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An instinct for acting showed very early for Bruce. In 1935, aged 3, he distracted his mother from the worries of Depression Era Chicago by recreating stuff they'd seen at the movies like FDR struggling to walk, putting his little body thru it, to try to understand by experiencing it. A knack for comedy showed when as part of a church pageant his #1 line, ''No room at the Inn", booming hugely out of a tiny body sent the whole congregation into laughter. He so enjoyed it he repeated it even louder to louder laughter then again and again continuing even as he was chased by the minister all over the altar to gales of laughter.
At age 6, he had his first job, earning 60 cents for 6 days of delivering groceries. From then on there was always a job after school, Saturdays and summers, such as on a Chicago Loop newsstand or in a glass factory ladling molten glass. At age 15, his desperate father asked him to quit school to help support the family. His mother saved him by herself taking a job. School was showing him two paths out of poverty: Art (selling paintings) and Football (the 1949 Chicago high school city champs) and a chance for a scholarship. He played for two college seasons and moonlighted on a semi-pro team. Then a new window opened -- posing at an Art Institute class with a naked lady who said, ''How would you like to- [pause] - be a Gorilla?'' She was a stripper and needed a guy strong enough to wear a 90 lb. ape suit and toss her around. A magician at the club tapped him jokingly with his magic wand, saying "Bruce, you are an actor".
Drafted into the U.S. Army for the Korean War, he served there for the last six months of that war, and came back with malaria, delaying his football. He tried out for a play (in 1955) never having had an acting class or read a book on it, but he was a natural, got the lead and great reviews, went to summer stock did a new play every week. He did a dozen years of theatre, on Broadway and off-Broadway. He visited Hollywood in 1965. In 1967, he made it his home.- Actress
- Producer
- Director
Ellen Burstyn was born in Detroit, Michigan, to Correine Marie (Hamel) and John Austin Gillooly. She is of Irish, French/French-Canadian, Pennsylvania Dutch (German), and Native American ancestry.. She worked a number of jobs before she became an actress. At 14, she was a short-order cook at a lunch counter. After graduating from Detroit's Cass Technical High School, she went to Texas to model and then to New York as a showgirl on The Jackie Gleason Show (1952). From there, it was to Montreal as a nightclub dancer and then Broadway with her debut in "Fair Game (1957)". By 1963, she appeared on the TV series The Doctors (1963), but she gained notice for her role in Goodbye Charlie (1964). Ellen then took time off to study acting with Lee Strasberg at the Actors Studio.
Her big break came when she was cast as the female lead in The Last Picture Show (1971). For this role, she received nominations for the Golden Globe and Academy Award. Next, she co-starred with Jack Nicholson in The King of Marvin Gardens (1972), giving a chilling performance. Then came The Exorcist (1973). She was again nominated for the Golden Globe and Academy Award. In 1974, she starred in Alice Doesn't Live Here Anymore (1974), for which performance she won the Oscar and BAFTA awards as Best Actress. For the Golden Globe, she was nominated but lost to Marsha Mason. The same year, she made history by winning a Tony Award for the Broadway play "Same Time, Next Year". She won praise and award nominations for her performances in the film versions of Same Time, Next Year (1978) and Resurrection (1980).
In "Resurrection", she played a woman with the power to heal. A succession of TV movies resulting in two Emmy nominations kept her going as did the series The Ellen Burstyn Show (1986). The TV movies continued through the 1990s. Also in the 1990s, she was cast in the supporting role in such movies as The Cemetery Club (1993), How to Make an American Quilt (1995), The Baby-Sitters Club (1995) and The Spitfire Grill (1996). In addition to her acting, She was the first woman president of Actor's Equity (1982-85).- Actress
The daughter of actress Geneviève Sorya, in 1948 she played the part of Juliette in The Lovers of Verona (1949). During the 1950s and 1960s she made various films, including Montparnasse 19 (1958) and La Dolce Vita (1960), but only Lola (1961) , Jacques Demy, and A Man and a Woman (1966) Claude Lelouch saw major success. With the latter she had, but did not use, the chance to establish herself in America. Therefore she was only participating in second-row productions in Europe and America.- Actress
- Producer
- Soundtrack
Elizabeth Rosemond Taylor was considered one of the last, if not the last, major star to have come out of the old Hollywood studio system. She was known internationally for her beauty, especially for her violet eyes, with which she captured audiences early in her youth and kept the world hooked with ever after.
Taylor was born on February 27, 1932 in London, England. Although she was born an English subject, her parents, Sara Taylor (née Sara Viola Warmbrodt) and Francis Taylor, were Americans, art dealers from St. Louis, Missouri. Her father had moved to London to set up a gallery prior to Elizabeth's birth. Her mother had been an actress on the stage, but gave up that vocation when she married. Elizabeth lived in London until the age of seven, when the family left for the US when the clouds of war began brewing in Europe in 1939. They sailed without her father, who stayed behind to wrap up the loose ends of the art business.
The family relocated to Los Angeles, where Mrs. Taylor's own family had moved. Mr. Taylor followed not long afterward. A family friend noticed the strikingly beautiful little Elizabeth and suggested that she be taken for a screen test. Her test impressed executives at Universal Pictures enough to sign her to a contract. Her first foray onto the screen was in There's One Born Every Minute (1942), released when she was ten. Universal dropped her contract after that one film, but Elizabeth was soon picked up by MGM.
The first production she made with that studio was Lassie Come Home (1943), and on the strength of that one film, MGM signed her for a full year. She had minuscule parts in her next two films, The White Cliffs of Dover (1944) and Jane Eyre (1943) (the former made while she was on loan to 20th Century-Fox). Then came the picture that made Elizabeth a star: MGM's National Velvet (1944). She played Velvet Brown opposite Mickey Rooney. The film was a smash hit, grossing over $4 million. Elizabeth now had a long-term contract with MGM and was its top child star. She made no films in 1945, but returned in 1946 in Courage of Lassie (1946), another success. In 1947, when she was 15, she starred in Life with Father (1947) with such heavyweights as William Powell, Irene Dunne and Zasu Pitts, which was one of the biggest box office hits of the year. She also co-starred in the ensemble film Little Women (1949), which was also a box office huge success.
Throughout the 1950s, Elizabeth appeared in film after film with mostly good results, starting with her role in the George Stevens film A Place in the Sun (1951), co-starring her good friend Montgomery Clift. The following year, she co-starred in Ivanhoe (1952), one of the biggest box office hits of the year. Her busiest year was 1954. She had a supporting role in the box office flop Beau Brummell (1954), but later that year starred in the hits The Last Time I Saw Paris (1954) and Elephant Walk (1954). She was 22 now, and even at that young age was considered one of the world's great beauties. In 1955 she appeared in the hit Giant (1956) with James Dean.
Sadly, Dean never saw the release of the film, as he died in a car accident in 1955. The next year saw Elizabeth co-star with Montgomery Clift in Raintree County (1957), an overblown epic made, partially, in Kentucky. Critics called it dry as dust. In addition, Clift was seriously injured during the film, with Taylor helping save his life. Despite the film's shortcomings and off-camera tragedy, Elizabeth was nominated for an Academy Award for her portrayal of Southern belle Susanna Drake. However, on Oscar night the honor went to Joanne Woodward for The Three Faces of Eve (1957).
In 1958 Elizabeth starred as Maggie Pollitt in Cat on a Hot Tin Roof (1958). The film received rave reviews from the critics and Elizabeth was nominated again for an Academy Award for best actress, but this time she lost to Susan Hayward in I Want to Live! (1958). She was still a hot commodity in the film world, though. In 1959 she appeared in another mega-hit and received yet another Oscar nomination for Suddenly, Last Summer (1959). Once again, however, she lost out, this time to Simone Signoret for Room at the Top (1958). Her Oscar drought ended in 1960 when she brought home the coveted statue for her performance in BUtterfield 8 (1960) as Gloria Wandrous, a call girl who is involved with a married man. Some critics blasted the movie but they couldn't ignore her performance. There were no more films for Elizabeth for three years. She left MGM after her contract ran out, but would do projects for the studio later down the road. In 1963 she starred in Cleopatra (1963), which was one of the most expensive productions up to that time--as was her salary, a whopping $1,000,000. The film took years to complete, due in part to a serious illness during which she nearly died.
This was the film where she met her future and fifth husband, Richard Burton (the previous four were Conrad Hilton, Michael Wilding, Mike Todd--who died in a plane crash--and Eddie Fisher). Her next films, The V.I.P.s (1963) and The Sandpiper (1965), were lackluster at best. Elizabeth was to return to fine form, however, with the role of Martha in Who's Afraid of Virginia Woolf? (1966). Her performance as the loudmouthed, shrewish, unkempt, yet still alluring Martha was easily her finest to date. For this she would win her second Oscar and one that was more than well-deserved. The following year, she and Burton co-starred in The Taming of The Shrew (1967), again giving winning performances. However, her films afterward were box office failures, including Reflections in a Golden Eye (1967), The Comedians (1967), Boom! (1968) (again co-starring with Burton), Secret Ceremony (1968), The Only Game in Town (1970), X, Y & Zee (1972), Hammersmith Is Out (1972) (with Burton again), Ash Wednesday (1973), Night Watch (1973), The Driver's Seat (1974), The Blue Bird (1976) (considered by many to be her worst), A Little Night Music (1977), and Winter Kills (1979) (a controversial film which was never given a full release and in which she only had a small role). She later appeared in some movies, both theatrical and made-for-television, and a number of television programs. In February 1997, Elizabeth entered the hospital for the removal of a brain tumor. The operation was successful. As for her private life, she divorced Burton in 1974, only to remarry him in 1975 and divorce him, permanently, in 1976. She had two more husbands, U.S. Senator John Warner and construction worker Larry Fortensky, whom she met in rehab.
In 1959, Taylor converted to Judaism, and continued to identify herself as Jewish throughout her life, being active in Jewish causes. Upon the death of her friend, actor Rock Hudson, in 1985, she began her crusade on behalf of AIDS sufferers. In the 1990s, she also developed a successful series of scents. In her later years, her acting career was relegated to the occasional TV-movie or TV guest appearance.
Elizabeth Taylor died on March 23, 2011 in Los Angeles, from congestive heart failure. Her final resting place is Forest Lawn Memorial Park, in Glendale, California.- Actor
- Director
- Soundtrack
Paul Sand was born on 5 March 1932 in Santa Monica, California, USA. He is an actor and director, known for Eerie, Indiana (1991), The Main Event (1979) and Sweet Land (2005).- Actor
- Producer
- Director
A leading man of prodigious talents, Peter O'Toole was born and raised in Leeds, Yorkshire, England, the son of Constance Jane Eliot (Ferguson), a Scottish nurse, and Patrick Joseph O'Toole, an Irish metal plater, football player and racecourse bookmaker. Upon leaving school, he decided to become a journalist, beginning as a newspaper copy boy. Although he succeeded in becoming a reporter, he discovered the theater and made his stage debut at age 17. He served as a radioman in the Royal Navy for two years, then attended the Royal Academy of Dramatic Arts, where his classmates included Albert Finney, Alan Bates and Richard Harris.
O'Toole spent several years on-stage at the Bristol Old Vic, then made an inconspicuous film debut in the Disney classic Kidnapped (1960). In 1962, he was chosen by David Lean to play T.E. Lawrence in Lean's epic drama Lawrence of Arabia (1962). The role made O'Toole an international superstar and received him his first Academy Award nomination for Best Actor in a Leading Role. In 1963, he played Hamlet under Laurence Olivier's direction in the premiere production of the Royal National Theater. He continued successfully in artistically rich films as well as less artistic but commercially rewarding projects. He received Academy Award nominations (but no Oscar) for seven different films.
However, medical problems (originally thought to have been brought on by his drinking but which turned out to be stomach cancer) threatened to destroy his career and life in the 1970s. He survived by giving up alcohol and, after serious medical treatment, returned to films with triumphant performances in The Stunt Man (1980) and My Favorite Year (1982). His youthful beauty lost to time and drink, O'Toole has found meaningful roles increasingly difficult to come by, though he remained one of the greatest actors of his generation. He had two daughters, Pat and Kate O'Toole, from his marriage to actress Siân Phillips. He also had a son, Lorcan O'Toole, by model Karen Brown.
On December 14, 2013, Peter O'Toole died at age 81 in London, England.- Actress
- Director
- Soundtrack
Piper Laurie was a three-time Oscar nominee, nominated by BAFTA as well as the Academy of Motion Picture Arts and Sciences for best performance by an actress in 'The Hustler' with Paul Newman.
Laurie was born Rosetta Jacobs in Detroit, Michigan, to Charlotte Sadie (Alperin) and Alfred Jacobs, a furniture dealer. She had an elder sister. Her family was of Russian Jewish and Polish Jewish descent.
Young Rosetta had been studying acting with Benno and Betomi Schnider for three years when she auditioned for Universal Studios, who signed her to a long term contract and was renamed Piper Laurie. She made more than twenty films, appearing opposite such actors as Tony Curtis, Rock Hudson and Tyrone Power.
Disgusted with the lack of serious roles, Laurie finally broke her lucrative Hollywood contract, moved to New York, lived on a budget, worked on live television and theater, and within two years changed her life and her career.
She stopped working for fifteen years after 'The Hustler' to devote her energies to the Civil Rights and anti-Vietnam War movements, feeling acting was less important. When she accepted work again she was nominated for an Academy Award as Best Supporting Actress for 'Carrie' with Sissy Spacek, and again as Best Supporting Actress in 'Children of a Lesser God' with Marlee Matlin. She won the Golden Globe for her role in the David Lynch cult favorite 'Twin Peaks' and was nominated for an Emmy for both Best Actress and Best Supporting Actress in 'Twin Peaks'.
She was nominated a total of twelve times for the Emmy, including one for the original and celebrated live broadcast of 'The Days of Wine and Roses' with Cliff Robertson, directed by John Frankenheimer, as well as for her comedic performance in 'Frasier'. She won an Emmy for her performance in 'Promise' opposite James Woods and James Garner. She was Harvard's Hasty Pudding Woman of the Year, and she also received an SFECA award for her performance as Dolly in the film 'The Grass Harp'.
In 2010, she played an elderly grandma who learns to smoke a bong in the feature film 'Hesher', with Joseph Gordon Levitt and Natalie Portman. Most recently she appeared as Grandma Hershe in White Boy Rick, starring Matthew McConaughey, and as Rose Muller in 'Snapshots', directed by Melanie Mayron. In 2013, she made her musical stage debut in 'A Little Night Music' as Madame Armfeldt.
Laurie performed on Broadway in the Tony-nominated Lincoln Center production of 'Mornings at Seven' directed by Dan Sullivan at the Lyceum Theatre. She also appeared on Broadway in the 20th Anniversary production of 'The Glass Menagerie', in which she played Laura Wingfield, with Maureen Stapleton (only 7 years older) as her mother, Amanda, at the Brooks Atkinson Theatre.
Off-Broadway, she appeared in Molly Kazan's 'Rosemary and the Alligators' and in Larry Kramer's 'The Destiny of Me'. She toured in a one-person play about Zelda Fitzgerald, written by Bill Luce. In 2010 she directed Jim Brochu in his one-man show 'Zero Hour', for which he received the Drama Desk Award for best solo performance on or off Broadway, playing Zero Mostel.
