by Juan Carlos Ojano
Hear ye, gays and allies!
This month marks the tenth anniversary of the Brazilian coming-of-age rom-com The Way He Looks, written and directed by Daniel Ribeiro. Since its premiere at the Berlin International Film Festival in 2014, the film - and the short film that it was based on - has attracted warm response from viewers since. Released in Brazil on April 10, the film tells the story of a visually impaired high school student named Leonardo (Ghilherme Lobo) who befriends and later on becomes attracted to his new classmate Gabriel (Fábio Audi). It’s now heralded as one of the modern gems of queer cinema and rightfully so.
Given the event that we’re celebrating, I think this is an opportune time to finally put on the record how I came across this warm hug of a film...
Hear ye, gays and allies!
This month marks the tenth anniversary of the Brazilian coming-of-age rom-com The Way He Looks, written and directed by Daniel Ribeiro. Since its premiere at the Berlin International Film Festival in 2014, the film - and the short film that it was based on - has attracted warm response from viewers since. Released in Brazil on April 10, the film tells the story of a visually impaired high school student named Leonardo (Ghilherme Lobo) who befriends and later on becomes attracted to his new classmate Gabriel (Fábio Audi). It’s now heralded as one of the modern gems of queer cinema and rightfully so.
Given the event that we’re celebrating, I think this is an opportune time to finally put on the record how I came across this warm hug of a film...
- 4/10/2024
- by Juan Carlos Ojano
- FilmExperience
A new series by Juan Carlos Ojano
Hello, dear readers! It’s been a while since the last time I posted an entry to this series. I was busy completing my theater class, resulting in a final showcase open to the public. Let me start with that because our current nominees for Best Actress have all done theater in different points of their respective careers, something we do not always get to say about most groups of acting nominees in a category. Truth is that’s the only connective tissue I could find with these nominees because their character introductions are vastly different from each other.
Are you ready? The year is 2023...
Hello, dear readers! It’s been a while since the last time I posted an entry to this series. I was busy completing my theater class, resulting in a final showcase open to the public. Let me start with that because our current nominees for Best Actress have all done theater in different points of their respective careers, something we do not always get to say about most groups of acting nominees in a category. Truth is that’s the only connective tissue I could find with these nominees because their character introductions are vastly different from each other.
Are you ready? The year is 2023...
- 3/9/2024
- by Juan Carlos Ojano
- FilmExperience
No two people feel the exact same way about any film. Thus, Team Experience is pairing up to debate the merits of this year’s Oscar movies. Here's Juan Carlos Ojano and Nathaniel Rogers on Killers of the Flower Moon...
Carlos: Hi, Nathaniel! So excited to talk to you about this film. Confession time: this is the first time I've seen a Martin Scorsese film on the big screen, even though his works usually end up in my favorite films of their respective years. Maybe he is one of my favorite directors? But my respect for him goes beyond 'favorite'. This is also my first time seeing Leonardo DiCaprio (one of my favorite actors) on the big screen, with my "relationship" with him now spanning from Titanic to this. And my gosh, after months of buzz after its Cannes premiere, I can say I was floored and destroyed. Just in awe.
Carlos: Hi, Nathaniel! So excited to talk to you about this film. Confession time: this is the first time I've seen a Martin Scorsese film on the big screen, even though his works usually end up in my favorite films of their respective years. Maybe he is one of my favorite directors? But my respect for him goes beyond 'favorite'. This is also my first time seeing Leonardo DiCaprio (one of my favorite actors) on the big screen, with my "relationship" with him now spanning from Titanic to this. And my gosh, after months of buzz after its Cannes premiere, I can say I was floored and destroyed. Just in awe.
- 3/5/2024
- by Juan Carlos Ojano
- FilmExperience
A new series by Juan Carlos Ojano
In this year’s group of nominees - more than any other year I have covered so far - the given space during their introductory moments is incredibly important in establishing the character and their place within the story. Whether it is set in the past or the present, the stories where these characters are situated are framed through the visual juxtaposition of the character and their location a few shots into the film. While that is the unifying theme among these women, they also dabble into different variations of perspective, filmmaking styles, and acting registers. This makes for a dynamic comparison of their first impressions.
Are you ready? The year is 2015...
In this year’s group of nominees - more than any other year I have covered so far - the given space during their introductory moments is incredibly important in establishing the character and their place within the story. Whether it is set in the past or the present, the stories where these characters are situated are framed through the visual juxtaposition of the character and their location a few shots into the film. While that is the unifying theme among these women, they also dabble into different variations of perspective, filmmaking styles, and acting registers. This makes for a dynamic comparison of their first impressions.
Are you ready? The year is 2015...
- 2/1/2024
- by Juan Carlos Ojano
- FilmExperience
A new series by Juan Carlos Ojano
This year’s group of nominees prove to be interesting with regards to their character introductions. One of them has one of the most disturbing, Nsfw introductions this category has probably ever seen. Two of these films begin with a closeup of the actresses’ faces that also serve as the very first shots of their respective films. Three of the nominees are in the first scenes of their films. Four of them are introduced with the key male character related to their personal journey.
All five of them are introduced in ways that strongly relate not only to how they identify themselves, but even how the people around them and their environment see them. As a group, all of the nominees’ first moments are filled with details that serve as the character's defining characteristics, even more than any other set of nominees since this series began.
This year’s group of nominees prove to be interesting with regards to their character introductions. One of them has one of the most disturbing, Nsfw introductions this category has probably ever seen. Two of these films begin with a closeup of the actresses’ faces that also serve as the very first shots of their respective films. Three of the nominees are in the first scenes of their films. Four of them are introduced with the key male character related to their personal journey.
All five of them are introduced in ways that strongly relate not only to how they identify themselves, but even how the people around them and their environment see them. As a group, all of the nominees’ first moments are filled with details that serve as the character's defining characteristics, even more than any other set of nominees since this series began.
- 1/20/2024
- by Juan Carlos Ojano
- FilmExperience
A new series by Juan Carlos Ojano
This year’s slate of nominees showcase five performers strategically placed within the vision of their respective films right from their introductions. Whether introduced in a scene with actual spatial detail that immediately relates to the core of their characters or configured within the film’s style and tone in a more general sense, none of our first glimpses of them are deficient in meaning and purpose. It is probably not a coincidence that most of these performances appear in Best Picture nominees (and the one that didn’t probably came close too), a rarity in the Best Actress category.
Are you ready? The year is 2017...
This year’s slate of nominees showcase five performers strategically placed within the vision of their respective films right from their introductions. Whether introduced in a scene with actual spatial detail that immediately relates to the core of their characters or configured within the film’s style and tone in a more general sense, none of our first glimpses of them are deficient in meaning and purpose. It is probably not a coincidence that most of these performances appear in Best Picture nominees (and the one that didn’t probably came close too), a rarity in the Best Actress category.
Are you ready? The year is 2017...
- 1/13/2024
- by Juan Carlos Ojano
- FilmExperience
A new series by Juan Carlos Ojano
Happy New Year, fellow actressexuals! To start 2024, we return to this series with a banger of a year.
One thing noticeable in this lineup is that the majority of these actresses are in films with clear auteurial vision. Two of them worked with established directors that, by this point, have signature sensibilities and visual choices that are now being associated with them. Two of them are in films directed by (relatively) new filmmakers that are beginning to hone their technical and directorial inclinations by this point. One of them (Close) worked with a director that is well-known and recognized in his home country.
Another thing to note: Lady Gaga marked her feature film debut as a lead actor while Aparicio was nominated for her first acting role ever.
Are you ready? The year is 2018...
Happy New Year, fellow actressexuals! To start 2024, we return to this series with a banger of a year.
One thing noticeable in this lineup is that the majority of these actresses are in films with clear auteurial vision. Two of them worked with established directors that, by this point, have signature sensibilities and visual choices that are now being associated with them. Two of them are in films directed by (relatively) new filmmakers that are beginning to hone their technical and directorial inclinations by this point. One of them (Close) worked with a director that is well-known and recognized in his home country.
Another thing to note: Lady Gaga marked her feature film debut as a lead actor while Aparicio was nominated for her first acting role ever.
Are you ready? The year is 2018...
- 1/6/2024
- by Juan Carlos Ojano
- FilmExperience
A new series by Juan Carlos Ojano
The Best Actress shortlist in this particular year is noteworthy in that all of them appear at the very beginning of their films. Three of the five are in the very first shot of their films. One is the first person we see in the film. Meanwhile, another film begins with a different actress (a younger version of the character), but is still the character of the nominated performer.
While not always indicative of how centered they are in the respective narrative of their films, it is nevertheless a striking gesture that informs how we were supposed to enter their stories. Even in two instances where there are other leads aside from the Best Actress nominee, the five films featuring these actresses position them as navigators of their own stories.
