Exclusive: French film industry veteran Nicolas Royer, who was line and executive producer on Coralie Fargeat’s Cannes buzz title The Substance, has boarded Catherine Hardwicke’s upcoming feature A French Pursuit, starring Toni Collette.
The production, which is remake of Caroline Vignal’s 2020 French hit My Donkey, My Lover & I (Antoinette Dans Les Cévennes), starring Laura Calamy, is due to shoot in the Cévennes region in south-central France this summer.
Royer will line and executive produce the movie, which is lead produced by Christopher Simon at New Sparta Productions and Collette under her Vocab Films banner.
The new production will be first official gig for Royer’s company Voulez-Vous Production Services, which he created in 2023 to build on his work on The Substance.
Royer was line and executive producer on the body horror, lead produced by the UK’s Working Title and starring Demi Moore, Margaret Qualley and Dennis Quaid.
The production, which is remake of Caroline Vignal’s 2020 French hit My Donkey, My Lover & I (Antoinette Dans Les Cévennes), starring Laura Calamy, is due to shoot in the Cévennes region in south-central France this summer.
Royer will line and executive produce the movie, which is lead produced by Christopher Simon at New Sparta Productions and Collette under her Vocab Films banner.
The new production will be first official gig for Royer’s company Voulez-Vous Production Services, which he created in 2023 to build on his work on The Substance.
Royer was line and executive producer on the body horror, lead produced by the UK’s Working Title and starring Demi Moore, Margaret Qualley and Dennis Quaid.
- 5/23/2024
- by Melanie Goodfellow
- Deadline Film + TV
The 77th annual Cannes Film Festival continued to dazzle with star-studded appearances, including a notable photocall for the highly anticipated film Emilia Perez on Sunday. Among the attendees were Selena Gomez, Zoe Saldana and French director Jacques Audiard.
Gomez, known for her roles in Only Murders in the Building and her successful music career, stunned in an elegant ensemble, radiating Hollywood glamour. Saldana, known for performing in the Guardians of the Galaxy series and Avatar, exuded confidence and style, complementing Gomez’s chic look. Audiard, the celebrated French director known for his work on Dheepan and A Prophet, brought a touch of sophistication to the event.
Audiard’s latest film, Emilia Perez, has been one of the most anticipated titles at this year’s festival. The movie blends drama and dark comedy and explores complex themes of identity and transformation, showcasing the director’s signature storytelling skills. Gomez and Saldana play pivotal roles,...
Gomez, known for her roles in Only Murders in the Building and her successful music career, stunned in an elegant ensemble, radiating Hollywood glamour. Saldana, known for performing in the Guardians of the Galaxy series and Avatar, exuded confidence and style, complementing Gomez’s chic look. Audiard, the celebrated French director known for his work on Dheepan and A Prophet, brought a touch of sophistication to the event.
Audiard’s latest film, Emilia Perez, has been one of the most anticipated titles at this year’s festival. The movie blends drama and dark comedy and explores complex themes of identity and transformation, showcasing the director’s signature storytelling skills. Gomez and Saldana play pivotal roles,...
- 5/21/2024
- by Lauren Ramsey
- Uinterview
by Cláudio Alves
Coralie Fargeat's The Substance is a body horror shocker.
Half of the Cannes Main Competition has screened, and it seems we're in a year of big swings and even bigger faceplants. Divisive titles aplenty, the most acclaimed films of the festival appear to be located in parallel sections rather than Thierry Frémaux's selection. Even so, Jia Zhangke's Caught by the Tides has confirmed itself as the critics' favorite, though that only extends to writers already fond of the director's oeuvre. The documentary-fiction hybrid made no new converts. Jacques Audiard dazzled audiences with the trans-themed Mexican musical Emilia Perez, and while some critics are ecstatic, others loathe the thing. Reactions are more pointedly adverse to Kirill Serebrennikov's Limonov biopic, while Coralie Fargeat's The Substance has elicited equal pans and praise. Some folks online are trying to characterize the body horror's critical divide as a battle of the sexes,...
Coralie Fargeat's The Substance is a body horror shocker.
Half of the Cannes Main Competition has screened, and it seems we're in a year of big swings and even bigger faceplants. Divisive titles aplenty, the most acclaimed films of the festival appear to be located in parallel sections rather than Thierry Frémaux's selection. Even so, Jia Zhangke's Caught by the Tides has confirmed itself as the critics' favorite, though that only extends to writers already fond of the director's oeuvre. The documentary-fiction hybrid made no new converts. Jacques Audiard dazzled audiences with the trans-themed Mexican musical Emilia Perez, and while some critics are ecstatic, others loathe the thing. Reactions are more pointedly adverse to Kirill Serebrennikov's Limonov biopic, while Coralie Fargeat's The Substance has elicited equal pans and praise. Some folks online are trying to characterize the body horror's critical divide as a battle of the sexes,...
- 5/20/2024
- by Cláudio Alves
- FilmExperience
Jia Zhangke’s Caught By The Tides is the new leader on Screen International’s Cannes jury grid with an average score of 2.6.
The Chinese romance epic received one four (excellent) from Justin Chang (LA Times) followed by seven threes (good). On the other end, The Telegraph and Katja Nicodemus of Germany’s Die Zeit gave it just one star.
This is Jia’s sixth time in Competition with highlights including 2015’s Mountains May Depart which scored 2.8 and 2013’s A Touch Of Sin on 3.
Click on the jury grid above for the most up-to-date version.
Caught By The Tides chronicles...
The Chinese romance epic received one four (excellent) from Justin Chang (LA Times) followed by seven threes (good). On the other end, The Telegraph and Katja Nicodemus of Germany’s Die Zeit gave it just one star.
This is Jia’s sixth time in Competition with highlights including 2015’s Mountains May Depart which scored 2.8 and 2013’s A Touch Of Sin on 3.
Click on the jury grid above for the most up-to-date version.
Caught By The Tides chronicles...
- 5/19/2024
- ScreenDaily
You know a movie has left a big impression at Cannes when the applause explodes in the press room as the cast files in. Such was the case Sunday morning for Emila Pérez.
Jacques Audiard’s latest movie follows Rita (Zoe Saldaña), an overqualified and undervalued lawyer who goes from repping guilty criminals to a cartel leader Manitas (Karla Sofía Gascón) who hires her to help him withdraw from his business and realize a plan he has been secretly preparing for years: to become the woman he has always dreamt of being.
Gascón, who is trans, today spoke about the prejudice she has faced in the Latin America and Hispanic communities.
“People who are trans are subjected to insults or death threats because they exist. In Mexico, there are harsh phrases when addressing trans people. It can be gross,” the actress explained.
“I think we should be taken for what we are.
Jacques Audiard’s latest movie follows Rita (Zoe Saldaña), an overqualified and undervalued lawyer who goes from repping guilty criminals to a cartel leader Manitas (Karla Sofía Gascón) who hires her to help him withdraw from his business and realize a plan he has been secretly preparing for years: to become the woman he has always dreamt of being.
Gascón, who is trans, today spoke about the prejudice she has faced in the Latin America and Hispanic communities.
“People who are trans are subjected to insults or death threats because they exist. In Mexico, there are harsh phrases when addressing trans people. It can be gross,” the actress explained.
“I think we should be taken for what we are.
- 5/19/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Jacques Audiard returned to Cannes on Saturday night to introduce the world to Emilia Perez, which received a rapturous response from the audience, who gave it a nine-minute standing ovation. After Audiard took the mic to speak in French, the standing ovation resumed for another minute or so.
The 10th film from the French auteur — his sixth film in the main competition — stars Zoe Saldaña as a frustrated lawyer, Selena Gomez as a drug lord’s wife, Édgar Ramírez as a dangerous love interest and Karla Sofía Gascón as the cartel kingpin who longs to escape a life of crime and become the woman he’s always dreamed of becoming. And surprise — it’s a musical.