Laurie was divorced from Wall Street Journal's movie critic, Pulitzer Prize-winner Joe Morgenstern. They had a daughter. Laurie's autobiography, Learning to Live Out Loud, was published by Crown in 2011 to rave reviews and is now available as an audio book on audible.com.- Actress
- Soundtrack
An honest-to-goodness Southern Belle, similar to her most famous character role, "Elly May Clampett" on The Beverly Hillbillies (1962), Donna Douglas grew up in the Baton Rouge, Louisiana area, loving "critters". She got married soon after high school, had a son, divorced and won a couple of beauty contests, all within the span of a few years. She moved to New York and soon appeared on television series, including a well-remembered guest-star shot on The Twilight Zone (1959) in one of the series' most famous episodes, Eye of the Beholder (1960), in which she plays a woman who tries to undergo a series of experimental treatments to make her beautiful, only for the treatments to fail. The twist was she was beautiful, at least to the viewers, but considered hideous to the pig people of the planet, she was on. She immediately won the character role of "Elly May Clampett" on one of the greatest situation comedies of all time, The Beverly Hillbillies (1962). This extremely comical series debuted with The Clampetts Strike Oil (1962), on her 30th birthday, Wednesday, September 26th, 1962, which is among the narrowest & sheerest coincidences, that are hardest to believe.- Actor
- Additional Crew
- Producer
For decades, Dabney Coleman has often appeared as a smarmy, selfish, nervous person, often with money, who is mostly out for himself. He did such a good job in this type of part that he's made a career of it in film.
Dabney Wharton Coleman was born in Austin, Texas, to Mary Wharton (Johns) and Melvin Randolph Coleman. He attended the Virginia Military Institute, and studied law in Texas. Coleman has a well deserved reputation as a fine character actor, and a reliable presence for almost any role in TV and movies. Dabney Coleman's early appearances in the cinema were in The Slender Thread (1965) and Downhill Racer (1969). On TV he starred in That Girl (1966). As the 1970s approached he became a well-known character actor in television and movies, appearing in The Towering Inferno (1974), Midway (1976), and Cinderella Liberty (1973). Television seemed Dabney Coleman's forum in the 1970s as Coleman played the role of Merle Jeeter in Mary Hartman, Mary Hartman (1976) and Fernwood Tonight (1977). Coleman made appearances in the popular North Dallas Forty (1979) and the Oscar-winning Melvin and Howard (1980). Dabney Coleman also became known for some satirical movies, starring in the comedy How to Beat the High Cost of Living (1980) and snatched a lead role for the TV movie Pray TV (1980). Coleman's reputation for playing world-class jerks became cemented in 1980 as the boss to Dolly Parton , Jane Fonda and Lily Tomlin in 9 to 5 (1980). The next year, Coleman was in very good company working with legends Henry Fonda and Katharine Hepburn in On Golden Pond (1981). Coleman's hit streak would not end there.
In 1982 Coleman landed a key role in the classic Tootsie (1982), further cementing his role as an unlikable wealthy boss in some capacity. In 1983 Coleman starred in the Cold War classic WarGames (1983). During this period he also found many parts in lesser known movies like Young Doctors in Love (1982) and Callie & Son (1981). In 1984 he starred in The Muppets Take Manhattan (1984) and in 1985 he starred with Tom Hanks in The Man with One Red Shoe (1985). In 1987 the actor won an Emmy for Sworn to Silence (1987). In 1990 Coleman took two lead roles, one in the disastrous Where the Heart Is (1990), and the other in the quirky comedy Short Time (1990). In 1993 Coleman starred in the slapstick comedy Amos & Andrew (1993) (a very funny part) and in a remake of the TV show The Beverly Hillbillies (1993) as Milburn Drysdale. Coleman took an extensive line of TV movies, such films as Texan, In the Line of Duty, among others. Coleman took an unusual part in the ABC cartoon, Recess (1997), and then starred in a couple of big money grossers, the Tom Hanks comedy, You've Got Mail (1998), as Chief Quimby in Inspector Gadget (1999), and in Stuart Little (1999), both 1999.
Coleman is still very active.- Actor
- Producer
- Soundtrack
Lean, angular-faced and authoritatively spoken lead / supporting actor Roy Scheider obviously never heard the old actor's axiom about "never appearing with kids or animals" lest they overshadow your performance. Breaking that rule did him no harm, though, as he achieved pop cult status by finding, fighting and blowing up a 25-foot-long Great White shark (nicknamed "Bruce") in the mega-hit Jaws (1975) and then electrocuting an even bigger Great White in the vastly inferior Jaws 2 (1978).
Athletic Scheider was born in November 1932 in Orange, New Jersey, to Anna (Crosson) and Roy Bernhard Scheider, a mechanic. He was of German and Irish descent. A keen sportsman from a young age, he competed in baseball and boxing (his awkwardly mended broken nose is a result of his foray into Golden Gloves competitions). While at college, his pursuits turned from sports to theater and he studied drama at Rutgers and Franklin and Marshall. After a stint in the military, Scheider appeared with the New York Shakespeare Festival and won an "Obie Award" for his appearance in the play "Stephen D."
His film career commenced with the campy Z-grade horror cheesefest The Curse of the Living Corpse (1964), and he then showed up in Star! (1968), Paper Lion (1968), Stiletto (1969) and Puzzle of a Downfall Child (1970). In 1971 he really came to the attention of film audiences with his role in the Jane Fonda thriller Klute (1971) and then as Det. Buddy Russo (scoring his first Oscar nomination) alongside fiery Gene Hackman in the crime drama The French Connection (1971). His performance as a tough street cop in that film led him into another tough cop role as NYC Det. Buddy Manucci in the underappreciated The Seven-Ups (1973), which features one of the best car chase sequences ever put on film.
In the early 1970s the Peter Benchley novel "Jaws" was a phenomenal best-seller, and young director Steven Spielberg was chosen by Universal Pictures to direct the film adaptation, Jaws (1975), in which Scheider played police chief Brody and shared lead billing with Robert Shaw and Richard Dreyfuss in the tale of a New England seaside community terrorized by a hungry Great White shark. "Jaws" was a blockbuster, and for many years held the record as the highest-grossing film of all time. Scheider then turned up as the shady CIA agent brother of Dustin Hoffman in the unnerving Marathon Man (1976) and in the misfired William Friedkin-directed remake of The Wages of Fear (1953) titled Sorcerer (1977), before again returning to Amity to battle another giant shark in Jaws 2 (1978). Seeking a change from tough cops and hungry sharks, he took the role of womanizing, drug-popping choreographer Joe Gideon, the lead character of the semi-autobiographical portrayal of director Bob Fosse in the sparkling All That Jazz (1979). It was another big hit for Scheider (and another Oscar nomination), with the film featuring a stunning opening sequence to the tune of the funky George Benson number "On Broadway", and breathtaking dance routines including the "Airotica" performance by the glamorous Sandahl Bergman.
Returning to another law enforcement role, Scheider played a rebellious helicopter pilot in the John Badham conspiracy / action film Blue Thunder (1983), a scientist in the sequel to 2001: A Space Odyssey (1968) simply titled 2010 (1984), a cheating husband who turns the tables on his blackmailers in 52 Pick-Up (1986), a cold-blooded hit man in Cohen and Tate (1988) and a CIA operative in the muddled and slow-moving The Russia House (1990). The versatile Scheider was then cast as the captain of a futuristic submarine in the relatively popular TV series SeaQuest 2032 (1993), which ran for three seasons.
Inexplicably, however, Scheider had seemingly, and slowly, dropped out of favor with mainstream film audiences, and while he continued to remain busy, predominantly in supporting roles (generally as US presidents or military officers), most of the vehicles he appeared in were B-grade political thrillers such as The Peacekeeper (1997), Executive Target (1997), Chain of Command (2000) and Red Serpent (2003).- Actor
- Writer
- Producer
Abundantly busy and much-loved Asian-American actor who became an on-screen hero to millions of adults and kids alike as the wise and wonderful Mr. Miyagi in The Karate Kid (1984), the sparkling Noriyuki Morita was back again dishing out Eastern philosophy and martial arts lessons for The Karate Kid Part II (1986) and The Karate Kid Part III (1989), and even for The Next Karate Kid (1994). However, putting all that karate aside, the diminutive Morita actually first started out as a stand-up comedian known as the Hip Nip in nightclubs and bars, and made his first on-screen appearance in Thoroughly Modern Millie (1967). He quickly adapted to the screen and showed up in small parts in such comedy films as The Shakiest Gun in the West (1968), alongside Don Knotts, and in Evil Roy Slade (1972) supporting John Astin. He also appeared in such popular series as Sanford and Son (1972) and M*A*S*H (1972).
Morita got his next break playing the often-perplexed restaurant owner Matsho "Arnold" Takahashi in 26 episodes of the hugely popular sitcom Happy Days (1974) between 1975 and 1976, and again between 1982 and 1983. Morita was quite in demand on the small screen and also scored the lead in his own police drama Ohara (1987), and guest-starred on other high-profile television series including Magnum, P.I. (1980), Murder, She Wrote (1984), Baywatch (1989) and The Hughleys (1998). Although most often used as a minor character actor, he remained consistently busy and occasionally lent his vocal talents to animated features such as Mulan (1998). However, his real strengths lay in portraying slightly oddball or unusual characters in offbeat films. He died at age 73 of natural causes at Sunrise Hospital in Las Vegas, Nevada on November 24, 2005.- Actor
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- Producer
Omar Sharif, the Egyptian actor best known for playing Sherif Ali in Lawrence of Arabia (1962) and the title role in Doctor Zhivago (1965), was born Michel Demitri Shalhoub on April 10, 1932 in Alexandria, Egypt to Joseph Shalhoub, a lumber merchant, and his wife, Claire (Saada). Of Lebanese and Syrian extraction, the young Michel was raised Catholic. He was educated at Victoria College in Alexandria and took a degree in mathematics and physics from Cairo University with a major. Afterward graduating from university, he entered the family lumber business.
Before making his English-language film debut with "Lawrence of Arabia", for which he earned a Best Supporting Actor Academy Award nomination and international fame, Sharif became a star in Egyptian cinema. His first movie was the Egyptian film The Blazing Sun (1954) ("The Blazing Sun") in 1953, opposite the renowned Egyptian actress Faten Hamamah whom he married in 1955. He converted to Islam to marry Hamama and took the name Omar al-Sharif. The couple had one child (Tarek Sharif, who was born in 1957 and portrayed the young Zhivago in the eponymous picture) and divorced in 1974. Sharif never remarried.
Beginning in the 1960s, Sharif earned a reputation as one of the world's best known contract bridge players. In the 1970s and 1980s, he co-wrote a syndicated newspaper bridge column for the Chicago Tribune. Sharif also wrote several books on bridge and has licensed his name to a bridge computer game, "Omar Sharif Bridge", which has been marketed since 1992. Sharif told the press in 2006 that he no longer played bridge, explaining, "I decided I didn't want to be a slave to any passion any more except for my work. I had too many passions, bridge, horses, gambling. I want to live a different kind of life, be with my family more because I didn't give them enough time.".
As an actor, Sharif had made a comeback in 2003 playing the title role of an elderly Muslim shopkeeper in the French film Monsieur Ibrahim (2003). For his performance, he won the Best Actor Award at the Venice Film Festival and the Best Actor César, France's equivalent of the Oscar, from the Académie des Arts et Techniques du Cinéma.
Diagnosed with Alzheimer's disease in 2012, Sharif died of a heart attack on July 10, 2015, in Cairo, Egypt.- Actor
- Director
Robert Francis Vaughn was born on November 22, 1932 at Charity Hospital in New York City, the son of show business parents, Marcella Frances (Gaudel) and Gerald Walter Vaughn. His father was a radio actor and his mother starred on stage. Robert came to the public's attention first with his Oscar-nominated role, in The Young Philadelphians (1959). The next year, he was one of the seven in the western classic The Magnificent Seven (1960). Despite being in such popular films, he generally found work on television. He appeared over 200 times in guest roles in the late 1950s to early 1960s. It was in 1963 that he received his first major role in The Lieutenant (1963). Robert took the role with the intention of making the transition from being a guest-star actor to being a co-star on television. It was due to his work in this series that producer Norman Felton offered him the role of Napoleon Solo in The Man from U.N.C.L.E. (1964).
Four extremely successful years (1964-68) followed as the series became one of the most popular television series of the 1960s. It made Vaughn an international television star, but he wanted to embark on a career in film, and did so soon after the series ended in 1968 by co-starring in Bullitt (1968) with Steve McQueen. Now working in film full-time, he starred in The Bridge at Remagen (1969) and The Mind of Mr. Soames (1970), before making a change by going back to television, this time in England. He took a lead role in the series The Protectors (1972) and stayed in England for the first half of the 1970s. He returned to the United States in the mid-1970s and embarked on a very successful run of television miniseries roles that resulted in his receiving an Emmy Award in 1978 for Washington: Behind Closed Doors (1977) and a nomination the following year for Backstairs at the White House (1979).
The 1970s proved a important time in Robert's life, as in 1974, he married actress Linda Staab, and completed his thesis on Hollywood blacklisting during the McCarthy "Red Scare" era, published in 1972 as "Only Victims: A Study of Show Business Blacklisting". During the 1980s, he mixed television with film. Roles in such films as S.O.B. (1981), Superman III (1983), The Delta Force (1986) and Black Moon Rising (1986) were highlights. In television, he appeared in many successful series, most notably in The A-Team (1983) and Emerald Point N.A.S. (1983).
He continued with a diverse range of projects, appearing on stage on numerous occasions. The 1990s saw the same variety of roles. Made-for-TV movies were a popular choice for him, as well as such series as As the World Turns (1956), The Nanny (1993) and Law & Order (1990). He had a role in the 1998 series remake of the classic film in which he appeared, The Magnificent Seven (1998). He also appeared in major features such as Joe's Apartment (1996) and BASEketball (1998), and in smaller roles in subsequent years.
Robert died of acute leukemia on November 11, 2016 in Ridgefield, Connecticut. His last acting credit, Gold Star (2017), was released the year of his death.- Actress
- Soundtrack
Geraldine McEwan was born in Old Windsor, England and made her theatre debut at the age of 14 at the Theatre Royal in Windsor. By the age of 18 she was starring in London's West End in several long-running popular productions. During the 1950s she acted with the Shakespeare Memorial Theatre in Stratford-Upon-Avon and joined the Royal Shakespeare Company in 1961.
She had leading roles as Beatrice in Much Ado About Nothing with Christopher Plummer, Ophelia in Hamlet, The Princess of France in Love's Labour's Lost, Marina in Pericles and played opposite Dorothy Tutin in Twelfth Night which also toured Moscow and Leningrad.
Miss McEwan originated the female lead role in Joe Orton's Loot, captivated Broadway with productions of The School for Scandal, The Private Ear and the Public Eye, and most recently, The Chairs, earning her a Tony nomination for best actress.
As a member of the Royal National Theatre, acting along side Albert Finney, and Laurence Olivier, Geraldine spent the 1960s and 70s with memorable roles including The Dance of Death, Love for Love, A Flea in Her Ear, Chez Nous, Home and Beauty, The Browning Version, Harlequinade and The White Devil. In 1976 she had the distinction of being nominated for an Olivier Award in two separate categories.
In 1983 she won the Evening Standard Best Actress Award for The Rivals. In 1991 she won the BAFTA Best Actress Award for her intense and powerful performance as the Mother in Oranges Are Not the Only Fruit (1989) and in 1995 she won the Evening Standard Best Actress Award for her performance of Lady Wishfort in The Way of the World.
In 1998, McEwan was nominated for a Tony Award in the Best Actress Category for The Chairs. Her numerous television credits include the highly acclaimed The Barchester Chronicles (1982) with Alan Rickman, The Prime of Miss Jean Brodie (1978), Mulberry (1992), and the immensely popular Mapp & Lucia (1985). Her film work includes The Dance of Death (1969) with Laurence Olivier, Robin Hood: Prince of Thieves (1991) with Alan Rickman, Henry V (1989) and Love's Labour's Lost (2000), both with Kenneth Branagh, and most recently The Magdalene Sisters (2002), The Lazarus Child (2004), Vanity Fair (2004) and Carrie's War (2004). In 2003, Geraldine was chosen to play Agatha Christie's Jane Marple. She recently retired from that role after completing 12 hugely popular two-hour mysteries for ITV/PBS.- Actress
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Nichelle Nichols was one of 10 children born to parents Lishia and Samuel Nichols in Robbins, Illinois, a Chicago suburb. She was a singer and dancer before turning to acting and finding fame in her groundbreaking role of Lt. Nyota Uhura in the Star Trek (1966) series.
