An incisive look into the mafia’s presence in Corsica, Julien Colonna’s “The Kingdom” is an even-handed debut, filtering a war between rival gangs through the prism of a coming-of-age narrative. While well aware of the tropes associated with mafia films, Colonna’s decision to place his point of view alongside Lesia (Ghjuvanna Benedetti in her first role) creates a fascinating window into connections between real and created families.
Continue reading ‘The Kingdom’ Fuses Coming-Of-Age & Gangster Tropes into An Exciting Debut [Cannes Review] at The Playlist.
Continue reading ‘The Kingdom’ Fuses Coming-Of-Age & Gangster Tropes into An Exciting Debut [Cannes Review] at The Playlist.
- 5/29/2024
- by Christian Gallichio
- The Playlist
“Why do they want to kill you?” At 15, Lesia (Ghjuvanna Benedetti) is still daddy’s girl. She knows but doesn’t want to know the answer to her question, just as she has always known what Pierre-Paul (Saveriu Santucci) does for a living — a very good living — but doesn’t acknowledge it to herself. “Money. Power. You don’t talk to these kinds of people,” her father shrugs. You wouldn’t want to talk to him either, not without an invitation.
Julien Colonna’s robust story of Corsican rule by the Mob is set in the ’90s, when the island was so thick with revenge killings that they were a nightly news feature. As The Kingdom opens, there has been peace between the Corsican crime families for years, but the eruption of a car bomb aimed at the president, who also happens to be Pierre-Paul’s closest friend, is a...
Julien Colonna’s robust story of Corsican rule by the Mob is set in the ’90s, when the island was so thick with revenge killings that they were a nightly news feature. As The Kingdom opens, there has been peace between the Corsican crime families for years, but the eruption of a car bomb aimed at the president, who also happens to be Pierre-Paul’s closest friend, is a...
- 5/27/2024
- by Stephanie Bunbury
- Deadline Film + TV
Good afternoon Insiders, Jesse Whittock back again to take you through the week’s news in the entertainment industry, as the Cannes Film Festival nears its close.
What More Cannes I Say?
Stand up for the standouts: After a quiet opening, the Cannes Film Festival received a shot of life as several buzzy titles finally hit the screen. The excitement on the ground began with The Substance, the much-anticipated blood-splattered horror thriller from French director Coralie Fargeat, which was met with a 13-minute ovation, the longest for a title at this year’s festival until Gilles Lellouche’s Beating Hearts (L’Amour Ouf) took that crown last night. Fargeat’s pic, which stars Demi Moore, Margaret Qualley and Dennis Quaid, is a punk rock fable centered around a new product called The Substance that promises to transform people into the best version of themselves. It’s an offer that comes with a twist.
What More Cannes I Say?
Stand up for the standouts: After a quiet opening, the Cannes Film Festival received a shot of life as several buzzy titles finally hit the screen. The excitement on the ground began with The Substance, the much-anticipated blood-splattered horror thriller from French director Coralie Fargeat, which was met with a 13-minute ovation, the longest for a title at this year’s festival until Gilles Lellouche’s Beating Hearts (L’Amour Ouf) took that crown last night. Fargeat’s pic, which stars Demi Moore, Margaret Qualley and Dennis Quaid, is a punk rock fable centered around a new product called The Substance that promises to transform people into the best version of themselves. It’s an offer that comes with a twist.
- 5/24/2024
- by Jesse Whittock
- Deadline Film + TV
Metrograph Pictures has acquired North American rights to writer-director Julien Colonna’s The Kingdom after the film’s world premiere this week in the Cannes festival’s Un Certain Regard section.
Metrograph is planning a theatrical release at a date yet to be announced.
The film, Colonna’s narrative feature debut, centres on a teenager (played by Ghjuvanna Benedetti) who reconnects with her local mob boss father on the island of Corsica and goes on the run from other mobsters and the police.
Hugo Selignac and Antoine Lafon produced for Chi-Fou-Mi Productions and Goodfellas is handling sales.
Metrograph head David Laub...
Metrograph is planning a theatrical release at a date yet to be announced.