As the credits roled, there were whoops and hollers and shouts of “Bravo,” even before the lights came up. Saldaña and Gascón were in tears, while Gomez was visibly moved, covering her face.
Reviews...
The 10th film from the French auteur — his sixth film in the main competition — stars Zoe Saldaña as a frustrated lawyer, Selena Gomez as a drug lord’s wife, Édgar Ramírez as a dangerous love interest and Karla Sofía Gascón as the cartel kingpin who longs to escape a life of crime and become the woman he’s always dreamed of becoming. And surprise — it’s a musical.
As the credits roled, there were whoops and hollers and shouts of “Bravo,” even before the lights came up. Saldaña and Gascón were in tears, while Gomez was visibly moved, covering her face.
Reviews...
- 5/18/2024
- by Chris Gardner and Scott Feinberg
- The Hollywood Reporter - Movie News
On paper, it looks mad as a loose wheel. A largely Spanish-language musical about a Mexican druglord having a sex change, featuring onetime Disney teen star Selena Gomez as a gangster’s wife: nobody could deny director and writer Jacques Audiard’s giddy determination to do something different, but how could Emilia Pérez be anything but a hot mess? But here is it is on the screen, a musical marvel. Of course it’s crazy, but Audiard has set up his impossible conjuring trick and made it work.
Emilia Pérez fires up immediately with an eccentric chanson about consumption – “we buy washing machines; we buy microwaves” – that literally sets the tone for what will follow. Rita Moro Castro (Zoe Saldaña) would love to consume a little more; she is a junior barrister flatlining as her boss’ more capable helpmate. Her story is told swiftly: Saldaña delivers a deft dance with the office cleaning women,...
Emilia Pérez fires up immediately with an eccentric chanson about consumption – “we buy washing machines; we buy microwaves” – that literally sets the tone for what will follow. Rita Moro Castro (Zoe Saldaña) would love to consume a little more; she is a junior barrister flatlining as her boss’ more capable helpmate. Her story is told swiftly: Saldaña delivers a deft dance with the office cleaning women,...
- 5/18/2024
- by Stephanie Bunbury
- Deadline Film + TV
The 77th Cannes Film Festival is poised to serve up a feast for film lovers, including new movies from celebrated directors such as Yorgos Lanthimos and Paolo Sorrentino, as well as living legends like Francis Ford Coppola, David Cronenberg and George Miller.
Lanthimos will bring Poor Things follow-up Kinds of Kindness to the Cannes competition. The Greek auteur’s latest, featuring the Oscar-winning Poor Things star Emma Stone, alongside Jesse Plemons and Willem Dafoe, will be high on every Cannes attendee’s must-see list. Sorrentino’s Parthenope, the Italian director’s 10th feature, will also premiere in competition on the Croisette.
Meanwhile, Coppola will unveil the highly anticipated Megalopolis, starring Adam Driver, Shia Labeouf, and Aubrey Plaza, in the competition lineup, while Canada’s Cronenberg returns with The Shrouds, a horror thriller with Vincent Cassel, Diane Kruger and Guy Pearce.
And among the Hollywood highlights at Cannes this year is...
Lanthimos will bring Poor Things follow-up Kinds of Kindness to the Cannes competition. The Greek auteur’s latest, featuring the Oscar-winning Poor Things star Emma Stone, alongside Jesse Plemons and Willem Dafoe, will be high on every Cannes attendee’s must-see list. Sorrentino’s Parthenope, the Italian director’s 10th feature, will also premiere in competition on the Croisette.
Meanwhile, Coppola will unveil the highly anticipated Megalopolis, starring Adam Driver, Shia Labeouf, and Aubrey Plaza, in the competition lineup, while Canada’s Cronenberg returns with The Shrouds, a horror thriller with Vincent Cassel, Diane Kruger and Guy Pearce.
And among the Hollywood highlights at Cannes this year is...
- 5/14/2024
- by David Rooney
- The Hollywood Reporter - Movie News
Ali Abbasi’s Donald Trump drama The Apprentice, Anora, the latest from The Florida Project and Red Rocket director Sean Baker, and Andrea Arnold’s Bird, starring Barry Keoghan and Franz Rogowski, are among the highlights of this year’s Cannes Film Festival competition.
Abbasi, the Iran-born, Sweden-based director, whose Holy Spider was a sensation of the 2022 Cannes festival, returns with his story of how a young Donald Trump and the notorious lawyer Roy Cohn built up Trump’s real estate business in New York in the 1970s and 1980s. Sebastian Stan stars as Trump, Succession‘s Jeremy Strong plays Cohn and Maria Bakalova (Borat Subsequent Moviefilm) is wife Ivana.
Yorgos Lanthimos’ Poor Things follow-up Kinds of Kindness will also premiere in the Cannes competition. The film, featuring the Oscar-winning Poor Things star Emma Stone, will be high on every Cannes attendee’s must-see list. The Greek auteur has again...
Abbasi, the Iran-born, Sweden-based director, whose Holy Spider was a sensation of the 2022 Cannes festival, returns with his story of how a young Donald Trump and the notorious lawyer Roy Cohn built up Trump’s real estate business in New York in the 1970s and 1980s. Sebastian Stan stars as Trump, Succession‘s Jeremy Strong plays Cohn and Maria Bakalova (Borat Subsequent Moviefilm) is wife Ivana.
Yorgos Lanthimos’ Poor Things follow-up Kinds of Kindness will also premiere in the Cannes competition. The film, featuring the Oscar-winning Poor Things star Emma Stone, will be high on every Cannes attendee’s must-see list. The Greek auteur has again...
- 4/11/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Paramount+ and France Télévisions have confirmed their pact on upcoming, working-titled series Zorro starring Oscar-winning actor Jean Dujardin as the iconic masked vigilante.
The partners revealed a first image of The Artist actor Dujardin in the role in a release and said the show will launch later this year on Paramount+ before being broadcast on France Télévisions.
Paramount+ has also acquired rights for the UK, Italy, Germany and Latin America. France tv distribution is handling sales for all other territories.
News of Dujardin’s and Paramount+’s involvement in the show broke in the French media late last year but today’s release was the partners’ first official confirmation of their co-production and distribution deal.
The new show is set in 1821 and sees Don Diego de la Vega/Zorro become mayor of Los Angeles to improve his beloved city.
However, the city is facing financial trouble due to a local...
The partners revealed a first image of The Artist actor Dujardin in the role in a release and said the show will launch later this year on Paramount+ before being broadcast on France Télévisions.
Paramount+ has also acquired rights for the UK, Italy, Germany and Latin America. France tv distribution is handling sales for all other territories.
News of Dujardin’s and Paramount+’s involvement in the show broke in the French media late last year but today’s release was the partners’ first official confirmation of their co-production and distribution deal.
The new show is set in 1821 and sees Don Diego de la Vega/Zorro become mayor of Los Angeles to improve his beloved city.
However, the city is facing financial trouble due to a local...
- 3/20/2024
- by Melanie Goodfellow
- Deadline Film + TV
Paramount+ has boarded “Zorro” (working title), an adventure comedy series starring Jean Dujardin, the Oscar-winning actor of “The Artist,” as the iconic character of Diego de la Vega.
Created by Benjamin Charbit (“Gagarine”) and Noé Debré (“Dheepan”), the anticipated show was bought by Paramount+ for France, the U.K., Italy, Germany and Latin America.
In the eight-part series, Dujardin stars opposite well-known Italian comedian Salvatore Ficarra, and French actors, including Audrey Dana, André Dussollier, Eric Elmosnino and Grégory Gadebois. The show will premiere on Paramount+ before rolling out on the pubcaster France Télévisions.