As long as she could remember, she wanted to do nothing but sing, dance, act and write despite no one else in her family following any of those tracks; although her father could tap dance. He not only became mayor of their town, Robbins, IL, but also a magistrate. On stage, Nichelle was twice nominated for the Sarah Siddons Award as Best Actress of the Year; while on film she danced with Sammy Davis, Jr. in Porgy and Bess, and opposite James Garner in Mister Budwing (1965). In a complete changearound soon after the Star Trek television series came to an end, she played a blousey madam, then co-starred with Lynn Redgrave n Antony and Cleopatra. She was been married twice and had a son, Kyle Johnson, from her first marriage to a tap dancer.- Actress
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Debbie Reynolds was born Mary Frances Reynolds in El Paso, Texas, the second child of Maxine N. (Harmon) and Raymond Francis Reynolds, a carpenter for the Southern Pacific Railroad. Her film career began at MGM after she won a beauty contest at age 16 impersonating Betty Hutton. Reynolds wasn't a dancer until she was selected to be Gene Kelly's partner in Singin' in the Rain (1952). Not yet twenty, she was a quick study. Twelve years later, it seemed like she had been around forever. Most of her early film work was in MGM musicals, as perky, wholesome young women. She continued to use her dancing skills with stage work.
She was 31 when she gave an Academy Award-nominated performance in The Unsinkable Molly Brown (1964). She survived losing first husband Eddie Fisher to Elizabeth Taylor following the tragic death of Mike Todd. Her second husband, shoe magnate Harry Karl, gambled away his fortune as well as hers. With her children as well as Karl's, she had to keep working and turned to the stage. She had her own casino in Las Vegas with a home for her collection of Hollywood memorabilia until its closure in 1997. She took the time to personally write a long letter that is on display in the Judy Garland museum in Grand Rapids, Minnesota and to provide that museum with replicas of Garland's costumes. The originals are in her newly-opened museum in Hollywood.
Nearly all the money she makes is spent toward her goal of creating a Hollywood museum. Her collection numbers more than 3000 costumes and 46,000 square-feet worth of props and equipment.
With musician/actor Eddie Fisher, she was the mother of filmmaker Todd Fisher and actress Carrie Fisher. Debbie died of a stroke on December 28, 2016, one day after the death of her daughter Carrie. She was survived by her son and granddaughter, up-and-coming actress Billie Lourd.- Actress
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Majel Barrett (born Majel Leigh Hudec) was an American actress, known for her long association with Star Trek. She had multiple Star Trek-related roles, though she is mostly remembered for her roles as Nurse Christine Chapel in Star Trek, The Original Series (1966-1969) and as Lwaxana Troi in Star Trek, The Next Generation (1987-1994) and Deep Space Nine (1993-1999). Due to her status as the second wife of Star Trek creator Gene Roddenberry (1921-1991), Barrett was nicknamed "the First Lady of Star Trek".
In 1932, Barrett was born in Cleveland, Ohio. Her father was police officer William Hudec (d. 1955), who was eventually killed while on duty. Barrett had aspirations of becoming an actress since childhood, and took acting classes as a child. She received her secondary education at the Shaker Heights High School, a public high school located in a suburb of Cleveland, and graduated in 1950 at the age of 18. She then enrolled at the University of Miami, a public research university located in Coral Gables, Florida.
Following her graduation from university, started a career as a theatrical actress. In 1955, she was on tour with an off-Broadway road company. She had her first film role in the satirical film "Will Success Spoil Rock Hunter?" (1957), which parodied the advertising industry, among other targets of satire. Barrett appeared in an uncredited bit part in a satirical advertisement within the film. Barrett's first credited film role was that Joyce Goodwin, a novice teacher depicted in the high school drama film "As Young as We Are" (1958). The film focuses on a male student who falls in love with his young, female teacher, and resorts to kidnapping her.
In the early 1960s, Barrett had small roles in the romantic comedy "Love in a Goldfish Bowl" (1961) and the World War II-themed war film "The Quick and the Dead" (1963), and appeared in guest star roles in then-popular television series, such as "Leave It to Beaver", "The Lucy Show", and "Bonanza". She was often employed by the television production company Desilu Productions, which at the time was owned by veteran actress Lucille Ball (1911-1989).
One of the television shows she appeared in was an episode of "The Lieutenant" (1964). This short-lived series created and written by Gene Roddenberry provided his first meetings and workings with many of the actors who would later become regulars and guest stars of Star Trek, including its two pilots. Barrett and Roddenberry befriended each other, and eventually started a romantic relationship. Roddenberry was still married to Eileen-Anita Rexroat, but often pursued relationships with other women.
In 1964, Roddenberry was working on the original pilot for Star Trek. He cast Barrett in the role of "Number One", the unnamed first officer of the star-ship USS Enterprise. Number One was depicted as exceptionally intelligent and strictly rational, but seemingly unemotional. The episode hinted at a mutual attraction between Number One and her captain, Christopher Pike (played by Jeffrey Hunter). The alien Talosians try to force them to mate with each other, as part of a breeding project.
This pilot was rejected by NBC executives, who complained about several aspects of the episode. One of them was the characterization of Number One, who was disliked for being overly assertive. In the subsequent retooling of the series, Number One was written out. Her character traits were added to that of a male character, Spock (played by Leonard Nimoy). Spock went on to become one of the franchise's most popular characters, due in large part to his coldly rational behavior.
Still determined to cast Barrett in the series, Roddenberry later created a more traditionally feminine role for her. The role was that of Nurse Christine Chapel, depicted as the main assistant of Dr. Leonard McCoy (played by DeForest Kelley). Chapel was one of the main recurring characters in the series for three years. She was one of the earliest prominent female characters in Star Trek.
In 1969, "Star Trek" was canceled. Barrett and Rodenberry briefly parted ways. Later that year, Rodenberry was in Japan on business. He realized that he missed Barrett and invited her to join him in Japan. On August 6, 1969, the two had a traditional Shinto wedding ceremony. This wedding was unofficial, as Roddenberry's divorce had not been finalized yet. Following the end of the divorce process, the two were officially married on December 29, 1969. Barrett served as a stepmother to Dawn Roddenberry (b.1953), Gene's teenage daughter. Dawn moved into the new couple's residence, and Barrett helped in her upbringing.
Already known for her science fiction roles, Barrett was cast as female android Miss Carrie in the science fiction-Western "Westworld". Her character was the madame of the Westworld bordello. Barrett also had roles in the post-apocalyptic television film "Genesis II" (1973) and the science fiction television film "The Questor Tapes" (1974), both created and scripted by her husband.
Star Trek was revived with the sequel series "Star Trek: The Animated Series" (1973-1974), which used much of the main cast from the original series. Barrett voiced two of the series' main female characters, Christine Chapel and M'Ress. The new character M'Ress was depicted as a female alien in feline form, who served as an officer on the Enterprise. Barrett also voiced many of this series' female guest characters.
Barrett had a small role in the neo-noir film "The Domino Principle" (1977). The film depicted a secretive organization first helping a prisoner escape, and then trying to force him to serve as their newest assassin. When the escaped man refuses, a lethal struggle begins. This film was poorly received due to its convoluted plot.
Barrett's next notable role was the housekeeper Lilith in the horror film "Spectre" (1977). Her character is depicted as a practicing witch, who manages to cure the alcoholic tendencies of one of the main characters. The plot of film depicts the demon Asmodeus assuming a human form and identity, while two occult detectives attempt to stop the demon's scheme. The film was intended as the pilot of a television series, but was rejected.
Barrett played Christine Chapel again in the film "Star Trek: The Motion Picture" (1979), depicting older versions of the characters from the original series. While Chapel was not one of the film's main characters, she was now depicted as a doctor instead of a nurse.
Barrett's last appearance in the 1970s was a minor role in the Christmas television film "The Man in the Santa Claus Suit" (1979). The film depicted Santa Claus (played by Fred Astaire) subtly helping a number of adult characters in resolving their personal problems. The film is mainly remembered as Astaire's last television role.
Barrett played Christine Chapel for the last time in the film "Star Trek IV: The Voyage Home" (1986). She had a supporting role in the film, which depicted the former nurse as having achieved the rank of Commander. A year later, a third Star Trek television series was launched: "Star Trek: The Next Generation", which featured entirely new characters. Barrett guested in a few episodes as alien ambassador Lwaxana Troi, the eccentric mother of counselor Deanna Troi (played by Marina Sirtis). Barrett would play this role several times in this and the next Star Trek series, "Deep Space Nine", from 1987 to 1996. A subplot involving the character was that Lwaxana's other daughter had died young in an accident, causing Lwaxana to be overly protective of Deanna. Another subplot centered on her love relationship with Deep Space 9's shape-shifting security chief Odo.
In 1991, Gene Roddenberry died from natural causes. Barrett never remarried. In the 90s, she lent her voice talents to several Star Trek video games and the animated Spider Man TV series, and had roles in two theatrical movies. As Roddenberry had left behind archives with unfinished projects, Barrett further developed one of these projects into the science fiction television series "Earth: Final Conflict" (1997-2002). She served as the series' executive producer and acted as one of the main characters, Dr. Julianne Belman, in 11 episodes in the first three seasons. The premise of the series was that a group of seemingly benevolent aliens share their advanced technology with the people of Earth. Many humans suspect that the aliens have ulterior motives, and consequently form a militant resistance organization which opposes the aliens. The series lasted 5 seasons and 110 episodes.
Barrett fleshed out another of Roddenberry's unfinished projects into the space opera television series "Andromeda" (2000-2005). The series started in a distant future, where three galaxies are unified under the control of the Systems Commonwealth. When the Commonwealth attempts to resolve a war with another space-faring civilization by ceding territory to them, an uprising against the Commonwealth begins. In an early part of the conflict the spaceship "Andromeda Ascendant" is frozen in time. It emerges from stasis 303 years later, to find that the Commonwealth has collapsed and civilization has considerably declined. Main character Dylan Hunt (played by Kevin Sorbo) has the mission of restoring the Commonwealth. Like the previous Roddenberry series, "Andromeda" also lasted 5 seasons and 110 episodes. It was canceled largely due to a change of ownership of the production company Fireworks Entertainment. It was Barrett's last effort as an executive producer.
In her last years, Barrett was suffering from leukemia. She died in December 2008, at her home in Bel Air, Los Angeles. She was 76-years-old. Her funeral was held in early January 2009, with about 250 people in attendance. Several of her former co-stars from Star Trek attended the funeral. Prior to her death, Barrett had recorded a number of voice roles in several Star Trek fan films and series, resulting in some posthumous releases of her last roles. She is still remembered as a major figure of Star Trek.- Actor
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Anthony Perkins was born April 4, 1932 in New York City, to Janet Esselstyn (Rane) and Osgood Perkins, an actor of both stage and film. His father died when he was five. Anthony's paternal great-grandfather was engraver Andrew Varick Stout Anthony. Perkins attended the Brooks School, the Browne & Nichols School, Columbia University and Rollins College. He made his screen debut in The Actress (1953), and was nominated for a Best Supporting Actor Oscar Friendly Persuasion (1956). Four years later, he appeared in what would be his most noted role, Norman Bates in Psycho (1960), memorializing him into film history forever.- Antoinette Bower's first job on leaving school in London was as a Field Language Supervisor for the International Refugee Organization in Germany, an experience which very much influenced her view of the world. Shortly after IRO was discontinued, she joined her family in Canada and found work as a copy writer and disc jockey at a small-town radio station, which led in time to Toronto and the Canadian Broadcasting Corporation, more radio and much live television, most frequently for the CBC Public Affairs Dept. Then somehow - bit by bit - she found herself drawn into acting - first CBC live TV shows, then theatre, although, in spite of her love for it and the rehearsal periods before a run, she feels that she has never been on stage enough over the years because she is basically a morning person and not that happy spending all day waiting to work at night!
In 1960, while visiting friends in LA and making a few rounds, she landed a TV guest shot. A second one followed a few weeks later and, like Toronto and New York actor-friends before her, she came to realize that commuting between the coasts with very little warning was fairly impossible so, like others, she took a deep breath and made the decision to move to the west coast. LA became home base.
As for Hollywood careers at that time, people tended to be either a television actor or a feature film actor, there was little crossover (things have certainly changed since then). Antoinette was mainly a TV actor in those years, with occasional forays into theatre. And having always thought of herself as a character actor rather than a leading lady, she loved it when TV Guide referred to her as being 'too versatile for her own good'.
Antoinette has managed to live a fairly balanced existence - there was the joy of working with many excellent actors, the occasional working on location, which she has always loved, not to mention exposure to a variety of worlds. And in the predictable stretches of unemployment, she took regular courses in construction technology, carpentry and cabinet-making at Santa Monica College.
Thanks to her seasons on Neon Rider, and thanks in particular to a great stunt double and ex-rodeo champion who took her under her wing and put her in touch with her legendary Lauder/Glass/Cosgrave family in Alberta, Antoinette was let into a world she would never have known 'from the stands'. Eventually, she shot, wrote and learned to edit (in that order!) a rather long student film - her ode to the two- and four-legged friends she made in the last many years. A recurring interest in documentaries now has her well into a new project. - Additional Crew
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The most famous Soviet film-maker since Sergei Eisenstein, Andrei Tarkovsky (the son of noted poet Arseniy Tarkovsky) studied music and Arabic in Moscow before enrolling in the Soviet film school VGIK. He shot to international attention with his first feature, Ivan's Childhood (1962), which won the top prize at the Venice Film Festival. This resulted in high expectations for his second feature Andrei Rublev (1966), which was banned by the Soviet authorities for two years. It was shown at the 1969 Cannes Film Festival at four o'clock in the morning on the last day, in order to prevent it from winning a prize - but it won one nonetheless, and was eventually distributed abroad partly to enable the authorities to save face. Solaris (1972), had an easier ride, being acclaimed by many in Europe and North America as the Soviet answer to Kubrick's '2001' (though Tarkovsky himself was never too fond of his own film nor Kubrick's), but he ran into official trouble again with Mirror (1975), a dense, personal web of autobiographical memories with a radically innovative plot structure. Stalker (1979) had to be completely reshot on a dramatically reduced budget after an accident in the laboratory destroyed the first version, and after Nostalghia (1983), shot in Italy (with official approval), Tarkovsky defected to Europe. His last film, The Sacrifice (1986) was shot in Sweden with many of Ingmar Bergman's regular collaborators, and won an almost unprecedented four prizes at the Cannes Film Festival. He died of lung cancer at the end of the year. Two years later link=Sergei Parajanov dedicated his film Ashik Kerib to Tarkovsky.- Music Department
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As one of the best known, awarded, and financially successful composers in US history, John Williams is as easy to recall as John Philip Sousa, Aaron Copland or Leonard Bernstein, illustrating why he is "America's composer" time and again. With a massive list of awards that includes over 52 Oscar nominations (five wins), twenty-odd Gold and Platinum Records, and a slew of Emmy (two wins), Golden Globe (three wins), Grammy (25 wins), National Board of Review (including a Career Achievement Award), Saturn (six wins), American Film Institute (including a Lifetime Achievement Award) and BAFTA (seven wins) citations, along with honorary doctorate degrees numbering in the teens, Williams is undoubtedly one of the most respected composers for Cinema. He's led countless national and international orchestras, most notably as the nineteenth conductor of the Boston Pops Orchestra from 1980-1993, helming three Pops tours of the US and Japan during his tenure. He currently serves as the Pop's Conductor Laureate. Also to his credit is a parallel career as an author of serious, and some not-so-serious, concert works - performed by the likes of Mstislav Rostropovich, André Previn, Itzhak Perlman, Yo-Yo Ma, Gil Shaham, Leonard Slatkin, James Ingram, Dale Clevenger, and Joshua Bell. Of particular interests are his Essay for Strings, a jazzy Prelude & Fugue, the multimedia presentation American Journey (aka The Unfinished Journey (1999)), a Sinfonietta for Winds, a song cycle featuring poems by Rita Dove, concerti for flute, violin, clarinet, trumpet, tuba, cello, bassoon and horn, fanfares for the 1984, 1988 and 1996 Summer Olympics, the 2002 Winter Olympics, and a song co-written with Alan Bergman and Marilyn Bergman for the Special Olympics! But such a list probably warrants a more detailed background...
