Berlinale Series head Julia Fidel reflects on this year’s selection.
Back in 2015, Berlin became the first A list festival to launch a strand for high-end TV shows, acknowledging changing viewing patterns and the growth of long-form storytelling.
A festival within a festival, Berlinale Series has since become a microcosm of the competitive world of high-end TV shows, where key trends shaping the sector can be observed.
This year’s eight-strong selection, for example, has a raft of streamer titles jostling for attention – from HBO Max’s Cold War thriller Spy/Master to Disney Plus’s mafia tale The Good Mothers,...
Back in 2015, Berlin became the first A list festival to launch a strand for high-end TV shows, acknowledging changing viewing patterns and the growth of long-form storytelling.
A festival within a festival, Berlinale Series has since become a microcosm of the competitive world of high-end TV shows, where key trends shaping the sector can be observed.
This year’s eight-strong selection, for example, has a raft of streamer titles jostling for attention – from HBO Max’s Cold War thriller Spy/Master to Disney Plus’s mafia tale The Good Mothers,...
- 2/19/2023
- by Tim Dams
- ScreenDaily
As China’s post-pandemic reopening gathers steam, film executives in Beijing are feeling cautiously optimistic for the first time in years. Local audiences have cast off their masks and returned to the multiplex, regulators are signaling a relaxing of control, and film professionals are finally traveling freely again to re-engage with international festivals and markets.
Beijing industry players warn, however, that the current recovery is likely to benefit China’s big commercial tentpoles and Hollywood studio movies first — and that any rebound for the country’s nascent indie import business could take time.
On the international front, China’s re-engagement with the global film community at large is readily apparent at the year’s first major film festival, the 73rd Berlin International Film Festival, where six Chinese features will premiere — including two in competition (Liu Jian’s animated film Art College 1984 and Zhang Lu’s drama The Shadowless Tower) — along...
Beijing industry players warn, however, that the current recovery is likely to benefit China’s big commercial tentpoles and Hollywood studio movies first — and that any rebound for the country’s nascent indie import business could take time.
On the international front, China’s re-engagement with the global film community at large is readily apparent at the year’s first major film festival, the 73rd Berlin International Film Festival, where six Chinese features will premiere — including two in competition (Liu Jian’s animated film Art College 1984 and Zhang Lu’s drama The Shadowless Tower) — along...
- 2/17/2023
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
Now firmly established as a key component of the Berlin Film Festival, this year’s Berlinale Series will welcome Italy’s “The Good Mothers,” Norway’s “Arkitekten” and “Dahaad,” about a female police officer dealing with misogyny and traditional Indian society while also chasing a possible serial killer.
“Why Try to Change Me Now” and “Agent,” Denmark’s answer to the French smash, will also be shown, joined by Australia’s “Bad Behavior” – made by Matchbox Pictures, also behind Yvonne Strahovski and Cate Blanchett starrer “Stateless” – and HBO Max drama “Spy/Master,” all vying for the newly established Berlinale Series Award. Already announced eco-thriller “The Swarm” will debut out of competition.
“Stories with a reasonable budget – that’s certainly a new trend coming from commissioners,” said Julia Fidel, head of Berlinale Series.
“It’s no longer all about dramas that will cost ridiculous amounts of money. The argument is that people value good ideas,...
“Why Try to Change Me Now” and “Agent,” Denmark’s answer to the French smash, will also be shown, joined by Australia’s “Bad Behavior” – made by Matchbox Pictures, also behind Yvonne Strahovski and Cate Blanchett starrer “Stateless” – and HBO Max drama “Spy/Master,” all vying for the newly established Berlinale Series Award. Already announced eco-thriller “The Swarm” will debut out of competition.
“Stories with a reasonable budget – that’s certainly a new trend coming from commissioners,” said Julia Fidel, head of Berlinale Series.
“It’s no longer all about dramas that will cost ridiculous amounts of money. The argument is that people value good ideas,...
- 1/16/2023
- by Marta Balaga
- Variety Film + TV
Twelve films to receive their world premiere in competition at the festival.
Estonia’s Tallinn Black Nights Film Festival (November 13-29) has unveiled the full lineup of its main competition strand as it prepares to go ahead as a mix of physical and online events.
The festival’s official selection comprises 12 world premieres, 12 international and two European premieres. Eight of these films were previously announced, including István Szabó’s Final Report.
Scroll down for full list of titles
Titles set to receive their world premiere include rural drama Armugan from Spanish director Jo Sol, who won a best new director...
Estonia’s Tallinn Black Nights Film Festival (November 13-29) has unveiled the full lineup of its main competition strand as it prepares to go ahead as a mix of physical and online events.
The festival’s official selection comprises 12 world premieres, 12 international and two European premieres. Eight of these films were previously announced, including István Szabó’s Final Report.