The film, Colonna’s narrative feature debut, centres on a teenager (played by Ghjuvanna Benedetti) who reconnects with her local mob boss father on the island of Corsica and goes on the run from other mobsters and the police.
Hugo Selignac and Antoine Lafon produced for Chi-Fou-Mi Productions and Goodfellas is handling sales.
Metrograph head David Laub...
- 5/21/2024
- ScreenDaily
Exclusive: Following a buzzy debut this week at the Cannes Film Festival, Parisian-based filmmaker Julien Colonna’s debut feature The Kingdom has been picked up by Metrograph Pictures, who will release the film in North America.
The Kingdom screened in the festival’s Un Certain Regard sidebar and has been widely touted on the ground in Cannes as a surprising festival standout. Metrograph Pictures has said it will distribute the film theatrically, with additional release details to be announced later.
Set over one sweltering summer on the French island of Corsica, The Kingdom follows a Corsican mob family on the run. The central character is Lesia (Ghjuvanna Benedetti), a teenager who reconnects with her father, Pierre-Paul, a local mob boss in hiding. As Pierre-Paul’s crimes catch up with him, the two go on the run from both mobsters and the police, forging an increasingly close-knit bond that will ultimately...
The Kingdom screened in the festival’s Un Certain Regard sidebar and has been widely touted on the ground in Cannes as a surprising festival standout. Metrograph Pictures has said it will distribute the film theatrically, with additional release details to be announced later.
Set over one sweltering summer on the French island of Corsica, The Kingdom follows a Corsican mob family on the run. The central character is Lesia (Ghjuvanna Benedetti), a teenager who reconnects with her father, Pierre-Paul, a local mob boss in hiding. As Pierre-Paul’s crimes catch up with him, the two go on the run from both mobsters and the police, forging an increasingly close-knit bond that will ultimately...
- 5/21/2024
- by Zac Ntim
- Deadline Film + TV
IndieWire has published its Cannes 2024 Cinematography Survey. We analyzed the data to explore (again and again) that the nine-year-old camera, Arri Alexa Mini, is the most popular camera among Cannes filmmakers. Furthermore, interestingly, in its first appearance on the Cannes Cinematography Chart and jumped straight to second place, is the Arri 35.
The main cameras of Cannes 2024 are the Arri Alexa Mini and the 35. Cannes 2024 cinematography
The 77th annual Cannes Film Festival is taking place from 14 to 25 May 2024. IndieWire has reached out to the filmmakers behind 59 films screened in various categories in the festival. The DPs elaborated on the tools they utilized to tell their stories. Read the entire survey here.
Official poster of the 77th Cannes Film Festival featuring a still image from the movie Rhapsody in August by Akira Kurosawa (1991)
As the tradition calls, we took the data and filtered it to the cameras used, to explore tendency. Based on the info,...
The main cameras of Cannes 2024 are the Arri Alexa Mini and the 35. Cannes 2024 cinematography
The 77th annual Cannes Film Festival is taking place from 14 to 25 May 2024. IndieWire has reached out to the filmmakers behind 59 films screened in various categories in the festival. The DPs elaborated on the tools they utilized to tell their stories. Read the entire survey here.
Official poster of the 77th Cannes Film Festival featuring a still image from the movie Rhapsody in August by Akira Kurosawa (1991)
As the tradition calls, we took the data and filtered it to the cameras used, to explore tendency. Based on the info,...
- 5/21/2024
- by Yossy Mendelovich
- YMCinema
At first, the violence seems limited to news reports. Every time a gangster is gunned down or a car bomb goes off in the streets of Corsica, the local channel flashes footage of the crime scene. So long as the killings are confined to television, it’s easy for 15-year-old Lesia to pretend they’re neither real nor relevant, that the people involved aren’t members of her father’s inner circle. But as “The Kingdom” unfolds, the attacks keep getting closer, slowly infiltrating the film itself, until finally, they’re happening right in front of her face.