Born in Flushing, New York on February 8, 1932, John Towner Williams discovered music almost immediately, due in no small measure to being the son of a percussionist for CBS Radio and the Raymond Scott Quintet. After moving to Los Angeles in 1948, the young pianist and leader of his own jazz band started experimenting with arranging tunes; at age 15, he determined he was going to become a concert pianist; at 19, he premiered his first original composition, a piano sonata.
He attended both UCLA and the Los Angeles City College, studying orchestration under MGM musical associate Robert Van Eps and being privately tutored by composer Mario Castelnuovo-Tedesco, until conducting for the first time during three years with the U.S. Air Force. His return to the states brought him to Julliard, where renowned piano pedagogue Madame Rosina Lhevinne helped Williams hone his performance skills. He played in jazz clubs to pay his way; still, she encouraged him to focus on composing. So it was back to L.A., with the future maestro ready to break into the Hollywood scene.
Williams found work with the Hollywood studios as a piano player, eventually accompanying such fare such as the TV series Peter Gunn (1958), South Pacific (1958), Some Like It Hot (1959), The Apartment (1960), and To Kill a Mockingbird (1962), as well as forming a surprising friendship with Bernard Herrmann. At age 24, "Johnny Williams" became a staff arranger at Columbia and then at 20th Century-Fox, orchestrating for Alfred Newman and Lionel Newman, Dimitri Tiomkin, Franz Waxman, and other Golden Age notables. In the field of popular music, he performed and arranged for the likes of Vic Damone, Doris Day, and Mahalia Jackson... all while courting actress/singer Barbara Ruick, who became his wife until her death in 1974. John & Barbara had three children; their daughter is now a doctor, and their two sons, Joseph Williams and Mark Towner Williams, are rock musicians.
The orchestrating gigs led to serious composing jobs for television, notably Alcoa Premiere (1961), Checkmate (1960), Gilligan's Island (1964), Lost in Space (1965), Land of the Giants (1968), and his Emmy-winning scores for Heidi (1968) and Jane Eyre (1970). Daddy-O (1958) and Because They're Young (1960) brought his original music to the big theatres, but he was soon typecast doing comedies. His efforts in the genre helped guarantee his work on William Wyler's How to Steal a Million (1966), however, a major picture that immediately led to larger projects. Of course, his arrangements continued to garner attention, and he won his first Oscar for adapting Fiddler on the Roof (1971).
During the '70s, he was King of Disaster Scores with The Poseidon Adventure (1972), Earthquake (1974) and The Towering Inferno (1974). His psychological score for Images (1972) remains one of the most innovative works in soundtrack history. But his Americana - particularly The Reivers (1969) - is what caught the ear of director Steven Spielberg, then preparing for his first feature, The Sugarland Express (1974). When Spielberg reunited with Williams on Jaws (1975), they established themselves as a blockbuster team, the composer gained his first Academy Award for Original Score, and Spielberg promptly recommended Williams to a friend, George Lucas. In 1977, John Williams re-popularized the epic cinema sound of Erich Wolfgang Korngold, Franz Waxman and other composers from the Hollywood Golden Age: Star Wars: Episode IV - A New Hope (1977) became the best selling score-only soundtrack of all time, and spawned countless musical imitators. For the next five years, though the music in Hollywood changed, John Williams wrote big, brassy scores for big, brassy films - The Fury (1978), Superman (1978), 1941 (1979), Raiders of the Lost Ark (1981) ... An experiment during this period, Heartbeeps (1981), flopped. There was a long-term change of pace, nonetheless, as Williams fell in love with an interior designer and married once more.
E.T. the Extra-Terrestrial (1982) brought about his third Oscar, and The River (1984), Empire of the Sun (1987), The Accidental Tourist (1988) and Born on the Fourth of July (1989) added variety to the 1980s, as he returned to television with work on Amazing Stories (1985) and themes for NBC, including NBC Nightly News with Lester Holt (1970). The '80s also brought the only exceptions to the composer's collaboration with Steven Spielberg - others scored both Spielberg's segment of Twilight Zone: The Movie (1983) and The Color Purple (1985).
Intending to retire, the composer's output became sporadic during the 1990s, particularly after the exciting Jurassic Park (1993) and the masterful, Oscar-winning Schindler's List (1993). This lighter workload, coupled with a number of hilarious references on The Simpsons (1989) actually seemed to renew interest in his music. Two Home Alone films (1990, 1992), JFK (1991), Nixon (1995), Sleepers (1996), Seven Years in Tibet (1997), Saving Private Ryan (1998), Angela's Ashes (1999), and a return to familiar territory with Star Wars: Episode I - The Phantom Menace (1999) recalled his creative diversity of the '70s.
In this millennium, the artist shows no interest in slowing down. His relationships with Spielberg and Lucas continue in A.I. Artificial Intelligence (2001), the remaining Star Wars prequels (2002, 2005), Minority Report (2002), Catch Me If You Can (2002), and a promised fourth Indiana Jones film. There is a more focused effort on concert works, as well, including a theme for the new Walt Disney Concert Hall and a rumored light opera. But one certain highlight is his musical magic for the world of Harry Potter (2001, 2002, 2004, etc.), which he also arranged into a concert suite geared toward teaching children about the symphony orchestra. His music remains on the whistling lips of people around the globe, in the concert halls, on the promenades, in album collections, sports arenas, and parades, and, this writer hopes, touching some place in ourselves. So keep those ears ready wherever you go, 'cause you will likely hear a bit of John Williams on your way.- Actress
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- Soundtrack
A supremely gifted, versatile player who could reach dramatic depths, as exemplified in her weary-eyed, good-hearted waitress in The Last Picture Show (1971), or comedy heights, as in her sadistic drill captain in Private Benjamin (1980), Eileen Brennan managed to transition from lovely Broadway singing ingénue to respected film and television character actress within a decade's time. Her Hollywood career was hustling and bustling at the time of her near-fatal car accident in 1982. With courage and spirit, she recovered from her extensive facial and leg injuries, and returned to performing... slower but wiser. On top of all this, the indomitable Eileen survived a bout of alcoholism and became recognized as a breast cancer survivor, having had a mastectomy in 1990. On camera, she still tosses out those trademark barbs to the delight of all her fans, as demonstrated by her more-recent recurring roles as the prying Mrs. Bink on 7th Heaven (1996) and as Zandra, the disparaging acting coach, on Will & Grace (1998).
She was born with the highly unlikely marquee name of Verla Eileen Regina Brennan in Los Angeles, California, the child of Irish-Catholic parents Regina ("Jeanne") Manahan (or Menehan), a minor silent film player, and John Gerald Brennan, a doctor. Following grade school education, she attended Georgetown University in Washington, D.C. and appeared in plays with the Mask and Bauble Society during that time. She then went on to study at the American Academy of Dramatic Arts in New York. Her lovely soprano coupled with a flair for comedy was the winning combination that earned her the break of her budding career as the not-so-dainty title role in the off-Broadway, tongue-in-cheek operetta "Little Mary Sunshine". For this 1959 endeavor, Eileen not only won an Obie Award, but was among an esteemed group of eight other thespians who won the Theatre World Award that year for "Promising New Personality", including Warren Beatty, Jane Fonda, Carol Burnett and a very young Patty Duke.
Unwilling to be pigeonholed as a singing comedienne, Eileen took on one of the most arduous and demanding legit roles a young actress could ask for when she portrayed Annie Sullivan role in a major touring production of "The Miracle Worker" in 1961. After proving her dramatic mettle, she returned willingly to the musical theatre fold and made a very beguiling Anna in a production of "The King and I" (1963). She took her first Broadway bow in another comic operetta, "The Student Gypsy" (1963). In the musical, which was an unofficial sequel to her "Mary Sunshine" hit, she played a similarly-styled Merry May Glockenspiel, but the show lasted only a couple of weeks. Infinitely more successful was her deft playing of Irene Malloy alongside Carol Channing's Dolly Levi Gallagher in the original Broadway production of "Hello, Dolly!" (1964). Eileen stayed with the role for about two years.
By this time, Hollywood beckoned and Eileen never looked back... or returned to sing on Broadway. After a support role in the film comedy Divorce American Style (1967) starring Debbie Reynolds and Dick Van Dyke, Eileen's talents were selected to be showcased on the irreverent variety show Rowan & Martin's Laugh-In (1967). But what seemed to be an ideal forum to show off her abilities didn't. Overshadowed by the wackier talents of Goldie Hawn, Ruth Buzzi and Jo Anne Worley, who became television comedy stars from this, Eileen seemed out of sync with the knockabout slapstick element. She left the cast before the show barely got off the ground. "Laugh-In" (1968-1973) went on to become a huge cult hit.
In retrospect, this disappointment proved to be a boon to Eileen's dramatic film career. Set in a dusty, barren town, she played up her hard looks and earned terrific reviews for her downbeat role of Genevieve, the careworn waitress, in Peter Bogdanovich's The Last Picture Show (1971). As part of a superb ensemble cast, her hard-knocks vulnerability and earthy sensuality added authenticity to the dreary Texas surroundings. Following this, she scored great marks for her brothel madam/confidante in George Roy Hill's ragtime-era Oscar winner The Sting (1973). Bogdanovich himself became a fan and used Eileen again and again in his subsequent films -- the ambitious but lackluster Daisy Miller (1974) and At Long Last Love (1975). At least, the latter movie allowed her to show off her singing voice. Her comedic instincts were on full display too in the all-star mystery spoofs Murder by Death (1976) and The Cheap Detective (1978) where she fared quite well playing take-it-on-the-chin dames.
Eileen hit the apex of her comic fame playing the spiky and spiteful drill captain who mercilessly taunts and torments tenderfoot Goldie Hawn in the huge box-office hit Private Benjamin (1980). She deservedly earned a "best supporting actress" Oscar nomination for her scene-stealing contribution and was given the chance to reprise the role on the television series that followed. Starring Lorna Patterson in the Hawn role, Private Benjamin (1981) was less successful in its adaptation to the smaller screen but Eileen was better than great and earned both Emmy and Golden Globe Awards in the process.
During the show's run in 1982, Brennan had dinner one evening with good friend Goldie Hawn at a Los Angeles restaurant. They had already parted ways when Brennan was hit and critically injured by a car while crossing a street. Replaced in the television series (by "Alice" co-star Polly Holliday), her recovery and rehabilitation lasted three years, which included an addiction to painkillers. She returned to the screen in another amusing all-star comedy whodunit, Clue (1985), in which she played one of the popular game board suspects, Mrs. Peacock. While looking weaker and less mobile, she showed she had lost none of the disarming causticity that made her a character star.
Forging ahead, Eileen went on to recreate her tough luck waitress character in Texasville (1990), the sequel to The Last Picture Show (1971), and also appeared with Bette Midler in the overly mawkish Stella (1990). However, for the most part, she lent herself to playing eccentric crab apples in such lightweight fare as Rented Lips (1987), Sticky Fingers (1988), Changing Habits (1997), Pants on Fire (1998), Jeepers Creepers (2001), Miss Congeniality 2: Armed & Fabulous (2005) and Naked Run (2011). She has also provided crotchety animated voices for series cartoons.
Eileen Brennan died at age 80 on July 28, 2013 at her Burbank, California home after a battle with bladder cancer. She is survived by her two sons, Patrick (formerly a basketball player, now an actor) and Sam (a singer), from her first and only marriage in the late 1960s to mid-1970s.- Actress
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A fascinating aura of mystery seemed to surround the characters portrayed by blue-eyed blonde actress Susan Oliver, whose trademark high cheekbones, rosebud lips and heart-shaped face kept audiences intrigued for nearly three decades. She left a fine legacy of work in theater, motion pictures and television.
Born Charlotte Gercke on February 13, 1932 in New York City, she was the daughter of well-to-do George Gercke, a political reporter and journalist for the New York World, and his astrology practitioner wife, Ruth Oliver (aka Ruth Hale Oliver), both of whom divorced while Susan was still quite young (age 3). As a privileged adolescent, she went to various public and boarding schools. As a teenager, she lived with her father and traveled with him overseas to Japan, where he maintained a news post. While there (1948-49), she studied at the Tokyo International College and developed an interest in Japan's deep obsession with the American popular culture. Much later in her career (1977), in fact, Susan would write and direct Cowboysan (1978), a short film which told of Japanese actors performing in an American western.
In the spring of 1949, Susan briefly rejoined her mother, who was now remarried, residing in Los Angeles, and gaining a solid reputation as Hollywood's astrologer to the stars. However, by that fall, Susan was back East, studying drama at Pennsylvania's Swarthmore College (for four years). She then continued her training at New York City's Neighborhood Playhouse, while finding stage work in both summer stock and regional theaters. Commercials and daytime/prime-time television work started coming Susan's way and, by that time, she had already changed her stage moniker to the more flowing name of Susan Oliver.
The year 1957 began with a debut ingénue role as a Revolutionary War-era daughter in the Broadway comedy "Small War on Murray Hill", which opened and closed at the Ethel Barrymore Theater after only nine days. A far more potent and substantial role fell her way in October of that same year, when she replaced British actress Mary Ure as Allison Porter in the superior kitchen sink drama "Look Back in Anger". Susan continued to find extensive dramatic work in live East coast television plays, with roles on The Kaiser Aluminum Hour (1956), The United States Steel Hour (1953), Studio 57 (1954) and Matinee Theatre (1955). At this juncture, she decided to migrate back to Los Angeles for more on-camera opportunities and attained guest roles on such popular prime-time series as Wagon Train (1957), Father Knows Best (1954), The Millionaire (1955) and The Lineup (1954).
Susan made her cinematic debut as the tough yet doomed title role in Warner Bros.' low-budget melodrama The Green-Eyed Blonde (1957). The film was shot in black and white, so it didn't matter that Susan's eyes were blue. Topbilled, she played the rebellious delinquent leader at a girls' reformatory and lent class to the rather exploitative material, which was written by blacklisted writer Dalton Trumbo. Two years later, Susan returned to the big screen as another tough cookie in the better-received biopic The Gene Krupa Story (1959), as a jazz singer who lures the renowned drummer (played by Sal Mineo) down the road to drugs and near ruin. A brief return to the Broadway stage, with the comedy "Patate" starring Tom Ewell and Lee Bowman, would last only four days but Susan earned great notices and won New York's Theatre World Award World for her outstanding breakout performance.
On early 1960s television, Susan continued to offer a number of striking and often showy, neurotic performances on episodes of Bonanza (1959), Wanted: Dead or Alive (1958), 77 Sunset Strip (1958), Wagon Train (1957), The Virginian (1962), Adventures in Paradise (1959), Route 66 (1960), Dr. Kildare (1961) and The Fugitive (1963). Filmwise, she found a few lead and support roles in the Elizabeth Taylor-starred BUtterfield 8 (1960); as a psychiatric nurse in the all-star hospital melodrama The Caretakers (1963); in the tailored-for-the-teens romp, Looking for Love (1964), as a friend to Connie Francis; and in the hilarious Jerry Lewis slapstick vehicle The Disorderly Orderly (1964), in which she added rather heavy drama as a depressed hospital patient. During this time, her most challenging role was as the ambitious wife of doomed country music legend Hank Williams (George Hamilton, in offbeat casting) in Your Cheatin' Heart (1964).