The series unfolds in 1821 as Don Diego de la Vega becomes mayor of Los Angeles and has to face off a corrupt businessman, Don Emmanuel.
Marc Dujardin’s Le Collectif 64 and Julien Seul at Bien Sûr Productions are producing the series which is penned by Charbit, Debré and Emmanuel Poulain-Arnaud (“Le Test”). It’s directed by Jean-Baptiste Saurel...
Created by Benjamin Charbit (“Gagarine”) and Noé Debré (“Dheepan”), the anticipated show was bought by Paramount+ for France, the U.K., Italy, Germany and Latin America.
In the eight-part series, Dujardin stars opposite well-known Italian comedian Salvatore Ficarra, and French actors, including Audrey Dana, André Dussollier, Eric Elmosnino and Grégory Gadebois. The show will premiere on Paramount+ before rolling out on the pubcaster France Télévisions.
The series unfolds in 1821 as Don Diego de la Vega becomes mayor of Los Angeles and has to face off a corrupt businessman, Don Emmanuel.
Marc Dujardin’s Le Collectif 64 and Julien Seul at Bien Sûr Productions are producing the series which is penned by Charbit, Debré and Emmanuel Poulain-Arnaud (“Le Test”). It’s directed by Jean-Baptiste Saurel...
- 3/20/2024
- by Elsa Keslassy
- Variety Film + TV
Film Movement Scoops Up North American Rights for Bittersweet Comedy ‘A Nice Jewish Boy’ (Exclusive)
Film Movement will give “A Nice Jewish Boy” a home – several, in fact, as the New York-based distributor has picked up North American rights to Noé Debré’s bittersweet comedy with plans for both festival and theatrical plays later this year.
Charades’ Hélène Espeisse brokered the deal with Film Movement president Michael Rosenberg.
Written and directed by “Dheepan” and “Stillwater” screenwriter Noé Debré, “A Nice Jewish Boy” follows Bellisha – an unflappable 27-year-old naïf who shares a subsidized apartment with his ailing mother, Giselle. The pair also happen to be their working-class community’s last remaining Jews – a source of heartache, comedy, and wider questions of belonging.
The freewheeling film drew inspiration from the works of Francois Truffaut and Charlie Chaplin, Debré told Variety, engaging in equal parts with poignant and absurdist subject matters while following a daydreaming lead who can’t be knocked down.
“[I wanted to explore] tough themes with a kind of lightness and irreverence,...
Charades’ Hélène Espeisse brokered the deal with Film Movement president Michael Rosenberg.
Written and directed by “Dheepan” and “Stillwater” screenwriter Noé Debré, “A Nice Jewish Boy” follows Bellisha – an unflappable 27-year-old naïf who shares a subsidized apartment with his ailing mother, Giselle. The pair also happen to be their working-class community’s last remaining Jews – a source of heartache, comedy, and wider questions of belonging.
The freewheeling film drew inspiration from the works of Francois Truffaut and Charlie Chaplin, Debré told Variety, engaging in equal parts with poignant and absurdist subject matters while following a daydreaming lead who can’t be knocked down.
“[I wanted to explore] tough themes with a kind of lightness and irreverence,...
- 1/18/2024
- by Ben Croll
- Variety Film + TV
The pioneering French-Iranian producer and sales agent leaves behind a long-lasting legacy
Pioneering producer and celebrated Celluloid Dreams founder Hengameh Panahi died on November 5 following a long illness, sending shockwaves of sadness throughout the international film community and leaving a long-lasting legacy of both championing auteur cinema and shaking up the status quo in her wake.
The revered French-Iranian industry executive was known for finding and following emerging directors and accompanying their films to festival glory and international acclaim. Her career spanned four decades and more than 800 films.
She worked alongside iconic directors from across the globe including Jacques Audiard,...
Pioneering producer and celebrated Celluloid Dreams founder Hengameh Panahi died on November 5 following a long illness, sending shockwaves of sadness throughout the international film community and leaving a long-lasting legacy of both championing auteur cinema and shaking up the status quo in her wake.
The revered French-Iranian industry executive was known for finding and following emerging directors and accompanying their films to festival glory and international acclaim. Her career spanned four decades and more than 800 films.
She worked alongside iconic directors from across the globe including Jacques Audiard,...
- 11/10/2023
- by Rebecca Leffler
- ScreenDaily
What’s in a name?
For the Congolese Belgian rapper-turned-filmmaker Baloji, whose directorial debut, “Omen,” bows in the Cannes Film Festival’s Un Certain Regard section on May 22, it’s a question that poses itself whenever flustered immigration officials inspect his passport at the airport in Congo. “Always the same question, every time,” Baloji tells Variety. “Do you know what it means?”
In the pre-colonial era, baloji meant “man of science” in Swahili, but the word became corrupted by Christian evangelists during the years of Belgian colonial rule. Today it is more akin to a man of occult sciences and sorcery. “Some people of faith do not dare to say my name in public for fear of invoking evil spirits and the suspicions that may accompany it,” the director says. “In such an animistic culture it is equivalent to being called devil or demon in the West.”
He admits it...
For the Congolese Belgian rapper-turned-filmmaker Baloji, whose directorial debut, “Omen,” bows in the Cannes Film Festival’s Un Certain Regard section on May 22, it’s a question that poses itself whenever flustered immigration officials inspect his passport at the airport in Congo. “Always the same question, every time,” Baloji tells Variety. “Do you know what it means?”
In the pre-colonial era, baloji meant “man of science” in Swahili, but the word became corrupted by Christian evangelists during the years of Belgian colonial rule. Today it is more akin to a man of occult sciences and sorcery. “Some people of faith do not dare to say my name in public for fear of invoking evil spirits and the suspicions that may accompany it,” the director says. “In such an animistic culture it is equivalent to being called devil or demon in the West.”
He admits it...
- 5/26/2023
- by Christopher Vourlias
- Variety Film + TV
At the 2023 Cannes Film Festival, which kicks off Tuesday, six titles — not counting midnight screenings or the TV series The Idol — will screen “out of competition,” meaning with a big red carpet premiere and the heavy media coverage that accompanies one, but without eligibility for festival prizes.
They include fest opener Jeanne du Barry, starring Johnny Depp (following in the footsteps of star vehicles ranging from 2011’s The Beaver to 2018’s Gotti); fest closer Elemental, from Pixar (animated pics are almost never invited into competition); franchise flick Indiana Jones and the Dial of Destiny (a 2008 Indiana Jones pic also screened out of competition, as have installments of Kill Bill, Matrix, Oceans, Star Wars and X-Men); and cineastes’ most highly anticipated title, Martin Scorsese’s Killers of the Flower Moon.
Among those, Killers is a unique case, in that fest director Thierry Fremaux revealed in April that it was — and remains — invited to screen in competition.
They include fest opener Jeanne du Barry, starring Johnny Depp (following in the footsteps of star vehicles ranging from 2011’s The Beaver to 2018’s Gotti); fest closer Elemental, from Pixar (animated pics are almost never invited into competition); franchise flick Indiana Jones and the Dial of Destiny (a 2008 Indiana Jones pic also screened out of competition, as have installments of Kill Bill, Matrix, Oceans, Star Wars and X-Men); and cineastes’ most highly anticipated title, Martin Scorsese’s Killers of the Flower Moon.
Among those, Killers is a unique case, in that fest director Thierry Fremaux revealed in April that it was — and remains — invited to screen in competition.
- 5/14/2023
- by Scott Feinberg
- The Hollywood Reporter - Movie News
Memento International is set to represent global rights to “Omen,” the feature debut of Belgian-Congolese artist-turned filmmaker Baloji which is slated to world premiere at Cannes’ Un Certain Regard.