Corsica, like nearby Sicily, has a serious problem with organized crime, which escalated dramatically in the 1990s, when “The Kingdom” is set. The birthplace of Napoleon Bonaparte, it’s an unusual island: technically part of France, but too independent-minded to let outsiders manage its affairs. The Corsican flag depicts a decapitated Moorish...
Corsica, like nearby Sicily, has a serious problem with organized crime, which escalated dramatically in the 1990s, when “The Kingdom” is set. The birthplace of Napoleon Bonaparte, it’s an unusual island: technically part of France, but too independent-minded to let outsiders manage its affairs. The Corsican flag depicts a decapitated Moorish...
- 5/20/2024
- by Peter Debruge
- Variety Film + TV
One of the finest films ever made about organized crime, “The Long Good Friday” (1980) sees the world of a London gangster abruptly destabilized by bomb attacks and murders of his associates. He and his henchmen attempt to uncover the attackers’ identities, all whilst trying not to worry their visitors in town for the weekend, who are members of the American mafia looking to invest in redevelopment in the area. This British mob classic may seem an odd film to evoke up top in a review of a French-language, Corsica-set debut feature. But one of the main strengths of director Julien Colonna’s “The Kingdom” is how it successfully pulls off a loosely similar, paranoia-driven fall-of-an-empire story within the context of a condensed time period.
The time frame in question is not quite as tight as “The Long Good Friday’s” 24-ish hours of mayhem, but instead a few weeks of...
The time frame in question is not quite as tight as “The Long Good Friday’s” 24-ish hours of mayhem, but instead a few weeks of...
- 5/20/2024
- by Josh Slater-Williams
- Indiewire
The shadow of The Godfather looms large over French director Julien Colonna’s formidable feature debut, The Kingdom (Le Royaume), and not only because one of the characters in it is literally called “Godfather.”
Set in Corsica in 1995, at a time when the island was wracked by warfare among nationalist groups and crime families, the film focuses on one mafioso clan that’s beset by enemies on all sides and needs to survive by any means necessary. The head of that clan is a very casually dressed Don Corleone named Pierre-Paul (Saveriu Santucci), and he needs to both preserve his leadership and protect his teenage daughter, Lesia (the illuminating Ghjuvanna Benedetti), as they run from cops and mobsters alike.
So yes, it’s a very Godfather-like scenario — but it’s as if the Coppola classic were told from the viewpoint of a young Connie, chronicling how a girl on the...
Set in Corsica in 1995, at a time when the island was wracked by warfare among nationalist groups and crime families, the film focuses on one mafioso clan that’s beset by enemies on all sides and needs to survive by any means necessary. The head of that clan is a very casually dressed Don Corleone named Pierre-Paul (Saveriu Santucci), and he needs to both preserve his leadership and protect his teenage daughter, Lesia (the illuminating Ghjuvanna Benedetti), as they run from cops and mobsters alike.
So yes, it’s a very Godfather-like scenario — but it’s as if the Coppola classic were told from the viewpoint of a young Connie, chronicling how a girl on the...
- 5/20/2024
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
Un Certain Regard is always a time to explore new, daring films from first- and second-time feature filmmakers at the Cannes Film Festival. They’ll eventually be eligible for the Camera d’Or, the Un Certain Regard equivalent of the Palme d’Or. So if you’re looking for something to see outside the main competition at Cannes this year, Julien Colonna’s Un Certain Regard entry is a simmering and intense coming-of-age story about a teenage girl coming of age amid a criminal family. And that family is maybe one she doesn’t want to reconnect with but is forced to over one summer in Corsica, 1995. Watch an IndieWire exclusive clip from the film below.
Here’s the official synopsis: “Corsica, 1995. It’s Lesia’s first summer as a teenager. One day a man bursts into her life and takes her to an isolated villa where she finds her father,...
Here’s the official synopsis: “Corsica, 1995. It’s Lesia’s first summer as a teenager. One day a man bursts into her life and takes her to an isolated villa where she finds her father,...
- 5/20/2024
- by Ryan Lattanzio
- Indiewire
This year’s Cannes Film Festival should prove particularly festive for Mediawan Pictures managing director Elisabeth d’Arvieu. With five in-house productions premiering in the official selection and another in Critics’ Week, the exec and her team will hit the Croisette with cause for celebration.