Susan's name remained active particularly on television, where she graced such series as The Andy Griffith Show (1960), The Travels of Jaimie McPheeters (1963), Burke's Law (1963), Dr. Kildare (1961), Ben Casey (1961), Gomer Pyle: USMC (1964), My Three Sons (1960), The Invaders (1967) and Mannix (1967). Classic television showcases includes the episode, People Are Alike All Over (1960), in which she plays the beautiful martian Teenya, who encounters astronaut Roddy McDowall, and the unsold pilot episode The Cage (1966), as Vina, the sole survivor of a crashed spaceship who charms Captain Christopher Pike (Jeffrey Hunter, the captain subsequently replaced by William Shatner as Captain James T. Kirk, when the show became a series). Footage from that pilot was later incorporated into the two-part episode "The Menagerie". In 1966, Susan made bittersweet news, when her regular role as Ann Howard in the prime-time soap opera Peyton Place (1964), was pushed off a cliff to her death. Written out after only five months of a year-long planned role, audiences (as well as Susan) were saddened by the loss of a character they had grown to care about. Subsequently, Susan starred in her own pilot for a new series, "Apartment in Rome", but that didn't sell.
Unfortunately, Susan's late 1960s work in a variety of film genres and opposite a number of formidable leading men were ultimately too few and did not help to advance her career. These included the LSD-induced drama The Love-Ins (1967) with Richard Todd and James MacArthur; the western A Man Called Gannon (1968) starring Anthony Franciosa; and the sci-fiers Change of Mind (1969) with Raymond St. Jacques and The Monitors (1969) with Guy Stockwell. The 1970s also hardly fared better with standard roles in Ginger in the Morning (1974) (donning a black wig), the Spanish-made drama Nido de viudas (1977), and Hardly Working (1980), in which she reunited with Jerry Lewis in what was supposed to be his comeback attempt. That film was ultimately shelved, before earning scant release a couple of years later.
Susan appeared as a regular for one season (1975-76) on Days of Our Lives (1965) and received a "Supporting Actress" Emmy nomination for the made-for-TV movie Amelia Earhart (1976), playing aviatrix Neta "Snookie" Snook, friend and mentor to the title character, played by Emmy-nominated Susan Clark. The role of "Snookie" was tailor-made for Susan, who, by this time, had merited attention as a licensed commercial pilot.
Susan's passion for flying had been compromised a decade earlier after a dramatic 1966 commercial plane scare. The near-death experience kept the actress on solid ground for well over a year, before she managed to overcome her paralyzing fear. In 1970, fully recovered, she co-piloted a single-engine Piper Comanche to victory in the Powder Puff Derby racing event, a victory that earned her the name, "Pilot of the Year". [Amelia Mary Earhart was the first female pilot to fly solo across the Atlantic Ocean]. However, in her attempt to fly to Moscow, the Soviet government denied her entrance to their air space and she was forced to end her journey in Denmark. Susan would later write about her flying exploits in her autobiography "Odyssey: A Daring Transatlantic Journey" (1983).
Susan's last years were focused on the small screen, with roles in the made-for-TV movies Tomorrow's Child (1982) and International Airport (1985), and standard guest-starring on The Love Boat (1977), Murder, She Wrote (1984), Simon & Simon (1981) and Freddy's Nightmares (1988). She also moved behind the camera a few times, directing episodes of M*A*S*H (1972) and Trapper John, M.D. (1979). A longtime smoker, the never-married Susan was diagnosed with lung cancer and died with quiet dignity at the Motion Picture and Television Hospital in Woodland Hills, California at age 58 -- an untimely death for such a beautiful lady and strong talent.- Actor
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Ted Cassidy was born in Pittsburgh, Pennsylvania and raised in Philippi, West Virginia. He was a well respected actor who portrayed many different characters during his film and television career. His most notable role was Lurch, the faithful butler on the television series The Addams Family (1964). His most memorable dialogue as Lurch would be, "You rang?", whenever someone summoned him. Due to his large size, (6ft. 9in.) he portrayed larger than life characters. His deep voice, was used for narrations and for dubbing certain character's voices. His acting career spanned three decades. Ted Cassidy died in 1979 from complications following open-heart surgery. His live-in girlfriend had his remains cremated, then buried in the backyard of their Woodland Hills home.- Actor
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Richard Dawson was born Colin Lionel Emm on November 20, 1932 in Gosport, Hampshire, England. When he was 14, he joined the Merchant Navy and served for three years. During that time, he made money boxing. He had to lie about his age and remain tough so the older guys would not hassle him. In the late 1950s, Richard met a British actress named Diana Dors. On April 12, 1959, while in New York for an appearance on The Steve Allen Plymouth Show (1956), they were married. Richard and Diana's first child, a son named Mark Dawson, was born in 1960, and a second son, Gary Dawson, was born in 1962. Richard and Diana separated in 1964 and eventually divorced in 1967. When Richard moved to the United States, he began acting on the well-known series, Hogan's Heroes (1965), in 1965. Richard played the lovable British Corporal Peter Newkirk. The show ended in 1971. Not long after that, in 1973, he became a panelist on Match Game (1973) and remained there until 1978.
While still on "Match Game", he hosted his own show called Family Feud (1976). , which he is most remembered for by his trademark of kissing all the female contestants. Those kisses made the show a warm and friendly program, along with his quick wit, subtle jokes, and ability to make people feel at ease with being on camera. In 1987, Richard co-starred withArnold Schwarzenegger in the science fiction action movie The Running Man (1987). Richard portrayed an egotistical game show host, Damon Killian, whom many say was a mirror image of himself at one time or another, during his real-life career.
When Richard was 61, he hosted the third incarnation of "Family Feud" in 1994, but had only a short run. On April 6, 1981, the Johnson family appeared on "Family Feud" and Richard was introduced to 27-year-old Gretchen Johnson. They had a daughter, Shannon Dawson (Shannon Nicole Dawson), in 1990, and were married in 1991. They were still married and reside in Beverly Hills, California. Richard narrated TV's Funniest Game Show Moments (1984) on Fox in early 2000. On Thanksgiving Day, November 23rd, 2000, he hosted a "Family Feud" marathon, which was filmed in 1995. Some people hear the name Richard Dawson and may not recognize the name. But say his name, followed by his famous quote "Survey says...!" or mention "Newkirk on Hogan's Heroes (1965)", and they're sure to know who you mean. Richard Dawson died at age 79 of complications from esophageal cancer on June 2, 2012.- Actor
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Robert Reed was an American actor, mostly known for television roles. His most famous role was that of pater familias Michael Paul "Mike" Brady in the popular sitcom "The Brady Bunch" (1969-1979). He returned to this role in several of the sitcom's sequels and spin-offs.
Reed was born under the name "John Robert Rietz Jr. " in 1932. His birthplace was Highland Park, Illinois, a suburb of Chicago. His parents were government worker John Robert Rietz Sr. and homemaker Helen Teaverbaugh. The couple were childhood sweethearts and married each other at age 18. Reed was their only child.
Due to his father's career transfers, Reed moved often as a child. He spend part of his childhood in Navasota, Texas and Shawnee, Oklahoma. The senior Reitz eventually retired from his government positions, and started a new life as a cattle farmer in Muskogee, Oklahoma. The Reitz family moved to a farm there.
As a youth, Reed joined the 4-H agricultural club, and demonstrated calves in agricultural shows. He was already fascinated with acting and music, and started performing as a theatrical and singer before he graduated high school. He had a side career as a radio announcer for local radio stations, and also helped produce radio dramas.
Reed graduated from Muskogeee's Central High School in 1950. He soon enrolled at Northwestern University in Evanston, Illinois, where he studied drama. His mentor was acting coach Alvina Krause (1893-1981). During his university years, Reed played the leading role in 8 different plays. Following his graduation, Reed studied abroad at Royal Academy of Dramatic Art in London.
With the completion of his studies, Reed started a career as a theatrical actor. He appeared in summer stock productions in Pennsylvania, and joined the off-Broadway theatre group "The Shakespearewrights" which (as their name suggested) specialized in Shakespearean plays. Reed had leading roles in the group's productions of "Romeo and Juliet" and "A Midsummer Night's Dream". He left the group to join the Chicago-based Studebaker Theatre company.
By the late 1950s, Reed remained a relatively obscure theatrical actor. He moved to Los Angeles in hope of finding higher-profile roles in film or television. In 1959, Reed made his television debut in a guest star role in the sitcom "Father Knows Best". He next had guest star roles in the science fiction series "Men into Space" (1959-1960), and the Western series "Lawman" (1958-1962). His film debut was the horror film "Bloodlust!" (1961), playing the human prey of a sadistic hunter. The film was a loose adaptation of the short story "The Most Dangerous Game" (1924) by Richard Connell (1893-1949).
Reed had his first major role in television as lawyer Kenneth Preston in the courtroom drama series "The Defenders" (1961-1965). Reed played the son and junior partner of lawyer Lawrence Preston (played by E. G. Marshall), in a series featuring a father-son legal team. The series lasted for 132 episodes, and was a ratings hit. The series earned a total of 22 Primetime Emmy Award nominations during its run.
Following the cancellation of "The Defenders", Reed was mostly reduced to supporting roles in television. He appeared in (among others) "Family Affair"," Ironside", "The Mod Squad", and "Bob Hope Presents The Chrysler Theatre". In 1968, Reed signed a contract to play a lead role in the television adaptation of the play "Barefoot in the Park" (1963) by Neil Simon. When it was decided that the television adaptation would feature a mostly African-American cast, Reed was offered a leading role in "The Brady Bunch" as a consolation prize.
"The Brady Bunch" lasted for 117 episodes, though it never was among the highest-rated shows on television. It found a larger audience in syndication after its cancellation, and has remained a cult favorite. Reed was not happy with the often silly scripts of the sitcom, and had regular arguments about suggested re-writes with the show's producer Sherwood Schwartz (1916-2011). On the other hand, Reed formed long-lasting friendships with most members of the series' main cast.
Reed refused to appear in the fifth season finale of "The Brady Bunch", because he felt its script was unacceptable. He was fired from the series, and the production team considered replacing him with a new actor for the series' sixth season. However, the fifth season turned out to be the final one, with network ABC deciding to cancel the series.
While "The Brady Bunch" was still ongoing, Reed had the recurring role of Lt. Adam Tobias in the detective series "Mannix". He played the role for 22 episodes, running from 1968 to 1975. With the series' cancellation in 1975, Reed was left with no regular roles for the first time since the late 1960s.
Reed's next notable role was that of transgender Dr. Pat Caddison in the two-part episode "The Fourth Sex" (1975) of the medical drama Medical Center". The role was critically well-received, and Reed was nominated for a Primetime Emmy Award, the "Primetime Emmy Award for Outstanding Guest Actor in a Drama Series". The award was instead won by rival actor Ed Asner (1929-).
Reed had a regular role as Teddy Boylan in the dramatic miniseries "Rich Man, Poor Man" (1976), and a prominent guest appearance as Dr. William Reynolds in the miniseries "Roots" (1977). For the first role, Reed was nominated for the Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series. The Award was instead won by rival actor Anthony Zerbe (1936-). For the second role, Reed was nominated again for the Primetime Emmy Award for Outstanding Guest Actor in a Drama Series. The award was instead again won by rival actor Ed Asner.
Reed reunited with his friends from the Brady Bunch in the sequel series "The Brady Bunch Hour" (1976-1977), which only lasted for 9 episodes. He next played Mike Brady in the television film "The Brady Girls Get Married" (1981), the television film "A Very Brady Christmas" (1988), and the short-lived sequel series "The Bradys" (1990). The attempts to turn the popular sitcom into a dramatic series were not met with success.
Reed had another lead role in television as Dr. Adam Rose on the medical drama "Nurse" (1981-1982). The series only lasted for 25 episodes. Otherwise, Reed was reduced to mostly playing guest star roles again. His last guest star role appeared in 1992 episode of the crime drama "Jake and the Fatman".
In November 1991, Reed was diagnosed with colon cancer. As his health deteriorated, Reed increasingly isolated himself. He only allowed visits from his daughter Karen Rietz and close friend Anne Haney (1934-2001). In May 1992, he died at Huntington Memorial Hospital in Pasadena, California. He was 59-years-old. He was buried at Memorial Park Cemetery in Skokie, Illinois.
Following his death, his death certificate revealed that Reed was HIV positive. While he was not suffering from AIDS, doctors were unable to determine whether HIV contributed to the deterioration of his health and his eventual death. How and when Reed contracted HIV remains unknown. Reed had managed to avoid having information about his personal life leaking to the press during his career, and also avoided sharing details about it even with his friends.
Reed is still fondly remembered for his television work, while his theatrical career has largely faded from memory.- Actor
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Joel Grey's father, Mickey Katz, created "Borscht Capades" in the early 1950s. Mickey Katz was a musician -- a clarinetist and a saxophone player -- in bands around the east. Mickey was performing, playing in a band in Cleveland, Ohio, which is where Joel Grey was born. Musician and bandleader Spike Jones needed a clarinet player who could do bits, funny things. Mickey went on the road with Jones' band for about a year, the Katz family ending up, as the band all went to California.
One day his father Mickey was doing a recording session at the Sunset Boulevard RCA-Victor recording studio in Hollywood, and during a break, Mickey always wrote parodies to pop songs for fun and had just written this parody -- he was singing it to one of the other Jewish musicians. Unbeknownst to him the microphone was open in the control room and this group of non-Jewish, white-bread heads of RCA-Victor were sitting there and he's singing a Yiddish song. They didn't know what he was singing but they were laughing and laughing and they decided to record it. The recording became an enormous hit. The records were so successful Mickey put together a variety show that sold out every week in Los Angels at the Wilshire Ebell Theater. Joel knew, even at 9, that he was going to become an actor. When his father had this variety show, Joel said, "How can I be in it?" And his father said, "Well, what do you want to do?" Joel replied, "I don't know how to sing and I don't dance, but I'll run around and I'll move."
So Joel's aunt dropped him a song that was a big record in New York, a Yiddish song -- it was a million words and very fast and it was very popular with the audience -- and Joel learned it by rote. Joel had no idea what he was saying or singing and the next thing he knew, he was boxed in to being a song-and-dance man as opposed to an actor. "Romania, Romania." The song was like a Danny Kaye spectacular, fast, patter song that left a lot of room to dance and sing and mug and do all the things like his hero at the time -- Jerry Lewis. Maybe two years, Eddie Cantor saw Joel in Florida and put him on his "Colgate Comedy Hour' television show, and that was the end of the "Borscht Capades" for Joel, and the beginning of Joel's long tenure in night clubs all over the country.- Actor
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Character actor Kenneth McMillan was born on July 2, 1932 in Brooklyn, New York. Prior to becoming an actor, McMillan was a manager at Gimbels Department Store. At age 30, McMillan decided to pursue an acting career. He attended the LaGuardia High School for Performing Arts and took acting lessons from Uta Hagen and Irene Dailey. He made his film debut at age 41 with a small role in Sidney Lumet's superbly gritty police drama Serpico (1973). Portly and ruddy-faced, with an often aggressive and cantankerous demeanor, McMillan was usually cast as gruff, hostile and unfriendly characters. McMillan's most notable parts include the borough commander in The Taking of Pelham One Two Three (1974), a cowardly small-town sheriff in Tobe Hooper's excellent miniseries Salem's Lot (1979), William Hurt's bitter paraplegic father in Eyewitness (1981), a racist fire chief in Ragtime (1981), a wily old safecracker in The Pope of Greenwich Village (1984), the vile and grotesquely obese Baron Vladimir Harkonnen in Dune (1984), Aidan Quinn's pathetic drunken father in Reckless (1984) and a sleazy high-roller gambler in "The Ledge" episode of the hugely enjoyable horror anthology Cat's Eye (1985).