Are you ready? The year is 2019...
The Best Actress shortlist in this particular year is noteworthy in that all of them appear at the very beginning of their films. Three of the five are in the very first shot of their films. One is the first person we see in the film. Meanwhile, another film begins with a different actress (a younger version of the character), but is still the character of the nominated performer.
While not always indicative of how centered they are in the respective narrative of their films, it is nevertheless a striking gesture that informs how we were supposed to enter their stories. Even in two instances where there are other leads aside from the Best Actress nominee, the five films featuring these actresses position them as navigators of their own stories.
Are you ready? The year is 2019...
- 12/24/2023
- by Juan Carlos Ojano
- FilmExperience
A new series by Juan Carlos Ojano
Women are at the center of the Oscars conversation*. Two female nominees for Best Director. Chloé Zhao making Oscar history. Highest number of female-directed films nominated at the Oscars as well as highest number of eligible films at the Oscars in total. Maybe it’s too early to say, but this year is looking like the bellwether of a significant change that is about to happen in the cinematic experience and landscape in the years to come. In a time when cinema as we know it was changing right in front of our collective eyes, this year in film has shown that the future is female indeed.
As for Best Actress - save for one co-lead situation - women are also the center of their respective films’ narratives (longtime Oscar fans know that’s not always the case). The roles nominated during this...
Women are at the center of the Oscars conversation*. Two female nominees for Best Director. Chloé Zhao making Oscar history. Highest number of female-directed films nominated at the Oscars as well as highest number of eligible films at the Oscars in total. Maybe it’s too early to say, but this year is looking like the bellwether of a significant change that is about to happen in the cinematic experience and landscape in the years to come. In a time when cinema as we know it was changing right in front of our collective eyes, this year in film has shown that the future is female indeed.
As for Best Actress - save for one co-lead situation - women are also the center of their respective films’ narratives (longtime Oscar fans know that’s not always the case). The roles nominated during this...
- 12/16/2023
- by Juan Carlos Ojano
- FilmExperience
A new series by Juan Carlos Ojano
From one nail-biter year to another, this year presents an interesting set of nominees with an interesting lead-up to Oscar night. Kristen Stewart racked up the majority of critics’ awards. Nicole Kidman won the not-televised Golden Globe. Olivia Colman was riding the waves of The Lost Daughter’s late-breaking hype. Speaking of late breakers, Penélope Cruz was another big critics’ push and enjoyed a last-minute surge for a win leading to Oscar night. Ultimately, Jessica Chastain - after winning SAG - squeaked out and won the award.
Another thing to note is the dominance of biopics in this category - three of the five nominees played real-life figures. However, that is where their similarities end. Their films could not be any further in terms of style and tone. Same goes with the other two remaining nominees - one originated from an acclaimed novel...
From one nail-biter year to another, this year presents an interesting set of nominees with an interesting lead-up to Oscar night. Kristen Stewart racked up the majority of critics’ awards. Nicole Kidman won the not-televised Golden Globe. Olivia Colman was riding the waves of The Lost Daughter’s late-breaking hype. Speaking of late breakers, Penélope Cruz was another big critics’ push and enjoyed a last-minute surge for a win leading to Oscar night. Ultimately, Jessica Chastain - after winning SAG - squeaked out and won the award.
Another thing to note is the dominance of biopics in this category - three of the five nominees played real-life figures. However, that is where their similarities end. Their films could not be any further in terms of style and tone. Same goes with the other two remaining nominees - one originated from an acclaimed novel...
- 12/9/2023
- by Juan Carlos Ojano
- FilmExperience
A new series by Juan Carlos Ojano
“Who Is She?”, a philosopher named RuPaul once asked.
As with that question, character introductions are vital in storytelling. First impressions are usually given importance right from the page, as those will establish our relationship with said characters. Screenwriters strategize on how they describe a character when they enter the story. Likewise, directors pay attention to how characters enter the story for the first time. Whether those entrances become consistent with the rest of the character or are ultimately subverted as the narrative unfolds even further, they matter a lot.
Since it is a truth universally acknowledged that Best Actress is perhaps the single most important category in the long history of the Academy Awards, particularly in the lives of its (mostly gay) fans who worship actresses to the ends of the earth, this new series will be focusing on how each of...
“Who Is She?”, a philosopher named RuPaul once asked.
As with that question, character introductions are vital in storytelling. First impressions are usually given importance right from the page, as those will establish our relationship with said characters. Screenwriters strategize on how they describe a character when they enter the story. Likewise, directors pay attention to how characters enter the story for the first time. Whether those entrances become consistent with the rest of the character or are ultimately subverted as the narrative unfolds even further, they matter a lot.
Since it is a truth universally acknowledged that Best Actress is perhaps the single most important category in the long history of the Academy Awards, particularly in the lives of its (mostly gay) fans who worship actresses to the ends of the earth, this new series will be focusing on how each of...
- 11/30/2023
- by Juan Carlos Ojano
- FilmExperience
by Juan Carlos Ojano
Carlo Aquino and Dolly de Leon.
Carl Joseph Papa's Oscar submission The Missing (original title: Iti Mapukpukaw) centers on a mouthless young man whose life is rocked when a familiar alien returns to his life. In telling this deeply personal story using animation, Papa examines the long-term effects of childhood trauma on people and how far kindness could go in helping them in reclaiming their voice. The Missing is the Philippines' official submission for Best International Feature Film at the 96th Academy Awards, becoming the country's first animated feature film to represent the country (out of 33 submissions). Out of the eight countries that submitted for the category's first competitive year in 1956, only the Philippines is yet to be nominated.
In this in-depth discussion, writer-director Carl Joseph Papa and actor Gio Gahol tackle the taboo topic of childhood sexual abuse in the country, pulling off the...
Carlo Aquino and Dolly de Leon.
Carl Joseph Papa's Oscar submission The Missing (original title: Iti Mapukpukaw) centers on a mouthless young man whose life is rocked when a familiar alien returns to his life. In telling this deeply personal story using animation, Papa examines the long-term effects of childhood trauma on people and how far kindness could go in helping them in reclaiming their voice. The Missing is the Philippines' official submission for Best International Feature Film at the 96th Academy Awards, becoming the country's first animated feature film to represent the country (out of 33 submissions). Out of the eight countries that submitted for the category's first competitive year in 1956, only the Philippines is yet to be nominated.
In this in-depth discussion, writer-director Carl Joseph Papa and actor Gio Gahol tackle the taboo topic of childhood sexual abuse in the country, pulling off the...
- 11/17/2023
- by Juan Carlos Ojano
- FilmExperience
by Juan Carlos Ojano
TV movies (now that mostly means streaming titles) have returned to favor amongst Emmy voters after a nadir of interest last season. All of the nominees for Outstanding Television Movie have received nominations outside that category - a stark difference from last season. This year, Weird: The Al Yankovic Story (8 noms) and Prey (6) lead the pack, with Hocus Pocus 2 (3) and Dolly Parton’s Mountain Magic Christmas and Fire Island (2 each) trailing behind. Even Boston Strangler got a single nom despite being absent in the Television Movie category. Frankly, this should have been the case for the past few years - especially beginning with the pandemic year/s - since this category has registered a steady uptick of eligible films.
Stats, graphs, and a personal ballot after the jump...
TV movies (now that mostly means streaming titles) have returned to favor amongst Emmy voters after a nadir of interest last season. All of the nominees for Outstanding Television Movie have received nominations outside that category - a stark difference from last season. This year, Weird: The Al Yankovic Story (8 noms) and Prey (6) lead the pack, with Hocus Pocus 2 (3) and Dolly Parton’s Mountain Magic Christmas and Fire Island (2 each) trailing behind. Even Boston Strangler got a single nom despite being absent in the Television Movie category. Frankly, this should have been the case for the past few years - especially beginning with the pandemic year/s - since this category has registered a steady uptick of eligible films.
Stats, graphs, and a personal ballot after the jump...
- 9/24/2023
- by Juan Carlos Ojano
- FilmExperience
by Juan Carlos Ojano
There is a sequence in the romantic crime dramedy Broadway where a lot of things clicked with me. Street performer Nelly (Elsa Lekakou) is dragged by policeme. Suddenly, a mob of queer queens swarm in to snatch them from the police. A few moments later, Nelly is reunited with fellow performer Jonas/Barbara (Foivos Papadopoulos). They kiss and rejoice to the orchestral version of Irene Cara’s “Fame”, that they were performing before this arrest.
