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Barely released in 1982 and all but unseen for over three decades, Kathleen Collins’ “Losing Ground” was a rare instance where the matter of a middle-aged black woman intellectual’s interior life is generously examined — and illustrated in rich symbolistic terms. It brings to life the dreams and disappointments of talented, educated black women who in the shadow of patriarchy. It’s a challenging and unpredictable movie that deserves the enthusiastic reception that met its rediscovery five years ago.
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Philosophy professor Sara Rogers (Seret Scott) and her bohemian artist husband Victor (Bill Gunn) rent a summer...
Barely released in 1982 and all but unseen for over three decades, Kathleen Collins’ “Losing Ground” was a rare instance where the matter of a middle-aged black woman intellectual’s interior life is generously examined — and illustrated in rich symbolistic terms. It brings to life the dreams and disappointments of talented, educated black women who in the shadow of patriarchy. It’s a challenging and unpredictable movie that deserves the enthusiastic reception that met its rediscovery five years ago.
More from IndieWireMarvel's Future: How the Cinematic Universe Could Pivot to TV Storytelling in Today's Uncertain WorldHulu Shuts Down Twitter Trolls Complaining About 'Parasite' Subtitles
Philosophy professor Sara Rogers (Seret Scott) and her bohemian artist husband Victor (Bill Gunn) rent a summer...
- 4/9/2020
- by Tambay Obenson
- Indiewire
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