Moreover, McMillan was equally adept at comedy, giving especially funny and engaging performances as a baseball club manager in Blue Skies Again (1983), Meg Ryan's corrupt police chief father in Armed and Dangerous (1986), and a dotty senile veterinarian in Three Fugitives (1989). McMillan had a steady recurring role as Valerie Harper's irate boss on the situation comedy Rhoda (1974). Among the television series McMillan guest-starred on are Dark Shadows (1966), Ryan's Hope (1975), Kojak (1973), Starsky and Hutch (1975), The Rockford Files (1974), Moonlighting (1985), Magnum, P.I. (1980) and Murder, She Wrote (1984). Outside of his substantial film and television credits, McMillan also frequently performed on stage at the New York Shakespeare Festival. He acted in the original Broadway productions of "Streamers" and "American Buffalo". He won an Obie for his performance in the off-Broadway play, "Weekends Like Other People". Kenneth McMillan died of liver disease at age 56 on January 8, 1989 in Santa Monica, California.- Actor
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Originally a student of playwriting at Columbia University, Richard Mulligan began his acting career in regional theater and soon after made his Broadway debut in the Pulitzer Prize-winning play "All the Way Home". In addition to his continuing Broadway career, Mulligan had successfully transferred his unique comedic talents to film and television. On the big screen, he had appeared in such films as Little Big Man (1970), The Big Bus (1976), Teachers (1984) and The Heavenly Kid (1985). He had also performed in a number of Blake Edwards' films, including S.O.B. (1981), Trail of the Pink Panther (1982), Micki + Maude (1984) and A Fine Mess (1986). Mulligan had made numerous guest-starring television appearances, but it was his role as Burt Campbell in Witt-Thomas-Harris' offbeat sitcom Soap (1977) that earned him his first Emmy Award. He also starred in the short-lived sitcom Reggie (1983). His movie-of-the-week and miniseries credits include Pueblo (1973), Poker Alice (1987), Harvey (1996) and the acclaimed Guess Who's Coming for Christmas? (1990) with Beau Bridges. He was the brother of director Robert Mulligan.- Actress
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Sheree North was born on 17 January 1932 in Los Angeles, California, USA. She was an actress, known for Breakout (1975), Lawman (1971) and The Shootist (1976). She was married to Phillip Alan Norman, Dr. Gerhardt Ralph Sommer, John M. "Bud" Freeman and Frederick Arnold Bessire Jr.. She died on 4 November 2005 in Los Angeles, California, USA.- Actor
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Debonair, dark-haired, exceedingly handsome Roger LaVerne Smith was born in South Gate, California to Dallas and Leone Smith on December 18, 1932. At age 6, his parents enrolled him at a professional school for singing, elocution and dancing lessons. By age 12, the family moved to Nogales, Arizona, a small town on the Mexican border where he appeared in high school theater productions, was made president of the school's acting club and became a star linebacker for his high school football team.
While studying at the University of Arizona in Tucson on a football scholarship, Roger entered and won several amateur talent prizes as a singer and guitarist which led to a TV appearance with Ted Mack and his Ted Mack & the Original Amateur Hour (1948) program. Stationed in Hawaii at a Naval Reserve, Roger had a chance meeting with film legend James Cagney. Cagney, impressed with the boy's clean-cut good looks and appeal, encouraged Roger to give Hollywood a try. Roger did so and it didn't take long for Columbia Pictures to snap him up 1957.
While there, young Roger gained experience on such TV anthologies as "Damon Runyon Theatre," "Celebrity Playhouse," "Ford Television Theatre" and "George Sanders Mystery Theatre" and made such films as No Time to Be Young (1957), Operation Mad Ball (1957) and Crash Landing (1958). He also played the older "Patrick Dennis" role in the madcap Rosalind Russell farce Auntie Mame (1958). Roger reconnected with Cagney around this time who not only hired him to play his son, "Lon Jr.", in the Lon Chaney biopic Man of a Thousand Faces (1957), but made him his co-star in the musical comedy-drama Never Steal Anything Small (1959).
In a successful move to the Warner Bros. studio, Roger won the role of wisecracking private detective "Jeff Spencer" in the hip TV series 77 Sunset Strip (1958). He also wrote several of the show's episodes and played the detective character in rollover episodes of "Surf Side Six" and "Hawaiian Eye." In 1962, the actor was hospitalized after falling down at home and losing consciousness. He was diagnosed two days later with a blood clot on the brain. Although he had recovered post-surgery), it forced him to leave the series temporarily and slowed down his career considerably to the point he almost quit.
Wed to budding Australian-born actress Victoria Shaw in 1956, they had three children. A Warner Bros. contractee, she appeared in an episode of his popular series. The marriage crumbled, however, and they divorced in 1965. He next met singer-actress Ann-Margret and they married in 1967. This marriage lasted 50 years, until his death.
Roger's health continued to to be a mysterious issue following his title role in the Warner Bros. short-lived TV series Mister Roberts (1965) and it forced an early retirement when he was diagnosed with myasthenia gravis, a degenerative muscle/nerve disorder. He would last star as the title detective in the low-budget A.C. Lyles production of Rogue's Gallery (1968). In the meantime, he appeared on talk shows with his wife and delved into producing and writing -- with The First Time (1969) and C.C. & Company (1970).
Instead, Roger remained in the background and focused instead on managing, producing and nurturing his wife's musical career. In the 1970s, he proved instrumental in her successful Vegas comeback in Vegas (he produced her stage shows). He also helped to break her "sex kitten" image with critical acclaimed films and produced several of her 1970's TV musical specials.
Roger died of complications from his long-term illness on June 4, 2017, at age 84, and was interred at Forest Lawn Memorial Park.- Actor
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Alfonso Arau has had a long and fruitful career both in front of and behind the camera and is one of the most prominent Latino film-makers in Hollywood. He was a drama disciple of Seki Sano--a Japanese teacher, classmate of Lee Strasberg with Konstantin Stanislavski in Russia--and traveled the world from 1964 to 1968 with his one-man show, "Pantomime Happy Madness", after studying with Etienne Decroux and Jacques Lecoq in Paris.
A renowned writer-producer-director-actor in theater and film for more than twenty years, in 1969 he directed his first feature film, El águila descalza (1971), in which he also starred. He has directed many films in Mexico, among them Inspector Calzonzin (1974) and Mojado Power (1981). He has received six Arieles--the Mexican equivalent of the Oscar--and numerous international film awards.
Arau has acted in a number of Mexican and Hollywood films, including The Wild Bunch (1969), El Topo (1970), Mojado Power (1981), Used Cars (1980), Romancing the Stone (1984), Three Amigos! (1986) and Committed (2000). In addition to Like Water for Chocolate (1992), his directing credits include A Walk in the Clouds (1995) with Keanu Reeves and Picking Up the Pieces (2000) with Woody Allen. For television he has done The Magnificent Ambersons (2002), based on the script of Orson Welles' film version (The Magnificent Ambersons (1942)) and the novel by Booth Tarkington.- Actress
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Elaine May (born under the name Elaine Iva Berlin) is an American actress, comedian, film director, playwright, and screenwriter from Philadelphia. Her professional career started in the 1950s and is still ongoing. She has twice been nominated for the Academy Award for Best Adapted Screenplay. She is best remembered for directing the Cold War-themed action comedy "Ishtar" (1987). She won the Golden Raspberry Award for Worst Director, but the film has had a vocal minority of critics who defend its quality.
In 1932, May was born to a Jewish-American family. Both her parents were theatrical actors. Her father Jack Berlin was also a theater director and led his own traveling Yiddish theater company. Her mother was actress Ida Aaron. May made her stage debut c. 1935, at the age of 3. Her father had decided to include her in his performances. As a a child actress, she was reportedly cast in the roles of boys.
The theater company toured extensively, and May was part of their tours. She kept changing schools, enrolling for a few weeks and then moving to another city. May reputedly hated school, but loved reading books on her own. Her favorite topics were fairy tales and mythology.
Jack Berlin died c. 1942, and May's career as a child actress consequently ended. She was left in the custody of her mother. The duo settled in Los Angeles, and May eventually enrolled in Hollywood High School. In 1946, May dropped out of school. In 1948, she married her her first husband, the toy inventor Marvin May. She was only 16-years-old at the time of her marriage. She would later keep her husband's surname as her professional name.
In 1949, May had her only child, Jeannie Brette May. Jeannie would later become a professional actress in her own right, under the name Jeannie Berlin. May and her husband separated c. 1950, and she received a divorce in 1960. She started supporting herself through a series of odd jobs.
In 1950, May was interested in attending college, but most colleges in California required applicants to have high school diplomas. As a high school dropout, she did not have the necessary diploma. Learning that the University of Chicago did not use this requirement, she hitch-hiked her way to Chicago, At the time her personal fortune consisted of 7 dollars.
Once she arrived in Chicago, May started informally taking classes at the university by auditing, sitting in without enrolling. She habitually engaged in discussions with her instructors. She once had a fight with a philosophy instructor because of their different interpretations of the motives behind Socrates' apology. May was introduced to aspiring actor Mike Nichols (1931-2014),who was also attending the University. They bonded over their shared passion for the theater.
In 1955, May became one of the charter members of the Compass Players, a Chicago-based improvisational theater group. Nichols joined the group shortly after. The two of them formed a working partnership, jointly developing improvised comedy sketches. May helped the Compass Players to become a highly popular comedy troupe, due to her talent for satire. She helped in the training of novice members of the group.
In 1957, Nichols was asked to leave the Compass Players. His popularity had outshone most members of the group, and had caused internal conflicts. May left the group with him. They then decided to form their own stand-up comedy team, "Nichols and May". Their improvisational skills, and ability to come up with fresh material allowed them to impress their audience.
In 1960, the comedy duo made their Broadway debut, with the show "An Evening with Mike Nichols and Elaine May". A recording of the show won the 1962 "Grammy Award for Best Comedy Album". "Nichols and May" became very popular in New York City, performing in sold-out shows. They also started making appearances in radio and television, and even recorded commercials.
May was reportedly surprised with her own success. She had spend much of her adult life in near-poverty, but she was now earning a regular income from show business. She joked in an interview that she was practically barefoot when she arrived in New York, and now had to get used to wearing high heels.
In 1961, the duo was at the height of their fame. But they decided to dissolve their partnership in order to pursue solo careers. Nichols started working as a Broadway stage director, while May started her new career as a playwright. Her most successful play was "Adaptation" (1969), which she also directed. For her work as a theatrical director, she won the 1969 "Outer Critics Circle Award, Best Director".
May made her debut as a film director with the black comedy "A New Leaf" (1971). It was an adaptation of a short story by Jack Ritchie (1922-1983), depicting the story of an impoverished patrician who marries a wealthy heiress for her money. The main character initially considers murdering his wife to inherit her wealth, but first he has to protect her from other predators who were after her money.
Her first film found little success at the box office, but was praised by critics and was nominated for the "Golden Globe Award for Best Motion Picture - Musical or Comedy". It later earned a reputation as a cult classic, and in 2019 it was selected for preservation by the National Film Registry.
Her second film was the romantic comedy "The Heartbreak Kid" (1972). It concerns a newlywed man who falls madly in love with a younger woman while on his honeymoon. He pursues his romantic interest obsessively despite all signs that his love is unrequited, and despite the disapproval of the woman's protective father. The film was critically acclaimed, and has at times been listed in retrospectives concerning the funniest American films.
In an unusual career move, her third film was not a comedy. It was the rather bleak gangster film "Mikey and Nicky" (1976). It depicts a small-time mobster whose life is in danger, resorting to asking for help from his childhood friend. While creating this film, May got involved in a legal dispute with the film studio Paramount Pictures. The studio eventually decided to only allow a limited release for the film. The film found a niche audience in the home video market, but May's career as a director suffered from this dispute. She was effectively blacklisted.
May decided to focus on her screenwriting career. She found success with the script to the fantasy-comedy "Heaven Can Wait" (1978), about the afterlife of a man who died prematurely. The film was based on a 1938 play by Harry Segall (1892-1975), and also served as a remake to the classic film "Here Comes Mr. Jordan" (1941) which was based on the same play. The film earned about 99 million dollars at the worldwide box office, and was a critical hit. May was nominated for the Academy Award for Best Adapted Screenplay, but the award was instead won by rival screenwriter Oliver Stone (1946-).
During the early 1980s, May mainly worked as an uncredited script doctor. She "polished" scripts by other screenwriters. Her greatest success in this role was the romantic comedy "Tootsie" (1982), for which she wrote several additional scenes. She attempted her comeback as a director with the action comedy "Ishtar" (1987), which became a box office flop for the film studio Columbia Pictures. The film's failure reportedly convinced Columbia's parent company Coca-Cola to sell the under-performing studio to Sony.
"Ishtar" was derided at the time as the worst film of its era by many critics, but was also defended by a vocal minority of critics. It has since attracted a cult audience, who consider this to be a great film. However the film's failure ended May's career as a film director and damaged her reputation. She also ceased working as a screenwriter for several years, reduced to working as an actress again.
May made her comeback as a screenwriter with the comedy film "The Birdcage" (1996), a remake of the European comedy "La Cage aux Folles" (The Cage of Madwomen, 1978). In the film, the openly gay parents to a young man have to pretend to be straight in an attempt to impress their son's prospective in-laws. The film earned about 185 million dollars at the worldwide box office, the greatest hit in May's career up to that point. She was nominated for the "Writers Guild of America Award for Best Adapted Screenplay", but the award was instead won by rival screenwriter Billy Bob Thornton (1955-).
May found more critical success with her next screenplay, for the political film "Primary Colors" (1998). It was an adaptation of the roman à clef novel "Primary Colors: A Novel of Politics" (1996) by Joe Klein (1946-). The novel itself was a fictionalized version of Bill Clinton's 1992 presidential campaign, and depicts an idealistic campaign worker's disillusionment with the politician. The film's cast were nominated for several awards. May herself received her second nomination for the Academy Award for Best Adapted Screenplay, but the award was instead won by rival screenwriter Bill Condon (1955-).
May largely retired from screenwriting since the end of the 1990s. As an actress, she had a supporting role in the crime-comedy "Small Time Crooks" (2000). The film concerned nouveau riche criminals, who attempt to socialize with the American upper class. For this role, she won the "Best Supporting Actress Award" at the National Society of Film Critics Awards.
May lived in retirement until joining the cast of the television mini-series "Crisis in Six Scenes" (2016), her first television role in several decades. The series was created by Woody Allen (1935-), who happened to be an old friend of May.
In 2018, May made a theatrical comeback in Broadway. She played the elderly gallery owner Gladys Green in a revival of the play "The Waverly Gallery" (2000) by Kenneth Lonergan (1962-). In the play, Gladys shows early signs of Alzheimer's disease, and her family has to deal with her mental decline. May received critical acclaim for this role. For this role, she won the 2019 Tony Award for Best Actress in a Play. At age 87, she was the second-oldest winner of a Tony Award for acting.
As of 2021, May is 89-years-old. She is no longer very active, but she reportedly has plans to direct another film. She remains a popular actress.- Director
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Milos Forman was born Jan Tomas Forman in Caslav, Czechoslovakia, to Anna (Svabova), who ran a summer hotel, and Rudolf Forman, a professor. During World War II, his parents were taken away by the Nazis, after being accused of participating in the underground resistance. His father died in Mittelbau-Dora, a sub camp of Buchenwald, and his mother died in Auschwitz, at which Milos became an orphan very early on. He studied screen-writing at the Prague Film Academy (F.A.M.U.). In his Czechoslovakian films, Black Peter (1964), Loves of a Blonde (1965), and The Firemen's Ball (1967), he created his own style of comedy. During the invasion of his country by the troops of the Warsaw pact in the summer of 1968, to stop the Prague spring, he left Europe for the United States. In spite of difficulties, he filmed Taking Off (1971) there and achieved his fame later with One Flew Over the Cuckoo's Nest (1975) adapted from the novel of Ken Kesey, which won five Oscars, including one for best direction. Other important films of Milos Forman were the musical Hair (1979) and his biography of Wolfgang Amadeus Mozart, Amadeus (1984), which won eight Oscars.- Actor
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A 1960s pioneer of Asian-American theatre, Soon Tek Oh (aka Sun-Taek Oh, Soon-Tek Oh or Soon-Taik Oh) was born on June 29, 1932, in Mokpo, Korea at the time the country was under Imperial Japanese rule. He attended high school at Gwangju, South Korea, and went on to study at Yonsei University in Seoul. His family (including one sister) moved to the United States in 1959, where they settled in Southern California.
Oh studied at USC before attending UCLA and receiving his Masters of Fine Arts in acting and playwriting. Trained in performance at New York's Neighborhood Playhouse, his mounting of a California production of "Rashomon" led to his co-founding (along with fellow actors Mako, James Hong , Beulah Quo and five others) of the renowned Los Angeles' East West Players theatre company in 1965.