Baloji previously directed several short films including “Zombies” which played at the BFI London film festival. Blurring the lines between reality and the realm of dreams, “Omen” follows Kofi, who return to his birthplace after being ostracized by his family. The movie explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.
The film stars Marc Zinga Lucie Debay (“Our Men”) and Eliane Umuhire (“Birds Are Singing in Kigali”).
“I like to describe ‘Omen’ as a chimerical film, an ode to the imaginary and the visceral, evoking the spirits of the departed as much as the boundless energy of childhood,...
Baloji previously directed several short films including “Zombies” which played at the BFI London film festival. Blurring the lines between reality and the realm of dreams, “Omen” follows Kofi, who return to his birthplace after being ostracized by his family. The movie explores the weight of beliefs on one’s destiny through four characters accused of being witches and sorcerers, all of them intertwined and guiding each other into the phantasmagoria of Africa.
The film stars Marc Zinga Lucie Debay (“Our Men”) and Eliane Umuhire (“Birds Are Singing in Kigali”).
“I like to describe ‘Omen’ as a chimerical film, an ode to the imaginary and the visceral, evoking the spirits of the departed as much as the boundless energy of childhood,...
- 4/21/2023
- by Elsa Keslassy
- Variety Film + TV
Update: French actors Juliette Binoche, Marion Cotillard, Melanie Laurent, Isabelle Huppert and Charlotte Gainsbourg are among those who have cut off locks of their hair in support of the Iranian protests against the death of Mahsa Amini.
In a video posted to Instagram, the actors are among a number of French industry members who are seen trimming locks of their hair. In Binoche’s case, the “Both Sides of the Blade” actor defiantly lobs off entire inches of her dark hair, while declaring “For freedom!”
View this post on Instagram
A post shared by Soutien Femmes Iran (@soutienfemmesiran)
The video campaign, which uses the hashtag #HairForFreedom, was organized by Richard Sedillot, with Julie Couturier and Christiane Feral Schuhl.
“It is impossible not to denounce again and again this terrible repression,” reads a statement posted with the video. “There are already dozens of dead men and women, including children. The arrests only swell,...
In a video posted to Instagram, the actors are among a number of French industry members who are seen trimming locks of their hair. In Binoche’s case, the “Both Sides of the Blade” actor defiantly lobs off entire inches of her dark hair, while declaring “For freedom!”
View this post on Instagram
A post shared by Soutien Femmes Iran (@soutienfemmesiran)
The video campaign, which uses the hashtag #HairForFreedom, was organized by Richard Sedillot, with Julie Couturier and Christiane Feral Schuhl.
“It is impossible not to denounce again and again this terrible repression,” reads a statement posted with the video. “There are already dozens of dead men and women, including children. The arrests only swell,...
- 10/5/2022
- by Elsa Keslassy
- Variety Film + TV
Michel Fessler, co-writer of “Little Nicholas,” selected at Cannes this year as a special screening, has boarded Ravi K. Chandran’s “Tamara” as scriptwriter.
Based on a story by Paris-based playwright and actor Vasanth Selvam (“Dheepan”), the film will follow 26-year-old Indian origin woman Tamara from Camargue in the south of France, who seeks her roots in the southern Indian territory Pondicherry, which was once a French colony. In parallel narratives, the film will trace the emotional turmoil of Tamara and two other women.
The film is fully financed and being produced by Indian companies Sithara Entertainments (“Bheemla Nayak”), Pawan Kalyan Creative Works (“Sardaar Gabbar Singh”) and Fortune Four Cinemas (“Sir”). Producers include Trivikram Srinivas, Nagavamsi S., and Sai Soujanya.
It is co-produced by Samir Sarkar for Singapore and India based Magic Hour Films (Rotterdam titles “Nasir” and “Jonaki”).
The agreement with Fessler was negotiated at the Cannes Film Market by Chandran and Sarkar.
Based on a story by Paris-based playwright and actor Vasanth Selvam (“Dheepan”), the film will follow 26-year-old Indian origin woman Tamara from Camargue in the south of France, who seeks her roots in the southern Indian territory Pondicherry, which was once a French colony. In parallel narratives, the film will trace the emotional turmoil of Tamara and two other women.
The film is fully financed and being produced by Indian companies Sithara Entertainments (“Bheemla Nayak”), Pawan Kalyan Creative Works (“Sardaar Gabbar Singh”) and Fortune Four Cinemas (“Sir”). Producers include Trivikram Srinivas, Nagavamsi S., and Sai Soujanya.
It is co-produced by Samir Sarkar for Singapore and India based Magic Hour Films (Rotterdam titles “Nasir” and “Jonaki”).
The agreement with Fessler was negotiated at the Cannes Film Market by Chandran and Sarkar.
- 5/25/2022
- by Naman Ramachandran
- Variety Film + TV
Karla Sofía Gascón to star, Zoe Saldana and Selena Gomez in talks. The Veterans and CAA Media Finance launching Cannes sales.
Jacques Audiard will direct the musical comedy Emilia Perez starring Spanish trans actress Karla Sofía Gascón which The Veterans and CAA Media Finance will introduce to buyers in Cannes next week.
Zoe Saldana and Selena Gomez are in talks to join the cast on the story about Rita, a woman at a large firm in Mexico who is asked to help feared cartel boss Juan ‘Little Hands’ Del Monte retire from his business and disappear forever by becoming the...
Jacques Audiard will direct the musical comedy Emilia Perez starring Spanish trans actress Karla Sofía Gascón which The Veterans and CAA Media Finance will introduce to buyers in Cannes next week.
Zoe Saldana and Selena Gomez are in talks to join the cast on the story about Rita, a woman at a large firm in Mexico who is asked to help feared cartel boss Juan ‘Little Hands’ Del Monte retire from his business and disappear forever by becoming the...
- 5/12/2022
- by Jeremy Kay
- ScreenDaily
Karla Sofía Gascón to star, Zoe Saldana and Selena Gomez in talks. The Veterans and CAA Media Finance launching Cannes sales.
Jacques Audiard will direct the Spanish-language musical comedy Emilia Perez starring Spanish trans actress Karla Sofía Gascón which The Veterans and CAA Media Finance will introduce to buyers in Cannes next week.
Zoe Saldana and Selena Gomez are in talks to join the cast on the story about Rita, a woman at a large firm in Mexico who is asked to help feared cartel boss Juan ‘Little Hands’ Del Monte retire from his business and disappear forever by becoming...
Jacques Audiard will direct the Spanish-language musical comedy Emilia Perez starring Spanish trans actress Karla Sofía Gascón which The Veterans and CAA Media Finance will introduce to buyers in Cannes next week.
Zoe Saldana and Selena Gomez are in talks to join the cast on the story about Rita, a woman at a large firm in Mexico who is asked to help feared cartel boss Juan ‘Little Hands’ Del Monte retire from his business and disappear forever by becoming...
- 5/12/2022
- by Jeremy Kay
- ScreenDaily
“I see nothing happening on a major scale to try to get the older audiences back to theaters,” griped Sony Pictures Classics’ co-president Tom Bernard.
Ideally, Bernard wants NATO to trumpet cinema safety in a big public campaign. (A NATO rep says not in the cards.) He’d like that campaign alongside a creative marketing push by independent movie chains, combined with a steadier flow of specialty films with wider appeal. That could include SPC’s upcoming The Duke, Jazz Fest: A New Orleans Story and The Phantom of the Open.
Focus Features’ bellwether Downton Abby: A New Era is the big test. If the Crawley family can’t rout lingering Covid jitters and force of habit to nudge older demos off home screens, then nothing can.
Hoping to prime the pump for this potential spring rebound, SPC and the Angelika Film Center this week unveiled “Bring A Friend Back To The Movies,...
