Kim Maxime Baglieri on In Order To Escort Her: “I wanted to work on a story that would be healing for everyone, or at least help bridge the cultural divides in family alone.”
In the third in a series of Doc NYC conversations with filmmakers from the Hunter College Mfa Program in Integrated Media Arts (see Neville Elder on his Anamnesis [Part One] and Lidiya Kan on Morkovcha (Korean Carrot Salad)), I discussed with Kim Maxime Baglieri the influence of Aleph director Iva Radivojevic, Michael Gitlin, Apichatpong Weerasethakul, Kidlat Tahimik, and Richard Kelly’s Donnie Darko, the impact of migration and family separation, generational storytelling, resilience, hope and magic, belief in the supernatural, the malunggay plant, and the mysterious nature of her title In Order To Escort Her. Kim brought up that she watched Brett Morgen’s documentary Jane on Jane Goodall while in the process of making her film.
Kim Maxime...
In the third in a series of Doc NYC conversations with filmmakers from the Hunter College Mfa Program in Integrated Media Arts (see Neville Elder on his Anamnesis [Part One] and Lidiya Kan on Morkovcha (Korean Carrot Salad)), I discussed with Kim Maxime Baglieri the influence of Aleph director Iva Radivojevic, Michael Gitlin, Apichatpong Weerasethakul, Kidlat Tahimik, and Richard Kelly’s Donnie Darko, the impact of migration and family separation, generational storytelling, resilience, hope and magic, belief in the supernatural, the malunggay plant, and the mysterious nature of her title In Order To Escort Her. Kim brought up that she watched Brett Morgen’s documentary Jane on Jane Goodall while in the process of making her film.
Kim Maxime...
- 11/27/2021
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Morkovcha (Korean Carrot Salad) director Lidiya Kan on Russian-Korean professor German Kim: “He gave me some readings and some information to help place the personal stories into more of a general history.”
In the second in a series of Doc NYC conversations with filmmakers from the Hunter College Mfa Program in Integrated Media Arts (see Neville Elder on his Anamnesis [Part One]), I discussed with Morkovcha (Korean Carrot Salad) director Lidiya Kan the influence of Les Blank’s 1980 film Garlic Is As Good As Ten Mothers, Russian-Korean cultural history, her meeting on Skype with historian German Kim in Kazakhstan, the use of old photos and the animation of Wendy Cong Zhao for the representation of her memory.
Lidiya Kan with Anne-Katrin Titze: “I work with a great animator and she is also a student, her name is Wendy Cong Zhao. I’m so happy she was available.”
Recipes are means of storytelling...
In the second in a series of Doc NYC conversations with filmmakers from the Hunter College Mfa Program in Integrated Media Arts (see Neville Elder on his Anamnesis [Part One]), I discussed with Morkovcha (Korean Carrot Salad) director Lidiya Kan the influence of Les Blank’s 1980 film Garlic Is As Good As Ten Mothers, Russian-Korean cultural history, her meeting on Skype with historian German Kim in Kazakhstan, the use of old photos and the animation of Wendy Cong Zhao for the representation of her memory.
Lidiya Kan with Anne-Katrin Titze: “I work with a great animator and she is also a student, her name is Wendy Cong Zhao. I’m so happy she was available.”
Recipes are means of storytelling...
- 11/19/2021
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Anamnesis [Part One] director Neville Elder: “The footage that I did shoot in the film was absent of people because it was May or June of the pandemic [in 2020].”
When I met with Doc NYC Artistic Director Thom Powers, we discussed the Doc NYC U programme which includes films from Hunter College’s Mfa Program in Integrated Media Arts. Thom told me: “I think of the filmmakers who’ve passed through this program over the years and have come back in later years with their first film.” Neville Elder’s Anamnesis [Part One], screening in the Doc NYC U: Hunter strand is a highlight of the 12th edition of Doc NYC overall.
Neville Elder with Anne-Katrin Titze: “The guitar and the spacey noisy music was mine and a French musician Sourdure [aka Ernest Bergez], he was very gracious and let me use his music.”
A boyhood trauma. An attempt to fish in time for a...
When I met with Doc NYC Artistic Director Thom Powers, we discussed the Doc NYC U programme which includes films from Hunter College’s Mfa Program in Integrated Media Arts. Thom told me: “I think of the filmmakers who’ve passed through this program over the years and have come back in later years with their first film.” Neville Elder’s Anamnesis [Part One], screening in the Doc NYC U: Hunter strand is a highlight of the 12th edition of Doc NYC overall.
Neville Elder with Anne-Katrin Titze: “The guitar and the spacey noisy music was mine and a French musician Sourdure [aka Ernest Bergez], he was very gracious and let me use his music.”
A boyhood trauma. An attempt to fish in time for a...
- 11/17/2021
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Doc NYC U: Hunter College Mfa Program in Integrated Media Arts films to screen in the 12th edition (pictured The Sylvia and Danny Kaye Playhouse at Hunter College) Photo: Anne-Katrin Titze
In the second instalment of my conversation with Doc NYC Artistic Director Thom Powers he discusses Doc NYC U, Yunhong Pu’s Go Through the Dark, Maria Speth’s Mr. Bachmann And His Class, and the new restoration of Da Pennebaker, Chris Hegedus, and Pat Powell’s The Energy War “Filibuster” (another highlight), the second chapter in a series that was originally aired on Public Television in 1979.
Thom Powers on The Energy War: “We’re thrilled to be showing that with Chris Hegedus there in person to talk about it and hope it helps prompt a greater exposure of this classic series.”
Doc NYC U: Hunter - The films screening from Hunter College’s Mfa Program in Integrated Media...
In the second instalment of my conversation with Doc NYC Artistic Director Thom Powers he discusses Doc NYC U, Yunhong Pu’s Go Through the Dark, Maria Speth’s Mr. Bachmann And His Class, and the new restoration of Da Pennebaker, Chris Hegedus, and Pat Powell’s The Energy War “Filibuster” (another highlight), the second chapter in a series that was originally aired on Public Television in 1979.
Thom Powers on The Energy War: “We’re thrilled to be showing that with Chris Hegedus there in person to talk about it and hope it helps prompt a greater exposure of this classic series.”
Doc NYC U: Hunter - The films screening from Hunter College’s Mfa Program in Integrated Media...
- 11/9/2021
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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