Breaking into TV that same year with a minor role on "I Spy," Oh resolved to work against the restrictive servile Asian stereotypes he found himself playing on such 60s TV programs as "The Wild, Wild West," "The Invaders" and "It Takes a Thief." Via the stage, he strove to broaden the types of roles available, which included other theatre troupes he founded or guided (i.e., Korean American Theatre Ensemble). As such, his companies went on to produce a variety of plays from Ibsen ("A Doll's House") and Shakespeare ("Twelfth Night") to Tony-winning vehicles ("Pippin," "Equus, "Sweeney Todd") to original contemporary pieces, several written by Oh himself.
Following unbilled parts as secret agent types in such films as Murderers' Row (1966) and The President's Analyst (1967), he achieve a degree of notoriety in the James Bond feature The Man with the Golden Gun (1974) as Lt. Hip, an intelligence operative. He continued sporadically in films with featured parts in Good Guys Wear Black (1978), The Final Countdown (1980), Missing in Action 2: The Beginning (1985), Steele Justice (1987), Bialy smok (1987), Death Wish 4: The Crackdown (1987), Collision Course (1989), A Home of Our Own (1993), Red Sun Rising (1994), Beverly Hills Ninja (1997), Yellow (1997) (the first film by and featuring Korean-Americans) and gave voice to Fa Zhou, the father, in the Disney animated classic Mulan (1998). TV roles continued to come his way with several episodes of "Kung Fu," "Hawaii Five-0," "M*A*S*H" and "Magnum P.I.,, as well as a recurring part as a lieutenant on Charlie's Angels (1976) and the quality mini-series East of Eden (1981) and Marco Polo (1982).
Oh and Mako both made their Broadway debuts in Stephen Sondheim's "Pacific Overtures" in 1976. His later stage performances include "The Woman Warrior (1994) and "The Square" (2000). He was awarded the Lifetime Achievement Award in 2008 by the San Diego Asian Film Festival.
Making his last on-camera appearance featured in the action film Gang-jeok (2006), Oh was later diagnosed with Alzheimer's disease and forced to retire. He died of complications in Los Angeles, on April 4, 2018, at age 85.- Actor
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American actor with a sporadic career, the son of stage and screen legend John Barrymore. His father and mother, actress Dolores Costello divorced in his infancy and he claimed to remember seeing his father only once. His mother attempted to keep him from the acting life, sending him to St. John's Military Academy and intending that he attend college. But young Barrymore rebelled and signed a movie contract at 17. He chose not to apprentice in the theatre in small roles, leaping blindly into leading roles then bailing out of them at least twice before ever managing to make his stage debut. Although his family, especially his aunt Ethel Barrymore, was humiliated by the embarrassment these failures brought to the Barrymore name, he received encouragement from them as well. His rebellious nature began to cause him great personal and professional difficulty. He had repeated scrapes with the law and was jailed numerous times for drunkenness and spousal abuse. (He had married actress Cara Williams.) In 1958 he changed his name to John Drew Barrymore and had a brief resurgence in film, appearing in leading roles in several not completely uninteresting projects. But his social behavior continued to derail any professional progress and he had further incarcerations in the Sixties for drug activity. Although he continued to appear occasionally onscreen, he became more and more reclusive, eventually disappearing into the wilderness to live a mystical existence that has also been described as derelict. He was long estranged from his family, including his son John Blyth Barrymore (who has repeated many of his father's career and personal patterns) and daughter, actress Drew Barrymore.- Actor
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John Hillerman, who most famously played the impeccably urbane Englishman Jonathan Quayle Higgins III (VC !) -- Tom Selleck's sophisticated majordomo in Magnum, P.I. (1980) --, was of French, German and Austrian descent, raised in a small Texas town and educated at a Catholic high school. He majored in journalism at the University of Texas, enlisted in the Air Force and spent the period from 1953 to 1957 stationed at Ft. Worth. There, he unexpectedly landed a choice role in a community theatre production of "Death of a Salesman" and discovered acting to be to his liking. Having a photographic memory benefited Hillerman greatly, as it enabled him to learn his lines quickly. He professed to be able to memorize a page of dialogue in the space of a minute. There remained the problem of his Texas accent, however. Following demobilization, he traveled to New York where it took him a year to lose his drawl, studying elocution under the tutelage of voice coach Fanny Bradshaw (who encouraged him to listen to recordings of Laurence Olivier reciting "Hamlet"). All the while, Hillerman lived the life of a typical struggling actor, having taken up residence in a lower East Side tenement and living on home-made turkey soup. After fifteen years of stage work and with a meager $700 to his name, he decided to try to change his luck by making the journey to Hollywood.
His first major break came when he was picked for a small part in Peter Bogdanovich's The Last Picture Show (1971)). From then on he was rarely out of work, although initially tasked with only smallish supporting roles. By the mid-70s, after memorable back-to-back turns in Blazing Saddles (1974) and Chinatown (1974), Hillerman had established his credentials. His first opportunity to shine in a recurring TV role was as pompous radio sleuth Simon Brimmer ("Policemen snoop, without a glimmer. To solve the case, call Simon Brimmer...") who persistently got it all very wrong in TV's Ellery Queen (1975). A self-declared Anglophile with a solid acting background in plays by Noël Coward, he fairly jumped at the chance to portray Selleck's genteel sidekick Higgins in "Magnum" which was to become his personal favorite and career-defining role.- Writer
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French director François Truffaut began to assiduously go to the movies at age seven. He was also a great reader but not a good pupil. He left school at 14 and started working. In 1947, aged 15, he founded a film club and met André Bazin, a French critic, who became his protector. Bazin helped the delinquent Truffaut and also when he was put in jail because he deserted the army. In 1953 Truffaut published his first movie critiques in "Les Cahiers du Cinema." In this magazine Truffaut, and some of his friends as passionate as he was, became defenders of what they call the "author policy". In 1954, as a test, Truffaut directed his first short film. Two years afterwords he assisted Roberto Rossellini with some later abandoned projects.
The year 1957 was an important one for him: he married Madeleine Morgenstern, the daughter of an important film distributor, and founded his own production company, Les Films du Carrosse; named after Jean Renoir's The Golden Coach (1952). He also directed The Mischief Makers (1957), considered the real first step of his cinematographic work. His other big year was 1959: the huge success of his first full-length film, The 400 Blows (1959), was the beginning of the New Wave, a new way of making movies in France. This was also the year his first daughter, Laura Truffaut, was born.
From 1959 until his death, François Truffaut's life and films are mixed up. Let's only note he had two other daughters Eva Truffaut (b. 1961) and Josephine (b. 1982, with French actress Fanny Ardant). Truffaut was the most popular and successful French film director ever. His main themes were passion, women, childhood and faithfulness.- Of Russian/Romanian and Jewish ancestry, sultry, amber-eyed Olive Felicia Dines grew up in Westchester County, New York. She was the daughter of Max Dines and his wife Sylvia Schwartz. According to differing sources, Max may have been a journalist or an attorney.
Felicia began in movies after first working as a teenage lingerie model in order to afford her dancing lessons. She then studied sociology at Pennsylvania State University (graduating with a B.A. in 1954), acted in college plays, attended drama school and eventually appeared in live TV commercials. As to her modeling bathing suits, negligees, bras and girdles, she later remarked "There is nothing very sexy or exciting about standing around in undergarments under hot lights" and "Modeling was hard work for me. I never liked it very much because I kept thinking I was in a rut".
Felicia's situation improved after a talent agent spotted her playing the female lead in William Inge's play Picnic at The Players Ring Theater in 1955 (Kim Novak starred in the film version that year). Columbia executives were impressed and signed the budding starlet to a seven-year contract. Initially billed as Randy Farr, Felicia found her niche as an intelligent and sexy western leading lady, first showcased in a trio of classics directed by the veteran Delmer Daves: Jubal (1956), 3:10 to Yuma (1957) and (in her best role yet) The Last Wagon (1956), opposite Richard Widmark. For the next two decades, she essayed a wide variety of characters, ranging from religious types to barmaids, from party girls to the occasional femme fatale.
Sandwiched in between frequent TV guest spots, Felicia excelled in just a handful of comedies and action films, notably in Billy Wilder's Kiss Me, Stupid (1964) (as an unfaithful wife), in the poignant, idiosyncratic Jack Lemmon-directed comedy-drama Kotch (1971) (as Walter Matthau's daughter-in-law) and in the slick heist thriller Charley Varrick (1973) (this time as Matthau's love interest). A talented, much underused actress, she left show biz in 1992 but made a brief comeback 22 years later to co-star in a little known comedy drama, Loser's Crown (2014).
Felicia divorced her first husband, the actor Lee Farr, in 1955. Her second marriage was to Jack Lemmon, whom she had first met while he was filming Cowboy (1958). They married in 1962 in Paris during his work on Irma la Douce (1963). A daughter, Courtney, was born in 1966. Latterly known as Felicia F. Lemmon, she has resided in Los Angeles, devoting time and money to various philanthropic endeavours and to her much loved feline pets. - Actor
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William Christopher was born on 20 October 1932 in Evanston, Illinois, USA. He was an actor, known for M*A*S*H (1972), The Fortune Cookie (1966) and Lois & Clark: The New Adventures of Superman (1993). He was married to Barbara Christopher. He died on 31 December 2016 in Pasadena, California, USA.- Actor
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John Vernon was a prolific stage-trained Canadian character player who made a career out of convincingly playing crafty villains, morally-bankrupt officials and heartless authority figures in American films and television since the 1960s. Vernon was directed by some stellar filmmakers, including Alfred Hitchcock (Topaz (1969)); George Cukor (Justine (1969)); Don Siegel (Dirty Harry (1971)) and Clint Eastwood (The Outlaw Josey Wales (1976)). After training at London's Royal Academy of Dramatic Art and honing his skills in Canadian theatre and television, Vernon made his US film debut in John Boorman's noir/gangster classic Point Blank (1967) as a trusted friend who betrays Lee Marvin. He again failed to inspire confidence as the ineffectual mayor of San Francisco in Dirty Harry (1971). Vernon may be best remembered as the sinister Dean Vernon Wormer in John Landis' National Lampoon's Animal House (1978), a role he reprised for the TV spin-off Delta House (1979). This led to more film comedy roles, a highlight being Mr. Big in the blaxploitation spoof I'm Gonna Git You Sucka (1988).- Music Artist
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Johnny Cash was born February 26, 1932, in Kingsland, Arkansas, to Carrie Cash (Rivers) and Raymond Cash. He made his first single, "Hey Porter", for Sun Records in 1955. In 1958 he moved to Columbia Records. He had long periods of drug abuse during the 1960s, but later that decade he successfully fought his addiction with the help of singer June Carter Cash, whom he married in 1968. In 1971 he appeared in the western A Gunfight (1971) with 'Kirk Douglas (I)'. Cash made only a few films, but quite a few appearances on television, both in series and made-for-TV films, and was especially effective as a rural Southern sheriff in the 1930s determined to bring to justice a wealthy landowner who committed murder because he believed he was above the law in Murder in Coweta County (1983), a drama based on a true story. In 1975 Cash wrote his autobiography, "Man In Black", which is now out of print. In the late 1980s he moved from Columbia Records to Mercury, then in the next decade moved again to American Recordings. Amongst his biggest hit records were "I Walk the Line", "Ring of Fire" and "A Boy Named Sue". After several years of ill health, he died of complications from diabetes on 12 September 2003, only a few months after the death of his beloved wife.- Actor
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George Chakiris made his film debut at the age of 12 singing in the chorus of Song of Love (1947). Following his graduation from high school, he supported his night-time dancing, singing and dramatic lessons with a daytime job clerking in a Los Angeles department store. Later he started his acting/dancing career appearing in musicals such as Gentlemen Prefer Blondes (1953)--he is one of the ballet dancers escorting Marilyn Monroe in "Diamonds Are A Girl's Best Friend"--White Christmas (1954), The Girl Rush (1955), There's No Business Like Show Business (1954), Brigadoon (1954), and Meet Me in Las Vegas (1956). In 1957, he made his debut as a dramatic actor in Under Fire (1957). In 1958 he traveled to New York hoping for a Broadway "break." Hearing that Jerome Robbins was casting the London company of "West Side Story", he auditioned and was awarded the co-starring role of Riff. He played the part for almost two years on the West End stage before acting, singing and dancing as Bernardo in the Robert Wise film version (West Side Story (1961)), a performance that earned him a Golden Globe and the Academy Award for Best Supporting Actor. Since then, he starred in a succession of films, including Diamond Head (1962) with Charlton Heston, Bebo's Girl (1964) with Claudia Cardinale, The Young Girls of Rochefort (1967) with Catherine Deneuve, Françoise Dorléac and Gene Kelly, The Big Cube (1968) with Lana Turner, Why Not Stay for Breakfast? (1979), Jekyll and Hyde... Together Again (1982), and Pale Blood (1990). He is one of the most traveled stars in motion pictures, having been to such locations as Hawaii, Japan, Mexico, Italy, England, Spain, and France. His nightclub career was launched to rave reviews at Caesar's Palace in Las Vegas and Harrah's Club in Lake Tahoe. In the 1970s and 1980s, his career focused on television and music. He appeared as guest star in several TV series such as Hawaii Five-O (1968) (Death is a Company Policy - 1972), Wonder Woman (1975) (Death in Disguise - 1978), CHiPs (1977) (Fox Trap - 1983), Scarecrow and Mrs. King (1983) (Lost and Found - 1984), Murder, She Wrote (1984) (Weave a Tangled Web - 1989), and he joined the cast of Dallas (1978) from 1985 to 1986. He has released several records: "George Chakiris," "Memories Are Made of These," "The Gershwin Song Book," "West Side Story's Dynamic...". Recently, he has appeared in several plays and stage musicals: after "The King and I" in the US in 1995, he performed in Britain the role of Rochester in "Jane Eyre".- William Sheppard was born and raised in London, England to an Anglo-Irish family. He is a graduate of the Royal Academy of Dramatic Art in London. He was an Associate Artist with the Royal Shakespeare Company for 12 years. He appeared on Broadway in 1966 with "Marat-Sade" and later in 1975 with "Sherlock Holmes". He won the Los Angeles Drama Critics Circle award for "The Homecoming" in 1995, at the Matrix Theatre. He voiced the narrator in the popular computer game Civilization 5.
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Born an entertainer, Casey reigns from Michigan, the same birthplace for fellow Shaggy voice actor Matthew Lillard (whom both Casey and Matthew do a very fine, smashing job voicing the iconic character). Debuted as a radio operator and legendary disc jockey in his early days, he was the greatest and most likely the best one seen in recent years. Having an iconic voice and a set of vocal cords, Casey pleased the audience through radio and voice. Casey hit the big time in the early 60's with voicing both major and minor roles in television series, until Hanna-Barbera released, then later debuted, the same role he characterized his career off of Scooby-Doo, Where Are You!, in which he had the pleasure of working with legendary voice actors Don Messick and Hal Smith. For over 3 decades, he co-founded and hosted American Top 40, which aired the top songs of the week. In his later years, he spent his time with his friends and family, in the way he could showcase with love, passion, and voicing. He died on June 15th, 2014. He was 82 years old. He will be forever missed in the hearts of fans around the world.- Actress
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Prunella Scales was born on 22 June 1932 in Sutton Abinger, Surrey, England, UK. She is an actress, known for Howards End (1992), Fawlty Towers (1975) and Wolf (1994). She has been married to Timothy West since 26 October 1963. They have two children.- Actor
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Edd Byrnes was born Edward Byrne Breitenberger on July 30, 1932 in New York City, the son of Mary (Byrne) and Augustus "Gus" Breitenberger. Edd shared an impoverished and unhappy childhood with brother Vincent and sister Jo-Ann. Their mother worked hard at various jobs to keep the family together because her alcoholic husband was often absent from the scene.