As an ardent cinephile, she bolstered an extracurricular passion for movies while getting an Mba from Baruch College in New York. She still takes in a film a day.
The Cannes celebration promises to start early for Mediawan, kicking off with Quentin Dupieux’s festival opener “The Second Act,” then Palme d’Or contending Hearts” from Gilles Lellouche and Kirill Serebrennikov’s “Limonov: The Ballad of Eddie,” the epic “The Count of Monte-Cristo” screening out of competition and Un Certain Regard player “Le Royaume” from
emerging talent Julien Colonna.
When taken as a whole, the strong showing nicely reflects the group’s wider ambitions, from...
As an ardent cinephile, she bolstered an extracurricular passion for movies while getting an Mba from Baruch College in New York. She still takes in a film a day.
The Cannes celebration promises to start early for Mediawan, kicking off with Quentin Dupieux’s festival opener “The Second Act,” then Palme d’Or contending Hearts” from Gilles Lellouche and Kirill Serebrennikov’s “Limonov: The Ballad of Eddie,” the epic “The Count of Monte-Cristo” screening out of competition and Un Certain Regard player “Le Royaume” from
emerging talent Julien Colonna.
When taken as a whole, the strong showing nicely reflects the group’s wider ambitions, from...
- 5/16/2024
- by Elsa Keslassy and Ben Croll
- Variety Film + TV
Cannes isn’t Sundance. The movies on offer aren’t generally genre horror box office surprises or heartwarming indie dramedies, and sometimes they’re not even sure-fire Oscar hopefuls.
But as several sales agents and distributors told us, Cannes is slowly shifting back to being a home for discovery. With the audience now unbothered by subtitles, distributors aren’t just looking for the next “May December” but the next “Anatomy of a Fall.” And when it comes to the package titles on the Marché du Film, buyers are demanding more than the latest Nicolas Cage shark movie.
The sources IndieWire spoke to believe there’s more quality than quantity among this year’s official competition sales titles and the packages being shopped to distributors. And that’s a good thing, even though there are still plenty of hot packages trickling in by the day and buyers already scooping up competition...
But as several sales agents and distributors told us, Cannes is slowly shifting back to being a home for discovery. With the audience now unbothered by subtitles, distributors aren’t just looking for the next “May December” but the next “Anatomy of a Fall.” And when it comes to the package titles on the Marché du Film, buyers are demanding more than the latest Nicolas Cage shark movie.
The sources IndieWire spoke to believe there’s more quality than quantity among this year’s official competition sales titles and the packages being shopped to distributors. And that’s a good thing, even though there are still plenty of hot packages trickling in by the day and buyers already scooping up competition...
- 5/13/2024
- by Brian Welk
- Indiewire
Paris-based international film sales company Pulsar Content has formed a strategic partnership with Digital District Entertainment, a leading post-production, VFX and production facilities company, with offices in France, Belgium and India. The partnership will create “a streamlined and cost-effective production process for international film projects,” according to a statement.
Pulsar Content’s Cannes lineup includes Un Certain Regard’s “Niki” by Céline Sallette, Antoine Chevrolliers’ “Block Pass,” premiering in Critics’ Week, and Camila Beltran’s “Mi Bestia,” premiering at Acid.
Dde’s Cannes lineup includes Julien Colonna’s “Le Royaume” in Un Certain Regard and Patricia Mazuy’s “Visiting Hours” in Directors’ Fortnight.
The companies have previously worked together on several films, including “The Deep House” by Julien Maury and Alexandre Bustillo, which sold to Blumhouse for the U.S. and Universal for international territories. They also teamed up on Edouard Salier’s “Tropic” and “Mads” by David Moreau.
Dde...
Pulsar Content’s Cannes lineup includes Un Certain Regard’s “Niki” by Céline Sallette, Antoine Chevrolliers’ “Block Pass,” premiering in Critics’ Week, and Camila Beltran’s “Mi Bestia,” premiering at Acid.