Ideally, Bernard wants NATO to trumpet cinema safety in a big public campaign. (A NATO rep says not in the cards.) He’d like that campaign alongside a creative marketing push by independent movie chains, combined with a steadier flow of specialty films with wider appeal. That could include SPC’s upcoming The Duke, Jazz Fest: A New Orleans Story and The Phantom of the Open.
Focus Features’ bellwether Downton Abby: A New Era is the big test. If the Crawley family can’t rout lingering Covid jitters and force of habit to nudge older demos off home screens, then nothing can.
Hoping to prime the pump for this potential spring rebound, SPC and the Angelika Film Center this week unveiled “Bring A Friend Back To The Movies,...
- 4/15/2022
- by Jill Goldsmith
- Deadline Film + TV
This review of “Paris, 13th District” was first published on July 14, 2021, after the film’s premiere at the Cannes Film Festival.
“Paris, 13th District” starts with cool black-and-white drone shots of a concrete estate in the 13th arrondissement of Paris, and it comes from the hand of Palme d’Or winning director Jacques Audiard. So one could be forgiven for anticipating a tough, urban movie in the ground-breaking mold of Mathieu Kassovitz’s 1995 drama “La Haine.”
However, the opening montage of Woody Allen’s “Manhattan” is closer in spirit to this film, which opens in U.S. theaters Friday. The unrest and turbulence in “Paris, 13th District” is all of the heart.
Audiard’s film is a network of interconnected stories about various young, multi-cultural Parisians living in the tower blocks, based on three stories by American illustrator Adrian Tomine, taken from his 2015 collection “Killing and Dying” and transposed to this Parisian quartier.
“Paris, 13th District” starts with cool black-and-white drone shots of a concrete estate in the 13th arrondissement of Paris, and it comes from the hand of Palme d’Or winning director Jacques Audiard. So one could be forgiven for anticipating a tough, urban movie in the ground-breaking mold of Mathieu Kassovitz’s 1995 drama “La Haine.”
However, the opening montage of Woody Allen’s “Manhattan” is closer in spirit to this film, which opens in U.S. theaters Friday. The unrest and turbulence in “Paris, 13th District” is all of the heart.
Audiard’s film is a network of interconnected stories about various young, multi-cultural Parisians living in the tower blocks, based on three stories by American illustrator Adrian Tomine, taken from his 2015 collection “Killing and Dying” and transposed to this Parisian quartier.
- 4/15/2022
- by Jason Solomons
- The Wrap
Kollywood The shot of Kabilan and Rangan Vaathiyaar riding the cycle has been a particularly popular choice.Bharathy SingaravelNot only has Pa Ranjith’s Sarpatta Parmabarai been hugely successful with audiences and critics alike, it’s also inspired a large number of internet spin-offs as memes and Instagram reels. Young people with barely any props have been single-handedly enacting dialogues of multiple characters and tagging the lead star, Arya, who has good-naturedly retweeted many of them. Recreating scenes from films, very often as lip sync videos, is common on Tamil social media handles. Originally on Tik-Tok and later on Reels, these short videos have a dedicated following. Our timelines are full of Sarpatta memes right now. The shot of Kabilan and Rangan Vaathiyaar riding the cycle has been a particularly popular choice. Other iconic moments from the film have also found their way in to the meme world. So, we...
- 8/12/2021
- by Sowmya
- The News Minute
Today’s grid also includes Ildiko Enyedi’s ’The Story Of My Wife’.
Jacques Audiard’s Paris, 13th District and Sean Baker’s Red Rocket achieved middling scores on Screen‘s Cannes jury grid, whilst Ildiko Enyedi’s The Story Of My Wife failed to impress the majority of our jurors.
The latest film from Jacques Audiard – a Palme d’Or winner in 2015 with Dheepan – came out on top of the new arrivals with a score of 2.5, placing it fifth on the grid - just behind Asghar Farhadi’s A Hero. Helping the average were scores of four (excellent) from...
Jacques Audiard’s Paris, 13th District and Sean Baker’s Red Rocket achieved middling scores on Screen‘s Cannes jury grid, whilst Ildiko Enyedi’s The Story Of My Wife failed to impress the majority of our jurors.
The latest film from Jacques Audiard – a Palme d’Or winner in 2015 with Dheepan – came out on top of the new arrivals with a score of 2.5, placing it fifth on the grid - just behind Asghar Farhadi’s A Hero. Helping the average were scores of four (excellent) from...
- 7/15/2021
- by Melissa Kasule
- ScreenDaily
After last year’s Cannes Film Festival was reduced to a press conference announcing the works they would’ve screened, they’re back in full swing for 2021. Forgoing the virtual aspects embraced by many festivals, Cannes kicks off this Tuesday and we’ll be on the ground to cover.
Ahead of the festivities we’ve rounded up what we’re most looking forward to—and while we’re sure many surprises await, per every year, one will find twenty films that should already be on your radar. Check out our picks below and be sure to subscribe to our daily newsletter for the latest updates from the festival.
20. The Year of the Everlasting Storm (Various)
It’s only fitting to kick off with a film that looks to encapsulate our tumultuous year. Featuring contributions from Apichatpong Weerasethakul (who appears a bit later down as well), David Lowery, Jafar Panahi, Laura Poitras,...
Ahead of the festivities we’ve rounded up what we’re most looking forward to—and while we’re sure many surprises await, per every year, one will find twenty films that should already be on your radar. Check out our picks below and be sure to subscribe to our daily newsletter for the latest updates from the festival.
20. The Year of the Everlasting Storm (Various)
It’s only fitting to kick off with a film that looks to encapsulate our tumultuous year. Featuring contributions from Apichatpong Weerasethakul (who appears a bit later down as well), David Lowery, Jafar Panahi, Laura Poitras,...
- 7/4/2021
- by The Film Stage
- The Film Stage
Palme d’Or-winning filmmaker Jacques Audiard and rising director Léa Mysius reminisce about presenting their respective debut features, “See How They Fall” and “Ava,” at Cannes’ Critics’ Week in an exclusive video celebrating the 60th anniversary of the sidebar.
Under the helm of Charles Tesson since 2011, Critics’ Week, which is dedicated to first and second films, has showcased more dozens of emerging filmmakers over the years. Some of them will have their latest movies unspool in competition at the festival. These include Audiard with “Paris, 13th District” which was co-written with Mysius and Celine Sciamma, as well as Julia Ducournau (“Raw”) with “Titane,” and Nadav Lapid (“The Kindergarten Teacher”) with “Ahed’s Knee.”
Audiard and Mysius are two of the 60 talents and artists who have shared testimonies about Critics’ Week brought to their lives and careers through videos and letters. Critics’ Week is unveiling these tributes throughout the month of June.
Under the helm of Charles Tesson since 2011, Critics’ Week, which is dedicated to first and second films, has showcased more dozens of emerging filmmakers over the years. Some of them will have their latest movies unspool in competition at the festival. These include Audiard with “Paris, 13th District” which was co-written with Mysius and Celine Sciamma, as well as Julia Ducournau (“Raw”) with “Titane,” and Nadav Lapid (“The Kindergarten Teacher”) with “Ahed’s Knee.”
Audiard and Mysius are two of the 60 talents and artists who have shared testimonies about Critics’ Week brought to their lives and careers through videos and letters. Critics’ Week is unveiling these tributes throughout the month of June.
- 6/18/2021
- by Elsa Keslassy
- Variety Film + TV
Cannes is back — or so the festival organizers are insisting, announcing an official selection that’s bigger and more bullish than the (pre-pandemic) 2019 edition, boasting new films from Wes Anderson (“The French Dispatch”), Sean Penn (“Black Flag”) and Oliver Stone (“JFK: Through the Looking Glass”), to name three Americans from among a host of tantalizing international talents.