When Edd was fifteen, his father was found dead in a basement. Edd then dropped his surname (Breitenberger) in favor of "Byrnes", based on the name of his maternal grandfather, Edward Byrne, a New York City fireman. He found escape from family problems at the movies and at the gym, where he developed an athletic body. At age 17 he was approached by a man who offered to take free "physique" photos of him. According to his 1996 autobiography, "Kookie No More", this led to a few years of "hustling" older, well-to-do men, despite the fact that Edd was heterosexual. One of these men acted as Edd's mentor, introducing him to fashion and culture and encouraging his hopes for an acting career.
After doing some summer-stock work and a few bit parts on TV, Edd drove to California in 1955, arriving in Los Angeles on the day James Dean died in a car crash. He managed to get a few minor parts in films and then won a role in a new TV series, 77 Sunset Strip (1958), which premiered in September 1958. Efrem Zimbalist Jr. and Roger Smith starred as private eyes but Edd, playing a hip-talking parking-lot attendant named "Kookie", won the most attention. Viewers quoted his dialog, ("Baby, you're the ginchiest!"), and young males imitated the way he wielded his ever-present comb. His fan mail soon reached an astonishing 15,000 letters a week and his single with Connie Stevens, "Kookie, Kookie, Lend Me Your Comb", became a top-5 hit. Edd chafed, however, at the restrictions in his Warner Brothers contract, which forced him to turn down roles in Ocean's Eleven (1960), North to Alaska (1960) and Rio Bravo (1959).
He walked off the "77 Sunset Strip" set and in the ensuing months began to drink heavily and visit a psychiatrist, who administered drugs to him. His contract dispute was eventually settled, though not much to his advantage, and when he returned to "77 Sunset Strip" his role was upgraded from "sidekick" to "partner" and he wore a suit and tie. Audience reaction was not good, ratings dropped, and the show was canceled. The hip-talking, hair-combing image clung to him, however, and Edd felt he lost the lead in PT 109 (1963) because President John F. Kennedy didn't want to be played by "Kookie". A few more movies and TV appearances followed, but his career had passed its peak before he turned 30.
In 1962, he married long-time girlfriend Asa Maynor. Their son, Logan, was born on September 13, 1965. Edd and Asa's marriage ended in divorce in 1971, partially due to his substance abuse. In 1982, he succeeded in going "clean and sober" but never remarried. Byrnes died on January 8, 2020, aged 87, in Santa Monica, California.- Actor
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Utilitarian character actor Richard Herd was one of those stern familiar faces you saw countless times on film and TV but couldn't quite place the name. The stage-trained actor, who shared a striking resemblance to actor Karl Malden, never found the one role that would make him a household name, but did make up for it with a number of rich and rewarding stage, film and TV assignments bolstered by his trademark authoritarian look and stance.
Born on September 26, 1932 in Boston, Massachusetts, he was the son of Katherine (Lydon) and Richard Herd, a railroad engineer and WWII vet, who died when the boy was quite young. The younger Herd suffered from bone marrow cancer which affected the growth of his legs as a child. As a result, he was educated at the Industrial School for Crippled Children during his formative years. Luckily, loving care and several operations saved his legs from deformity.
It was his mother Katherine's love of music that ignited Richard's initial desire to perform. Trained on the drums, he received early acting training on radio and in summer stock (Liberty Mutual Theatre in Boston) during his high school years and, in the late 1940s, studied Shakespeare under veteran Claude Rains at one point. Other plays such as "Our Town" and "Sing Out Sweet Land," and the children's theatre productions of "Penrod" and "Robin Hood" helped to beef up his early resume.
Richard enlisted in the Army during the Korean War but injured a knee in basic training, which led to an honorable discharge within 90 days of his enlistment. He did, however, go on to work for the Army Signal Corps in a host of training films.
Richard continued to gather experience in such classical plays as "The Miser" and "A Month in the Country". With several summer stock runs, Shakespearean bus-and-truck tours and industrial films under his belt, he finally made his New York debut in the minor role of an usher in The Dress Circle" at Carnegie Hall. He also became a member of the Player's Club.
Making a highly inauspicious film debut in the minor role of a coach in the film, Hercules in New York (1970), which was the showcase debut for the massively-muscled Arnold Schwarzenegger, Richard didn't settle in Hollywood, until the mid 1970s, after replacing actor Richard Long (who died before filming began) in the role of Watergate figure James McCord in All the President's Men (1976). Although Richard made a handful of other movies throughout the rest of the decade (I Never Promised You a Rose Garden (1977), F.I.S.T. (1978), The China Syndrome (1979), The Onion Field (1979)), he appeared with much more frequency on TV, playing stern, authoritarian types on episodes of Kojak (1973), The Rockford Files (1974), The Streets of San Francisco (1972) (starring the similar-looking Karl Malden), Rafferty (1977), Eight Is Enough (1977) and Starsky and Hutch (1975), as well as in the TV movies Pueblo (1973), Captains and the Kings (1976), The Hunted Lady (1977), Dr. Scorpion (1978), Kate Bliss and the Ticker Tape Kid (1978), Terror Out of the Sky (1978), Marciano (1979) and, most notably, Ike: The War Years (1979), in which he portrayed General Omar Bradley.
Never finding the one support role that might have made him a character star, Richard nevertheless was featured impressively on all three mediums for over four decades. On stage, he appeared in a pre-Broadway tryout of "On the Waterfront" and played, to great applause, in productions of "Other People's Money" and "The Big Knife". His finest hour on stage, however, would come with his portrayal of the epic film producer in the one-man show "Cecil B. DeMille Presents", which he has toured throughout the country. On TV, Richard has guested on most of the popular TV programs of late, including Desperate Housewives (2004) and CSI: Miami (2002) and is probably best remembered for his recurring roles as "Admiral Noyce" on SeaQuest 2032 (1993), as Jason Alexander's boss "Wilhelm" in the sitcom classic, Seinfeld (1989), and as "Admiral Owen Paris" in Star Trek: Voyager (1995). A few of his lightweight cinematic crowd-pleasers include Private Benjamin (1980), Deal of the Century (1983), Planes, Trains & Automobiles (1987) and Sgt. Bilko (1996). More recently, he also had a memorable bit in the Oscar-winning horror film Get Out (2017).
On occasion, Richard moved into the director/producer/writer's chair. He directed the play, "Idle Wheels", for the Road Theatre Company in North Hollywood, was a producer of the N.Y. play, "Agamemnon", and co-producer (and performer) of the play, "The Couch with the Six Insides", and, as a playwright, had a presentation of his play, "Prisoner of the Crown", produced at Dublin's Abbey Theatre.
Married briefly at the age of 19, Richard remarried and had two children (Richard Jr. and Erica) by his second wife. That marriage also ended in divorce, but his third (in 1980), to actress Patricia Herd (Patricia Crowder Ruskin), lasted. Patricia has a daughter from an earlier marriage. Making his final film appearances in the Clint Eastwood vehicle The Mule (2018) and the baseball biopic The Silent Natural (2019), Richard was diagnosed with cancer and died on May 26, 2020, at age 87.- Actress Peggy Ann Garner was born Feb. 3, 1932, in Canton, Ohio. Her father was an English-born attorney, William H. Garner, who served as a U.S. Army officer during World War II. Virginia, her determined mother, got Peggy into summer stock and modeling before she was six. Estranged from her husband, Virginia moved with her daughter to Hollywood a year later. Peggy was cast in several films before gaining fame as Francie Nolan in A Tree Grows in Brooklyn (1945). After years of separation and estrangement, her parents were divorced in 1947. Peggy, who had a falling out with her mother, went to court to have her father appointed as her guardian.
By the time she reached 20, she had moved from Hollywood to New York to try her talents on Broadway. She spent much of the 1950s living and working in New York, studying with the Actors Studio. She appeared on stage with Dorothy Gish in The Man in 1950, A Royal Family in 1951 and Home is the Hero in 1954. She also was in the road company of Bus Stop in 1955. She received Harvard's Hasty Pudding Award for Woman of the Year in 1956.
Her film career began to fade as she grew older, but she did stage and television work as well as a few other films, never recapturing her childhood fame. Even while earning her living as a real estate broker in the 1960s and as a fleet automobile sales manager during the 1970s, she dreamed of a return to the screen.
She was married and divorced three times. Her second husband was actor Albert Salmi, by whom she had a daughter, Catherine who died shortly after her mother Peggy's untimely death from cancer. Peggy's mother Virginia outlived both her only child and only grandchild. - Actress
- Writer
- Director
Diane Cilento was an Australian actress from Queensland. She had partial Italian descent. She was once nominated for the Academy Award for Best Supporting Actress. For a theatrical role as Helen of Troy, Cilento was nominated for the Tony Award for Best Featured Actress in a Play.
In 1932, Cilento was born in Brisbane, Queensland's state capital, to a relatively affluent family. Her maternal grandfather was the prominent merchant Charles Thomas McGlew (1870-1931), founder of the Liberty Motor Oil Company. Cliento's father was the medical practitioner Raphael "Ray" Cilento (1893-1985). He became famous as the director of the Australian Institute of Tropical Medicine, the director of the Commonwealth Government's Division of Tropical Hygiene, the Director-General of Health and Medical Services, the president of the Queensland's Medical Board, a high-ranking member of the United Nations Relief and Rehabilitation Administration, the Director for Refugees and Displaced Persons, and director of disaster relief in Palestine. Raphael spend much of his career combating malaria and other tropical diseases.
Cilento's mother was the medical practitioner and medical journalist Phyllis Cilento (née McGlew, 1894 - 1987). Phylis became famous for advocating family planning, contraception, and the legalization of abortion in Australia. She wrote many books on health matters. Her medical research involved the use of Vitamin E in therapy, and as a method for preventing blood clots.
Cilento was the fifth of six children born to her famous parents. Four or her siblings followed their parents' footsteps as medical practitioners. Cilento's most famous sibling was the professional painter and print-maker Margaret Cilento (1923-2006). Margaret's works are preserved in both the National Gallery of Victoria and the National Gallery of Australia.
Cilento was expelled from school while living in Australia. She then studied abroad, spending part of her school years in the U.S. state of New York. She decided to follow an acting career and won a scholarship to the Royal Academy of Dramatic Art (RADA), located in London. She settled in England during the early 1950s.
Following her graduation from RADA, Cilento started a career as a theatrical actress. She was eventually offered a five-year contract by the British film producer Alexander Korda (1893-1956), and took the offer. She started out with several small roles in film. Her first leading role was playing British governess Ruth Elton in the romantic drama "Passage Home" (1955). In the film, Elton rejects a marriage proposal from Captain Lucky Ryland (played by Peter Finch), who she barely knows. Ryland then tries to rape her. She eventually marries another man, but she is secretly in love with her would-be rapist.
During the late 1950s, Cilento found steady work in British films. She played the only woman in a love triangle in the circus-themed "The Woman for Joe" (1955). She played the between maid in the castaway-themed "The Admirable Crichton" (1957), an adaptation of a play by J. M. Barrie (1860-1937). She played a free-thinker in the romantic comedy "The Truth About Women" (1957),concerning the memories of an old man. She also had a role in the aviation disaster film "Jet Storm" (1959), in which a man has placed a bomb on a passenger airplane.
In the early 1960s, Cilento continued to have notable roles. She played the female lead Denise Colby in the psychological thriller "The Full Treatment" (1960). In the film Denise's husband struggles with mood swings and the dark impulse to kill his wife, which makes him fear for his sanity. The film was one of the murder-themed films produced by Hammer Film Productions.
Cilento played the supporting role of a murder suspect's wife in the thriller film "The Naked Edge" (1961). The film is mainly remembered as the last film role for protagonist Gary Cooper (1901-1961), who died of prostate cancer following the film's completion. Cilento played the murder victim Liane Dane in the crime film "I Thank a Fool" (1962), where a female doctor is suspected of killing her own patient.
Cilento played the most acclaimed role of her career as Molly Seagrim in the comedy film "Tom Jones" (1963), the title character's first love. She was nominated for the Academy Award for Best Supporting Actress, but the award was instead won by rival actress Margaret Rutherford (1892 - 1972).
Cilento next played one of the murder suspects in the crime film "The Third Secret" (1964). In the film a well-known psychoanalyst is found murdered within his own residence, and a number of his patients are suspected of killing him. The main plot twist is that the victim was killed by someone much closer to him than his patients.
Cilento also played the prostitute Cyrenne in the comedy-drama film "Rattle of a Simple Man" (1964). The film concerns the efforts of 39-year-old virgin man to finally have sex. She next played the Italian noblewoman Contessina Antonia Romola de' Medici in the historical film "The Agony and the Ecstasy" (1965), a fictionalized version of the life of the artist Michelangelo (1475-1564). The film was critically acclaimed and nominated for awards, but under-performed at the box office. The struggling studio 20th Century Fox reportedly lost over 5 million dollars due to this box office flop.
Cilento had the supporting role of the caretaker Jessie in the revisionist Western film "Hombre" (1967). The film depicted the relations between the Apache and the white men in 19th-century Arizona. The film earned 12 million dollars in the worldwide box office, one of the greatest hits in its year for release.
Cilento's last film role in the 1960s was the photographer Reingard in the film "Negatives" (1968). The film concerned a couple who liked to role-play as part of their erotic fantasies, however they chose to play the role of famous murderer Dr. Hawley Harvey Crippen (1862-1910) and his lover. This film is remembered as the directorial debut of Hungarian expatriate Peter Medak (1937-), who later had a lengthy career.
Cilento gained her first regular television role when cast as Lady Sarah Bellasize in the prison-themed television series "Rogues' Gallery" (1968-1969). It depicted life in the famous Newgate Prison (1188 -1902) of London during the 18th century. The series lasted 2 seasons and a total of 10 episodes.
Following a hiatus in her film career, Cilento returned in the dystopian science fiction film "Z.P.G." ( "Zero Population Growth", 1972). The film depicted a future Earth suffering from overpopulation and environmental destruction. The world's government has decreed than no new child must be born over the next 30 years, but a couple decide to illegally procreate. Cilento played the supporting role of Edna Borden. Borden offers to help conceal the new baby from the world, while she actually wants to keep it for herself. The film's was well received in its time, and lead actress Geraldine Chaplin (1944-) won an award for this role.
Cilento played the role of the famous German test pilot Hanna Reitsch (1912-1979) in the historical film "Hitler: The Last Ten Days". (1973) The film depicted the last few days in the life of Adolf Hitler (1889-1945), based on the eye-witness account of Gerhard Boldt (1918 - 1981). The authenticity of the source book has since been questioned.
Cilento had a supporting role in the classic horror film "The Wicker Man" (1973), concerning a neo-pagan cult which practices Celtic paganism. The film was based on a novel by David Pinner (1940-). The film won the 1978 Saturn Award for Best Horror Film, and has often been listed among the best British films. It was one of the most acclaimed films of Cilento's career.
The lesser known film "The Tiger Lily" (1975) included Cilento's last film role in the 1970s. She gained another regular role in the television series "Tycoon" (1978), which only lasted a single season and a total of 13 episodes.
Her film career was in decline during the 1980s, and Cilento chose to return to her native Queensland. She settled in the small town of Mossman, named after the Mossman River which flows though it. She built the outdoor theater Karnak in the local rain-forest, which she operated for the rest of her life. She used the theater as a venue for experimental drama.
In 2001, Cilento was awarded with Australian's Centenary Medal for her services to theater. In 2007, Cilento published her autobiography "My Nine Lives". In her last years she was suffering from cancer. In 2011, she died due to this disease while hospitalized in the Cairns Base Hospital. The hospital was the largest major hospital in Far North Queensland. Cilento was 79-years-old at the time of her death.
Cilento was survived by her daughter Giovanna Volpe and her son Jason Connery (1963-), her only heirs. A collection of items from her personal estate was donated by her heirs to the Queensland University of Technology. The collection reportedly included "hundreds of books, memorabilia, posters, furniture". Also included were original scripts which Cilento had inherited from her last husband, the playwright Anthony Shaffer. Original scripts by both Cilento and Shaffer have been digitized, and made available to scholars through the University's digital collections.