Maurice Hines, the Broadway dancer, choreographer and actor who famously showcased his skills alongside his late younger brother, Gregory Hines, in a Nicholas Brothers-like act featured in Francis Ford Coppola’s The Cotton Club, has died. He was 80.
Hines died Friday of natural causes at the Actors Fund Home in Englewood, New Jersey, his cousin and rep, Richard Nurse, told The Hollywood Reporter. He lived there for a couple of years.
The elegant, Harlem-born Hines received a Tony Award nomination in 1986 for best actor in a musical for Uptown … It’s Hot and starred again on Broadway in 2006’s Hot Feet. He conceived, directed and choreographed both productions.
In his THR review of the 2019 documentary Maurice Hines: Bring Them Back, Frank Scheck wrote that the Hines brothers had a falling out and didn’t talk for 10 years “for reasons that Maurice refuses to discuss to this day. He provides no explanation in the film,...
Hines died Friday of natural causes at the Actors Fund Home in Englewood, New Jersey, his cousin and rep, Richard Nurse, told The Hollywood Reporter. He lived there for a couple of years.
The elegant, Harlem-born Hines received a Tony Award nomination in 1986 for best actor in a musical for Uptown … It’s Hot and starred again on Broadway in 2006’s Hot Feet. He conceived, directed and choreographed both productions.
In his THR review of the 2019 documentary Maurice Hines: Bring Them Back, Frank Scheck wrote that the Hines brothers had a falling out and didn’t talk for 10 years “for reasons that Maurice refuses to discuss to this day. He provides no explanation in the film,...
- 12/30/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
Say what you will about the "Star Trek: Strange New Worlds" musical episode (and people have certainly said a lot), but whether you loved "Subspace Rhapsody" or thought it missed the mark, it's hard to deny the emotional truth of the experimental hour. Whether we were listening to budding comms officer Uhura (Celia Rose Gooding) singing about the loss that's underscored her career or witnessing Nurse Chapel (Jess Bush) tell Spock (Ethan Peck) she's eager to leave for her big research fellowship, the tunes of "Subspace Rhapsody" allowed us to overhear the innermost thoughts of the Enterprise crew in true musical tradition.
Musical episodes always tend towards campiness, and while I think "Strange New Worlds" was mostly saved from as much by its undercurrent of earnest emotion, the episode still allows for some purposely silly concepts -- like when the Klingons suddenly start singing a K-pop-style boy band number. In an interview with TrekMovie.
Musical episodes always tend towards campiness, and while I think "Strange New Worlds" was mostly saved from as much by its undercurrent of earnest emotion, the episode still allows for some purposely silly concepts -- like when the Klingons suddenly start singing a K-pop-style boy band number. In an interview with TrekMovie.
- 8/28/2023
- by Valerie Ettenhofer
- Slash Film
So here you sit. You’ve spent the past few years (decades?) chasing down your dreams, encountering challenge after challenge, enduring the extreme vagaries of film financing, media mergers and daily Covid testing, and through it all you remained true to your creative vision.
There was that first vomit draft of your screenplay, so horrible you almost cried. There was the humbling—often humiliating—process of finding the money, then the fun of putting your team together. There was that one time on set when the Pa tripped and knocked over the camera table, putting a crack in your band-new Zeiss lens. And then there were the obnoxious notes and festival rejections.
But still: you made a movie! Frankly, you deserve an award for just making it this far. Unfortunately, karma and self-actualization do not typically manifest in tangible form.
However. You can still very easily place yourself in the...
There was that first vomit draft of your screenplay, so horrible you almost cried. There was the humbling—often humiliating—process of finding the money, then the fun of putting your team together. There was that one time on set when the Pa tripped and knocked over the camera table, putting a crack in your band-new Zeiss lens. And then there were the obnoxious notes and festival rejections.
But still: you made a movie! Frankly, you deserve an award for just making it this far. Unfortunately, karma and self-actualization do not typically manifest in tangible form.
However. You can still very easily place yourself in the...
- 8/23/2023
- by Matt Warren
- Film Independent News & More
Before “ER,” “Chicago Hope” and “The Good Doctor,” there was a great little medical drama called “St. Elsewhere.” Today, it’s not unusual to have topics like rape, abortion, domestic abuse, breast cancer discussed. But 40 years ago, such issues were taboo. Much as “Hill St. Blues” revolutionized police dramas in the early 1980s, “St. Elsewhere” pushed boundaries and opened discussions about issues that affected viewers everywhere.
“St. Elsewhere” refers to hospitals who take in the patients no other hospital wants to deal with; the fictitious St. Eligius is such an institution in Boston, a teaching hospital with more budget issues than personnel. But within the crumbling walls is a staff of doctors and nurses who struggle to provide the best care possible for the string of often difficult to diagnose, difficult to understand and difficult to tolerate patients who come through the doors, while balancing their personal lives and own...
“St. Elsewhere” refers to hospitals who take in the patients no other hospital wants to deal with; the fictitious St. Eligius is such an institution in Boston, a teaching hospital with more budget issues than personnel. But within the crumbling walls is a staff of doctors and nurses who struggle to provide the best care possible for the string of often difficult to diagnose, difficult to understand and difficult to tolerate patients who come through the doors, while balancing their personal lives and own...
- 10/14/2022
- by Susan Pennington and Chris Beachum
- Gold Derby
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