Retaining a foreign culture in a foreign land is not exactly easy, particularly in such an assimilating society as the US one. As Đồ Thái Uyên, a San Diego legend who has managed funerals (and taxes) for Vietnamese families since the 1980s informs us, when she arrived in the country, the local funeral parlors did not know how, and were not particularly eager to care for her people’s customs, which was what instigated her to start her own business.
The Morning Passing on El Cajon Boulevard is screening at Viet Film Fest
Now decades later, Julie, a a young and ambitious second generation Vietnamese American funeral director working in City Heights, known as the refugee neighborhood of San Diego, California, is following on her footsteps, also being part of an effort to retain Vietnamese culture, as herself informs us in the visually impressive introduction of the film. However, as...
The Morning Passing on El Cajon Boulevard is screening at Viet Film Fest
Now decades later, Julie, a a young and ambitious second generation Vietnamese American funeral director working in City Heights, known as the refugee neighborhood of San Diego, California, is following on her footsteps, also being part of an effort to retain Vietnamese culture, as herself informs us in the visually impressive introduction of the film. However, as...
- 10/26/2021
- by Panos Kotzathanasis
- AsianMoviePulse
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