Festival topper Thierry Frémaux unveiled a staggering 65 titles at Thursday’s early-morning announcement — which is 20% more than the 54-movie lineup of two years earlier. And that’s not counting a promised beach-front blockbuster premiere or the closing-night film, whose title will remain under wraps until closer to the event, which was bumped from its usual early-May slot to July 6-17 this summer.
“Cinema is not dead,” he said at the press conference. From the look of it, Cannes could serve as the metaphorical defibrillator paddles needed to jolt the floundering corpse of theatrical exhibition back to life.
Festival topper Thierry Frémaux unveiled a staggering 65 titles at Thursday’s early-morning announcement — which is 20% more than the 54-movie lineup of two years earlier. And that’s not counting a promised beach-front blockbuster premiere or the closing-night film, whose title will remain under wraps until closer to the event, which was bumped from its usual early-May slot to July 6-17 this summer.
“Cinema is not dead,” he said at the press conference. From the look of it, Cannes could serve as the metaphorical defibrillator paddles needed to jolt the floundering corpse of theatrical exhibition back to life.
- 6/3/2021
- by Peter Debruge
- Variety Film + TV
Mamoudou Athie, star of breakout feature film Patti Cake$, is to star in and produce a feature film set in the Sahara Desert.
Athie, who is also set to star in Jurassic Park: Dominion, has teamed up with Vespucci Group to develop Chighali, a project based in Mauritania, the North African country where he is from. It is based on an audio story, produced by Vespucci, and written by journalist Sahar Zand.
The story follows Sidi, whose first memories including camels, sand storms, scorpions, and sand dunes towering like buildings. Raised in a nomadic tribe on the far edge of the Sahara desert, Sidi doesn’t have a father like the other kids. He dreams of meeting him, even after his mom explains he’s gone away to heaven, a journey from which he won’t return. When Sidi discovers that many years ago a foreign documentary crew had visited the tribe,...
Athie, who is also set to star in Jurassic Park: Dominion, has teamed up with Vespucci Group to develop Chighali, a project based in Mauritania, the North African country where he is from. It is based on an audio story, produced by Vespucci, and written by journalist Sahar Zand.
The story follows Sidi, whose first memories including camels, sand storms, scorpions, and sand dunes towering like buildings. Raised in a nomadic tribe on the far edge of the Sahara desert, Sidi doesn’t have a father like the other kids. He dreams of meeting him, even after his mom explains he’s gone away to heaven, a journey from which he won’t return. When Sidi discovers that many years ago a foreign documentary crew had visited the tribe,...
- 2/18/2021
- by Peter White
- Deadline Film + TV
Gaumont has come on board “Fantasies,” a sex-themed French comedy headlined by Monica Bellucci (“Spectre”), Carole Bouquet (“For Your Eyes Only”) and Karine Viard (“Famille Belier”).
Directed by David and Stephane Foenkinos, the omnibus film follows six couples and revolves around their intimate lives and fantasies, from role-playing to exhibitionism and abstinence.
Besides Bellucci, Bouquet and Viard, the film stars Suzanne Clément (“Mommy”), Jean-Paul Rouve (“C’est la Vie!”), Joséphine Japy (“Love at Second Sight”), Denis Podalydès (“An Officer and a Spy”), Céline Sallette (“The Returned”), Nicolas Bedos (“Mr & Mrs Adelman”), Ramzy Bedia (“Lost Bullet”), Alice Taglioni (“Claire Darling”), Joséphine de Meaux (“Dheepan”) and William Lebghil (“C’est la Vie!”)
“Fantasies” is in post-production and will be released in France by Gaumont during the second semester of 2021. Gaumont is handling international sales on the movie and will introduce it to buyers at the American Film Market, which kicks off Monday.
“With its glamorous cast,...
Directed by David and Stephane Foenkinos, the omnibus film follows six couples and revolves around their intimate lives and fantasies, from role-playing to exhibitionism and abstinence.
Besides Bellucci, Bouquet and Viard, the film stars Suzanne Clément (“Mommy”), Jean-Paul Rouve (“C’est la Vie!”), Joséphine Japy (“Love at Second Sight”), Denis Podalydès (“An Officer and a Spy”), Céline Sallette (“The Returned”), Nicolas Bedos (“Mr & Mrs Adelman”), Ramzy Bedia (“Lost Bullet”), Alice Taglioni (“Claire Darling”), Joséphine de Meaux (“Dheepan”) and William Lebghil (“C’est la Vie!”)
“Fantasies” is in post-production and will be released in France by Gaumont during the second semester of 2021. Gaumont is handling international sales on the movie and will introduce it to buyers at the American Film Market, which kicks off Monday.
“With its glamorous cast,...
- 11/6/2020
- by Elsa Keslassy
- Variety Film + TV
Georgian-French drama Beginning (Dasatskisi) was the big winner at the San Sebastian Film Festival, winning the top prize Golden Shell at last night’s awards ceremony.
The buzzed-about arthouse film from first-timer Dea Kulumbegashvili also won Best Director, Best Actress and Best Screenplay awards. We debuted first footage for the film earlier this month.
Kulumbegashvili wrote the script with Rati Oneli. Starring are Ia sukhitashvili (best actress winner), Rati Oneli and Kakha Kintsurashvili. Producers are Ilan Amouyal, Rati Oneli and David Zerat. Music comes from Dheepan and Ema composer Nicolas Jaar. Wild Bunch handles sales.
The film charts the story of a persecuted family of Jehovah’s Witness missionaries from the perspective of a wife and mother. Following a shocking act of arson on the place of worship she and her husband have established in a remote village outside of Tbilisi, Yana (Sukhitashvili) finds herself descending into a spiral of confusion and doubt,...
The buzzed-about arthouse film from first-timer Dea Kulumbegashvili also won Best Director, Best Actress and Best Screenplay awards. We debuted first footage for the film earlier this month.
Kulumbegashvili wrote the script with Rati Oneli. Starring are Ia sukhitashvili (best actress winner), Rati Oneli and Kakha Kintsurashvili. Producers are Ilan Amouyal, Rati Oneli and David Zerat. Music comes from Dheepan and Ema composer Nicolas Jaar. Wild Bunch handles sales.
The film charts the story of a persecuted family of Jehovah’s Witness missionaries from the perspective of a wife and mother. Following a shocking act of arson on the place of worship she and her husband have established in a remote village outside of Tbilisi, Yana (Sukhitashvili) finds herself descending into a spiral of confusion and doubt,...
- 9/27/2020
- by Andreas Wiseman
- Deadline Film + TV
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and an archive of past round-ups here.
Alice (Josephine Mackerras)
It makes no sense. The night before saw Alice Ferrand’s (Emilie Piponnier) husband François (Martin Swabey) going out of his way to passionately make-out with her in front of their friends at a dinner party and now he won’t answer her calls. Despite his running out of the house earlier than usual without any explanation, however, there’s nothing to make her think something is wrong until a trip to the drugstore exposes a freeze on their finances. One credit card won’t work. Then another. The Atm won’t accept her sign-in and François still isn’t picking up his phone.
Alice (Josephine Mackerras)
It makes no sense. The night before saw Alice Ferrand’s (Emilie Piponnier) husband François (Martin Swabey) going out of his way to passionately make-out with her in front of their friends at a dinner party and now he won’t answer her calls. Despite his running out of the house earlier than usual without any explanation, however, there’s nothing to make her think something is wrong until a trip to the drugstore exposes a freeze on their finances. One credit card won’t work. Then another. The Atm won’t accept her sign-in and François still isn’t picking up his phone.
