Terry Carter, who portrayed Pvt. Sugie Sugarman on The Phil Silvers Show, the sidekick of Dennis Weaver’s character on McCloud and Colonel Tigh on the original version of Battlestar Galactica, has died. He was 95.
Carter died Tuesday at his home in Manhattan, his son, Miguel Carter DeCoste, told The New York Times.
Carter appeared three times on Broadway early in his career and produced and directed a documentary on jazz legend Duke Ellington for PBS’ American Masters series in 1988.
The Brooklyn native appeared on all four seasons (1955-59) of CBS’ The Phil Silvers Show (also known as Sgt. Bilko) as Pvt. Sugarman. He then played Sgt. Joe Broadhurst alongside Weaver’s Deputy Marshal Sam McCloud on NBC’s McCloud from 1970-77 and Tigh in the 1978 Battlestar Galactica movie and 1978-79 ABC series.
An only child, John Everett DeCoste was born in Brooklyn on Dec. 16, 1928. He graduated from Stuyvesant High...
Carter died Tuesday at his home in Manhattan, his son, Miguel Carter DeCoste, told The New York Times.
Carter appeared three times on Broadway early in his career and produced and directed a documentary on jazz legend Duke Ellington for PBS’ American Masters series in 1988.
The Brooklyn native appeared on all four seasons (1955-59) of CBS’ The Phil Silvers Show (also known as Sgt. Bilko) as Pvt. Sugarman. He then played Sgt. Joe Broadhurst alongside Weaver’s Deputy Marshal Sam McCloud on NBC’s McCloud from 1970-77 and Tigh in the 1978 Battlestar Galactica movie and 1978-79 ABC series.
An only child, John Everett DeCoste was born in Brooklyn on Dec. 16, 1928. He graduated from Stuyvesant High...
- 4/23/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
Owen Roizman, the cinematographer who shot some of the most notable films of the 1970s New Hollywood era, has died. The Hollywood Reporter confirms the news that the Oscar-nominated director of photography, who worked often with William Friedkin, Lawrence Kasdan, and Sydney Pollack, passed away in his home in Encino on Friday night, at the age of 86.
Roizman shot over 30 films and music videos across his decades-long career, including some of the most acclaimed cultural touchstones of the '70s and '80s. Friedkin's "The French Connection," a movie that famously includes one of cinema's most exhilarating car chase sequences, was only the second film Roizman ever worked on as a cinematographer.
In an interview with American Cinematographer, the artist once explained that he undercranked the camera for the famous (and infamous) chase scene, using only 18 to 20 frames per second instead of the typical 24 in order to give the effect of high speed.
Roizman shot over 30 films and music videos across his decades-long career, including some of the most acclaimed cultural touchstones of the '70s and '80s. Friedkin's "The French Connection," a movie that famously includes one of cinema's most exhilarating car chase sequences, was only the second film Roizman ever worked on as a cinematographer.
In an interview with American Cinematographer, the artist once explained that he undercranked the camera for the famous (and infamous) chase scene, using only 18 to 20 frames per second instead of the typical 24 in order to give the effect of high speed.
- 1/7/2023
- by Valerie Ettenhofer
- Slash Film
Owen Roizman, the five-time Oscar-nominated cinematographer who partnered with director William Friedkin on the gripping movie classics The French Connection and The Exorcist, has died. He was 86.
Roizman, who also teamed with director Sydney Pollack on five films, including Three Days of the Condor (1975), Absence of Malice (1981) and Tootsie (1982) — when he somehow made Dustin Hoffman look good as a woman — died Friday night at his home in Encino, his wife of 58 years, Mona, told The Hollywood Reporter. He was in hospice care since August, she said.
He received an honorary Oscar at the Governors Awards in November 2017. “Film is made up of many tiny, silver particles, and each one of those particles is represented by every person who works on a film,” Roizman said in his acceptance speech. “Had you changed any one of them on any movie, the movie would have looked different.”
Roizman had quite the career, also...
Roizman, who also teamed with director Sydney Pollack on five films, including Three Days of the Condor (1975), Absence of Malice (1981) and Tootsie (1982) — when he somehow made Dustin Hoffman look good as a woman — died Friday night at his home in Encino, his wife of 58 years, Mona, told The Hollywood Reporter. He was in hospice care since August, she said.
He received an honorary Oscar at the Governors Awards in November 2017. “Film is made up of many tiny, silver particles, and each one of those particles is represented by every person who works on a film,” Roizman said in his acceptance speech. “Had you changed any one of them on any movie, the movie would have looked different.”
Roizman had quite the career, also...
- 1/7/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
Of the many TV-to-movie adaptations, the diciest propositions have always been the films based on series that were tailored to the personality of their stars. Dan Aykroyd made "Dragnet" work (until its lame action finale) because he was doing a dead-on, deadpan parody of Jack Webb's Sergeant Joe Friday, whereas the great Jim Varney struggled as Jed Clampett in 1993's "The Beverly Hillbillies" because, when it came to playing TV rednecks, he was too defined by his Ernest P. Worrell persona to approximate Buddy Ebsen's interpretation and/or add his own flourishes.
It gets dicier when you're adapting a show named after the actual star. Even if creator James L. Brooks went nutzoid and decided to revive "The Mary Tyler Moore" show starring Sydney Sweeney, there would be an audience of exactly zero for it. Fans of the show would be aghast at the notion of anyone trying...
It gets dicier when you're adapting a show named after the actual star. Even if creator James L. Brooks went nutzoid and decided to revive "The Mary Tyler Moore" show starring Sydney Sweeney, there would be an audience of exactly zero for it. Fans of the show would be aghast at the notion of anyone trying...
- 11/5/2022
- by Jeremy Smith
- Slash Film
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