Scroll down for full list of titles
Titles set to receive their world premiere include rural drama Armugan from Spanish director Jo Sol, who won a best new director...
- 10/29/2020
- by Michael Rosser
- ScreenDaily
‘The Summer Is Gone’ Is A Quietly Shattering Story About The Other Side Of Disruption [Nd/Nf Review]
On the surface, just about everything in Dalei Zhang’s shimmering debut feature is gorgeous and peaceful. “The Summer is Gone” is the kind of movie where something as innocuous as a grassy field tufted with flapping plastic bags is packed with a resonant beauty. But that beauty is risky to unpack, as it is layered atop a murky and unresolved fright about the future and what it will bring.
Continue reading ‘The Summer Is Gone’ Is A Quietly Shattering Story About The Other Side Of Disruption [Nd/Nf Review] at The Playlist.
Continue reading ‘The Summer Is Gone’ Is A Quietly Shattering Story About The Other Side Of Disruption [Nd/Nf Review] at The Playlist.
- 3/17/2017
- by Chris Barsanti
- The Playlist
Get in touch to send in cinephile news and discoveriesNEWSThe Summer Is GoneCineuropa reports on an open letter of protest by "500 Portuguese and international personalities from the film industry" over "a new amendment to the [Portuguese] film law, which relieves national film body the Ica of the responsibility of choosing the juries for the institution’s financial support schemes." The proposed shift in approval power is a significant one, and the protest has drawn signatures from such figures as Leos Garax, Pedro Almodóvar, Aki Kaurismäki.The lineup for New Directors/New Films, New York's annual collaboration between the Film Society of Lincoln Center and the Museum of Modern Art, is announced and looks great, including Notebook favorites Person to Person (Dustin Guy Defa), Arábia (João Dumans & Affonso Uchoa), The Dreamed Path (Angela Schenelac), The Future Perfect (Nele Wohlatz), and The Summer Is Gone (Dalei Zhang). Recommended VIEWINGThe trailer for It Comes At Night,...
- 2/15/2017
- MUBI
One of the best festivals during the first half of the year is The Museum of Modern Art and the Film Society of Lincoln Center’s New Directors/New Films, which kicks off its 46th year this March, running from the 15th to the 26th. With last year’s line-up including some of the year’s best films, including Cameraperson, The Fits, Kaili Blues, Neon Bull, Weiner, and more, we can expect many more discoveries this year.
Opening with Patti Cake$ and closing with Person to Person, in between will be one of our favorite films from Sundance as the centerpiece, Beach Rats. Also among the line-up is a handful of other festival favorites, including The Dreamed Path, The Giant, Menashe, and Lady Macbeth.
“Authenticity is an elusive thing these days, and without it we risk ruin. This is particularly true in cinema,” says Rajendra Roy, the Celeste Bartos Chief...
Opening with Patti Cake$ and closing with Person to Person, in between will be one of our favorite films from Sundance as the centerpiece, Beach Rats. Also among the line-up is a handful of other festival favorites, including The Dreamed Path, The Giant, Menashe, and Lady Macbeth.
“Authenticity is an elusive thing these days, and without it we risk ruin. This is particularly true in cinema,” says Rajendra Roy, the Celeste Bartos Chief...
- 2/15/2017
- by Jordan Raup
- The Film Stage
The Museum of Modern Art and the Film Society of Lincoln Center has today announces their complete lineup for the 46th annual New Directors/New Films (Nd/Nf), running March 15 – 26. Dedicated to the discovery of new works by emerging and dynamic filmmaking talent, this year’s festival will screen 29 features and nine short films. This year’s lineup boasts nine North American premieres, seven U.S. premieres, and two world premieres, with features and shorts from 32 countries across five continents.
The opening, centerpiece, and closing night selections showcase three exciting new voices in American independent cinema that all recently debuted at Sundance: Geremy Jasper’s “Patti Cake$” is the opening night pick, while Eliza Hittman’s “Beach Rats” is the centerpiece selection and Dustin Guy Defa will close the festival with “Person to Person.” Other standouts include “Menashe,” “My Happy Family,” “Quest” and “The Wound.”
Read More: The Sundance Rebel:...
The opening, centerpiece, and closing night selections showcase three exciting new voices in American independent cinema that all recently debuted at Sundance: Geremy Jasper’s “Patti Cake$” is the opening night pick, while Eliza Hittman’s “Beach Rats” is the centerpiece selection and Dustin Guy Defa will close the festival with “Person to Person.” Other standouts include “Menashe,” “My Happy Family,” “Quest” and “The Wound.”
Read More: The Sundance Rebel:...
- 2/15/2017
- by Kate Erbland
- Indiewire
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