This scene, which paves way for the film's midpoint, negotiates a variety of tones in a circular structure demonstrating Broadway's sophisticated storytelling. Christos Massalas' surprisingly thoughtful feature film mixes complex imagery, delicate writing, and sensitively portrayed romance with rhythmic movement and striking craft...
There is a sequence in the romantic crime dramedy Broadway where a lot of things clicked with me. Street performer Nelly (Elsa Lekakou) is dragged by policeme. Suddenly, a mob of queer queens swarm in to snatch them from the police. A few moments later, Nelly is reunited with fellow performer Jonas/Barbara (Foivos Papadopoulos). They kiss and rejoice to the orchestral version of Irene Cara’s “Fame”, that they were performing before this arrest.
This scene, which paves way for the film's midpoint, negotiates a variety of tones in a circular structure demonstrating Broadway's sophisticated storytelling. Christos Massalas' surprisingly thoughtful feature film mixes complex imagery, delicate writing, and sensitively portrayed romance with rhythmic movement and striking craft...
- 4/28/2023
- by Juan Carlos Ojano
- FilmExperience
by Juan Carlos Ojano
Women Talking has had a pretty rocky road to the Oscars. From being anointed as one of the early frontrunners to possibly win Best Picture to barely squeaking into the actual nominations - only getting nods for Picture and Adapted Screenplay, the film struggled to find footing during the awards race as more vocal support went towards other films. Believe me, as someone who loves the film dearly, it was hard to watch this film be up in the air for majority of the season.
Coming into the Oscar night, its only real shot at winning was for Adapted Screenplay as Everything Everywhere All at Once's victory lap at Picture seemed secure. The only problem was Adapted Screenplay also contained what was arguably the Best Picture runner-up: All Quiet on the Western Front...
Women Talking has had a pretty rocky road to the Oscars. From being anointed as one of the early frontrunners to possibly win Best Picture to barely squeaking into the actual nominations - only getting nods for Picture and Adapted Screenplay, the film struggled to find footing during the awards race as more vocal support went towards other films. Believe me, as someone who loves the film dearly, it was hard to watch this film be up in the air for majority of the season.
Coming into the Oscar night, its only real shot at winning was for Adapted Screenplay as Everything Everywhere All at Once's victory lap at Picture seemed secure. The only problem was Adapted Screenplay also contained what was arguably the Best Picture runner-up: All Quiet on the Western Front...
- 3/14/2023
- by Juan Carlos Ojano
- FilmExperience
Team Experience is discussing the various Oscar categories. Here's Baby Clyde and Juan Carlos Ojano discussing Best Actress.
Carlos: A two-time Oscar winner gunning for her third, a rising star playing a Hollywood legend in a highly divisive film, a character actress getting an overdue recognition, a recurring nominee playing Steven Spielberg's mother, and an international star in the role of a lifetime in the Best Picture frontrunner. It's quite an exciting mix of actresses plucked from a highly competitive field.
But we would be remiss if we don't address the elephant in the room, to just get it out of the way...
Carlos: A two-time Oscar winner gunning for her third, a rising star playing a Hollywood legend in a highly divisive film, a character actress getting an overdue recognition, a recurring nominee playing Steven Spielberg's mother, and an international star in the role of a lifetime in the Best Picture frontrunner. It's quite an exciting mix of actresses plucked from a highly competitive field.
But we would be remiss if we don't address the elephant in the room, to just get it out of the way...
- 3/5/2023
- by Juan Carlos Ojano
- FilmExperience
Team Experience is discussing the various Oscar categories. Here's Chris James and Juan Carlos Ojano discussing Costume Design.
Carlos: Hi, Chris! I would like to confess that I am terrified to talk about this category. For the last few years, I have just made my picks without actually articulating specific reasons. Maybe I don't have the necessary vocabulary or real-life knowledge in costuming or maybe because I'm still working on veering away from my preconceived notion of "Best" as "Most" or "Prettiest". But that fear also makes this exciting, and to do this with you - huzzah!
All right. Let's get down to business. What do we have here? Two Best Picture nominees, two Best Picture-adjacent films, and a lone nominee from a favourite designer in this category. In the expanded ballot era, a time where a lot of the categories have gone to Best Picture nominees alone, this category...
Carlos: Hi, Chris! I would like to confess that I am terrified to talk about this category. For the last few years, I have just made my picks without actually articulating specific reasons. Maybe I don't have the necessary vocabulary or real-life knowledge in costuming or maybe because I'm still working on veering away from my preconceived notion of "Best" as "Most" or "Prettiest". But that fear also makes this exciting, and to do this with you - huzzah!
All right. Let's get down to business. What do we have here? Two Best Picture nominees, two Best Picture-adjacent films, and a lone nominee from a favourite designer in this category. In the expanded ballot era, a time where a lot of the categories have gone to Best Picture nominees alone, this category...
- 2/25/2023
- by Juan Carlos Ojano
- FilmExperience
Team Experience is discussing the various Oscar categories. Here's Abe Friedtanzer and Juan Carlos Ojano.
Abe: It's always a pleasure to talk awards with you, and I'm excited to dive in to the Animated Feature race this year. While I wish that we could have been discussing out-of-the-box choices like Apollo 10 1/2: A Space Age Childhood, Eternal Spring, or Little Nicholas, Happy as Can Be or even mainstream fare that for some reason didn't click like Lightyear and The Bad Guys, there are five worthwhile nominees that did make the cut. I know that I had to seek out The Sea Beast once nominations were announced since I hadn't yet streamed that title, while the other four didn't come as much of a surprise. Going into this race, it feels like Guillermo Del Toro's Pinocchio is the clear favorite. But it didn't net any other Oscar nominations, which many thought it would.
Abe: It's always a pleasure to talk awards with you, and I'm excited to dive in to the Animated Feature race this year. While I wish that we could have been discussing out-of-the-box choices like Apollo 10 1/2: A Space Age Childhood, Eternal Spring, or Little Nicholas, Happy as Can Be or even mainstream fare that for some reason didn't click like Lightyear and The Bad Guys, there are five worthwhile nominees that did make the cut. I know that I had to seek out The Sea Beast once nominations were announced since I hadn't yet streamed that title, while the other four didn't come as much of a surprise. Going into this race, it feels like Guillermo Del Toro's Pinocchio is the clear favorite. But it didn't net any other Oscar nominations, which many thought it would.
- 2/22/2023
- by Juan Carlos Ojano
- FilmExperience
Riz Ahmed received some unanticipated laughter on Wednesday morning as he and Allison Williams read the nominations for the 2023 Academy Awards.
While announcing the nominations for Animated Short Film, Ahmed came to one of the entries, “My Year of D**ks.”
Read More: 2023 Oscar Nominations: See The Full List
After reading the title, he paused briefly as the audience in attendance erupted in laughter. When the chuckles died down, he read the final entry, “An Ostrich Told Me the World is Fake And I Think I Believe It”.
“No comment,” quipped Williams as she laughed.
Riz Ahmed saying "My Year Of Dicks" because we all woke up at 5:20am for these #OscarNominations2023 pic.twitter.com/EHsLwgmkkY
— Jarett Wieselman (@JarettSays) January 24, 2023
The moment proved to be a favourite with viewers, who responded enthusiastically via Twitter.
Thank you to fate for the weird and wonderful moment where Riz Ahmed had to...
While announcing the nominations for Animated Short Film, Ahmed came to one of the entries, “My Year of D**ks.”
Read More: 2023 Oscar Nominations: See The Full List
After reading the title, he paused briefly as the audience in attendance erupted in laughter. When the chuckles died down, he read the final entry, “An Ostrich Told Me the World is Fake And I Think I Believe It”.
“No comment,” quipped Williams as she laughed.
Riz Ahmed saying "My Year Of Dicks" because we all woke up at 5:20am for these #OscarNominations2023 pic.twitter.com/EHsLwgmkkY
— Jarett Wieselman (@JarettSays) January 24, 2023
The moment proved to be a favourite with viewers, who responded enthusiastically via Twitter.
Thank you to fate for the weird and wonderful moment where Riz Ahmed had to...
- 1/25/2023
- by Brent Furdyk
- ET Canada
by Nathaniel R
Dolly De Leon
Dolly de Leon didn't know what was coming when she auditioned for an international feature from Swedish auteur Ruben Östlund, pre-pandemic. Two plus years later, thirty-one years after her film debut, she was an international hit, winning best in show reviews for his latest feature Triangle of Sadness. No small feat given that the film won the Palme d'Or at Cannes. Even after the film's splashy premiere the kudos kept coming for Dolly's work. In recent months she's been up for the Golden Globe, the Dorians, the London Critics Circle Film Awards, and other prizes. She also shared the Supporting Performance win at the prestigious Los Angeles Film Critics Awards in a tie with Oscar's Best Supporting Actor frontrunner Ke Huy Quan.