Dde’s Cannes lineup includes Julien Colonna’s “Le Royaume” in Un Certain Regard and Patricia Mazuy’s “Visiting Hours” in Directors’ Fortnight.
The companies have previously worked together on several films, including “The Deep House” by Julien Maury and Alexandre Bustillo, which sold to Blumhouse for the U.S. and Universal for international territories. They also teamed up on Edouard Salier’s “Tropic” and “Mads” by David Moreau.
Dde...
- 5/7/2024
- by Leo Barraclough and Elsa Keslassy
- Variety Film + TV
Mediawan CEO Pierre-Antoine Capton is set to receive Variety’s International Visionary Award at the Cannes Film Festival where the company will have multiple films playing across the Official Selection.
The award will pay tribute to Capton’s trailblazing track record at the helm of Mediawan, the company he founded with investment banker Mathieu Pigasse and telecom billionaire Xavier Niel in late 2015. Mediawan is now a global production powerhouse encompassing more than 85 labels around the world, having just announced its acquisition of Leonine, a leading German distribution-production company.
The combined group comprises Brad Pitt’s Plan B (“Bob Marley: One Love”) in the U.S., France’s On Entertainment (“Miraculous”), Hugo Selignac’s Chi-Fou-Mi (“Beating Hearts”), Dimitri Rassam’s Chapter 2, Italy’s Palomar (“The Count of Monte Cristo”), as well as Drama Republic and Misfits Entertainment (“Super/Man: The Christopher Reeve Story”) in the U.K and Wiedemann & Berg Film (“The Lives Of Others...
The award will pay tribute to Capton’s trailblazing track record at the helm of Mediawan, the company he founded with investment banker Mathieu Pigasse and telecom billionaire Xavier Niel in late 2015. Mediawan is now a global production powerhouse encompassing more than 85 labels around the world, having just announced its acquisition of Leonine, a leading German distribution-production company.
The combined group comprises Brad Pitt’s Plan B (“Bob Marley: One Love”) in the U.S., France’s On Entertainment (“Miraculous”), Hugo Selignac’s Chi-Fou-Mi (“Beating Hearts”), Dimitri Rassam’s Chapter 2, Italy’s Palomar (“The Count of Monte Cristo”), as well as Drama Republic and Misfits Entertainment (“Super/Man: The Christopher Reeve Story”) in the U.K and Wiedemann & Berg Film (“The Lives Of Others...
- 4/29/2024
- by Elsa Keslassy
- Variety Film + TV
Goodfellas has boarded Julien Colonna’s father-daughter coming-of-age thriller Le Royaume ahead of the film’s world premiere in Cannes’ Un Certain Regard.
The debut feature is set in Corsica in summer 1995 and follows a teenage girl (played by Ghjuvanna Benedetti) who discovers her father (Saveriu Santucci) in hiding in an isolated villa with his clan of men. As war breaks out in the underworld, the noose tightens around the clan and death strikes. Forced to go on the run, the father-daughter duo must learn to understand and love each other.
The film is produced by Hugo Selignac and Antoine Lafon at Mediawan-owned Chi-Fou-Mi,...
The debut feature is set in Corsica in summer 1995 and follows a teenage girl (played by Ghjuvanna Benedetti) who discovers her father (Saveriu Santucci) in hiding in an isolated villa with his clan of men. As war breaks out in the underworld, the noose tightens around the clan and death strikes. Forced to go on the run, the father-daughter duo must learn to understand and love each other.
The film is produced by Hugo Selignac and Antoine Lafon at Mediawan-owned Chi-Fou-Mi,...
- 4/12/2024
- ScreenDaily
Actresses Ariane Labed and Laetitia Dosch, Halfdan Ullman Tondel, Mo Harawe, Louise Courvoisier and Julien Colonna are part of the half dozen selected filmmakers that have been selected for the 2024 edition of the Un Certain Regard section. Fifteen selections were made this morning with some alluring new works from the likes of Konstantin Bojanov, Rungano Nyoni and Italian (US-based) filmmaker Roberto Minervini added to the mix. Since the 2021 edition the Cannes Premiere section have grabbed a number of premiere screening slots out of the Debussy theatre meaning the Un Certain Regard section hovers firmly around the twenty film range – so we can expect at least five more titles to be added to the section.…...