- 5/15/2020
- by Jordan Raup
- The Film Stage
Stars: John C. Reilly, Joaquin Phoenix, Jake Gyllenhaal, Riz Ahmed, Rebecca Root, Allison Tolman, Rutger Hauer, Carol Kane, Patrice Cossonneau | Written by Jacques Audiard, Thomas Bidegain | Directed by Jacques Audiard
[Note: With the film finally out on DVD here in the UK, here's a reposting of our review of the film from its Us cinematic release]
Based on Patrick DeWitt’s novel, The Sisters Brothers revolves around the colorfully named gold prospector Hermann Kermit Warm, who’s being pursued across 1000 miles of 1850s Oregon desert to San Francisco by the notorious assassins Eli and Charlie Sisters. Except Eli is having a personal crisis and beginning to doubt the longevity of his chosen career. And Hermann might have a better offer.
Director Jacques Audiard continues his run of terrific form after Dheepan and Rust and Bone with the powerfully stoic, yet sentimentally endearing western The Sisters Brothers. A film that stars the talent and screen presence of acting giants and character actors in the calibre of John C. Reilly, Joaquin Phoenix, Jake Gyllenhaal and Riz Ahmed, yet...
[Note: With the film finally out on DVD here in the UK, here's a reposting of our review of the film from its Us cinematic release]
Based on Patrick DeWitt’s novel, The Sisters Brothers revolves around the colorfully named gold prospector Hermann Kermit Warm, who’s being pursued across 1000 miles of 1850s Oregon desert to San Francisco by the notorious assassins Eli and Charlie Sisters. Except Eli is having a personal crisis and beginning to doubt the longevity of his chosen career. And Hermann might have a better offer.
Director Jacques Audiard continues his run of terrific form after Dheepan and Rust and Bone with the powerfully stoic, yet sentimentally endearing western The Sisters Brothers. A film that stars the talent and screen presence of acting giants and character actors in the calibre of John C. Reilly, Joaquin Phoenix, Jake Gyllenhaal and Riz Ahmed, yet...
- 8/14/2019
- by Jak-Luke Sharp
- Nerdly
After taking a brief break from acting, aside from a few uncredited roles, Matt Damon is returning the big screen in force. In addition to his upcoming James Mangold directed Ford v Ferrari opposite Christian Bale, Damon has lined up two more projects.
The actor will be reteaming with collaborators Ben Affleck, with whom he won a Best Screenplay Oscar for 1997’s Good Will Hunting, and Ridley Scott (The Martian) for The Last Duel. In addition to co-starring alongside Affleck, both wrote the script in collaboration with Nicole Holofcener (The Land of Steady Habits). Returning Scott to the type of historical epic in which he has been known for and marking a nice companion with his directorial debut at least in title alone, The Last Duel is “set in 14th century France and follows a man who goes to war and returns to discover a friend of his has raped his wife.
The actor will be reteaming with collaborators Ben Affleck, with whom he won a Best Screenplay Oscar for 1997’s Good Will Hunting, and Ridley Scott (The Martian) for The Last Duel. In addition to co-starring alongside Affleck, both wrote the script in collaboration with Nicole Holofcener (The Land of Steady Habits). Returning Scott to the type of historical epic in which he has been known for and marking a nice companion with his directorial debut at least in title alone, The Last Duel is “set in 14th century France and follows a man who goes to war and returns to discover a friend of his has raped his wife.
- 7/24/2019
- by The Film Stage
- The Film Stage
As Cannes ramps up, IFC Films is highlighting its connection to the festival in launching a new subscription streaming service, IFC Films Unlimited.
The $6-a-month service will initially launch on Amazon Prime Video Channels, with other distribution outlets to come down the line. It will offer theatrically released titles from its distribution labels IFC Films, Sundance Selects and genre label IFC Midnight, including Palme d’Or winners The Wind That Shakes the Barley, 4 Months 3 Weeks 2 Days and Dheepan and other Cannes notables such as Certified Copy, Gomorrah and Kid with a Bike.
IFC parent AMC Networks operates a portfolio of streaming services, including Sundance Now, Acorn TV and AMC Premiere.
While the streaming wars are heating up among Disney, WarnerMedia and NBCUniversal, more niche services continue to populate the landscape, though the numbers have started to level off. There were 233 subscription services as of April, according to research firm Parks Associates,...
The $6-a-month service will initially launch on Amazon Prime Video Channels, with other distribution outlets to come down the line. It will offer theatrically released titles from its distribution labels IFC Films, Sundance Selects and genre label IFC Midnight, including Palme d’Or winners The Wind That Shakes the Barley, 4 Months 3 Weeks 2 Days and Dheepan and other Cannes notables such as Certified Copy, Gomorrah and Kid with a Bike.
IFC parent AMC Networks operates a portfolio of streaming services, including Sundance Now, Acorn TV and AMC Premiere.
While the streaming wars are heating up among Disney, WarnerMedia and NBCUniversal, more niche services continue to populate the landscape, though the numbers have started to level off. There were 233 subscription services as of April, according to research firm Parks Associates,...
- 5/16/2019
- by Dade Hayes
- Deadline Film + TV
Ladj Ly’s debut feature is a police drama set in a tough Paris suburb that loses subtlety and heft as it erupts into violence
This movie from first-time feature director Ladj Ly has one of the most striking and even glorious pre-credit sequences I can remember. It shows the cheering, screaming crowds on the streets of Paris last summer, when France had just beaten Croatia 4-2 in the World Cup. This is a seething mass of humanity with tricolours waving everywhere, boiling with joy. Finally, the director flashes up the title over the people, ecstatic in their triumph: Les Misérables.
It’s an irresistible irony and it kicks the film off with a great exhilarating jolt of humour, cynicism, energy and savvy. But what begins as a fascinatingly tough cop procedural gets less interesting when the violence begins, and it becomes a solemnly ponderous issue movie on those familiar...
This movie from first-time feature director Ladj Ly has one of the most striking and even glorious pre-credit sequences I can remember. It shows the cheering, screaming crowds on the streets of Paris last summer, when France had just beaten Croatia 4-2 in the World Cup. This is a seething mass of humanity with tricolours waving everywhere, boiling with joy. Finally, the director flashes up the title over the people, ecstatic in their triumph: Les Misérables.
It’s an irresistible irony and it kicks the film off with a great exhilarating jolt of humour, cynicism, energy and savvy. But what begins as a fascinatingly tough cop procedural gets less interesting when the violence begins, and it becomes a solemnly ponderous issue movie on those familiar...
- 5/15/2019
- by Peter Bradshaw
- The Guardian - Film News
Stars: John C. Reilly, Joaquin Phoenix, Jake Gyllenhaal, Riz Ahmed, Rebecca Root, Allison Tolman, Rutger Hauer, Carol Kane, Patrice Cossonneau | Written by Jacques Audiard, Thomas Bidegain | Directed by Jacques Audiard
Based on Patrick DeWitt’s novel, The Sisters Brothers revolves around the colorfully named gold prospector Hermann Kermit Warm, who’s being pursued across 1000 miles of 1850s Oregon desert to San Francisco by the notorious assassins Eli and Charlie Sisters. Except Eli is having a personal crisis and beginning to doubt the longevity of his chosen career. And Hermann might have a better offer.
Director Jacques Audiard continues his run of terrific form after Dheepan and Rust and Bone with the powerfully stoic, yet sentimentally endearing western The Sisters Brothers. A film that stars the talent and screen presence of acting giants and character actors in the calibre of John C. Reilly, Joaquin Phoenix, Jake Gyllenhaal and Riz Ahmed, yet...
Based on Patrick DeWitt’s novel, The Sisters Brothers revolves around the colorfully named gold prospector Hermann Kermit Warm, who’s being pursued across 1000 miles of 1850s Oregon desert to San Francisco by the notorious assassins Eli and Charlie Sisters. Except Eli is having a personal crisis and beginning to doubt the longevity of his chosen career. And Hermann might have a better offer.