We had the pleasure of spending time with her at the Middleburg Film Festival earlier in the season. We enlisted the help...
Dolly De Leon
Dolly de Leon didn't know what was coming when she auditioned for an international feature from Swedish auteur Ruben Östlund, pre-pandemic. Two plus years later, thirty-one years after her film debut, she was an international hit, winning best in show reviews for his latest feature Triangle of Sadness. No small feat given that the film won the Palme d'Or at Cannes. Even after the film's splashy premiere the kudos kept coming for Dolly's work. In recent months she's been up for the Golden Globe, the Dorians, the London Critics Circle Film Awards, and other prizes. She also shared the Supporting Performance win at the prestigious Los Angeles Film Critics Awards in a tie with Oscar's Best Supporting Actor frontrunner Ke Huy Quan.
We had the pleasure of spending time with her at the Middleburg Film Festival earlier in the season. We enlisted the help...
- 1/18/2023
- by NATHANIEL R
- FilmExperience
by Juan Carlos Ojano
Warning: This article contains mild spoilers on Triangle of Sadness.
2022 has been a year unlike any other for the Philippines. The past year brought an unprecedented amount of Filipino actors to the international film scene. Leading the pack is Dolly de Leon as yacht cleaner Abigail in the Palme d’Or-winning satire Triangle of Sadness. As Abigail, de Leon showed the feisty resolve of an underdog waiting to be unleashed after a disruption in the social order. Together with other films this year discussing class divide like The Menu and Glass Onion, Triangle of Sadness struck a chord with audiences. With a slew of critics’ groups mentions, Dolly de Leon has enters the current Oscar nomination voting period strong: An Lafca win, a Golden Globe nomination (a first for a Filipina), and a longlist mention at the BAFTAs. Any attention is much needed given a crowded Supporting Actress field.
Warning: This article contains mild spoilers on Triangle of Sadness.
2022 has been a year unlike any other for the Philippines. The past year brought an unprecedented amount of Filipino actors to the international film scene. Leading the pack is Dolly de Leon as yacht cleaner Abigail in the Palme d’Or-winning satire Triangle of Sadness. As Abigail, de Leon showed the feisty resolve of an underdog waiting to be unleashed after a disruption in the social order. Together with other films this year discussing class divide like The Menu and Glass Onion, Triangle of Sadness struck a chord with audiences. With a slew of critics’ groups mentions, Dolly de Leon has enters the current Oscar nomination voting period strong: An Lafca win, a Golden Globe nomination (a first for a Filipina), and a longlist mention at the BAFTAs. Any attention is much needed given a crowded Supporting Actress field.
- 1/14/2023
- by Juan Carlos Ojano
- FilmExperience
A series by Juan Carlos Ojano. Introduction / Explanation
After Kathryn Bigelow’s historic Director win at the previous Oscars for The Hurt Locker, the 2010 roster of nominees returned to the usual all-male lineup. The eventual five were pretty much unquestioned. David Fincher was the early frontrunner for Facebook drama The Social Network. Darren Aronofsky and David O. Russell received their first nominations in this category for the psychological horror Black Swan and the sports drama The Fighter, respectively. The inclusion of the Coen Brothers was considered a semi-surprise for the late-breaking Western True Grit. Ultimately, the winner was Tom Hooper for the Best Picture-winning historical drama The King’s Speech.
Given that context, it is still a bit discouraging to see the return to normal especially with two female-directed films also up for Best Picture: Lisa Cholodenko’s dramedy The Kids are All Right and Debra Granik’s mystery drama Winter’s Bone.
After Kathryn Bigelow’s historic Director win at the previous Oscars for The Hurt Locker, the 2010 roster of nominees returned to the usual all-male lineup. The eventual five were pretty much unquestioned. David Fincher was the early frontrunner for Facebook drama The Social Network. Darren Aronofsky and David O. Russell received their first nominations in this category for the psychological horror Black Swan and the sports drama The Fighter, respectively. The inclusion of the Coen Brothers was considered a semi-surprise for the late-breaking Western True Grit. Ultimately, the winner was Tom Hooper for the Best Picture-winning historical drama The King’s Speech.
Given that context, it is still a bit discouraging to see the return to normal especially with two female-directed films also up for Best Picture: Lisa Cholodenko’s dramedy The Kids are All Right and Debra Granik’s mystery drama Winter’s Bone.
- 12/20/2022
- by Juan Carlos Ojano
- FilmExperience
Team Experience is discussing each Oscar category as we head into the precursors. Here's Juan Carlos Ojano and Mark Brinkerhoff...
Carlos: I've learned my lesson about the Original score category. It defaults to usual suspects. On the one hand, their loyalty to certain composers gives the opportunity for films to be nominated even when they're not Best Picture nominees. They don't even have to be Best Picture-adjacent. On the other the hand this category can be a lazy checklist of familiar names in the way other categories are a lazy checklist of Best Picture heavyweights. Are you feeling the same way?
Mark: Yes. Often times the familiar “in the club” composers get shortlisted. Considering The Fablemans is positioned to score overall and considering his own track record, we can surely reserve one spot for John Williams...
Carlos: I've learned my lesson about the Original score category. It defaults to usual suspects. On the one hand, their loyalty to certain composers gives the opportunity for films to be nominated even when they're not Best Picture nominees. They don't even have to be Best Picture-adjacent. On the other the hand this category can be a lazy checklist of familiar names in the way other categories are a lazy checklist of Best Picture heavyweights. Are you feeling the same way?
Mark: Yes. Often times the familiar “in the club” composers get shortlisted. Considering The Fablemans is positioned to score overall and considering his own track record, we can surely reserve one spot for John Williams...
- 12/16/2022
- by NATHANIEL R
- FilmExperience
by Juan Carlos Ojano
Gabriel Martins' Oscar submission Mars One tells the story of a working class Brazilian family on the brink of the election of far-right president Jair Bolsonaro. The family is composed of a father working at a high-rise, a mother dealing with trauma, a daughter on the verge of coming out to her family, and a young boy who dreams of going to Mars. The film is a beautifully restrained examination of contemporary Brazil through the lens of class, race, and gender.
Mars One is Brazil's contender for Best International Feature Film at the 95th Academy Awards. In our interview, writer/director Gabriel Martins discusses the development of his film coinciding with the rise of Bolsonaro's divisive politics, how the long-gestating journey of the film helped him shape the final output, and how recent developments in Brazilian cinema have given him hope...
Gabriel Martins' Oscar submission Mars One tells the story of a working class Brazilian family on the brink of the election of far-right president Jair Bolsonaro. The family is composed of a father working at a high-rise, a mother dealing with trauma, a daughter on the verge of coming out to her family, and a young boy who dreams of going to Mars. The film is a beautifully restrained examination of contemporary Brazil through the lens of class, race, and gender.
Mars One is Brazil's contender for Best International Feature Film at the 95th Academy Awards. In our interview, writer/director Gabriel Martins discusses the development of his film coinciding with the rise of Bolsonaro's divisive politics, how the long-gestating journey of the film helped him shape the final output, and how recent developments in Brazilian cinema have given him hope...
- 10/22/2022
- by Juan Carlos Ojano
- FilmExperience
by Juan Carlos Ojano
Inspired by a 2014 real-life killing, Goddamned Asura explores the lives of six people involved in a ramdom shooting in a night market, including the perpetrator - a troubled teenager named Jan Wen. The film follows not only the lead-up to the shooting incident, but also the aftermath of the characters as they face the repercussions of the actions of Jan Wen.The result is a somber exploration of class, isolation, and violence that is unfortunately still timely and universal.
Goddamned Asura is Taiwan's official submission for Best International Feature Film at the 95th Academy Awards. In this interview, co-writer and director Lou Yi-an expounds on the origins and themes of the story as well as explaining some terms with their cultural context compared to their English translation...
Inspired by a 2014 real-life killing, Goddamned Asura explores the lives of six people involved in a ramdom shooting in a night market, including the perpetrator - a troubled teenager named Jan Wen. The film follows not only the lead-up to the shooting incident, but also the aftermath of the characters as they face the repercussions of the actions of Jan Wen.The result is a somber exploration of class, isolation, and violence that is unfortunately still timely and universal.
Goddamned Asura is Taiwan's official submission for Best International Feature Film at the 95th Academy Awards. In this interview, co-writer and director Lou Yi-an expounds on the origins and themes of the story as well as explaining some terms with their cultural context compared to their English translation...