- 4/11/2024
- by Eric Lavallée
- IONCINEMA.com
As expected, the Cannes Film Festival line-up is pretty spectacular with new films from Yorgos Lanthimos, Andrea Arnold and David Cronenberg heading to the fest.
As the days are getting longer and there’s a tiny bit more sunshine in between the showers of rain, that can only mean one thing. The Cannes Film Festival is almost upon us.
Of course, us peasants rarely get to go, but it is fun to read the reactions from the glitzy world premieres as the stars gather in the picturesque town of Cannes.
And this year’s festival line-up is a doozy. We already knew George Miller was heading to the Croisette with Furiosa, Francis Ford Coppola is bringing Megalopolis and Kevin Costner will be premiering his new film, too, but there’s a whole heap of great filmmakers heading out to the beach with their films.
The highlights include Yorgos Lanthimos’ Kinds Of Kindness,...
As the days are getting longer and there’s a tiny bit more sunshine in between the showers of rain, that can only mean one thing. The Cannes Film Festival is almost upon us.
Of course, us peasants rarely get to go, but it is fun to read the reactions from the glitzy world premieres as the stars gather in the picturesque town of Cannes.
And this year’s festival line-up is a doozy. We already knew George Miller was heading to the Croisette with Furiosa, Francis Ford Coppola is bringing Megalopolis and Kevin Costner will be premiering his new film, too, but there’s a whole heap of great filmmakers heading out to the beach with their films.
The highlights include Yorgos Lanthimos’ Kinds Of Kindness,...
- 4/11/2024
- by Maria Lattila
- Film Stories
Descubre las películas que estarán en Cannes 2024: una lista completa de todas las secciones.
Esta mañana, Thierry Frémaux ha anunciado la programación oficial de la 77ª edición del Festival de Cannes. La pasada edición del festival fue testigo de los estrenos mundiales de las aclamadas películas “Anatomía de una Caída”, “Killers of the Flower Moon” y “The Zone of Interest”. Unas películas que posteriormente fueron nominadas al Oscar a la mejor película, de modo que este año el listón está muy alto.
Desde su primera edición en 1946, el Festival de Cannes se ha consolidado como uno de los acontecimientos cinematográficos más importantes de la industria del cine y la edición de este año ofrece una gran variedad de películas de todo el mundo; desde directores consagrados hasta nuevas voces de la industria. Aunque, por desgracia, España no tendrá representación en el festival este año.
La presidenta del jurado de...
Esta mañana, Thierry Frémaux ha anunciado la programación oficial de la 77ª edición del Festival de Cannes. La pasada edición del festival fue testigo de los estrenos mundiales de las aclamadas películas “Anatomía de una Caída”, “Killers of the Flower Moon” y “The Zone of Interest”. Unas películas que posteriormente fueron nominadas al Oscar a la mejor película, de modo que este año el listón está muy alto.
Desde su primera edición en 1946, el Festival de Cannes se ha consolidado como uno de los acontecimientos cinematográficos más importantes de la industria del cine y la edición de este año ofrece una gran variedad de películas de todo el mundo; desde directores consagrados hasta nuevas voces de la industria. Aunque, por desgracia, España no tendrá representación en el festival este año.
La presidenta del jurado de...
- 4/11/2024
- by Marta Medina
- mundoCine
Ahead of a festival kicking off in just about a month, Iris Knobloch, President of the Festival de Cannes, and Thierry Frémaux, General Delegate, have unveiled the selection of the 77th edition of the Cannes Film Festival.
Led by the previously announced major highlight, Francis Ford Coppola’s Megalopolis, the competition lineup features the latest films from Jia Zhangke, David Cronenberg, Paul Schrader, Andrea Arnold, Sean Baker, Miguel Gomes, Yorgos Lanthimos, Jacques Audiard, Ali Abbasi, Payal Kapadia, and more.
