Mexico’s Teresa Sánchez, winner of a 2022 Sundance World Cinema Dramatic Special Jury Award for acting in Juan Pablo González’s “Dos Estaciones,” is set to star in the follow-up, his sophomore outing “Warm Water.”
Co-directed with Ana Isabel Fernández, co-writer of “Dos Estaciones,” “Warm Water” will also star Rafaela Fuentes, who played opposite Sánchez in “Dos Estaciones.”
Set up at Mexico’s Sin Sitio Cine, whose partners are González, Ilana Coleman, Makena Buchanan and Jamie Gonçalves, “Warm Water,” produced by Bruna Haddad and Gonçalves, will be brought onto the market at the San Sebastian Europe-Latin American Co-Production Forum, where it ranks as one of its highest-profile projects.
In development and scheduled to shoot in fall 2024, “Warm Water” turns on Ana María, a renowned actress who, after a devastating break-up, reluctantly travels to the rural countryside in Mexico to lead an acting workshop.
When an enthusiastic participant with whom she...
Co-directed with Ana Isabel Fernández, co-writer of “Dos Estaciones,” “Warm Water” will also star Rafaela Fuentes, who played opposite Sánchez in “Dos Estaciones.”
Set up at Mexico’s Sin Sitio Cine, whose partners are González, Ilana Coleman, Makena Buchanan and Jamie Gonçalves, “Warm Water,” produced by Bruna Haddad and Gonçalves, will be brought onto the market at the San Sebastian Europe-Latin American Co-Production Forum, where it ranks as one of its highest-profile projects.
In development and scheduled to shoot in fall 2024, “Warm Water” turns on Ana María, a renowned actress who, after a devastating break-up, reluctantly travels to the rural countryside in Mexico to lead an acting workshop.
When an enthusiastic participant with whom she...
- 9/1/2023
- by John Hopewell
- Variety Film + TV
Multi-prized Latin American directors Federico Veiroj, Theo Court, Alicia Scherson and Daniel Hendler head a muscular project lineup at September’s San Sebastian Europe-Latin America Co-Production Forum, the Spanish festival’s industry centerpiece which underscores this year a welling sea-change in the region’s filmmaking.
“The Moneychanger,” the latest film from Uruguay’s Veiroj, was selected for Toronto’s 2019 Platform; “White on White,” from Chile’s Court, won a best director Silver Lion at 2019’s Venice Horizons; Chile’s Alicia Scherson’s debut “Play” snagged new narrative director at Tribeca in 2005: multi-hyphenate Hendler, from Uruguay, scooped best director at Miami for “The Candidate” in 2017.
Also making the cut are Mexico’s Juan Pablo González and Ana Isabel Fernández, director and co-writer of 2022 Sundance Special Jury Prize winner “Dos Estaciones.” Ezequiel Yanco’s “La vida en común” took best documentary at the Biarritz Latin American Festival in 2019.
Mixing top cineasts...
“The Moneychanger,” the latest film from Uruguay’s Veiroj, was selected for Toronto’s 2019 Platform; “White on White,” from Chile’s Court, won a best director Silver Lion at 2019’s Venice Horizons; Chile’s Alicia Scherson’s debut “Play” snagged new narrative director at Tribeca in 2005: multi-hyphenate Hendler, from Uruguay, scooped best director at Miami for “The Candidate” in 2017.
Also making the cut are Mexico’s Juan Pablo González and Ana Isabel Fernández, director and co-writer of 2022 Sundance Special Jury Prize winner “Dos Estaciones.” Ezequiel Yanco’s “La vida en común” took best documentary at the Biarritz Latin American Festival in 2019.
Mixing top cineasts...
- 8/14/2023
- by John Hopewell and Emiliano De Pablos
- Variety Film + TV
This review originally ran in conjunction with the world premiere of “Dos Estaciones” at the 2022 Sundance Film Festival.
Globalization can easily obscure the fact that a beautiful place with a rich history, hardworking people and a precious resource is as much someone’s home as it is an outsider’s opportunity.
What Mexican filmmaker Juan Pablo González would like viewers to think about after seeing his melancholically picturesque “Dos Estaciones” is that the next time you bolt down some multinational conglomerate’s new celebrity-marketed, substandard tequila, there’s a local — like González’ factory-owning protagonist — in an ever-deepening despondency about the slipping away of a long-cherished culture.
This is González’s first narrative feature after establishing his meditative style in a handful of documentaries (including “Caballerango”), and it’s a hybrid of story, regional verisimilitude and personal knowledge. (The director comes from a family of tequila makers.) But while “Dos Estaciones...
Globalization can easily obscure the fact that a beautiful place with a rich history, hardworking people and a precious resource is as much someone’s home as it is an outsider’s opportunity.