- 9/23/2022
- by Juan Carlos Ojano
- FilmExperience
A series by Juan Carlos Ojano. Introduction / Explanation
At the 84th Oscars, the winner for Best Director was first-time nominee Michel Hazanavicius for The Artist (2011), the story of a silent film star on the verge of downfall as Hollywood transitions into the talkies. The recreation of that era's silent filmmaking became one of the more unusual Best Picture wins of recent memory. Hazanavicius was up against four men who were previous nominees in the category: Alexander Payne for the dramedy The Descendants, Terrence Malick for the art film The Tree of Life, and two previous winners in Martin Scorsese for the adventure Hugo, and Woody Allen for the period fantasy Midnight in Paris.
2011 was business as usual in the Best Director race, with no female director ever really in serious consideration. The only arguable exception was one extreme longshot early on in the conversation - Angelina Jolie for her directorial...
At the 84th Oscars, the winner for Best Director was first-time nominee Michel Hazanavicius for The Artist (2011), the story of a silent film star on the verge of downfall as Hollywood transitions into the talkies. The recreation of that era's silent filmmaking became one of the more unusual Best Picture wins of recent memory. Hazanavicius was up against four men who were previous nominees in the category: Alexander Payne for the dramedy The Descendants, Terrence Malick for the art film The Tree of Life, and two previous winners in Martin Scorsese for the adventure Hugo, and Woody Allen for the period fantasy Midnight in Paris.
2011 was business as usual in the Best Director race, with no female director ever really in serious consideration. The only arguable exception was one extreme longshot early on in the conversation - Angelina Jolie for her directorial...
- 8/3/2022
- by Juan Carlos Ojano
- FilmExperience
A series by Juan Carlos Ojano. Introduction / Explanation
Come Oscar nominations announcement, the Best Director category was one of the most discussed among Oscar fans and predictors. Perceived frontrunners Ben Affleck (Argo), Kathryn Bigelow (Zero Dark Thirty), and Tom Hooper (Les Misérables) missed out on nominations while two legitimate shockers came in their place: Michael Haneke for the arthouse drama Amour and Behn Zeitlin for the fantasy drama Beasts of the Southern Wild. This led to one of the most chaotic Oscar races of the decade, leading to Argo winning Best Picture even without its director Affleck nominated.
While she was a strong force in that category leading to nominations, previous winner Kathryn Bigelow was the only female director given considerable awards attention that season...
Come Oscar nominations announcement, the Best Director category was one of the most discussed among Oscar fans and predictors. Perceived frontrunners Ben Affleck (Argo), Kathryn Bigelow (Zero Dark Thirty), and Tom Hooper (Les Misérables) missed out on nominations while two legitimate shockers came in their place: Michael Haneke for the arthouse drama Amour and Behn Zeitlin for the fantasy drama Beasts of the Southern Wild. This led to one of the most chaotic Oscar races of the decade, leading to Argo winning Best Picture even without its director Affleck nominated.
While she was a strong force in that category leading to nominations, previous winner Kathryn Bigelow was the only female director given considerable awards attention that season...
- 7/16/2022
- by Juan Carlos Ojano
- FilmExperience
A series by Juan Carlos Ojano. Introduction / Explanation
Steve McQueen became the first Black director to helm a Best Picture winner for 12 Years a Slave (2013), telling the harrowing story of African-American freeman Solomon Northup who was kidnapped in 1841 and was sold to slavery. McQueen also became the first Black producer to receive a Best Picture award. Meanwhile, the film’s biggest competition was Gravity, a science fiction-thriller film set in space. Winning seven Oscars, the film was directed by Alfonso Cuarón, becoming the first Latin American to win the Best Director Oscar.
While having these two films as frontrunners is a win for representation at the Oscars, female directors were still left out of the conversation for majority of the awards season. Out of the 289 films included in the Reminder List of Eligible Films in 2013 (86th Academy Awards), only 32* (11.1) were directed/co-directed by women...
Steve McQueen became the first Black director to helm a Best Picture winner for 12 Years a Slave (2013), telling the harrowing story of African-American freeman Solomon Northup who was kidnapped in 1841 and was sold to slavery. McQueen also became the first Black producer to receive a Best Picture award. Meanwhile, the film’s biggest competition was Gravity, a science fiction-thriller film set in space. Winning seven Oscars, the film was directed by Alfonso Cuarón, becoming the first Latin American to win the Best Director Oscar.
While having these two films as frontrunners is a win for representation at the Oscars, female directors were still left out of the conversation for majority of the awards season. Out of the 289 films included in the Reminder List of Eligible Films in 2013 (86th Academy Awards), only 32* (11.1) were directed/co-directed by women...
- 7/4/2022
- by Juan Carlos Ojano
- FilmExperience
by Juan Carlos Ojano
From De Sica to Hamaguchi, the past two years of hosting the podcast The One-Inch Barrier has allowed me to watch all that films that were selected by the Academy for its International Feature Film category - 74 winners and 337 nominees (all but one title). While this category has had its issues over the years, it has also put an international spotlight on non-English language cinema on Hollywood’s biggest night. While the category has always been far from a perfect encapsulation of world cinema, it's a great jumping off point as noted in the series finale. (Cláudio Alves did a beautiful summary of our discussion - video included!).
Here is my personal not-that-definitive ranking of the winners of the category. Things are very fluid especially in the midsection...
From De Sica to Hamaguchi, the past two years of hosting the podcast The One-Inch Barrier has allowed me to watch all that films that were selected by the Academy for its International Feature Film category - 74 winners and 337 nominees (all but one title). While this category has had its issues over the years, it has also put an international spotlight on non-English language cinema on Hollywood’s biggest night. While the category has always been far from a perfect encapsulation of world cinema, it's a great jumping off point as noted in the series finale. (Cláudio Alves did a beautiful summary of our discussion - video included!).
Here is my personal not-that-definitive ranking of the winners of the category. Things are very fluid especially in the midsection...
- 6/5/2022
- by Juan Carlos Ojano
- FilmExperience
by Cláudio Alves
After covering 74 years of Best International Film winners, nominees, and other contenders, Juan Carlos Ojano has brought The One-Inch Barrier podcast to an end. The project was a fantastic opportunity to explore world cinema through the prism of Oscar history, though it often went beyond that limit, too. It featured a varied slew of guests that spanned from critics to academics, film students, filmmakers, and even an Academy member. I was lucky enough to appear five times through its course, talking 2001, 1983, 1961, 1954, and, now, this special farewell episode. You can check out our wrap-up conversation in audio format here or click on the video below:
Thank you, Juan Carlos Ojano, for this formidable podcast. Thank you to all the listeners and every world cinema lover out there.
After covering 74 years of Best International Film winners, nominees, and other contenders, Juan Carlos Ojano has brought The One-Inch Barrier podcast to an end. The project was a fantastic opportunity to explore world cinema through the prism of Oscar history, though it often went beyond that limit, too. It featured a varied slew of guests that spanned from critics to academics, film students, filmmakers, and even an Academy member. I was lucky enough to appear five times through its course, talking 2001, 1983, 1961, 1954, and, now, this special farewell episode. You can check out our wrap-up conversation in audio format here or click on the video below:
Thank you, Juan Carlos Ojano, for this formidable podcast. Thank you to all the listeners and every world cinema lover out there.
- 5/28/2022
- by Cláudio Alves
- FilmExperience
We're celebrating each of the upcoming Honorary Oscar winners with a few pieces on their career.
by Juan Carlos Ojano
Liv Ullmann garnered her second and final (to date) nomination for her role as Dr. Jenny Isaksson in Face to Face, her seventh collaboration with Ingmar Bergman. Last included in the Oscar conversation in 1974 but was hampered by the eligibility issues of Scenes from a Marriage, Ullmann came back in the awards race roaring, with Best Actress wins from NYFCC, Lafca, and NBR while getting nominations from the BAFTA and the Globes. While Faye Dunaway was the expected winner for Network, Ullmann undoubtedly gave one of her best performances (in a career filled with them) in this film.
Tw: Sexual violence/rape...
by Juan Carlos Ojano
Liv Ullmann garnered her second and final (to date) nomination for her role as Dr. Jenny Isaksson in Face to Face, her seventh collaboration with Ingmar Bergman. Last included in the Oscar conversation in 1974 but was hampered by the eligibility issues of Scenes from a Marriage, Ullmann came back in the awards race roaring, with Best Actress wins from NYFCC, Lafca, and NBR while getting nominations from the BAFTA and the Globes. While Faye Dunaway was the expected winner for Network, Ullmann undoubtedly gave one of her best performances (in a career filled with them) in this film.
Tw: Sexual violence/rape...
