Barnaby Southcombe’s contrived film fails to humanise the illicit relationships between two students and their teachers
Even without looking at the credits, it’s easy to surmise that this was originally a stage play, given the small ensemble cast, limited use of locations, knowing use of repetition and gotcha plot twist. Lo and behold, this film is indeed based on the play of the same name, written 11 years ago by Fiona Evans. It started on the Edinburgh fringe before transferring to the Royal Court. While the writer-director Barnaby Southcombe has changed the original two-act structure, the core idea of the story hasn’t aged well in the intervening years. Being translated to film has in some ways made the inherent problems, like the prurience of the premise, worse not better.
The film presents two stories of two couples engaged in illicit trysts, and this all happens within the same...
Even without looking at the credits, it’s easy to surmise that this was originally a stage play, given the small ensemble cast, limited use of locations, knowing use of repetition and gotcha plot twist. Lo and behold, this film is indeed based on the play of the same name, written 11 years ago by Fiona Evans. It started on the Edinburgh fringe before transferring to the Royal Court. While the writer-director Barnaby Southcombe has changed the original two-act structure, the core idea of the story hasn’t aged well in the intervening years. Being translated to film has in some ways made the inherent problems, like the prurience of the premise, worse not better.
The film presents two stories of two couples engaged in illicit trysts, and this all happens within the same...
- 9/6/2019
- by Leslie Felperin
- The Guardian - Film News
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