Director Jacques Audiard continues his run of terrific form after Dheepan and Rust and Bone with the powerfully stoic, yet sentimentally endearing western The Sisters Brothers. A film that stars the talent and screen presence of acting giants and character actors in the calibre of John C. Reilly, Joaquin Phoenix, Jake Gyllenhaal and Riz Ahmed, yet...
- 1/8/2019
- by Jak-Luke Sharp
- Nerdly
The Lost Prince
Oscar winning director Michel Hazanavicius embarks on his seventh feature, The Lost Prince (Le prince oublié), set to star his usual collaborator and wife Berenice Bejo alongside Omar Sy and Francois Damiens. Produced by Philippe Rousselet and Jonathan Blumental. Written by Hazanavicius, Bruno Merle and Noe Debre (Dheepan; The Racer and the Jailbird), the project is lensed by Guillaume Schiffman, who has been Hazanavicius’ cinematographer since his Oss 117 films. Hazanacivius notably won Best Director for 2011’s The Artist, which also took home the Academy Award for Best Picture.…...
Oscar winning director Michel Hazanavicius embarks on his seventh feature, The Lost Prince (Le prince oublié), set to star his usual collaborator and wife Berenice Bejo alongside Omar Sy and Francois Damiens. Produced by Philippe Rousselet and Jonathan Blumental. Written by Hazanavicius, Bruno Merle and Noe Debre (Dheepan; The Racer and the Jailbird), the project is lensed by Guillaume Schiffman, who has been Hazanavicius’ cinematographer since his Oss 117 films. Hazanacivius notably won Best Director for 2011’s The Artist, which also took home the Academy Award for Best Picture.…...
- 1/1/2019
- by Nicholas Bell
- IONCINEMA.com
Jacques Audiard wrapped up the press conference for The Sisters Brothers this afternoon with a resounding call to action on the gender equality issue that has been front-and-center here on the Lido. And in the process, he took a shot at festivals themselves.
The Palme d’Or winner said he was surprised when he saw the imbalance of the competition selection at this year’s Venice Film Festival — with one woman director out of 20 titles on the roster. “I sent notes to my colleagues of the selection and I didn’t feel like there was a great response.” While he said he was not criticizing the integrity of Venice’s organizers, he noted, “There are arguments that come back over the years, a sort of contrition that’s articulated as ‘Yes, but we honestly did our work. When we watch a film, we don’t ask ourselves about gender. A...
The Palme d’Or winner said he was surprised when he saw the imbalance of the competition selection at this year’s Venice Film Festival — with one woman director out of 20 titles on the roster. “I sent notes to my colleagues of the selection and I didn’t feel like there was a great response.” While he said he was not criticizing the integrity of Venice’s organizers, he noted, “There are arguments that come back over the years, a sort of contrition that’s articulated as ‘Yes, but we honestly did our work. When we watch a film, we don’t ask ourselves about gender. A...
- 9/2/2018
- by Nancy Tartaglione
- Deadline Film + TV
“Please don’t confront me with my failures, I had not forgotten them,” sings German model-actress-musician Nico on 1967’s Jackson Browne-penned “These Days,” one of her signature post-Velvet Underground songs. It opens Susanna Nicchiarelli’s third feature, “Nico, 1988,” an exploration of the cult star’s final two years before her death at age 49, and the song’s mournful rumination on regret is tailor-made for the story.
Nico hates being called by that stage name, even though by 1986 when the film begins, it’s her last remaining meal ticket. Born Christa Päffgen in 1930s Germany, she has never been famous in the traditional sense. A teenage model who became one of Andy Warhol’s “superstars,” appearing in a handful of his experimental films, she sang three songs on an album, “The Velvet Underground and Nico,” that few people knew about at the time of its initial release, but grew in stature and influence years later.
Nico hates being called by that stage name, even though by 1986 when the film begins, it’s her last remaining meal ticket. Born Christa Päffgen in 1930s Germany, she has never been famous in the traditional sense. A teenage model who became one of Andy Warhol’s “superstars,” appearing in a handful of his experimental films, she sang three songs on an album, “The Velvet Underground and Nico,” that few people knew about at the time of its initial release, but grew in stature and influence years later.
- 8/1/2018
- by Dave White
- The Wrap
Palme d’Or winning filmmaker Jacques Audiard is back with The Sisters Brothers, his first film shot entirely in English. The darkly comic western stars Joaquin Phoenix, John C. Reilly, Jake Gyllenhaal and Riz Ahmed. Annapurna Pictures has domestic rights to the Why Not Productions picture and will release it later this year. The film, with the tagline “Brothers by blood, Sisters by name,” is expected on the fall festival circuit. Check out the first official trailer above.
This is Audiard’s follow-up to Dheepan which won the top prize in Cannes in 2015. Based on Patrick Dewitt’s acclaimed novel of the same name, The Sisters Brothers follows siblings Eli and Charlie Sisters who are hired to kill a prospector who has stolen from their boss. The story, a genre-hybrid with comedic elements, takes place in Oregon in 1851.
The trailer, set to a variation on Soft Cell’s 1980s classic “Tainted Love,...
This is Audiard’s follow-up to Dheepan which won the top prize in Cannes in 2015. Based on Patrick Dewitt’s acclaimed novel of the same name, The Sisters Brothers follows siblings Eli and Charlie Sisters who are hired to kill a prospector who has stolen from their boss. The story, a genre-hybrid with comedic elements, takes place in Oregon in 1851.
The trailer, set to a variation on Soft Cell’s 1980s classic “Tainted Love,...
- 5/24/2018
- by Nancy Tartaglione
- Deadline Film + TV
Jacques Audiard has been a mainstay at the Cannes Film Festival for some time, so we were surprised when his upcoming dark comedy-meets-neo-noir western The Sisters Brothers wasn’t part of the lineup. Fear not, though, as it will most certainly be part of the fall festival slate with its release date in France of September 19. Ahead of the debut there, the first two trailers have now arrived.
Featuring one of the year’s best casts, Joaquin Phoenix, John C. Reilly, Jake Gyllenhaal, and Riz Ahmed lead the adaptation of the novel by the same name from Patrick DeWitt. The story follows two brothers (Phoenix and Reilly) who hunt down a gold prospector (Gyllenhaal) in 1850s Oregon. Following up his Palme d’Or winner Dheepan, Audiard seems to be in entirely different, exciting territory here.
One can see a U.S. trailer courtesy of Annapurna, who will release the film later this fall,...
Featuring one of the year’s best casts, Joaquin Phoenix, John C. Reilly, Jake Gyllenhaal, and Riz Ahmed lead the adaptation of the novel by the same name from Patrick DeWitt. The story follows two brothers (Phoenix and Reilly) who hunt down a gold prospector (Gyllenhaal) in 1850s Oregon. Following up his Palme d’Or winner Dheepan, Audiard seems to be in entirely different, exciting territory here.
One can see a U.S. trailer courtesy of Annapurna, who will release the film later this fall,...
- 5/24/2018
- by Jordan Raup
- The Film Stage
Perhaps more contentious than any other competition titles are the French language items jockeying for coveted slots which are announced last. Both Claire Denis and Jacques Audiard will be ready with high profile English language debuts starring American actors. Will these count against the French allotment? Audiard’s last title, Dheepan, won the Palme d’Or in 2015, so if The Sisters Brothers is completed in time, this would be a shoe-in. And Denis has consistently been locked out of competition at Cannes since her celebrated 1988 debut Chocolat, many see her sci-fi epic High Life, starring Robert Pattinson and Juliette Binoche,… Read the rest
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- 4/2/2018
- by Nicholas Bell
- IONCINEMA.com
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