- 3/18/2022
- by Juan Carlos Ojano
- FilmExperience
by Nathaniel R
While we're sad about the current state of Oscar we still have 93 other years of Oscar history to obsess over. So I'm happy to share that I was invited back for a final appearance on "The One-Inch Barrier". Juan Carlos Ojano's podcast has looked at every Oscar race for Best International Feature Film while moving backward in time. Well almost every. There's still a few episodes to go. For this episode Juan Carlos and I talked about the nominated films of 1957 including The Gates of Paris (France), the noir The Devil Strikes at Night (Germany), the musical melodrama Mother India (India), the WW II survival drama Nine Lives (Norway), and the winning film Federico Fellini's enchanting Nights of Cabiria (Italy).
Ingmar Bergman's influential early classic The Seventh Seal was also submitted for the Oscars that year but the Academy unwisely passed. I have words about that.
While we're sad about the current state of Oscar we still have 93 other years of Oscar history to obsess over. So I'm happy to share that I was invited back for a final appearance on "The One-Inch Barrier". Juan Carlos Ojano's podcast has looked at every Oscar race for Best International Feature Film while moving backward in time. Well almost every. There's still a few episodes to go. For this episode Juan Carlos and I talked about the nominated films of 1957 including The Gates of Paris (France), the noir The Devil Strikes at Night (Germany), the musical melodrama Mother India (India), the WW II survival drama Nine Lives (Norway), and the winning film Federico Fellini's enchanting Nights of Cabiria (Italy).
Ingmar Bergman's influential early classic The Seventh Seal was also submitted for the Oscars that year but the Academy unwisely passed. I have words about that.
- 3/5/2022
- by NATHANIEL R
- FilmExperience
A series by Juan Carlos Ojano. Introduction / Explanation
The 87th Oscars was the season that #OscarsSoWhite was born. When all 20 acting nominees were all white, lawyer April Reign took to Twitter to express her disappointment about the nominations. Exacerbating the issue that season was the presence/non-presence of the historical drama Selma. Despite a Best Picture nomination, the film missed nominations in all but one other category, with the most visible snubs being in Best Director (Ava DuVernay) and Best Actor (David Oyelowo). The tweets and hashtag prompted a snowballing industry-wide discussion on the lack of representation and racism at the Academy Awards and in Hollywood in general.
The lack of Oscar nomination for DuVernay, despite critical acclaim and Golden Globe and Critics’ Choice nominations, continue the then-long streak of female directors missing out in the Best Director category. Out of the 320 films included in the Reminder List of Eligible...
The 87th Oscars was the season that #OscarsSoWhite was born. When all 20 acting nominees were all white, lawyer April Reign took to Twitter to express her disappointment about the nominations. Exacerbating the issue that season was the presence/non-presence of the historical drama Selma. Despite a Best Picture nomination, the film missed nominations in all but one other category, with the most visible snubs being in Best Director (Ava DuVernay) and Best Actor (David Oyelowo). The tweets and hashtag prompted a snowballing industry-wide discussion on the lack of representation and racism at the Academy Awards and in Hollywood in general.
The lack of Oscar nomination for DuVernay, despite critical acclaim and Golden Globe and Critics’ Choice nominations, continue the then-long streak of female directors missing out in the Best Director category. Out of the 320 films included in the Reminder List of Eligible...
- 2/3/2022
- by Juan Carlos Ojano
- FilmExperience
A series by Juan Carlos Ojano. Previous Episodes: 2017 | 2018 | 2019 | Introduction / Explanation
This year at the Oscars marked a landmark in representation. Barry Jenkins’s Moonlight became the first Best Picture winner to star an all-Black cast and the first that was LGBTQ+-themed. This win was even more remarkable as the film went up against the heavily nominated frontrunner La La Land, a romantic musical. This year also marked an unprecedented amount of racial representation in the acting categories, with seven out of 20 nominees being non-White, two of them winning.
However, this considerable victory in diversity did not extend to gender. In the directing category all the nominees were male. At the time, not much discourse and coverage was given to gender as the focus on representation was mostly around race, especially after the two-year run of the #OscarsSoWhite campaign...
This year at the Oscars marked a landmark in representation. Barry Jenkins’s Moonlight became the first Best Picture winner to star an all-Black cast and the first that was LGBTQ+-themed. This win was even more remarkable as the film went up against the heavily nominated frontrunner La La Land, a romantic musical. This year also marked an unprecedented amount of racial representation in the acting categories, with seven out of 20 nominees being non-White, two of them winning.
However, this considerable victory in diversity did not extend to gender. In the directing category all the nominees were male. At the time, not much discourse and coverage was given to gender as the focus on representation was mostly around race, especially after the two-year run of the #OscarsSoWhite campaign...
- 1/1/2022
- by Juan Carlos Ojano
- FilmExperience
A series by Juan Carlos Ojano. Previous Episodes: 2018 | 2019 | 2020-21
The 2017 awards season was marred by the multiple accusations of sexual abuse and harrassment made towards several industry giants, mainly notorious film producer Harvey Weinstein. This catapulted the #MeToo and #TimesUp movement into the international spotlight, addressing women’s issues in a broader context, especially with a misogynistic president sitting at the White House.
At that year’s Oscars, Greta Gerwig became only the fifth woman to be nominated for Best Director in the awards’ ninety years of existence. A moment that must be celebrated, but also an embarrassing reminder of how Hollywood has failed women directors, whether in awards or in actual film production. Out of the 341 films included in the Reminder List of Eligible Films in 2017 (90th Academy Awards), 60 (17.6%) were directed/co-directed by women...
The 2017 awards season was marred by the multiple accusations of sexual abuse and harrassment made towards several industry giants, mainly notorious film producer Harvey Weinstein. This catapulted the #MeToo and #TimesUp movement into the international spotlight, addressing women’s issues in a broader context, especially with a misogynistic president sitting at the White House.
At that year’s Oscars, Greta Gerwig became only the fifth woman to be nominated for Best Director in the awards’ ninety years of existence. A moment that must be celebrated, but also an embarrassing reminder of how Hollywood has failed women directors, whether in awards or in actual film production. Out of the 341 films included in the Reminder List of Eligible Films in 2017 (90th Academy Awards), 60 (17.6%) were directed/co-directed by women...
- 12/19/2021
- by Juan Carlos Ojano
- FilmExperience
by Cláudio Alves
Did you know that Juan Carlos Ojano hosts one of the best film podcasts around? The One-Inch Barrier started last year, examining the Best International Film race, going backward in time. As its penultima season is drawing to an end, I was honored enough to return for my third stint as a guest.
The subject, this time, was Ingmar Bergman's Through a Glass Darkly, which won the Oscar in 1961, beating Denmark's Harry and the Butler, Japan's Immortal Love, Mexico's The Important Man, and Spain's Plácido. Though the Swedish flick about God's silence and Harriet Andersson's general awesomeness isn't an especially joyous piece, this was a fun, thoroughly entertaining conversation. Topics ranged from faith to class warfare, from ironic movie titles to Toshiro Mifune's hotness. There was even time to throw shade at some 2021 Oscar contenders, though I refuse to name the mediocrity in question. Take...
Did you know that Juan Carlos Ojano hosts one of the best film podcasts around? The One-Inch Barrier started last year, examining the Best International Film race, going backward in time. As its penultima season is drawing to an end, I was honored enough to return for my third stint as a guest.
The subject, this time, was Ingmar Bergman's Through a Glass Darkly, which won the Oscar in 1961, beating Denmark's Harry and the Butler, Japan's Immortal Love, Mexico's The Important Man, and Spain's Plácido. Though the Swedish flick about God's silence and Harriet Andersson's general awesomeness isn't an especially joyous piece, this was a fun, thoroughly entertaining conversation. Topics ranged from faith to class warfare, from ironic movie titles to Toshiro Mifune's hotness. There was even time to throw shade at some 2021 Oscar contenders, though I refuse to name the mediocrity in question. Take...
- 12/18/2021
- by Cláudio Alves
- FilmExperience
A series by Juan Carlos Ojano
Previously: Episode 1 - 2020-21 / Episode 2 - 2019
Eyes were on the Best Director category at the 91st Academy Awards after Greta Gerwig became only the fifth woman to be nominated in the said category the previous year. Contemporaneous articles expressed disappointment with this fact, but this Oscar year was also plagued with other issues: no ceremony host, plans to give out awards during commercial break, and divisive films like Green Book, Bohemian Rhapsody, and Vice being major factors, too.
In a way, these other controversies clouded what could have been a more extensive discussion regarding representation in the Best Director category. Out of the 347 films included in the Reminder List of Eligible Films in 2018 (91st Academy Awards), 62 of them (or 17.9%) were directed/co-directed by women.
Oscar-nominated Female-directed Films (in alphabetical order): Animal Behaviour*, Bao*, Can You Ever Forgive Me?, Capernaum, Free Solo, Late Afternoon*, Marguerite*, Mary Queen of Scots,...