What Mexican filmmaker Juan Pablo González would like viewers to think about after seeing his melancholically picturesque “Dos Estaciones” is that the next time you bolt down some multinational conglomerate’s new celebrity-marketed, substandard tequila, there’s a local — like González’ factory-owning protagonist — in an ever-deepening despondency about the slipping away of a long-cherished culture.
This is González’s first narrative feature after establishing his meditative style in a handful of documentaries (including “Caballerango”), and it’s a hybrid of story, regional verisimilitude and personal knowledge. (The director comes from a family of tequila makers.) But while “Dos Estaciones...
- 9/16/2022
- by Robert Abele
- The Wrap
Teresa Sánchez as Maria in Dos Estaciones. Juan Pablo González: 'There are characteristics of these people that I know blended together into one character, and the only way to do that, I thought, was to make it into a scripted of fiction character' Photo: Courtesy of Cinema Guild Dos Estaciones is a slow-build character study that follows Maria (Teresa Sánchez), an introverted tequila factory owner as her business comes under both environmental and conglomerate threat. Director Juan Pablo González, whose film opens at IFC New York tomorrow (September 9) before rolling out across the US and will vie for the Horizons Award at San Sebastian Film Festival later this month, has a documentary and cinematography background which are both in evidence in his debut feature, co-written with Ilana Coleman and Ana Isabel Fernández.
When we caught up with González over Zoom to talk about the film, we spoke about the...
When we caught up with González over Zoom to talk about the film, we spoke about the...
- 9/8/2022
- by Amber Wilkinson
- eyeforfilm.co.uk
“Please Baby Please” and “Mars One” are among the winners of the 40th Anniversary Outfest Los Angeles LGBTQ Film Festival. The organization announced the honorees during its award ceremony Wednesday.
The L.A.-based nonprofit, which promotes LGBTQ filmmakers and projects, ran its 40th edition festival from July 14-24. Over the course of the festival, 30,000 people attended its programming and more than 200 films screened, including 42 world premieres. The festival opened with Billy Porter’s directorial debut “Anything’s Possible” and closed with the LGBTQ slasher film “They/Them.”
“Please Baby Please,” directed by Amanda Kramer and starring Andrea Riseborough and Henry Melling, took the outstanding North American feature prize, while Brazilian director Gabriel Martins’ family drama “Mars One” won the outstanding international feature award. Audience award winners included “Unidentified Objects” by Juan Felipe Zuleta and documentary feature “Stay on Board: The Leo Baker Story.” Select award winners will be available to stream...
The L.A.-based nonprofit, which promotes LGBTQ filmmakers and projects, ran its 40th edition festival from July 14-24. Over the course of the festival, 30,000 people attended its programming and more than 200 films screened, including 42 world premieres. The festival opened with Billy Porter’s directorial debut “Anything’s Possible” and closed with the LGBTQ slasher film “They/Them.”
“Please Baby Please,” directed by Amanda Kramer and starring Andrea Riseborough and Henry Melling, took the outstanding North American feature prize, while Brazilian director Gabriel Martins’ family drama “Mars One” won the outstanding international feature award. Audience award winners included “Unidentified Objects” by Juan Felipe Zuleta and documentary feature “Stay on Board: The Leo Baker Story.” Select award winners will be available to stream...
- 7/27/2022
- by Wilson Chapman
- Variety Film + TV
Paris-based sales agent Luxbox has acquired world sales rights to “Dos Estaciones” which will world premiere in World Cinema Dramatic Competition at this month’s Sundance Festival.
Produced by Mexico’s Sin Sitio Cine in co-production with France’s In Vivo Films and the U.S., “Dos Estaciones” marks the feature debut of Juan Pablo González, co-director of the Film Directing program at the California Institute of the Arts (CalArts) whose shorts have won at Slamdance and New Orleans.
Co-written with Ana Isabel Fernández and Ilana Coleman (“The Inventory”), “Dos Estaciones” pays tribute to Mexico’s artisanal tequila makers, a dying breed as they are bought up by foreign corporations.
In striking parallel and contrast, the feature underscores the meticulous craftsmanship and artistic ambition of art films emerging from Mexico and the rest of Latin America which question received wisdom and cliches, offering an alternative narrative.
They are made, however,...
Produced by Mexico’s Sin Sitio Cine in co-production with France’s In Vivo Films and the U.S., “Dos Estaciones” marks the feature debut of Juan Pablo González, co-director of the Film Directing program at the California Institute of the Arts (CalArts) whose shorts have won at Slamdance and New Orleans.
Co-written with Ana Isabel Fernández and Ilana Coleman (“The Inventory”), “Dos Estaciones” pays tribute to Mexico’s artisanal tequila makers, a dying breed as they are bought up by foreign corporations.
In striking parallel and contrast, the feature underscores the meticulous craftsmanship and artistic ambition of art films emerging from Mexico and the rest of Latin America which question received wisdom and cliches, offering an alternative narrative.
They are made, however,...
- 1/12/2022
- by John Hopewell
- Variety Film + TV
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