Other sections include the previously new films from George Miller and Kevin Costner, alongside Leos Carax’s personal short C’est Pas Moi, Guy Maddin, Evan Johnson, and Galen Johnson’s Rumors, Alain Guiraudie’s Miséricorde, and more.
Check out the lineup below.
Competition
All We Imagine As Light – Payal Kapadia
L’amour Ouf – Gilles Lellouche
Anora – Sean Baker
The Apprentice – Ali Abbasi
Bird – Andrea Arnold
Caught by the Tides – Jia Zhang-ke...
Led by the previously announced major highlight, Francis Ford Coppola’s Megalopolis, the competition lineup features the latest films from Jia Zhangke, David Cronenberg, Paul Schrader, Andrea Arnold, Sean Baker, Miguel Gomes, Yorgos Lanthimos, Jacques Audiard, Ali Abbasi, Payal Kapadia, and more.
Other sections include the previously new films from George Miller and Kevin Costner, alongside Leos Carax’s personal short C’est Pas Moi, Guy Maddin, Evan Johnson, and Galen Johnson’s Rumors, Alain Guiraudie’s Miséricorde, and more.
Check out the lineup below.
Competition
All We Imagine As Light – Payal Kapadia
L’amour Ouf – Gilles Lellouche
Anora – Sean Baker
The Apprentice – Ali Abbasi
Bird – Andrea Arnold
Caught by the Tides – Jia Zhang-ke...
- 4/11/2024
- by Jordan Raup
- The Film Stage
Documentary
More than a dozen members of the British Royal Family offer their personal thoughts in a new documentary as they pay tribute to the life of His Royal Highness Prince Philip, Duke of Edinburgh, who died in April at 99.
All the children of the Queen and the Duke, along with their adult grandchildren and other members of the Royal Family, agreed to take part in Oxford Films’ “Prince Philip: The Royal Family.” Originally conceived to mark Prince Philip’s 100th birthday, the documentary features interviews filmed both before and after the Duke’s death and has footage filmed inside Buckingham Palace, including the Duke’s study, private office and library.
It was commissioned by Patrick Holland, BBC director of factual, arts and classical music, and Claire Sillery, head of commissioning, documentaries. The BBC commissioning editor is Simon Young.
The writer and co-producer is Robert Hardman and the executive producer is Nicolas Kent.
More than a dozen members of the British Royal Family offer their personal thoughts in a new documentary as they pay tribute to the life of His Royal Highness Prince Philip, Duke of Edinburgh, who died in April at 99.
All the children of the Queen and the Duke, along with their adult grandchildren and other members of the Royal Family, agreed to take part in Oxford Films’ “Prince Philip: The Royal Family.” Originally conceived to mark Prince Philip’s 100th birthday, the documentary features interviews filmed both before and after the Duke’s death and has footage filmed inside Buckingham Palace, including the Duke’s study, private office and library.
It was commissioned by Patrick Holland, BBC director of factual, arts and classical music, and Claire Sillery, head of commissioning, documentaries. The BBC commissioning editor is Simon Young.
The writer and co-producer is Robert Hardman and the executive producer is Nicolas Kent.
- 9/9/2021
- by Naman Ramachandran
- Variety Film + TV
Actor, stuntman and founder of Parkour, David Belle, is back with a new hard hitting and gritty 10 episode fight series called Brutal: Taste of Violence (2016-). The television series stars David Belle as Axel Chen, an ex-special forces officer, who is working as a bouncer in a nightclub. When he is brutally attacked by a group of customers and wrongfully accused of killing one of his aggressors, a wild escape begins. This escape will take him all the way to Bangkok where he will have to fight to prove his innocence and to make a living. Brutal: Taste of Violence (2016-) is directed Julien Colonna and was written by Pierre-Marie Mosconi, Jean-Charles Felli, and David Belle. Olivier Guerbois is the Director of Photography and the Fight and Stunt Coordinator is Kazu Patrick Tang. The...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 9/24/2016
- Screen Anarchy
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