Previously: Episode 1 - 2020-21 / Episode 2 - 2019
Eyes were on the Best Director category at the 91st Academy Awards after Greta Gerwig became only the fifth woman to be nominated in the said category the previous year. Contemporaneous articles expressed disappointment with this fact, but this Oscar year was also plagued with other issues: no ceremony host, plans to give out awards during commercial break, and divisive films like Green Book, Bohemian Rhapsody, and Vice being major factors, too.
In a way, these other controversies clouded what could have been a more extensive discussion regarding representation in the Best Director category. Out of the 347 films included in the Reminder List of Eligible Films in 2018 (91st Academy Awards), 62 of them (or 17.9%) were directed/co-directed by women.
Oscar-nominated Female-directed Films (in alphabetical order): Animal Behaviour*, Bao*, Can You Ever Forgive Me?, Capernaum, Free Solo, Late Afternoon*, Marguerite*, Mary Queen of Scots,...
- 12/2/2021
- by Juan Carlos Ojano
- FilmExperience
This year for our "thankful for" column I'm interviewing the team so you can get to know them better and so I can express my sincere gratitude that they're showcased here on the site. Today, Juan Carlos Ojano.
Juan Carlos lives in the Philippines and began writing for The Film Experience in mid 2020. We were all trapped inside due to the Covid-19 pandemic at the time. Human connection was scarce so thank the cinematic gods for zoom sessions with Team Experience! Juan Carlos shares our collective Tfe passion for actresses + Best International Feature Film. He put the latter into action creating the podcast "One Inch Barrier" where he reviews each year of that competition. He got personal with a Call Me By Your Name piece, revisited Spotlight, wrote numerous odes to The Handmaid's Tale,and just launched a biweekly series on female directors called "Through Her Lens" that I really hope you will obsess over.
Juan Carlos lives in the Philippines and began writing for The Film Experience in mid 2020. We were all trapped inside due to the Covid-19 pandemic at the time. Human connection was scarce so thank the cinematic gods for zoom sessions with Team Experience! Juan Carlos shares our collective Tfe passion for actresses + Best International Feature Film. He put the latter into action creating the podcast "One Inch Barrier" where he reviews each year of that competition. He got personal with a Call Me By Your Name piece, revisited Spotlight, wrote numerous odes to The Handmaid's Tale,and just launched a biweekly series on female directors called "Through Her Lens" that I really hope you will obsess over.
- 11/23/2021
- by NATHANIEL R
- FilmExperience
A new series by Juan Carlos Ojano moving backwards through time looking at female-helmed films. Here's the full introduction if you missed it.
The biggest story of the 2019 awards season was Parasite breaking the language barrier and becoming the first non-English language film to win Best Picture at the Academy Awards. Another story also gained prominence during that season: despite the considerable number of films directed by women that had awards buzz, none of them were nominated in the Best Director category yet again.
This was disappointing since the eligible films coming from all continents displayed the diversity of the work that women directors produced that year. Out of the 344 films included in the Reminder List of Eligible Films in 2019 (92nd Academy Awards), 78 of them (or 22.7%) were directed/co-directed by women...
The biggest story of the 2019 awards season was Parasite breaking the language barrier and becoming the first non-English language film to win Best Picture at the Academy Awards. Another story also gained prominence during that season: despite the considerable number of films directed by women that had awards buzz, none of them were nominated in the Best Director category yet again.
This was disappointing since the eligible films coming from all continents displayed the diversity of the work that women directors produced that year. Out of the 344 films included in the Reminder List of Eligible Films in 2019 (92nd Academy Awards), 78 of them (or 22.7%) were directed/co-directed by women...
- 11/17/2021
- by Juan Carlos Ojano
- FilmExperience
by Nathaniel R
Have you either of these classics of mid 60s international cinema? In one of the strangest timetables in Oscar history, both of these two film's leading ladies were honored with Best Actress Oscar nominations but neither in the year their film was honored: Sophia Loren (Marriage Italian Style) was nominated for Best Actress in 1964; Ida Kaminska (The Shop on Main Street) was nominated for Best Actress in 1966; inbetween those Oscar years the films themselves were nominated for Best Foreign Language Film of 1965 (now called Best International Feature Film).
I was thrilled to rejoin Juan Carlos Ojano on "One Inch Barrier" to discuss 1965's Best international race, a strong vintage, which also included the family drama Blood on the Land (Greece), the very horny Dear John (Sweden), and the supernatural Kwaidan (Japan). We discuss Best Actress, Oscar's resistance to Asian cinema, sex in cinema, and Sophia Loren's magnetism.
Have you either of these classics of mid 60s international cinema? In one of the strangest timetables in Oscar history, both of these two film's leading ladies were honored with Best Actress Oscar nominations but neither in the year their film was honored: Sophia Loren (Marriage Italian Style) was nominated for Best Actress in 1964; Ida Kaminska (The Shop on Main Street) was nominated for Best Actress in 1966; inbetween those Oscar years the films themselves were nominated for Best Foreign Language Film of 1965 (now called Best International Feature Film).
I was thrilled to rejoin Juan Carlos Ojano on "One Inch Barrier" to discuss 1965's Best international race, a strong vintage, which also included the family drama Blood on the Land (Greece), the very horny Dear John (Sweden), and the supernatural Kwaidan (Japan). We discuss Best Actress, Oscar's resistance to Asian cinema, sex in cinema, and Sophia Loren's magnetism.
- 10/22/2021
- by NATHANIEL R
- FilmExperience
by Juan Carlos Ojano
In a surprise, Dolly Parton's Christmas on the Square was announced the winner of Outstanding TV Movie at last night's Primetime Creative Arts Emmys, securing Netflix another win in this category after missing last year. While this category has gone low-profile in recent years (being “demoted” from the main ceremony to the Creative Arts), the work represented in this category is still worth recognizing and worth checking out. Unlike last year, four networks are represented in this category of five (with Prime Video getting double nods). For the last time, here were the nominees...
In a surprise, Dolly Parton's Christmas on the Square was announced the winner of Outstanding TV Movie at last night's Primetime Creative Arts Emmys, securing Netflix another win in this category after missing last year. While this category has gone low-profile in recent years (being “demoted” from the main ceremony to the Creative Arts), the work represented in this category is still worth recognizing and worth checking out. Unlike last year, four networks are represented in this category of five (with Prime Video getting double nods). For the last time, here were the nominees...
- 9/14/2021
- by Juan Carlos Ojano
- FilmExperience
by Juan Carlos Ojano
Unlike other categories, Lead Actor in a Comedy Series has been a foregone conclusion even before nominations were announced. With Ted Lasso skyrocketing to the frontrunner status with 20 nominations, Jason Sudeikis is poised to take this as one of the easiest calls come Emmy night. Two of the nominees also came from Comedy Series nominees, but both are nowhere near Ted Lasso’s winning chances. Meanwhile, two of the nominees are sole representations of their shows - one in its first season, one in its last.
Without further ado, here are the nominees...
Unlike other categories, Lead Actor in a Comedy Series has been a foregone conclusion even before nominations were announced. With Ted Lasso skyrocketing to the frontrunner status with 20 nominations, Jason Sudeikis is poised to take this as one of the easiest calls come Emmy night. Two of the nominees also came from Comedy Series nominees, but both are nowhere near Ted Lasso’s winning chances. Meanwhile, two of the nominees are sole representations of their shows - one in its first season, one in its last.
Without further ado, here are the nominees...
- 8/30/2021
- by Juan Carlos Ojano
- FilmExperience
by Juan Carlos Ojano
I really loved my experience writing about the Best Film Editing category at the 92nd Academy Awards. I had edited all of my short films when I was in film school, was an assistant editor for a feature-length film once, and continue to edit videos for my podcast. Rarely do I get the opportunity to talk about the craft itself. It is daunting to even try to verbalize it. As an editor, editing is about abiding by the rules and theories but also making choices that just feel right or, even more interestingly, that feel wrong and right at the same time. As a viewer, the impact of good editing is not just about the cuts but also the lack of them. This temporal aspect of storytelling is essential and what makes film and television distinct from other forms of art.
So let's talk about three...
I really loved my experience writing about the Best Film Editing category at the 92nd Academy Awards. I had edited all of my short films when I was in film school, was an assistant editor for a feature-length film once, and continue to edit videos for my podcast. Rarely do I get the opportunity to talk about the craft itself. It is daunting to even try to verbalize it. As an editor, editing is about abiding by the rules and theories but also making choices that just feel right or, even more interestingly, that feel wrong and right at the same time. As a viewer, the impact of good editing is not just about the cuts but also the lack of them. This temporal aspect of storytelling is essential and what makes film and television distinct from other forms of art.
