure.
Sok has been at IFC Films for seven years. Since assuming her current role in 2018, Sok has run public relations for theatrical labels IFC Films, IFC Midnight, Sundance Selects, and the streaming service IFC Films Unlimited. In late 2022, she also began overseeing publicity for Shudder and Rlje Films labels. A 17-year veteran of indie film publicity, Sok previously held roles at Cinetic Media,...
- 4/24/2023
- by Christian Zilko
- Indiewire
Exclusive: Deadline has learned that IFC Films’ longtime Head of PR Laura Sok will be departing the indie distribution company.
Sok has been Head of PR for the last five years in an overall seven-year career at IFC (she worked there from 2008-2010), and was first hired by Jonathan Sehring to run the department. She led public-relations efforts for IFC Films, IFC Midnight, Sundance Selects and streaming service IFC Films Unlimited. Last December, her oversight was expanded to include the labels Shudder and Rlje Films.
Sok led 20th anniversary efforts for IFC Films and was integral in constructing the 2020 drive-in release and promotion strategy during the pandemic. She also led publicity strategy and campaigns for all films during the most successful financial years in IFC Films history.
While Sok is one of many executives to recently leave IFC including distribution head Jasper Basch,...
Sok has been Head of PR for the last five years in an overall seven-year career at IFC (she worked there from 2008-2010), and was first hired by Jonathan Sehring to run the department. She led public-relations efforts for IFC Films, IFC Midnight, Sundance Selects and streaming service IFC Films Unlimited. Last December, her oversight was expanded to include the labels Shudder and Rlje Films.
Sok led 20th anniversary efforts for IFC Films and was integral in constructing the 2020 drive-in release and promotion strategy during the pandemic. She also led publicity strategy and campaigns for all films during the most successful financial years in IFC Films history.
While Sok is one of many executives to recently leave IFC including distribution head Jasper Basch,...
- 4/24/2023
- by Anthony D'Alessandro
- Deadline Film + TV
Jasper Basch, director of sales and distribution for IFC Films, is leaving at week’s end to become Variance Films’ new head of distribution, marking the third high-profile departure for the indie studio in two weeks.
Basch began his career at Variance, eventually becoming manager of distribution. His exit follows those of former president Arianna Bacco and former SVP and Gm of IFC Center John Vanco.
Basch joined IFC in 2020, where he oversaw 30 releases per year. This included a slew of overperforming titles in the summer of 2020, where mostly-closed theaters and mostly delayed tentpoles left the box office dominated by drive-in flicks like “The Wretched” and “The Rental.” During this time, he also handled theatrical distribution for Shudder and Rlje Films. As recently as January of 2023, he helped push the microbudget horror sleeper “‘Skinamarink” to $1.5 million in domestic earnings.
Also Read:
Taika Waititi’s Soccer Drama ‘Next Goal Wins’ Pushed...
Basch began his career at Variance, eventually becoming manager of distribution. His exit follows those of former president Arianna Bacco and former SVP and Gm of IFC Center John Vanco.
Basch joined IFC in 2020, where he oversaw 30 releases per year. This included a slew of overperforming titles in the summer of 2020, where mostly-closed theaters and mostly delayed tentpoles left the box office dominated by drive-in flicks like “The Wretched” and “The Rental.” During this time, he also handled theatrical distribution for Shudder and Rlje Films. As recently as January of 2023, he helped push the microbudget horror sleeper “‘Skinamarink” to $1.5 million in domestic earnings.
Also Read:
Taika Waititi’s Soccer Drama ‘Next Goal Wins’ Pushed...
- 4/11/2023
- by Scott Mendelson
- The Wrap
Exclusive: Distribution executive Jasper Basch is returning to Variance Films, this time as its new Head of Distribution. He will be departing his role as IFC Films’ as its’ Director of Sales and Distribution toward the end of this week, marking the third senior staff departure for the company in two weeks.
Basch originally started his career at Variance rising to become Manager of Distribution. Basch will work with Variance Films Founder and President Dylan Marchetti, partner Kristen Osborne, and distribution executive Ryan Markowitz.
“I’m thrilled to be rejoining Dylan and Kristen at Variance Films. Variance was my first employer after graduating college, and growing with them was a wonderful experience. To get to do so for a second time is a privilege beyond anything I could have hoped for,” said Basch.
“The industry is increasingly realizing how critical proper theatrical distribution is to the success of a film,...
Basch originally started his career at Variance rising to become Manager of Distribution. Basch will work with Variance Films Founder and President Dylan Marchetti, partner Kristen Osborne, and distribution executive Ryan Markowitz.
“I’m thrilled to be rejoining Dylan and Kristen at Variance Films. Variance was my first employer after graduating college, and growing with them was a wonderful experience. To get to do so for a second time is a privilege beyond anything I could have hoped for,” said Basch.
“The industry is increasingly realizing how critical proper theatrical distribution is to the success of a film,...
- 4/11/2023
- by Andreas Wiseman and Anthony D'Alessandro
- Deadline Film + TV
The looming closure of Landmark Theatres’ Pico location is a significant loss for L.A.’s independent movie scene, which was already sorely missing the shuttered ArcLight Hollywood. Getting art-house audiences to return to cinemas has been challenging as Covid-19 variants have swept the country, and now the question is whether the city that makes movies has enough theaters to show all kinds of titles — not just blockbusters.
For moviegoers on the west side of Los Angeles, there was something special about the Landmark Pico, whose 12 screens programmed a wide variety of mostly independent and foreign films, along with industry screenings and panels.
“Around the country, including in Los Angeles, there are just fewer theaters and fewer screens than there were before the pandemic,” says Jasper Basch, IFC Films and IFC Midnight head of theatrical distribution. “The Landmark Pico’s closure is going to contribute to this problem.”
And it...
For moviegoers on the west side of Los Angeles, there was something special about the Landmark Pico, whose 12 screens programmed a wide variety of mostly independent and foreign films, along with industry screenings and panels.
“Around the country, including in Los Angeles, there are just fewer theaters and fewer screens than there were before the pandemic,” says Jasper Basch, IFC Films and IFC Midnight head of theatrical distribution. “The Landmark Pico’s closure is going to contribute to this problem.”
And it...
- 5/18/2022
- by Pat Saperstein
- Variety Film + TV
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