So let's talk about three...
- 8/15/2021
- by Juan Carlos Ojano
- FilmExperience
Team Experience takes a look at the episode submissions for all the major Emmy categories.
by Juan Carlos Ojano
Unlike last year where eight nominees sprang from just three shows, the nominees this year were fairly distributed. Five of the six nominees were either season premieres or season/series finales. Fifty percent of the nominees in this category were women. In the shows nominated, only The Crown and The Handmaid's Tale have won previously. These are just some of the stats that might (or might not) help in predicting the winner of this category. The Crown is the frontrunner for Drama Series, but would that help with its two nominations here? Could The Handmaid's Tale or The Mandalorian snag a win? Could Pose win for its series finale? Or is the Bridgerton love for real?
Without further ado, the nominees...
by Juan Carlos Ojano
Unlike last year where eight nominees sprang from just three shows, the nominees this year were fairly distributed. Five of the six nominees were either season premieres or season/series finales. Fifty percent of the nominees in this category were women. In the shows nominated, only The Crown and The Handmaid's Tale have won previously. These are just some of the stats that might (or might not) help in predicting the winner of this category. The Crown is the frontrunner for Drama Series, but would that help with its two nominations here? Could The Handmaid's Tale or The Mandalorian snag a win? Could Pose win for its series finale? Or is the Bridgerton love for real?
Without further ado, the nominees...
- 8/11/2021
- by Juan Carlos Ojano
- FilmExperience
by Juan Carlos Ojano
With no recurring guest nominee present, this should have been an exciting crop. And yet, if I am being completely honest, it's hard to get excited. Two nominations for The Mandalorian but none for its best submission (Bill Burr)? The best "guest actor" from The Crown was not even submitted (Tom Brooke). An Emmy favorite gets in for a show already cancelled by its network on its first season. Meanwhile, Don Cheadle gets in for a cameo in a Marvel series? These are the men in this year's crop of contenders for this category.
Without further ado, the nominees and their episode submissions…...
With no recurring guest nominee present, this should have been an exciting crop. And yet, if I am being completely honest, it's hard to get excited. Two nominations for The Mandalorian but none for its best submission (Bill Burr)? The best "guest actor" from The Crown was not even submitted (Tom Brooke). An Emmy favorite gets in for a show already cancelled by its network on its first season. Meanwhile, Don Cheadle gets in for a cameo in a Marvel series? These are the men in this year's crop of contenders for this category.
Without further ado, the nominees and their episode submissions…...
- 7/30/2021
- by Juan Carlos Ojano
- FilmExperience
by Juan Carlos Ojano
Two recurring nominees in this category, two guest stars in their show that might just be elevated to regulars in their subsequent seasons, and a nominee returning to a role that gave her a win in lead. These are the contenders that compose this year’s crop of nominees for this category. With the exception of last year, The Handmaid’s Tale has had a strangleghold on this category with three consecutive wins and six nominations for its first three seasons. Meanwhile, The Crown is the nomination leader (overall) and the frontrunner to win Drama Series.
Without further ado, here are the nominees…...
Two recurring nominees in this category, two guest stars in their show that might just be elevated to regulars in their subsequent seasons, and a nominee returning to a role that gave her a win in lead. These are the contenders that compose this year’s crop of nominees for this category. With the exception of last year, The Handmaid’s Tale has had a strangleghold on this category with three consecutive wins and six nominations for its first three seasons. Meanwhile, The Crown is the nomination leader (overall) and the frontrunner to win Drama Series.
Without further ado, here are the nominees…...
- 7/28/2021
- by Juan Carlos Ojano
- FilmExperience
by Juan Carlos Ojano
In a year when most categories saw the number of their submissions drop, the Outstanding TV Movie category stands out as one of the few that actually had an increase in submissions (41 submissions from last year’s 28). On the flipside, this year saw even less high-profile contenders, adding to the growing indifference towards this category. Perhaps last year’s winner Bad Education set a high bar in how a “TV movie” can be received critically, faring well even in traditional film awards. The Covid-19 pandemic continued to blur what is considered a film and television, with streaming services now arbitrarily pushing some for Oscars and some for Emmys.
This year, let’s take a look at the field of contenders that we have (per platform)...
In a year when most categories saw the number of their submissions drop, the Outstanding TV Movie category stands out as one of the few that actually had an increase in submissions (41 submissions from last year’s 28). On the flipside, this year saw even less high-profile contenders, adding to the growing indifference towards this category. Perhaps last year’s winner Bad Education set a high bar in how a “TV movie” can be received critically, faring well even in traditional film awards. The Covid-19 pandemic continued to blur what is considered a film and television, with streaming services now arbitrarily pushing some for Oscars and some for Emmys.
This year, let’s take a look at the field of contenders that we have (per platform)...
- 6/24/2021
- by Juan Carlos Ojano
- FilmExperience
by Juan Carlos Ojano
It’s probably an odd thing to say that I love The Handmaid’s Tale so much, given how challenging it can be for its audience. I even wonder why I love it sometimes. There is never an episode of the show that can be considered easy. And yet, there is also something deeply cathartic about watching its main character June (Elisabeth Moss) as well as the other characters survive, persevere, and even fight the institutionalized misogyny in the Republic of Gilead.
One thing that I always go back to is the top-notch filmmaking in the show...
It’s probably an odd thing to say that I love The Handmaid’s Tale so much, given how challenging it can be for its audience. I even wonder why I love it sometimes. There is never an episode of the show that can be considered easy. And yet, there is also something deeply cathartic about watching its main character June (Elisabeth Moss) as well as the other characters survive, persevere, and even fight the institutionalized misogyny in the Republic of Gilead.
One thing that I always go back to is the top-notch filmmaking in the show...
- 6/19/2021
- by Juan Carlos Ojano
- FilmExperience
In preparation for the next Smackdown Team Experience is traveling back to 2000.
Juliette Binoche and Jack Valenti announcing Best Foreign Language Film.
by Juan Carlos Ojano
Coming into the 73rd Academy Awards, the results of the Foreign Language Film category must have felt like the biggest lock of the night (this writer can only assume based on hindsight since he was only a five-year old bébé at the time). Crouching Tiger, Hidden Dragon was the perfect storm when it hit American audiences. The film came from an established filmmaker, Ang Lee, who had made several critical and commercial hits in English and otherwise, the storytelling was tailored to better suit Western sensibilities, it featured international stars known to the English-speaking film market, it received rave reviews and enormous box office returns, and it was both partially funded and widely distributed by a major American studio...
Juliette Binoche and Jack Valenti announcing Best Foreign Language Film.
by Juan Carlos Ojano
Coming into the 73rd Academy Awards, the results of the Foreign Language Film category must have felt like the biggest lock of the night (this writer can only assume based on hindsight since he was only a five-year old bébé at the time). Crouching Tiger, Hidden Dragon was the perfect storm when it hit American audiences. The film came from an established filmmaker, Ang Lee, who had made several critical and commercial hits in English and otherwise, the storytelling was tailored to better suit Western sensibilities, it featured international stars known to the English-speaking film market, it received rave reviews and enormous box office returns, and it was both partially funded and widely distributed by a major American studio...
- 5/18/2021
- by Juan Carlos Ojano
- FilmExperience
by Juan Carlos Ojano
Best Film Editing is noteworthy as an Oscar categoryfor its strong connection with the Best Picture race. With the exception of 2014’s Birdman (which prided itself for being a one-take film even if it actually isn’t), we have to go back to 1980 to find a Best Picture winner without a corresponding Film Editing nomination. However, the expanded ballot changed the Editing race. Since 2009, only four non-Best Picture nominees have gone on to be nominated in this category, with only one winning. This lends a preordained quality to the contenders.
This year is no exception, with all five nominees coming from Best Picture contenders. However, the predictability of the crop does not equate to the predictability of the race; this is one of those categories where one can see any of the five nominees realistically taking the award based on presumed strength in the awards season.
Best Film Editing is noteworthy as an Oscar categoryfor its strong connection with the Best Picture race. With the exception of 2014’s Birdman (which prided itself for being a one-take film even if it actually isn’t), we have to go back to 1980 to find a Best Picture winner without a corresponding Film Editing nomination. However, the expanded ballot changed the Editing race. Since 2009, only four non-Best Picture nominees have gone on to be nominated in this category, with only one winning. This lends a preordained quality to the contenders.
This year is no exception, with all five nominees coming from Best Picture contenders. However, the predictability of the crop does not equate to the predictability of the race; this is one of those categories where one can see any of the five nominees realistically taking the award based on presumed strength in the awards season.
- 3/29/2021
- by Juan Carlos Ojano
- FilmExperience
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